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Lot 389

Audrey Johnson (British 20th century)Still life of flowers in a brown jugOil on board Signed and dated 1966 lower right 18 x 15.5cm (7 x 6 in.)

Lot 390

Audrey Johnson (British 20th century)Still life of flowers in a white jugOil on board Signed and dated 1986 lower right 25 x 20cm (9¾ x 7¾ in.)Exhibited:Lakes Artists Exhibition, Grasmere, 1986Provenance:Property of the artist;Purchased on 5th August 1986 from the above exhibition;Thence by descent to the present owner

Lot 307

Dorothy Allen - Spring Flowers - still life of flowers in a porcelain bowl - oil on board, signed top right corner, 17" x 14", artist and gallery framers label verso, framedLocation:

Lot 312

A raised woolwork floral picture. In elaborate simulated rosewood and gilt frame 30cm x 66cm, a sampler dated 1960, a 1960's style fabric still-life embellished with costume beads etc., and a woven wool picture (4).

Lot 359

A ROYAL WORCESTER ROSE JAR, COVER AND INNER COVER, PAINTED BY FREEMAN, SIGNED, WITH A CONTINUOUS STILL LIFE OF RIPENING FRUIT BEFORE A MOSSY BANK, 34CM H, BLACK PRINTED MARK, C1964-80 Jar and inner cover both in good condition, no restoration. The elaborate outer cover restored

Lot 598

20TH C SCHOOL, STILL LIFE WITH FLOWERS, SIGNED R. ROSSINI, ACRYLIC ON CANVAS, 89 X 59CM, HARRY WEBSTER, COTTAGES ON THE COAST, SIGNED, WATERCOLOUR, 27 X 37.5CM, PAT ROONEY, CARICATURE OF LOFTY OF THE GLOUCESTER REGIMENT, SIGNED AND DATED 1944, CHARCOAL AND AN ETCHING OF THE FALCON INN, CHESTER Y W. MACALISTER-TURNER Caricature stained, the others in good condition

Lot 1002

Vincent Clare (1855 - 1930), oil on canvas, still life study, spring flowers and basket on a mossy bank, signed, 8" x 12", framedVery good original condition

Lot 1003

Vincent Clare (1855 - 1930), oil on canvas, still life, bird's nest and flowers on a mossy bank, signed, 12" x 9", framedIn very good original condition

Lot 1043

Mid-20th century oil on board, still life study, unsigned, 15" x 11.5", framedVery good condition

Lot 1047

Oil on canvas, abstract still life, unsigned, 20" x 26", framedCanvas has a patch repair otherwise good condition

Lot 1063

Oil on board, abstract, still life, unsigned, 12" x 30", framedGood condition

Lot 1068

Patrick Nettleship, 2 oils on board, impressionist trees, 9" x 7", and still life, 7.5" x 5", framedBoth in very good condition

Lot 1078

R Combes, oil on canvas board, still life, signed, 8.5" x 10", framedGood condition

Lot 1079

Ronald Day, oil on canvas, still life, 10" x 7.5", and Carol Emsley, oil on board, still life, 10" x 7.5", framed (2)Both in good condition

Lot 1198

French School, acrylic on board, still life, unsigned, 17" x 22", framedGood condition

Lot 1203

Mid-20th century French School, oil on canvas laid on board, still life, unsigned, 20" x 24", framedGood condition

Lot 1204

20th century British School, oil on board, still life with apples, indistinct monogram MT?, 13.5" x 18", framedGood condition

Lot 1249

Clare Atwood NEAC, oil on canvas, still life, flowers in a bowl, signed and dated 1955, original Exhibition label verso, 18" x 24", framedGood original condition

Lot 1267

Glynn Boyd Harte (1948 - 2003), coloured etching, still life, signed in pencil, from an edition of 75, image 16" x 23", framedA few fox marks in the margin

Lot 1277

Robert Walker, oil on canvas, still life, aubergines and cans, signed, 12" x 16", framedGood condition

Lot 1327

Modern oil on canvas, abstract still life, 16" x 14", framed

Lot 1757

Large Victorian still life gilt framed oil on canvas, unsigned. 99 x 74 cm, This lot is not available for in-house P&P.

