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Lot 426
(Frederick) Clifford Harrison (1901-1984)/Still Life with Plates/initialled and dated CH 1970/oil on card mounted to panel, 40cm x 100cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 551
Alois Janak (born 1924)/Still Life with Fruit/watercolour, 50cm x 91cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 552
Alois Janak (born 1942)/Still Life with Fruit and Books/watercolour, 56cm x 77cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 353
June Miles (born 1924)/Still Life of Honesty in a Vase/signed and dated '81 verso/oil on canvas, 61cm x 46.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 360
William Bankier Henderson (1903-1993)/Still Life with Pears/initialled WH upper right; inscribed verso William Henderson/oil on board, 31cm x 45.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
![Adolfo Feragutti Visconti (1850 - 1924)Still Life, Leaves and Berriessigned, inscribed **bon ami Kayser [Kaiser]?, oil on mah](https://cdn.globalauctionplatform.com/58362702-a7a0-4e0e-ab03-ac4d00efc30b/7262637b-7ac0-4e5f-a4d8-ac5d00890f4a/468x382.jpg)
Lot 168
A pair of coloured engravings, half length studies of ladies in 18th century style costume in black and gilt glass mounts and frames, 42 x 37 cm approx max frame size, together with a pair of early 20th century full length silhouette portraits of a woman with hat and cane and a young girl holding flowers, printed mark Handrup, D H Evans, Oxford Street, London, 38 x 15 cm approx, also together with a coloured print of a floral still life in a 17th century Dutch manner in period style frame, 64 x 52.5 cm max framed dimensions (5)
Lot 278
Sadanand K. Bakre (Indian, 1920-2007)Still Life with Chalice signed and dated 1968 versooil on canvas101.5 x 76.5cm (39 15/16 x 30 1/8in).Footnotes:The painting is also inscribed verso with the artist's address 19 St Helens Gdns, London W10 and his phone number LAD 8434.For further information on this lot please visit Bonhams.com
Lot 83
An Umayyad carved marble panel Cordoba, probably Medinat al-Zahra', 10th Centuryof rectangular form, carved in relief with a tree with undulating and intertwined branches forming cartouches filled with leaves and buds, the top of the tree with a pine cone, the border with cable design, mounted 81 x 37.5 cm.Footnotes:ProvenanceOliver Hoare (1945-2018), acquired circa 1976.Jean-Claude Ciancimino Collection (1931-2014), acquired prior to 1965.This panel is a superbly executed example of the intricately carved naturalistic decoration that is characteristic of the art of Umayyad Spain and was used on everything from small ivory caskets to monumental architectural embellishments. Its origins can be traced back to the ornament of Umayyad Syria, which the Islamic craftsmen of Spain made a conscious effort to revive in order to enhance the prestige of the new western Caliphate. This panel is likely to have been produced to adorn the walls of the palace of Medina al-Zahra' which was built for 'Abd al-Rahman III, the first Umayyad Caliph of Cordoba (Reg. 929-961). Construction took place between 936 and his death in 961, but was continued by his son Al-Hakam II (Reg. 961-976). Similar panels can still be seen in situ in the reception hall which can be dated by inscriptions to between 953 and 957. The time consuming and vastly expensive ornamental scheme of relief carved marble panels, which entirely cover the walls of the room, is in stark contrast to the related but vastly cheaper moulded stucco used by the Nasrids at the Alhambra during the twilight of Islamic rule on the Iberian peninsular. In the centuries after Medina al-Zahra' was destroyed by Berbers in 1010, its decorative architectural elements were dispersed and reused in new buildings throughout southern Spain. For this reason, examples of finely carved stone panels, such as the present lot, can be found in many of the regional museums of modern day Andalusia. For comparable examples depicting what may also be Trees of Life in the Archaeological Museums of Cordoba and Seville, see Jerrilynn D. Dodds, Al-Andalus, the Art of Islamic Spain, New York, 1992, pp. 242-243, nos. 36 and 36. Others are in the Malaga Museum (Inv. no. 8701), and the David Collection, Copenhagen (Inv. no. 86/2004).For further information on this lot please visit Bonhams.com
Lot 103
Medieval Gold And Ruby Ring, Circa 13th century. Gold, 3.40 grams. 22.68 mm. 16.97 mm internal. A beautiful medieval gold finger ring set with a large natural Ruby gemstone (tested). The band of the ring at the base is plain and relatively thick gaged, moving up towards the bezel the sides become decorated with series of nodules along a central rib dividing the band in two. Originally this band of decoration would have been flanked on both sides with black enamel. The bezel is wide and decorated with four scallop or D-shaped depressions that form a quatrefoil with four claws that grasp the ruby setting.This form of decorative ring with central cabochon stone setting is relatively common in the early to middle (High) medieval period, when a focus on the gemstones involved over the metalwork became increasingly common. A number of published examples of similar rings can be seen in British Rings 800-1914(Oman 1974 pp 15-28) who dates them to the period 1100-1300. Ref: Oman C. 1974 British Rings 800-1914 Batsford: London. From the collection of Mr Winchester, an Essex based collector of over 40 years.Note on gemstones: People have treasured gems for many reasons throughout history. Some of these reasons include the use of gems as beautiful decorative ornaments, religious symbols, and amulets or good-luck charms. Gems have also been used for barter and medicinal purposes. For others, gems have been used to display wealth, status, and power. In centuries past, royalty often owned the finest gems. Some of these gems still exist and their histories are a fascinating mix of fact and legend. Take, for example, the Black Prince’s Ruby and the Timur Ruby. Both are set in the Imperial Crown of the British crown jewels. In 1367, England’s Prince Edward, who was known as the Black Prince, helped a Spanish king win a battle. The grateful king gave him a dark red, irregular gemstone (the Black Prince's Ruby). Legend says King Henry V wore the gem in his helmet crown, and that it saved his life by deflecting a blow in the Battle of Agincourt in 1415.
