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* JACQUELINE WATT (SCOTTISH CONTEMPORARY), THE FIELD'S LETTER mixed media, signed in pencil 30.5cm x 24cm Framed. Label verso: Stenton Gallery, East Lothian. With title, artist's name and cat. no. 136JW/0506. Note: Jacqueline Watt is a graduate of Edinburgh College of Art who exhibits both nationally and internationally. Watt’s work has been informed by the Scottish landscape and its elemental forces and is strong, expressive and colourful as a direct result. Her innovative use of paint and colour is firmly grounded in, and influenced by, her Scottish art education. In 2011 she was awarded the prestigious Charles Rennie Mackintosh Residency in Collioure, South of France, which gave her the opportunity to explore and develop new directions and subject matter in her work. As a direct result of this in 2014, Watt was the invited contemporary Scottish artist to show alongside the Hayward Gallery's touring exhibition, Henry Matisse - 'Drawing with Scissors'. Her most recent work explores new still life colour palettes.
* TOM FLANAGAN, STILL LIFE WITH PINK ROSES oil on board, signed 60cm x 50cm Framed Note: Very little is known about Tom Flanagan, although works by him occasionally surface in salerooms around the UK. He paints accomplished copies of well known paintings often by the Scottish Colourists. He also takes aspects of known paintings by an artist and combines them with elements of other works by that same artist. Flanagan has also copied the work of Sir Alfred Munnings, Sir Alfred Arnesby Brown and Jack Vettriano . Flanagan's paintings are not forgeries as his work is always firmly signed in his own name.
* ALEXANDRA (SANDIE) GARDNER (SCOTTISH b 1945), THE ROSE oil on canvas, signed 150cm x 85cm Framed. Note: A large and very special exhibition centrepiece work. Alexandra (Sandie) Gardner studied at Glasgow School of Art under David Donaldson from 1963-1968 and lectured there until 1988. She has won many awards and her highly individual paintings encompass a remarkably wide range of subjects - still life, figure and portrait studies, the nude, landscape, moody bars, diners, restaurants and barber shops.
* TOM FLANAGAN, STILL LIFE WITH PINK ROSES oil on panel, signed with initials 20cm x 24cm Framed Note: Very little is known about Tom Flanagan, although works by him occasionally surface in salerooms around the UK. He paints accomplished copies of well known paintings often by the Scottish Colourists. He also takes aspects of known paintings by an artist and combines them with elements of other works by that same artist. Flanagan has also copied the work of Sir Alfred Munnings, Sir Alfred Arnesby Brown and Jack Vettriano . Flanagan's paintings are not forgeries as his work is always firmly signed in his own name.
* WALTER LANGHAMMER (AUSTRIAN 1905 - 1977), STILL LIFE WITH INDIAN VASE oil on canvas, signed 40cm x 61cm Framed Note: Born in Austria. Left Austria during Nazi occupation of World War II. He was a contemporary of the famous painter Oskar Kokoschka, and was professor of the Academy in Vienna in the 1930s. After fleeing Austria Langhammer spent some time in London where he painted many images of city scapes and travel (carriage) posters for British rail. After moving to India, Langhammer was appointed as the first art director of the Times of India, and later the Chairman of Bombay Art Society. He played a matchless part in bringing art patrons and artists together, and a seminal role in the founding of the Progressive Arts Group. Langhammer would often say, he saw a future in the modern art movement – he felt it was all over Europe. So people like Ara, Raza, Husain, Souza and Raiba, the great names of the Indian Progressive Art Movement, became his students. Every Sunday, it was open house at his studio on Napean Sea Road. Langhammer inspired a generation of artists who then went on to propel Indian Art onto the international forum. Artists like Almelkar, Husain and Razza have candidly admitted to having drawn inspiration from him. His work is widely collected over several continents today. Whilst every effort is made to provide accurate and honest condition reports, none of our staff is a professional conservator, restorer or engineer. Any condition report offered should be accepted as an indication of any obvious issues or problems or the lack of them. Buyers are urged to satisfy themselves in respect of the condition of any lot and McTear’s can provide contact details of local professional restorers who will provide fully comprehensive expert reports – usually for a modest charge. The condition report does not form part of any contract between McTear's and the buyer, and all lots are offered "as is" in accordance with our Terms of Business in the printed catalogue and available on our website.
