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Lot 454

"W** N**TH** A pair of still life on fruit, grapes, peaches, apples, pears, etc, 34cm x 48cm, in gilt moulded frames"

Lot 53

Frank Simcock (born 1929); oil on board, still life of a plant in flowerpot, signed verso, 75 x 49cm, framed.

Lot 54

Frank Simcock (born 1929); oil on board, still life with bottles, signed verso, 75 x 49cm, framed.

Lot 55

Frank Simcock (born 1929); oil on board, still life flowers in jug, signed verso, 75 x 49cm, framed.

Lot 65

James Lawrence Isherwood (1917-1989); oil on board, still life flowers "Eva`s Flowers At Home", signed and dated `65, inscribed verso, 55 x 38cm, framed.

Lot 85

HS; ink and watercolour drawing, cubist style still life, signed with initials and dated 1965, 22 x 45.5cm.

Lot 174

The Tichborne Case. A significant archive album of letters, related ephemera, press cuttings, cabinet photographs, and pencil drawings of court room figures from life, by Lady Louisa Rawlinson (nee Seymour), a witness at the criminal trial of Arthur Orton, the `Tichborne Claimant`.Included in the rather worn album are: Letter from Sir Edward Doughty (or his wife) apologising that their old Jamaican servant Andrew Bogle was accompanying Orton to England; letter from Sir Roger Tichborne dated 1850 from his barracks in Tipperary, 4 pages; letter of December 10th 1866 from Sir Roger`s mother to Mrs Seymour `...I am happy to say that I expect my dearest Roger home at the end of this month… he [Orton] says in his letter to me that he has found health in Australia and that he is much stouter than he was...`; another Seymour letter to her son dated 1867 `...they had poor Roger`s letter to me from Buenos Ayres and I believe he gave it to the lawyers, but of course they have it still...`; Letter from Lord Arundell of Wardour (nephew of Sir Roger`s mother) `...My dear Mrs Seymour, I enclose an account of a recent interview with Castro [i.e. Orton], copied from a letter... I think it will amuse you and it certainly settles the question of the man being an imposter. I hear he is trying to get himself recognised as Sir Roger by old servants and soldiers of Roger`s former regiment`; Also Lady Rawlinson`s summons to give evidence against Castro (Orton) and her statement of evidence as used in the criminal trial. Also significant are several cabinet type photographs, mainly of Orton, and 72 competent pencil drawings and sketches of the courtroom characters with captions, one signed with her initials; several of these are of Orton `butcher`, others include the judge, jury members, `Whicher the Detective`, etc. Lady Louisa Rawlinson (1833-1889) was an aunt of Sir Roger and married in 1862 Sir Henry Rawlinson (1810-1895) famous for his work on deciphering cuneiform inscriptions. She was a daughter of Henry Seymour of Knoyle, as was Sir Roger`s mother, Henriette, though illegitimate. The facts of the Tichborne case are well known, and stem from Sir Roger`s mother`s desperate attempts to find her son, whom though lost at sea, was, she believed, still alive somewhere. The collection shows that Orton (or Castro) had support for his claim from many quarters, partly as a result of his selling Tichborne Bonds that would benefit purchasers if he won the case. Orton lost the civil case, and was convicted of perjury in the criminal case that followed. He died in poverty in 1898Provenance: By descent through the Rawlinson family

Lot 13

Pair of still life game watercolours.

Lot 16

Three framed still life watercolours signed Elsie Ballance.

Lot 527

ENGLISH SCHOOL CIRCA 1880. A Still Life of mixed Flowers in a Vase on a Table ledge, watercolour, 12 1/2 x 10 1/4 in

Lot 550

M. THOMSON. A Townscape in Winter, signed and dated 1972, watercolour, and a still Life by another hand (2)

Lot 567

ATTRIBUTED TO JOSEPH ANKCORN. A Still Life of fruit, by a goblet, bears signature and date 1864, oil on panel, 12 1/2 x 10in,

