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Click here to subscribeA 20th century oil painting on canvas attributed to Ronald Ossory Dunlop showing a woodland scene with pathway, signed bottom right Dunlop, 29 x 39 cm in grey painted frame with linen slip together with an oil painting on silk of a still life with flower vase and oriental style figure, signed bottom right K Fisher, 42 x 67 cm in white painted frame
An oil painting on canvas, still life with blue vase containing pink roses, signed bottom right G Cabarie and dated 58, 55 x 46 cm (unframed), an oil painting on canvas of a woodland scene, signed bottom right Ritz-Guy, 46 x 33 cm (unframed) and a pastel study of a cityscape with label verso Rue Des Carmes, pastel, Jean Revie, 37 x 27 cm in white frame
An unusual Coalport vase and cover, circa 1915-25, painted by Frederick H. Chivers, with deep, cobalt blue ground and lavish gilding, painted with single still life panel of fruit, the twin handles with applied lion heads, the waisted vase raised on four paw feet, cover with crown top finial, signed, pattern V.7540, marked 2/5, 200 and 400 in gold, green printed factory mark, 26cm high (hairline to upper inside rim)
λ A Napoleon III rosewood and fruitwood marquetry meuble à hauteur d`appui, with ormolu mounts, the verde antico moulded edge marble top above an ebony veneered frieze drawer and a cupboard door inlaid in the Dutch manner with a still life of a vase of flowers with an outer band of scrolling foliage shells and flowers, enclosing two adjustable shelves, flanked by corner pilasters with satyr masks, scrolls and flowers terminating in cloven hoof feet, the sides with trellis panels and on brass castors, 128.5cm high, 87.5cm wide, 47.2cm deep.
ANTHONY LOUSADA (20TH CENTURY) Bridge at Casteaux, signed, pencil and colour washes, 32 x 28cm; a pencil drawing by the same hand - `Thames - Chiswick Reach - Looking East`, 8 x 13cm; and three further works to include: Norman Smith - Still life - sepia study of a nude, and a pen and ink study signed `Horvath` (5)
Dorothea Sharp, R.B.A., R.O.I., V.P.S.W.A. (British, 1874-1955) Still life of summer flowers in a vase oil on board, signed lower left 19½ x 15½in. (49.5 x 39.5cm.) * Born in Dartford, Kent. Despite her family`s disapproval, she trained at Regent Street Polytechnic under George Clausen and David Murray, and in Paris where she discovered the work of Monet, the latter greatly influencing her handling of subjects and colour in Impressionist fashion. The Artist (journal) made much of her work, considering her to be one of the greatest women painters of her time.
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