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Arthur Heslop (1881-1955), Still life of an old book, unsigned but with gallery label verso, watercolour, framed. 22cm by 17cm Note: Heslop studied at Armstrong College (later Kings College, now Newcastle University), before taking up a staff appointment on the Art staff. He travelled and sketched extensively abroad on University vacations and was extremely fond of marine subjects. He was an active member of the Society for Nautical Research, Greenwich, London.
19th century and other pictures and prints including an oil painting on canvas of a river scene with figures and cattle, a pair of limited edition floral signed prints, a Victorian black and white engraving after F Grant showing a seated young woman with a spaniel on her lap, a pair of large coloured signed limited edition prints after Elizabeth Cameron of poppies, together with a Print Society coloured signed print of a still life with oriental figure and dish by H Pushman, with label verso "Sultana Bad Plate", etc
E M BLAKE (20TH CENTURY) "A still life study of floral sprays in a pewter tankard, resting upon a ledge with butterfly and raspberries", signed and dated 1950 lower right and E M BLAKE (20TH CENTURY) "Still life studies of flowers in a blue lustre vase resting upon a table", watercolour, signed lower right (2)
E M BLAKE (20TH CENTURY) "Still life study of daffodils in a pottery vase on a window ledge with white cliffs beyond", watercolour, signed and dated 1950 lower right, E M BLAKE (20TH CENTURY) "Still life study of lupins and floral sprays in a twin-handled Wedgwood style vase resting upon a table ", watercolour, signed and dated lower right, and E M BLAKE (20TH CENTURY) "Still life study of flowers in a pottery mug decorated with horse and cart, resting upon a sunlit window ledge with landscape beyond", watercolour, signed and dated 1956 lower left (3)
20TH CENTURY ORIENTAL SCHOOL "Still life study of flowering branches", watercolour, signed with red seal mark, another similar on fabric with red seal mark, another similar study, signed with red seal mark, two Oriental prints, AFTER WALTER OSBORNE "A bearded gentleman outside a bricked house before a flowering garden", reproduction print, two London style "Harness" coloured prints, together with Chinese table screen, boxed CONDITION REPORTS All with wear and scuffs, some stains and damage, table screen with damage and holes to reverse. Please note that there a no resin panels in this lot.
AFTER A. COOPER "Draught Horses", black and white engraving by W. Giller, AFTER MICHAEL SOFRARION "A rural cottage scene", limited edition coloured print No'd 16/250, A. MILNER "Still life study of flowers in a glass vase", watercolour, signed lower right, JUNE WADEBRIDGE (20TH CENTURY) "Study of a cat on a cushion", pastel, signed lower right, and two further pictures (6)
AFTER FRED MORGAN "A tug of war" and "His first suit", a pair of black and white engravings, three religious engravings, A REYNOLDS (20TH CENTURY) "Still life study of a flowers in a chamber pot resting on a table", oil on board, signed and dated 68 lower right, 20TH CENTURY ENGLISH SCHOOL "The Church, Duntisbourne Abbots", watercolour, indistinctly signed lower right, 20TH CENTURY ENGLISH SCHOOL "Five Mile House, Duntisbourne", watercolour, unsigned, assorted pictures and prints and a reproduction Saxton map of Gloucestershire
WWII correspondence ‘... Montgomery is regarded by the men who came through the fighting in Italy as a butcher...’ a remarkable series of more than 70 autograph letters sent by a British soldier, Kenneth Hipkin of 13th Corps Troops Workshop REME to his wife Susan just after the end of WWII making his own observations on the war and the personalities involved. It is remarkable that most of these letters were not destroyed or heavily obliterated by the censor, such were the forthright views expressed in them. In one letter he remarks about the fate of the 243 British paratroopers imprisoned for mutiny in Kuala Lumpur in what was known as the ‘Kluang Incident’: ‘...what a vile and terrible crime has been committed against these men, men who risked their lives for their country. It is high time England had a purge and got rid of all the Nazi elements...the MPs of the British Army make the German Gestapo look like a bunch of Boy Scouts...’ On the effects of the atomic bomb, he writes: ‘...they were the most ghastly sights I have ever seen and it is a grave thing when one realises that a supposedly civilised country, America, used this most hideous form of warfare not on military objectives not on troops but without warning on defenceless people. His views on Montgomery are also revealing: ‘...Montgomery is regarded by the men who came through the fighting in Italy as being a butcher. They say he used to completely disregard the loss of life a battle might cost... that ‘idiot’ Montgomery known as the Butcher says we still need large forces of infantry even though the atom bomb has come...’, ‘...we may as well be under German rule, it couldn’t be much worse than this. ‘[Churchill] is nothing but a wicked old war monger and will never be happy till he sees Britain fighting Russia. Like all Tories he is afraid of Communism spreading and thinks he and his type would loose their power and their money and to prevent that happening would be prepared to start a war that may cost thousands of men’s lives...’ Hipkin is clearly from the far left in his political thinking, but these letters provide a valuable insight into the thinking of the ordinary soldier in the wake of the end of WWII and the dawn of the Cold War. Not everyone though of Churchill and Montgomery as heroes.
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