Lot 72

CAPTAIN MARRYAT`S TELESCOPEa rare model by Thomas Jones, London comprising a 5½in. objective lens with removable lens cap, tapering leather-covered tube with carry strap and single drawer with dust slide, signed Captain Marryat C.B. / Thomas Jones, Charing Cross, London — 21in. (53.5cm.) high (closed) Captain Frederick Marryat (1792-1848) joined the navy in 1806 and, although he missed all the big fleet actions, he enjoyed a lively naval career and seemed to take his lead from his first Commander, Lord Cochrane. By the close of the Napoleonic Wars, he had guarded Napoleon, assisted in several spirited frigate actions, survived serious fevers, saved five lives in action and had been promoted Commander. Despite this, he found fame initially for his signal code, first published in 1817. The Code of Signals for the Merchant Service became an international success going through no less than nineteen editions (not including foreign ones) through to 1879 and which was still used by some merchants until the 1890s. When he retired from the Navy (or rather hot-headedly resigned on the nominal grounds of `private affairs`) in 1830 he became a man of letters and it was in this part of his career that he became a highly popular author, spawning many famous works drawn from his own experiences: Newton Forster, Peter Simple, Jacob Faithful, Midshipman Easy, and Japhet came first to great acclaim. The last eight years of his life were devoted to children`s stories including Masterman Ready, or, The Wreck of the Pacific (1841) and The Children of the New Forest (1847). He also colluded with George Cruickshank who wittily illustrated his Midshipman Ben Blockhead series which are duplicated often in modern references.The instrument offered is a very rare form and the huge objective lens gives a bright and wide field of vision suited more to celestial navigation than signals. It is thought that only four others by Jones exist, one of which is in the national collection at Greenwich.

Lot 722

A modernist still life oil on canvas, 18" x 18", and a watercolour of a Geisha

Lot 746

An oil on canvas, still life of jugs and a plate, 12½" x 10"

Lot 771

A C19th oil on board, still life with fruit and a bird`s nest, 26" x 18". Best Bid

Lot 14843

Attributed to Alfred Aaron Wolmark (British, 1877-1961): Still life with vase of foliage and fruit oil on canvas, mounted within a later painted wooden frame" 35cm x 51cm Condition: In good condition, the rear with evidence of small patched repair View on auctionatrium.com

Lot 117

20th Century Continental School oil on canvas - still life flowers, 23 x 19.25

Lot 118

HEATHER CRAIGMILE oils on board - still life fruit, one unframed, signed 1990, 7.25 x 10 and the other unsigned, 3.25 x 5.25

Lot 437

John Bigge, Still life of flowers,signed and dated 61,oil on board, damaged.

Lot 513

E. Piot - oil on board, still life flowers, signed, 21 x 17in.

Lot 514

E. Piot - oil on board, still life vase of flowers, signed, 22 x 18in.

Lot 531

Paul Quested - watercolour, still life basket of fruit, potted plant and a bird, signed, 24 x 31in.

Lot 539

Helen Fijalouvski - watercolour, still life flowers, 12 x 18in., a 19th century French fashion plate, Victorian engraving, Niagra Falls and two other prints, all framed

Lot 72

OIL ON CANVAS, `Still life`, in an ornate gilt frame, 71cm x 95cm.

Lot 356

ALBERT WILLIAMS (b.1922), `Still life`, oil on canvas, 44cm x 34cm, signed and framed. (Please Note Clause 6 of Buyers Conditions)

Lot 357

ALBERT WILLIAMS (b.1922), `Still life`, oil on canvas, 59cm x 49cm, signed, framed. (Please Note Clause 6 of Buyers Conditions)

Lot 146

DAVID GROSVENOR watercolour - still life, flowers in a bowl on a table, signed, 13 x 18.5

Lot 233

MERYL WATTS oil on board - still life, flowers in a bowl, signed, 19.5 x 18.25

Lot 250

DONALD McINTYRE early oil on board - still life, fruit and vessels on a table, signed with initials, 11.5 x 15.25

Lot 333

MARIA SAX-LEDGER oil on canvas - still life, flowers at a window, signed with initials and signed and dated label verso 1993, 29.5 x 19.75

Lot 339

JOSEF HERMAN oil on board - still life, bottles etc, signed, 16 x 20

Lot 408

A 17TH CENTURY DUTCH SCHOOL - still life flowers in a drug jar, six sided on canvas, relined and inscribed verso H Van Dermyn 1734, in gilt frame, 26 1/2" x 20" (see illustration).

Lot 414

POSSIBLY 18TH EUROPEAN SCHOOL - Still life of flowers in a vase on a stone ledge, oil on canvass, laid down, 14 1/3" x 11 1/4".

Lot 419

W. WATKINS (19TH CENTURY ENGLISH SCHOOL) - A still life with grapes, roses and other fruit, oil on board, signed, 20" x 18".

Lot 420

IRENE M. WARD (20TH CENTURY) Still life - A vase of mixed flowers, butterflies and ladybird on marble ledge, signed, oils on canvas, 21 1/2" x 29 1/2" (see illustration).