Lot 6185

(Ephemera). Two Winston and Clementine Churchill unused Christmas cards, each illustrated with a mounted coloured print of a Churchill painting, "The Olive Trees" & "Still Life [fruit]"

Lot 13

A wall rack with three drawers and a still life watercolour, 74cm high x 69cm wide x 17cm deep (2) Condition Report: Available upon request

Lot 187

Attributed to Ascher Ltd., London, rare modernist screen printed rayon satin panel, circa 1940 with repeat still-life pattern, reserved on a black ground (Dimensions: 176.5cm x 122cm Footnote: Provenance: Lyon & Turnbull, Edinburgh Textiles as Art: from the collection of Paul Reeves, 23rd February 2017, Lot 151 Condition Report: Available upon request

Lot 275

FOUR PAINTINGS OF BIRDS, FLOWERS AND STILL LIFE BY A GOODWIN (COALPORT ARTIST)

Lot 3011

Jane Ancona, still life study of flowers in a jug, oil on board, signed and dated '82 lower right, 59 x 49cm

Lot 3063

Contemporary watercolour still life of red flowers and apples on a black ground, unsigned, in gilded frame, along with a contemporary rural landscape, and watercolour of a man watering plants, signed Michael Little (3 in lot)

Lot 3066

Still life of fruit signed Czok, print by J.M.Perrryman, painting of a Maltese dog, unsigned, and a painting of a pig monogrammed P.K. (4 in lot)

Lot 3303

Petty, 20th century - Industrial landscape, oil canvas, signed lower right, 69 x 97cm, still life of fruit, flowers and a goblet, oil on canvas, 75 x 63.5cm. and post impressionist French School still life of flowers, 62 x 51cm., all unframed (3)

Lot 3321

Still life study of a bottle of wine, wine glass, pork chops on a plate, two lemons and a cooking pot, watercolour, signed 'V.D. Thoms' and dated 1962 lower right, 37 x 52cm

Lot 81

MOSS WILLIAMS watercolour - richly coloured still life study of fruit vessels and a pottery hen on nest, all on a table, signed and dated 1954, 37 x 27cms

Lot 93

MID 20th CENTURY OIL ON CANVAS - still life, fruit, 23.5 x 33.5cms

Lot 354

Collection of eighteen various oils and pictures including Seascapes, Still Life, etc.

Lot 478

THREE UNFRAMED PAINTINGS ON FABRIC, FRAMED WATERCOLOUR OF LYMINGTON STREET SCENE, AND STILL LIFE WATERCOLOUR SIGNED JOAN YARDLEY

Lot 172

A framed signed Gaizka limited edition print - Yorkshire village 430/600 together with an oil on board - still life and two contemporary framed prints

Lot 117

A Framed Oriental Still Life, Flowers, Signed, 27cm Wide

Lot 157

A Pair of Modern Framed Still Life Prints, 38cm High

Lot 397

A Modern Gilt Framed Print, Still Life Ceramics and Vase of Flowers, 48cm wide

Lot 95

A Large Gilt Framed Oil on Canvas Under Glass, Still Life, Vase of Flowers, Signed Nora H Cullen (1886-1969), 62x48cm

Lot 98

A Small Gilt Framed Oil on Board, "Still Life in Red and Gold" by Captain Hugh Micklem. Books and Marley Horse, 17cm wide

Lot 1048

Postcards, a similar selection of approx. 280 cards all published by Tuck, mostly oilettes arranged in series order from 7752 - 10055. The majority of cards are scenic views. Artists inc. Sid Gardner, Longstaffe, Bridgeman, Kamptz, Jenkins, Wimbush etc sold with a few comic, children, flowers and still life (mixed condition, fair/gd)

Lot 330

A MODERN STILL LIFE STUDY OF FLOWERS IN A 19TH CENTURY STYLE, indistinct signature bottom centre, oil on curved board, gilt frame with oval aperture, probably Chinese, approximate painting size 39cm x 29cm (condition: some damage to frame)

Lot 346

PAINTINGS AND PRINTS etc to include a watercolour of Bar Lodge and Salcombe Bay, signed Pall?, framed, approximate size 23cm x 34cm, oil on canvas depicting figures on a coastal promenade, indistinctly signed, framed, oil on canvas, still life flower study, indistinctly signed, assorted prints, frames and woolwork pictures (16)

