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Lot 460

Barbara Valentine (British, 20th Century), A miniature of a parrot, sunflower and valentine vase, signed with monogram 'BV' (lower centre) and bears Llewellyn Alexander Gallery label (verso), oil on board, 7.5 x 7.5cm together with four other miniatures of still life and vases by the same hand, all signed with artist's monogram, (5) Illustrated, DDS

Lot 461

Pam Wilmot (British, 20th Century), A miniature of an autumn swan, signed and dated 'Pam Wilmot 2004' (lower right), bears Llewellyn Alexander Gallery label (verso), oil on card, 9.5 x 9.5cm, together with a miniature of a black swan by June Blyth, a miniature of a kingfisher by Esther Rose and four other miniatures of still life by various hands (7) DDS

Lot 465

George Hedley (British, 19th Century), Still life of fruit and a fly, signed and dated 'G Hedley 1860' (lower right), oil on canvas, painted in an oval, 33.5 x 33cm.

Lot 270

*Fred Yates (1922-2008)STILL LIFE OF FLOWERS ON A STOOLSigned l.r., oil on canvas51 x 45cm*Artist's Resale Right may apply to this lot.

Lot 291

English School, early 20th centuryA STILL LIFE OF A JUG OF CHRYSANTHEMUMS AND BOOKS ON A CHEST OF DRAWERSOil on canvas41 x 51cm

Lot 323

*Leo McDowell (1936-2011)STILL LIFE WITH A BLUE VASE OF FLOWERS AND A BOWL OF FRUIT ON A TABLESigned l.r., oil on paper22.5 x 21.5cm*Artist's Resale Right may apply to this lot.

Lot 33

*John Bellany RA (Scottish, 1942-2013)STILL LIFE OF A JUG OF FLOWERSOil on canvas91 x 91cm*Artist's Resale Right may apply to this lot.

Lot 140

*Patrick Procktor RA (1936-2003)STILL LIFE OF A JUG OF FLOWERS AND A LANTERN ON A DRAPED TABLESigned and dated '69 l.r., watercolour75 x 40cm*Artist's Resale Right may apply to this lot.

Lot 216

*Duncan Grant (1885-1978)STILL LIFE OF FOUR BOTTLESSigned and dated 1973 l.l., oil on paper29.5 x 23cmProvenance: Acquired by Henry Madams, the artist's accountant; thence by descent.*Artist's Resale Right may apply to this lot.

Lot 325

*Leo McDowell (1936-2011)STILL LIFE WITH A VASE OF FLOWERS ON A YELLOW TABLESigned l.r., mixed media on paper20.5 x 20cm*Artist's Resale Right may apply to this lot.

Lot 1188

Joanna Shelton (nee Jackson 1916 - 1991), oil on canvas - still life with a boulle work clock, in painted frame, 65cm x 42cm

Lot 1191

Harold Herbert Shelton (1913 - 1994), collection of nine watercolour and ink studies - still life of flowers and fish, together with other unframed works by fellow artists and students, some with Royal Society of Art Competition labels

Lot 1215

Henry P. Stevens, collection of seven framed watercolours - The Ploughed Field, The Orchard, other rural scenes and still life studies of flowers

Lot 1216

Henry P. Stevens, collection of four framed watercolours - The Lower Gates, Nayland, Rainbows Pool (Exhibited at the Festival Exhibition of Art Council Norwich Castle 1951), 'The Stranger in a Storm' and still life of chrysanthemums

Lot 1187

Joanna Shelton (nee Jackson 1916 - 1991), oil on canvas - a garden, signed, in painted frame, 24.5cm x 30cm and two other oils - Lymore Brook and a still life of plant pots

Lot 1185

Joanna Shelton (nee Jackson 1916 - 1991), oil on board - still life of mackerel on a plate, in painted frame, together with another oil - still life of mushrooms, 30cm x 45cm and 25cm x 35cm (2)

Lot 1119

Helen Simmonds (b. 1962), oil on canvas - still life of lemons and carnations, signed and dated '08, unframed, 18cm x 22.5cm, together with three exhibition catalogues

Lot 1054

E. Hamilton, early 20th century oil on canvas - still life of summer flowers in a jug, signed, in gilt frame, 46cm x 41cm