Lot 447

20TH CENTURY EUROPEAN SCHOOL - Still life of flowers in a glass vase on a stone shelf, indistinctly signed, oil on board, 31" x 23 1/2".

Lot 451

CONSTANCE BRADSHAW (20TH CENTURY ENGLISH SCHOOL) - A still life with a vase of summer flowers, oil on board, signed, 20" x 16" (see illustration).

Lot 453

NELLIE M * WARD (exh. 1922 - 1939) Still life - a jug of mixed flowers, signed, watercolour, 22" x 17 1/2"

Lot 198

Konstantin Georgievikh Molteninov, Russian Oil on Canvas still life vase of flowers, signed and indistinctly dated, unframed, 73cm x 63cm

Lot 247

A Small Oil on Card still life of flowers, in mahogany and gilt frame, 9cm x 6cm, also a watercolour depicting various figures on horseback, in painted frame (2)

Lot 255

Lidya Datsenko, Russian Oil on Canvas still life "Tea and Cherries", signed in gilt frame, 34cm x 39cm

Lot 511

E HESTER oil on canvas ,still life fruit on a stone ledge,signed 37cm x 50cm,a reproduction print of a farmer and his prize sheep,framed,a watercolour of a cornfield and a seascape ,ship at sunset dated 1912,framed (4)

Lot 2165

A pair of D.M Barber watercolours of still life

Lot 2168

A Rhoda Marsh oil of still life

Lot 164A

D Frederick, still life, lilacs in a basket, oil on canvas, 39x 49cm

Lot 96

AFTER PATRICK PROCTOR (1936-2003) "A Thames river scene with sailing boat and people lined along a bridge, the Tower of London rising in the background", coloured aquatint, signed in pencil in the margin, also inscribed "XLVIII/2", dated 16 3 73, 34 x 54 cm, AFTER JOHN R SKEAPING "A bullfighter", coloured print, F F BRESLER (published) "A figure with horsedrawn carriage in a wooded landscape, coloured lithograph, indistinctly signed in pencil in the margin, bearing blind stamp and No`d 317, two further lithographs of a still life and a coastal scene and CLIFFORD WEBB "A wooded copse", watercolour, signed lower right

Lot 131

ROSENBERG (CIRCA 1855) "Great Butterfly Orchid" and "Bee Orchid", still life studies, two, watercolours heightened with white and signed, bears Sabin Galleries label, 4 Cork Street, London verso, 43 x 15 cm and 33 x 11 cm respectively (ILLUSTRATED)

Lot 226

DONALD HAMILTON FRASER (1929- ) "Flowers and reflections", a still life study, oil on paper, signed bottom right, inscribed on "Business Art Galleries..." label and on back board verso, 52 x 41 cm (ILLUSTRATED)

Lot 304

OLIVER CLARE (1853-1927) "Grapes, greengages, peach and raspberries on a mossy bank", a still life study, oil on canvas, signed bottom right, 30.5 x 25.5 cm (ILLUSTRATED)

Lot 379

THEO BURGER Still life. Flowers on a shelf. Oil on board. Signed. Together with a group of four fruit still lives by FERMOR Oil on board.

Lot 357

A 20th Century half length oil on board portrait of a man wearing wide brimmed black hat, together with an oil on canvas street scene with church and mature trees, a white painted framed and glazed still life watercolour and two canvases including still life and seated female portrait

Lot 362

Two modern canvases, figures promenading on a beach and still life study of chrysanthemum and peonies, each indistinctly signed

Lot 80

MICHAEL SHEPPARD Garden still life. Watercolour and gouache. Signed and inscribed to the back. 49 x 34cm.

Lot 63

Late 20th Century English School/Still Life with Pears and Jug of Flowers on a Table/indistinctly signed/oil on board, 36cm x 36cm (14" x 14")/Provenance: the late Lady Tumim

Lot 481

GV Field, still life of roses, oil on canvas, framed

Lot 499

C. Johnson, still life of flowers in a vase, signed lower right, oil on canvas, in a substantial period style frame. 49cm by 59cm

Lot 525

19th Century English School, The Surprised Miser, signed lower left Hemsley?, further inscribed and dated 1879 verso, oil on canvas, unframed, 46cm by 30cm; together with 19th Century English School, Still Life of a Dead Robin, oil on canvas, framed, 15cm by 20cm. (2)

Lot 533

David Yorke, still life of flowers in a vase, oil on panel, framed. 23cm by 18cm

Lot 35

Diran Garabedian (1882-1963) Oil on canvas, still life flower study, certificate of authenticity verso 26" x 21", unframed.

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