Lot 347

PAINTINGS AND PRINTS etc to include an oil on board of chickens, initalled E V, framed, approximate image size 16cm x 11cm, two still life flower studies, oil on canvas, Rupert Duncan print 'The Critics Circle', African oils on canvas, signed C Kigotha (box and loose)

Lot 348

A BOX AND LOOSE ASSORTED PAINTINGS AND PRINTS etc, to include flower still life study, signed Sullivan, oil on canvas, amateur watercolours, various subjects, various colour prints, early 20th Century to modern, all framed (approximately thirty two)

Lot 355

PICTURES AND PRINTS etc to include a watercolour still life of ceramics and a fan, carved oak panel with latin script and dragons, dated 1931, together with an assortment of prints, various subjects, most framed, size of oak panel is approximately 148cm x 31cm, framed photograph of Butler Brothers Building with medals from Franco British Exhibition 1908

Lot 24

H V Simmonds, watercolours still life study of a vase of roses

Lot 285

A large oil on canvas still life study depicting fruit and pewter items, indistinctly signed

Lot 484

An oak framed mirror; a modern oil on board still life study and a quantity of various pictures and prints

Lot 604

Alfred Frederick William Hayward (1856-1939), oil on canvas, Still life of chrysanthemums in a glass vase, signed, 60 x 34cmCONDITION: Fine Art Society label verso, oil on original canvas suffering from damage mostly across the lower section of the painting where the paint is lifting and starting to flake away, in better order elsewhere but dirty throughout, probably in the original glazed frame which is also flaking.

Lot 624

Mamohtobata, oil on canvas, Still life with fish on a plate, inscribed verso, 53 x 85cm

Lot 642

Robl, oil on canvas, Still life of a silver stein, a wine glass, orange and currants, signed and dated 1875, 49 x 38cm

Lot 507

* JOHN CUNNINGHAM RGI D Litt (SCOTTISH 1926 - 1998), STILL LIFE WITH APPLES oil on linen, signed 50cm x 50cm Framed. Provenance: Private Scottish Collection. Note: The artist's long obituary in The Glasgow Herald in 1998 began "Dr John Cunningham's death at the age of 72 robs Glasgow of one of its most endearing, well-known and colourful art-world stalwarts". Born in Lanarkshire in 1926, Cunningham attended Glasgow School of Art (GSA) in 1953. From 1967 to 1985, he was a Senior Lecturer at GSA, thus having close contact with several generations of young painters for two decades. John lived in a magnificent and spacious studio flat in the centre of Glasgow which was designed by Sir John Burnett expressly for the use of an artist, and which had previously been owned by other artists including John McGhie and David Gauld. The vision of his paintings was an expression of the man. John Cunningham was a large, charismatic character who loved life abundantly and whose paintings reflected his joy and passion for colour, displaying bold, confident brush-strokes along with subtle sensitivity. This gives his work a wonderful freshness and vitality with the immediacy of the moment captured. His still lifes such as the painting on offer here are typified by a sense of connection to nature, an honesty depicted – nothing is sentimentalized or diminished – and a lavish generosity of engagement with colour, tone, shade and light. In 1980 he was elected to the Royal Glasgow Institute of the Fine Arts (RGI) and in 1990 he was awarded an Honorary Doctorate from the University of Strathclyde. He received numerous prestigious awards during his long career. He exhibited throughout the UK also in New York and Hong Kong, and his work is in many public, corporate and private collections.

Lot 509

* NORMAN EDGAR RGI (SCOTTISH b 1948), STILL LIFE WITH YELLOW ROSE oil on board, signed 30cm x 30cm Framed Note: Known collections include: HRH The Duke of Edinburgh, Heriot Watt University, Greenock Art Gallery, Argyll Education Authority, Refrew Education Authority, Lord Morton, Guiness Plc, United Distillers, Lord Macfarlane of Bearsden, Glasgow Dental Hospital, Pitlochry Theatre and in numerous corporate and private collections in the USA, Germany and the UK.

