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Lot 121
ERNEST GABRIEL MITCHELL (19TH CENTURY) "Still life study of flowers in a blue wicker bound pot resting upon a ledge", watercolour, signed and dated "1886" lower left, 31 cm x 46 cm (ILLUSTRATED) CONDITION REPORTS Overall wear and dirt. Foxing. The foxing is particularly visible to the paler areas of the picture. Some undulations to the paper. Some small scuffs and scratches. However, overall appearance is reasonable.
Lot 194
18TH CENTURY DUTCH SCHOOL FOLLOWER OF PIETER CASTEELS (1684-1749)"Flowers in a basket on a stone ledge with butterflies and bee", oil on canvas, unsigned, and "Flowers in a vase with butterflies, beetle and fly", oil on canvas, a pair, unsigned, 82 cm x 63.5 cm (ONE ILLUSTRATED) CONDITION REPORTS Both still lifes in need of a clean, edges to each have a little aged wear and some flaking. When inspected under ultra-violet light conditions one still life has significant black markings to top right-hand corner, also immediately below the pink and white carnations extending to the bottom edge left. Under ultra-violet light, the other still life appears to have no significant black markings similar to the other still life. Both frames with some flaking, scuffs, splits and minor losses (see photos).
Lot 1624
EUGENE HENRI CAUCHOIS (FRENCH 1850-1911) FLORAL STILL LIFE oil on canvas, signed 54cm x 73cm note : Like many painters of his generation, Eugène-Henri Cauchois found a compromise between the techniques of the Academy and modern, Impressionist tendencies in his creation of genre and still-life paintings. Born in Rouen in 1850, Cauchois became a student of Ferdinand Duboc and of Alexandre Cabanel. Although he debuted at the Salon in 1874, it seems that his greatest success as a painter came during the 1890s: Cauchois became a Sociétaire of the Société des Artistes Français in 1890, was awarded a third-class medal at the Salon of 1898, a bronze medal in 1900, and a second-class medal in 1904. Late in his career, Cauchois turned to decorative painting, accepting many commissions for large-scale works, including a suite of the four seasons for The School of the Seventh Arrondisement of Paris. He continued to work on such decorative commissions until his death in 1911. His work is in numerous public collectionss and museums including : Angers; Louviers; Galerie Roussel; Montauban, Musée Ingres; Perpignan; Rouen.
Lot 1651
* STANLEY GRIMM ROI RP (1891-1966) STILL LIFE OF MIXED FLOWERS oil on canvas, dated `53 92cm x 72cm provenance: The Royal Institute of Oil Painters label verso along with another hand-written exhibition label giving the artist`s address as 2 Trafalgar Studios, Chelsea. Note : Stanley Grimm was born in London in 1891, a descendant of the famous brothers Grimm. He became an orphan early in his life and was taken to Rigw in Russia and brought up by his fathers` family. In 1911 he attended the Knirr Atelier in Munich at the beginning of the Blaue Reiter period. Der Blaue Reiter (The Blue Rider) was a German movement lasting from 1911 to 1914, fundamental to Expressionism, The group was disrupted by the outbreak of the First World War in 1914. Franz Marc and August Macke were killed in combat. Wassily Kandinsky, Marianne von Werefkin and Alexej von Jawlensky were forced to move back to Russia because of their Russian citizenship. There were also differences in opinion within the group. As a result, Der Blaue Reiter was short-lived, lasting for only three years from 1911 to 1914). Grimm exhibited extensively in England including the RA, Redfern Gallery, ROI, Goupil Gallery, Leicester Galleries and Gallery Edward Harvane. He was a Member of Chelsea Arts Club.
Lot 608
Diana Baer, British, late 20th/early 21st century- "Fruit and Nuts"; watercolour, signed with initials and dated 86, 18x26cm: together with six other small format watercolours of fruit and still life subjects by the same hand, all signed and dated, various sizes, (7) (May be subject to Droit de Suite) Exhibited: Hazlitt, Gooden & Fox Ltd, London, Diana Baer Watercolour Exhibition, Christmas 1995
Lot 609
John Sergeant, British b.1937- Untitled; charcaol on buff paper, 23.5x32cm Exhibited: Hazlitt, Gooden & Fox, London, John Sergeant, Recent Drawings 8 November-1 December 2000: John Sergeant, British b.1937- "Poor Man`s Sulpture 1"; charcoal on buff paper, 31.5x31.5cm. Exhibited The Fine Art Society Plc, London, John Sergeant, Recent Drawings, 2000: together with a watercolour study of a still life subject by the same hand, 25x29cm. Exhibited: Hazlitt, Gooden & Fox, London, Three Contemporary Masters, John Sergeant, Jehan Daly, John Ward RA, 2-25 November 1994 cat 24, (3) (may be subject to Droit de Suite)
Lot 658
Rosalind Forster, British, b. 1948- "Lynne`s Garden"; linocut printed in colours, signed, titled, dated `88 and inscribed 8/20 in pencil, 64x46cm: together with two lithographs printed in colour by the same artist entitled "Still life- Autumn" and "Verandah & Orchids", both titled, signed and numbered in pencil, various sizes: Naomi Clements Wright, British, late 20th/early 21st century- "Red Tulips"; lithograph printed in colours, signed, titled and inscribed 26/250, 71x80cm: Adam B Marshall, British, late 20th/early 21st century- "Trinity Gardens Lilypond"; etching with aquatint printed in colours, signed, titled, numbered and dated `86, 29.5x22.5cm: together with seven further etchings with aquatint printed in colours by the same artist entitled, "Trinity Gardens Courtyard", "Moorish Gardens", "Secluded Courtyard", "Papilio", "Swallowtail", "Garden Snail I" and "Garden Snail II"; all signed, titled, dated and numbered in pencil, various sizes, (unframed), (12), (may be subject to Droit de Suite).
Lot 678
Aurora B, late 20th/early 21st century- Untitled/figure in an interior landscape with flowers; oil on canvas, signed on the reverse, 110.3x100cm: Aurora B, late 20th/early 21st century- Untitled urban still life; oil on canvas, signed on the reverse, 136x110cm., (2) (may be subject to Droit de Suite)
Lot 731
AMENDMENT: There are 7 items in this lot, not 6 as originally stated - Martin John Aynscomb Harris, British b.1937- Trees in a street - Untitled; oil on canvas, signed, 50.5x82cm: Martin John Aynscomb Harris, British b.1937 Female nude; pencil on paper, signed, 15x35.5cm: Kay Robson, British 20th/21st century- Cafe street scene; oil on canvas, signed, 51x61cm: Kay Robson, British 20th/21st century- Still life and Wooded river landscape; oil on canvas, signed (both), 40x55.5cm & 46x61cm: Jo Rehehan, 20th/21st century- Tree by a stream; oil on canvas, signed and dated 1993, 40x30cm: 20th Century- Continental Narrow Lane; oil on board, initialled JH and dated `64, 45x70cm., (7) (may be subject to Droit de Suite)
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