Lot 321
EMMA S.DAVIS R.S.W. (SCOTTISH 1975) 'A NEW DAY', a still life composition of a table top setting with birds to the distance, signed bottom right, signed and titled verso, framed and glazed, approximate image size 87cm x 78cm, frame 113cm x 103cm (condition: scratches, paint loss and dirty marks to the frame) (A)
Lot 32
Richard Bawden RWA NEAC RE (British 20th Century), Roses and Lilac Still Life, Lithograph, signed bottom right, numbered 19/40, mounted and framed. Measurements 50 x 40 cm (PL), framed 71.5 x 58 cm. Sticker verso for The Pheonix Gallery, Suffolk. Richard Bawden (British, b. 1938) is a painter and printmaker, son of artist Edward Bawden.
Lot 1642
Artist: Jaled Muyaes (Chilean/Mexican, 1921 - 2007). Title: "Still Life with Bottles". Medium: Linocut. Date: Composed 1948. Dimensions: Overall size: 9 13/16 x 13 13/16 in. (249 x 351 mm). Image size: 9 7/16 x 9 1/2 in. (240 x 241 mm).Lot Note(s): Initialed "S.K." and dated in pencil, lower right. Probably no edition. Kena rarely, if ever, editioned his prints. A few light creases in lower right; otherwise very good condition. Comment(s): Sr. Muyaes signed his work "Kena," "S. Kena," "Silvestre Kena," "Silvestre," or, if initialed, "K." or "S.K." From the collection of Estela Ogazon. Image copyright © The Estate of Jaled Muyaes. [19777-0-125]
![Artist: Roy Lichtenstein (American, 1923-1997). Title: "Brushstroke Still Life with Apple [variation #2]". Medium: Color offs](https://cdn.globalauctionplatform.com/4c0eecea-e48f-4cde-84cd-ac1d01601cab/cc0ce00b-b41a-4722-8aa4-ac4f01590ca0/468x382.jpg)
Lot 2170
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Brushstroke Still Life with Apple [variation #2]". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 24 7/8 x 29 1/2 in. (632 x 749 mm). Image size: 20 3/8 x 24 1/4 in. (518 x 616 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf Doering/Von der Osten 38. Provenance: Estate of a private collector, New York City (Manhattan), part of an extensive collection of Lichtenstein posters formed over a 20 year period. Comment(s): An uncommon poster. Only six auction records in the past 25 years located. The image in the Doering/Von der Osten catalogue is of Variation #1 (offered elsewhere in our multi-day auction), and the catalogue does not picture or make mention of Variation #2. Image copyright © Estate of Roy Lichtenstein. [28551-6-800]
![Artist: Roy Lichtenstein (American, 1923-1997). Title: "Brushstroke Still Life with Apple [variation #1]". Medium: Color offs](https://cdn.globalauctionplatform.com/09cab514-b4e9-49c0-905d-ac1d015c15d1/67043064-5503-42d9-8c7c-ac4e017a1612/468x382.jpg)
Lot 1407
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Brushstroke Still Life with Apple [variation #1]". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 24 7/8 x 29 1/2 in. (632 x 749 mm). Image size: 20 3/8 x 24 1/4 in. (518 x 616 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Doering/Von der Osten 38. Provenance: Estate of a private collector, New York City (Manhattan), part of an extensive collection of Lichtenstein posters formed over a 20 year period. Comment(s): An uncommon poster. Only six auction records in the past 25 years located. The image in the Doering/Von der Osten catalogue is of Variation #1, and the catalogue does not picture or make mention of Variation #2 (offered elsewhere in our multi-day auction). Image copyright © The Estate of Roy Lichtenstein. [26914-6-800]
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