Lot 963

Mélanie De Comolera (c. 1800 - 1860), watercolour on porcelain - miniature still life of summer flowers in a basket, signed, inscribed verso - 'This beautiful painting on china by Mme Comolera was the gift of Princess Polignac to Lady Sidmouth at Richmond Park, July 1827 and given by Her Ladyship to Lady Campbell, April 1842', 9cm diameter, tondo, in papier mâché frame CONDITION REPORT Excellent overall condition. Provenance - From a large private collection by direction of the executors

Lot 1141

Late 19th century Continental School oil on board - still life of fruit and finches on a ledge, in gilt frame, 64cm x 45cm

Lot 1033

W. Robert, late Victorian oil on canvas - still life of vegetables, signed, unframed, stamped verso E. S. K. (examined South Kensington), 76cm x 45cm

Lot 1032

W. G. Becker, early 20th century oil on canvas in the style of William Harnett - trompe l'oeil, still life with a violin and music, signed, unframed, 76cm x 51cm

Lot 191

A mid 20th century European oil on canvas still life depicting fruit, framed

Lot 316

A 1950's Dutch oil on board still life of flowers, signed and dated 'Rima' 1953, in a gilt frame

Lot 395

A 19th century oak Treameau mirror with carved detail and oil on canvas still life panel above the rectangular bevelled plate

Lot 565

An oil on canvas still life together with an oil on canvas landscape and a large collection of prints

Lot 510

ROLLING STONES AND RELATED - This lot of 11 albums features LPs, live recordings and compilations from the band and its comprising members. The rarest and most sought after record is Keith Richard's second solo album from 1992 "Main Offender" (VUSLPS9). This copy is the original UK pressing and comes with a printed inner and is in Ex+/Ex+ condition. There are also LPs from Ronnie Wood "Cancel Everything" (THBL-2034, Ex+/Ex, UK reissue) and Bill Wyman "Bill Wyman" (AHLF 68540, Ex+/Ex, original UK pressing) along with the soundtrack to "Performance" (WS 2554, VG/VG, original UK pressing). The Rolling Stones albums include the live recordings "Love You Live" (COL 89101, Ex+/Ex, original UK pressing, two records in gatefold sleeve with printed inners) and the highly distinctive coloured vinyl copy of "Still Life" (CONP 39115, Ex+/Ex+, original UK pressing) along with the compilation albums "Flowers" (844 469-1, Ex+/Ex, UK pressing) and "Made in the Shade" (COL 59104, Ex+/Ex+, original UK pressing). The Rolling Stones LPs include "It's Only Rock'n Roll" (COL 59103, Ex/VG, original UK pressing), and two versions of "Beggars Banquet." One is the digitally remastered 1986 US reissue (75391 PS 539, Ex+/Ex) and the other is a UK original pressing with the boxed Decca logo (SKL 4955, Ex+/VG).

Lot 307

UNATTRIBUTED, TWO LARGE COLOUR PRINTS, - image of flowers in a vase and a still life composition of vases, fruit and flowers. (2)

Lot 247

An oil on board still life study, unsigned

Lot 393

MAGGIE JOHNSTONE Still Life Study Tulips in a VaseSigned Lower LeftOil on Canvas60cm x 45cm

Lot 376

CHRIS MEADOWS (SCOTTISH 19th CENTURY)A Still Life of Flowers in a VaseOil on Panel Signed52cm x 42cm