Lot 514

* HILDA GOLDWAG (AUSTRIAN 1912 - 2008), STILL LIFE WITH BANANAS oil on board 60cm x 45cm Framed

Lot 519

* ELIZABETH BLACKADDER DBE RA RSA RSW RGI DLitt (SCOTTISH b 1931), STILL LIFE IN WHITE AND GREY watercolour on paper, signed and dated 1972 in pencil 62cm x 104cm Mounted, framed and under glass. Label verso: Mercury Gallery, 26 Cork Street, London. Purchased September 1972. Note: Elizabeth Blackadder is the first woman to be elected to both the Royal Scottish Academy and the Royal Academy. She studied at Edinburgh University and Edinburgh College of Art from 1949 to 1954. In 1954 she was awarded a Carnegie Travelling Scholarship by the Royal Scottish Academy, which took her to southern Europe. Blackadder also received an Andrew Grant Post-Graduate Scholarship. In 1955 she was awarded another Travelling Scholarship and spent nine months in Italy. In 1956 Blackadder married the painter, John Houston and lectured in Drawing and Painting at Edinburgh College of Art from 1962 to 1986. Blackadder’s first solo exhibition was held in 1959 at 57 Gallery, Edinburgh. Since then, solo exhibitions of her work have been held almost every year to date, both nationally and internationally. She has also participated extensively in group exhibitions around the world. Blackadder has received a number of awards, including the Guthrie Award, Royal Scottish Academy (1962) and the Pimms Award for Work on Paper (Royal Academy, 1983). She was joint-winner of the Royal Academy’s Watercolour Foundation Award in 1988. Blackadder was elected Member of the Royal Scottish Academy in 1972, a Royal Academician in 1976 and a Member of The Royal Glasgow Institute of Fine Arts in 1983. She is an Honorary Member of the Royal West of England Academy, the Royal Watercolour Society and the Royal Society of Painter-Printmakers, and an Honorary Fellow of the Royal Incorporation of Architects in Scotland and the Royal Society of Edinburgh. She has also received Honorary Doctorates from four Scottish universities. In 2001 she was appointed Her Majesty’s Painter and Limner in Scotland. Elizabeth Blackadder lives and works in Edinburgh. Selected public collections: Abbot Hall Art Gallery, Aberdeen Art Gallery, Carlisle Museum and Art Gallery, Contemporary Art Society, The Carnegie Trust, Edinburgh City Art Gallery, Tower Art Gallery (Eastbourne), The Fleming Collection, Glasgow Museum and Art Gallery, UK Government Art Collection, Greater London Council, Heriot Watt University, Kirkcaldy Museum & Gallery, Museum of Modern Art, New York (MOMA), National Portrait Gallery, London, Royal Acedemy of Arts, The Royal Scottish Academy, Scottish Arts Council, Scottish National Gallery of Modern Art, Scottish National Portrait Gallery, Tate Gallery, London, University of Cambridge, Kettle’s Yard, University of Edinburgh, University of Glasgow, Hunterian Art Gallery, Whitworth Gallery, Wustun Museum, Racine, Wisconsin, USA.

Lot 585

* JOHN CUNNINGHAM RGI D Litt (SCOTTISH 1926 - 1998), RAISED BEACHES, COLONSAY oil on linen, signed 51cm x 56cm Framed. Label verso: The Glasgow Art Club. With title and artist's address. Provenance: Private London collection. Note: The artist's long obituary in The Glasgow Herald in 1998 began "Dr John Cunningham's death at the age of 72 robs Glasgow of one of its most endearing, well-known and colourful art-world stalwarts". Born in Lanarkshire in 1926, Cunningham attended Glasgow School of Art (GSA) in 1953. From 1967 to 1985, he was a Senior Lecturer at GSA, thus having close contact with several generations of young painters for two decades. John lived in a magnificent and spacious studio flat in the centre of Glasgow which was designed by Sir John Burnett expressly for the use of an artist, and which had previously been owned by other artists including John McGhie and David Gauld. The vision of his paintings was an expression of the man. John Cunningham was a large, charismatic character who loved life abundantly and whose paintings reflected his joy and passion for colour, displaying bold, confident brush-strokes along with subtle sensitivity. This gives his work a wonderful freshness and vitality with the immediacy of the moment captured. His still lifes such as the painting on offer here are typified by a sense of connection to nature, an honesty depicted – nothing is sentimentalized or diminished – and a lavish generosity of engagement with colour, tone, shade and light. In 1980 he was elected to the Royal Glasgow Institute of the Fine Arts (RGI) and in 1990 he was awarded an Honorary Doctorate from the University of Strathclyde. He received numerous prestigious awards during his long career. He exhibited throughout the UK also in New York and Hong Kong, and his work is in many public, corporate and private collections.

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