A E Broadbent (British, 20th century), Two oils on board, 'All The World's A Stage' and still life with bottles, jar and onion, Signed lower right, 46cm x 61cm and 51cm x 40cm, Framed,With Bonnevale (20th century), Oil on panel, Portrait of a man playing bagpipes, Signed lower left,56cm x 45cm, Unframed (3)
A Sheraton style painted satinwood demi-lune side cabinet, c.1900, in the manner of Edwards and Roberts, with radially veneered top above a drawer and cupboard door, on tapered legs, painted throughout with panels of birds, a still life and a portrait of a maiden, 93cm H x 88cm W x 45cm D PLEASE NOTE: the door is bowed and does not close flush
Caverswall Fine Handpainted Pair if Ltd and Numbered Edition Twin Handled Lidded Vases - Painted by Neil Higgins 'Floral' Still Life, with cobalt blue and 22ct Gold highlighted, great colours. 1st quality and mint condition. These vases are number 6 and 7 of only 100 produced. Height 9" - 22.5 cm tall.
Oil Painting by Hadrian Richards 'The Harbour' signed to bottom left hand side. Framed in contemporary black frame, painting depicts ships in harbour. Hadrian Richards is an established Fine Artist. Producing mainly Landscape paintings and Still Life paintings in a variety of media. 20.5'' x 16'' including frame. Please see images.
Oil Painting by Hadrian Richards 'Still Life With Violin' dated 2017. Framed in contemporary cream frame. Hadrian Richards is an established Fine Artist. Producing mainly Landscape paintings and Still Life paintings in a variety of media. Signed and dated. 21'' x 17'' including frame. Please see images.`
A white-metal mounted scroll case of cylindrical form, engraved on the metal: 'Presented to H.E. Sir Francis Stanley Jackson/Governor of Bengal/The Dacca District Board'; each end with a domed cover and crown finial, about 40 cm long, circa 1927-1932; together with a mottled green glass, or other, box and cover, 5.5 cm diameter. Both contained in a rectangular wood box (3). Sir Francis Stanley Jackson, GCSI, GCIE, KStJ (1870-1947) was Governor of Bengal, 1927-1932, but perhaps is better remembered for his exceptional Cricketing career with Cambridge University, Yorkshire and England. He took part in The Ashes Test at Trent Bridge, 1899 together with a number of the games' most famous players, including W.G. Grace, K.S. Ranjitsinhji, C.B..Fry, Tom Hayward, George Hirst and Wilfred Rhodes. Interestingly, this was not Jackson's best Test Match; he scored 8 in the the First Innings and a Duck in the Second.Jackson rose to Test prominence, scoring 91 in his first Test Match Innings against Australia in 1893 and maintained this form until his penultimate Test Innings at The Oval in 1905 when he scored 76. In 20 Tests, he scored 1415 runs with an impressive average of 48.79, also taking 24 wickets at 33.29. He was both President of The MCC, and President of Yorkshire County Cricket Club.Jackson survived an attempt on his life in 1932 by Bina Dias, a West Bengal Nationalist who was later to become a member of the Bengal Provincial Legislative Assembly. He died in London on 9th March, 1947 whilst still in the post of President of Yorkshire County Cricket Club. Jackson was featured on a number of cigarette cards, including those offered with Capstan, Wills and Ogden's Cigarettes, winning the Ashes in 1905 against an Australian Team with Joe Darling, Syd Gregory, Victor Trumper, Clem Hill and Warwick Armstrong. A feat for which Jackson may be justifiably remembered. .Please note that there are some areas of wear, deterioration or damage to this lot.
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