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S. Lorimer - Still life of flowers, watercolour, signed lower right and dated 1984, 40 x 29 cm; F.S.B. - Pencil drawing of apples, initialled lower right and dated 24.11.05; Blanche Seward - Still life study of roses, oil on canvas, signed lower left, 45 x 34 cm; PS - Garden Study at Mere, watercolour, signed with initials lower right and dated '88, 45 x 32 cm
H. Spencer - Still life of flowers, oil on canvas, signed lower left, 50 x 40 cm; Still life of chrysanthemums and Japanese doll, oil on hardboard, 60 x 44 cm; John J Sayer - Still life study of flowers, oil on hardboard, signed lower right, 64 x 55 cm; 19th century still life study of flowers, oil on canvas, 29 x 39 cm to/w E.A. Lines - Flower study, oil on canvas, signed lower left and dated 9.5.40, 35 x 45 cm; Ritter - Flowers in a vase, oil on canvas, signed lower right, 50 x 40 cm; Brand - still life of flowers and fruit, oil on panel, 11 x 16 cm, signed lower right; I.G. Hocking - a pair
Leigh - Still life study of spring flowers, watercolour, signed lower right, 64 x 49 cm; Still life study of cat and flowers in a vase, watercolour, 40 x 46 cm; Bix - Daisies, watercolour, signed lower left, 29 x 24 cm; Heather - Snowdrops, watercolour, signed lower right, 23 x 27 cm, Japanese anemones and daffodils, signed; impasto oil on canvas of tulips in a vase, 50 x 40 cm; V. Dubaurg - Still life flower study, watercolour, signed lower right, 46 x 41 cm
19th century English school - Portrait of a young girl, watercolour, oval 22 x 19 cm; Still life of flowers, oil on canvas, 14.5 x 13 cm ; J.G.K. - Bird and foliage framed as triptych, 13 x 8 cm; G.H. - Still life study, watercolour, initialled lower left and dated '69, 29 x 23 cm, to/w various landscapes
Gordon Bird - Head study, oil on canvas, signed and dated 1978, 49 x 39 cm and Mother and child, oil on canvas, signed and dated 1978, 40 x 30 cm; Kristin Behge - abstract, oil on board, indistinctly signed, 43 x 36 cm; Jaksic Brown - Sunday-nedelja, oil on board, indistinctly signed, 38 x 27 cm, and a similar one by same artist; Abstract, 30 x 23 cm; Hotel/restaurant polledior, oil on board, 27 x 37 cm; Abstract, 30 x 24 cm; Trivicik, abstract, 54 x 37 cm; Abstract oil on board, 40 x 48 cm; Abstract bowl of flowers, watercolour, 49 x 77 cm; D.Y. - Abstract, initialled and dated '92, 47 x 38 cm; English school - River and trees, indistinctly signed, oil on canvas, 50 x 60 cm; Heather - Irises, watercolour, signed, 49 x 39 cm; Still life, oil on board, 49 x 38 cm; Tita Church, flower study, watercolour, 15 x 10 (16)
Patric Stevenson - Prua - (Irish 1909-1983) `Still Life With Violin`. Oil on Canvas Board 14`` x 20``. Image Size. Signed and Dated 1951 Lower Left. Exhibition Label Verso- Numbered ``19`` with Title - Date - 27th April 1951- And Artists Home Address. Housed in Contemporary Original Wooden Frame. Patric Stevenson was President of the Royal Ulster Academy at the time of the Painting.
Medieval Pewter St Barbara Pilgrim`s Badge15th century AD. A badge of nimbate Saint Barbara standing next to a tower with three windows and holding a palm frond, modelled in the half-round. 3.30 grams, 25mm (1"). Ex Mitchell collection; found on the Thames foreshore at London Bridge. According to the legendary accounts of her life that circulated from the seventh century, Barbara was the daughter of a rich pagan named Dioscorus. She was carefully guarded by her father who kept her locked up in a tower in order to preserve her from the outside world. Having secretly become a Christian, she rejected an offer of marriage that she received through him. Before going on a journey, her father commanded that a private bath-house be erected for her use near her dwelling, and during his absence Barbara had three windows put in it, as a symbol of the Holy Trinity, instead of the two originally intended. When her father returned, she acknowledged herself to be a Christian; upon this she was ill-treated by him and dragged before the prefect of the province, Martinianus, who had her cruelly tortured and finally condemned her to death by beheading. The father himself carried out the death-sentence, but in punishment for this he was struck by lightning on the way home and his body consumed. This summary omits picturesque details found in some versions. These recount that, when her father discovered that she was a Christian, he wanted to kill her, but her prayers created an opening in the tower wall and she escaped. Pursued by her father and guards, she hid in a gorge in the mountains. She stayed hidden here until a shepherd betrayed her. As legend has it, the shepherd was transformed into a marble statue and his herd into grasshoppers. When tortured, Barbara held true to her faith. During the night, the dark prison was bathed in light and new miracles occurred. Every morning her wounds were healed. Torches that were to be used to burn her went out as soon as they came near her. According to one version, she died on 4 December 306 in her native Nicomedia, Bithynia, Asia Minor. Saint Barbara is one of the Fourteen Holy Helpers (also known as Helpers in Need). Her association with the lightning that killed her father has caused her to be invoked against lightning and fire; by association with explosions, she is also the patron of artillery and mining. Her feast on 4 December was included in the Tridentine Calendar, having been introduced in Rome in the twelfth century. In 1729 that date was assigned to the celebration of Saint Peter Chrysologus, reducing that of Saint Barbara to a commemoration in his Mass. In 1969, because the accounts of her life and martyrdom were judged to be entirely fabulous, lacking clarity even about the place of her martyrdom, it was removed from that calendar. But she is still mentioned in the Roman Martyrology, which, in addition, lists another ten martyr saints named Barbara. Orthodox Christians have never ceased to venerate Saint Barbara, who is very popular among them. For them too her feast day is 4 December. In the 12th century, the relics of Saint Barbara were brought from Constantinople to the St. Michael`s Golden-Domed Monastery in Kiev, where they were kept until the 1930s, when they were transferred to St. Vladimir`s Cathedral in the same city. Very fine condition. Scarce.
A ROYAL WORCESTER PORCELAIN VASE, 1956, of flared cylindrical form with rounded shoulders, painted in polychrome enamels by J. Smith with a still life vignette of apples and blackberries on a mossy banking, signed, black mark, 4"" high together with a similar pin tray of shaped oblong form, 1935, painted by Freeman with a still life of apples and blackberries, signed, puce mark, 2 1/2"" x 4"" (2) (Illustrated)
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77168 item(s)/page