Lot 133

A 1953 Jaguar XK120 Roadster, registration number PTT 304, pastel green, continuous family history from 1958. This original Devon registered XK has a fascinating history. The vendor's father knew the car from new when it was delivered to A C Bulpin in Newton Abbot in 1953. As a twenty year old mechanic, the price on the windscreen was way beyond his means, but move on five years and one change of owner and the young Mr Harrison was able to seal the deal and become the proud owner of the XK. The vendor's involvement with the Jaguar began in 1961 when he returned home from hospital as a babe in arms in the XK. The vendor's father competed with the Jaguar at various hill climbs and sprints in period including Wiscombe where he won fastest time of the day in 1966. Around the same time the engine was changed for a hot 3.8 litre version with a lightened fly wheel, wide sump, competition clutch, balance crank and polished and ported head. With a new engine installed, an experimental Tecalamit fuel injection system was installed by Martin Motors Workshop near Haldon. This was quite a set up for the day and which the vendor's father said was excellent when working well improving low down torque, but had a tendency to oil its plug up at tickover and this became troublesome in traffic. With commitments and a lack of garage space, the decision was taken to lend the Jaguar to the Totnes Motor Museum where it remained for several years. Fast forward to the late 1970s and the vendor was now taking a keen interest in the car. He persuaded his father to remove the Jaguar from the museum and recommission it. At this time, the decision was taken to remove the fuel injection system and reinstate a twin two inch SU set up. During the 1980s storage became a problem again with the car moving from a rented garage to barn until the vendor started working for the World of Country Life Museum and the Jaguar found a new home as an exhibit when it was not being used by the vendor on rallies and road runs. During the 1990s, the Jaguar was resprayed in its original pastel green, new wire wheels with stainless steel spokes were fitted and a disc brake conversion was installed. The car is now presented in a good useable state with a well patternated original green leather interior and still sports the hot 3.8 litre racing engine. This well maintained XK comes to the market for the first time in over 58 years. RF60, V5C See illustrations

Lot 849

Tom E. Lewis (American/California, 1909-1978) , "Still Life of Calla Lilies", oil on canvas, signed lower right, label with title en verso, 32 in. x 24 in., period frame

Lot 882

Noel Rockmore (American/Louisiana, 1928-1995) , "David Amram, Composer", 1961, watercolor on paper, signed, dated, titled and localized "Fire Island" lower center, inscribed "Summer" upper right, 10 in. x 13 1/4 in., framed; ACCOMPANIED BY Life magazine article "Music-Making Swinger Close Up - David Amram, A Rising American Composer", by Diana Lurie. Note: David Amram is a world-renowned composer, multi-instrumentalist and author. Lifelong friend of Noel Rockmore, Amram and the artist met while young children on the shores of Harvey Cedars, New Jersey. Their paths would cross again when they both attended Putney School in Vermont, where Amram was in the same grade as Rockmore’s younger sister. At the time when the work offered here was created, Rockmore, when not in New Orleans, would frequent New York and visit Amram who was “at the heart of the ‘Beat’ movement with Alan Ginsburg, Larry Rivers, Jack Kerouac and many others.” Together, they would take trips to Fire Island where this watercolor was likely painted. In the early 1950s, Amram started his musical career playing the French horn in the National Symphony Orchestra in Washington, D.C. An influential composer, Amram wrote the musical scores for films such as Splendor in the Grass and The Manchurian Candidate as well as the score for the Arthur Miller play After the Fall. From 1964-1966, he was Lincoln Center Theatre’s Composer and Music Director, and in 1966 he was the first New York Philharmonic Composer in Residence. Amram also authored three memoirs about his life, work, and collaborations with Jack Kerouac. Currently, he is still composing and working on a string orchestra version of his Greenwich Village Portraits. Ref.: David Amram - Noel Rockmore. Dir. Rich and Tee Marvin. Perf. David Amram, Rich Marvin, and Chris Davis. Golden Era of the French Quarter, 2011. Digital Film. “Biography.” David Amram. David-amram.blogspot.com. Accessed Jan. 5, 2017. Marvin, Shirley, Rich and Tee Marvin, Noel Rockmore & Shirley Marvin: Our Journey to the Discovery of Rockmore. Lagrange: Golden Era of the French Quarter, 2013, p.29.

Lot 948

Dutch School, 20th c ., "Floral Still Life", oil on wood panel, unsigned, 15 3/4 in. x 12 in., framed

Lot 829

Karl Wolfe (American/Mississippi, 1904-1985) , "Still Life of Nasturtiums", gouache on paper, signed lower right, "Nunnery's Gallery, Jackson, MS" label en verso, 14 in. x 16 in., framed

Lot 1009

Dell Weller (American/Louisiana, b. 1927) , "Still Life with Speckled Trout", 1999, oil on canvas, signed and dated lower right, 18 in. x 24 in., framed

Lot 76

19th C vase with decorative panels on blue ground with printed mark to base AH, Pair of blue ground cloisionne vases each with two panels of still life floral detail and birds (one vase a/f) and Chinese blue and white vase with flared rim and four digit signature to base depicting various figures (a/f)

Lot 289

A Royal Worcester plaque painted with a still life of fruit in a basket, signed by R. Sebright. framed and glazed. Date code 1914. Diameter 11cm.

Lot 327

A 'Sevres' style pot and cover, cobalt blue ground with floral still life. Marked with interlaced L's. circa 1830. Height 11cm.

Lot 536

Oliver Clare (British,1853 - 1927), still life of fruit, oil on canvas, signed, framed. 24cm x 19cm,

Lot 1089

Four boxes of decorative 20th century oils and watercolours including rural landscapes still life, townscapes, together with a box of decorative prints and engravings including Russell Flint.

Lot 1233

Edwin Steele (19th century school) Still life of black grapes and vines before a brick wall, signed and dated 1889, oil on canvas

Lot 105

NELLIE CRAWFORD. Framed, signed with initials, late 20th Century Australian oil on canvas, still life of yellow rose in a blue and white jug, 29cm x 23.5cm.

Lot 107

NELLIE CRAWFORD. Framed, signed with initials, late 20th Century Australian oil on canvas, still life of three red apples on shelf, 29cm x 28.5cm.

Lot 115

Unframed, indistinctly signed, 'Anvarne?', oil on canvas, still life study of blue and white oriental china, arranged on a table with fruit, 76cm x 101.5cm.

Lot 134

ANTHONY YATES R.B.A., R.B.S.A. (b. 1957) Framed, signed, oil on board, titled on RBSA exhibition label and artist's verso, 'Poole Jug', still life of jugs and plant pots on table, 37.5cm x 42cm.

Lot 155

E. HALE. Framed, signed, oil on canvas, still life with tipped fruit basket, 24.4cm x 43.2cm.

Lot 171

A. ROLAND. Framed, signed, 20th Century oil on board, still life with teapot, mug, vase of flowers, and fruit bowl on a table, 60cm x 48cm.

Lot 178

M. MONNOT. Framed, signed, oil on canvas laid on board, still life study of bottles, together with IAN MACFARLANE. Framed, signed, pastel on paper, still life of ceramics, and a framed, indistinctly signed, oil on board, still life of flowers and pottery, 49cm x 39cm, 35.5cm x 32.5cm and 52.5cm x 44cm, (3).

Lot 324

A job lot to include a follower of GEORGE CLARE (1835 - 1890) Framed, bears name, oil on panel, still life of flowers and eggs in a nest, twelve various other prints and a warming pan, (14).

Lot 392

IANTHE WHITE. Framed, signed, oil on canvas, still life of flowers in a vase, see Society of Women Artists label verso, together with a framed, oil on board, still life of flowers and porcelain dog, inscribed verso, 'John Codner/ The Studio', 49cm x 37cm and 39.5cm x 52cm, (2).

Lot 531

A hand painted cabinet plate with still life apples and grapes design, signed R Budd, marked to rear 'Fine Bone China'

Lot 73

OLIVER CLARE (1853 - 1927) Pair of framed, signed, oils on board, still life compositions of apples, plums, gooseberries and grapes, on a mossy, leafy background, in decorative gilt frames, 12cm x 16cm, (2). Provenance: Private Collection.

Lot 1003

Rosemary Copeland - still life with fruit in a bowl, watercolour, signed lower right, 29x46cm

Lot 1005

Contemporary school - still life with flowers in a vase, oil, signed with monogram lower left, 74x50cm

Lot 1038

Artist folio of pastel studies to include portraits and still life

Lot 1051

W Cockshott - still life with oranges, oil on canvas, signed and dated lower left 1913, 29.5x44cm *** and W Cockshott - still life with grapes, oil on canvas, 29x45cm, signed and dated lower left 1914 (2) ***

Lot 245

Still Life of Flowers, pair 19th/early 20th century Dutch School oils on canvas 25cm x 19cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

Lot 172

F.T. Underhill, 'Still life of fruit', signed & dated 1867 to lower right, 19 by 15cm.

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