We found 77111 price guide item(s) matching your search

19th Century American School "Still Life with Vase, of Chinese Lanterns and a Bowl of Fruit," O.O.C., approx. 70cms x 100cms (27 1/2" x 39 1/2") signed with initials A.G. and dated (18)'92. (1)

19th Century Continental School Still Life, "Dead Game and Fruit," O.O.C., 24" x 35 1/2" (60cms x 90cms). (1)

Joseph Rhodes (1782 - 1855) Still Life, "Pineapple, Plums, Peaches, Grapes and other Fruit," O.O.C., signed  and dated 1852, 24 1/2" x 30" (63cms x 76cms). (1)

Edward Harley Mooney, British (1878-1938) Still Life, "Oranges and Pansies," O.O.C., approx. 41cms x 51cms (16" x 20"), Signed and dated lower left, artist label on reverse, in gilt frame. (1)

19th Century Manchester School Still Life, "Oriental Vase and Fruit," O.O.C., approx. 30cms x 41cms (12" x 16"), indistinctly Signed with initials on banana, contemporary gilt frame. (1)

KITCHEN STILL LIFE Artist unknown, oil on board, 1950s?, 53 x 48 cms

LEON DAVIES. 'Still Life with Engine House'. Oil on board. Initialled & dated 2019. Signed & titled to the reverse. 25 x 36cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.  WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Harriet Martineau, Still life of flowers, signed and dated 1847, watercolour, 17 x 24cm; and C A Walling, Lakeland landscape, signed and dated '22, oil on board (2).

Sheila Horton,Dorelia, Fred and the plants,print, signed, titled and dnumbered 64/75,44x49cm,Tiffany McNab,Still life with wise owl,print, signed, titled and numbered 9/100,52x45cm.

Kathleen Crow ROI (1920-2021) - Butterflies, machine embroidery and metal thread, 24 x 19cm, - Triptych, pen, ink and machine thread, monogrammed in pencil to lower left, 8 x 8cm, - Butterflies, machine woven embroidery overlaid fabric panel, 21.5cm diam, two small machine woven pictures, another worked in gros point and batik - still life of candle and vase (7) Generally good

Follower of George Lance - Still Life with a Pineapple, Nautilus Cup and Wine Glass, oil on artist's board, 29 x 54.5cm In good clean ready to hang condition, some possible localised re-touching, not examined under UV. On the reverse the printed trade label of Charles Robosson Longacre; in 18th c style gilt frame

A crate of pictures and prints, still life oils, signed watercolour, etc

Three framed maps of the new world, nautical print and a still life print

Eleanor Stuart Wood (British fl. 1876-1893) Still life of oranges and flowers, oil on canvas, signed and dated 1883, 27cm by 22cm.

Continental school, still life of flowers and fruit, oil on canvas, 100cm by 43cm

A gilt framed and glazed oil on board, floral still life study, unsigned. H.30 W.41cm

A framed oil on canvas, still life flowers, indistinctly signed. H.60 W.70cm

A framed oil on canvas, still life, signed along with a similar, Impressionist style. H.35 W.45cm

A framed and glazed watercolour, still life poppy in a vase, unsigned. H.52 W.44cm

FRAMED OIL ON CANVAS OF STILL LIFE BY J.VOISARD

J RAY, (19TH CENTURY, BRITISH), STILL LIFE OF FRUIT AND A DOUBLE HANDLED VESSEL, OIL ON BOARD, SIGNED AND DATED 1879, UNFRAMED

PAINTINGS AND PRINTS ETC, to include a James Ingham Riley watercolour of the Lake District?, approximate size 20cm x 41cm, unsigned amateur watercolours depicting views of Tamworth unframed), unframed amateur landscape watercolours, two early 20th Century still life studies of fruit signed T. Wilson, approximate sizes 19cm x 29cm, modern woolwork picture etc (box and loose)

DECORATIVE PAINTINGS AND PRINTS, comprising a modern impressionist style pastoral landscape with young shepherdess and her flock, unsigned oil on board, gilt frame, approximate size 19cm x 24cm, two late 19th century waterfall landscapes, indistinct monogram bottom right, oil on board, two late 19th century watercolours depicting a view to a cathedral and a female figure on city walls, monogram JHB?, an oil of two figures in a drawing room, signed Jacquier, oil on canvas, six gilt framed print reproductions of paintings by John Constable and Joseph Farquharson, Rembrandt print 'girl with a broom', two modern miniature still life oils on board, three prints depicting grapes and berries and a Victorian tapestry in a birdseye maple frame depicting a milkmaid and a female figure, approximate size 125cm x 100cm

PAINTINGS AND PRINTS ETC, to include a watercolour of R65 HMS St James, monogram botom right, approximate size 19cm x 26cm, landscape watercolours by Tom Jacobs, Peter Wooley and Lily Thomas, Gerry Vaughan abstract flower still life, pastel on paper, two mixed media works by Lydia Solomon, Judy Brown ceramic owl plaque, Isabel Brent limited edition print, Indo Persian book page with text and watercolour depicting a hunting scene with deer, crocodiles and a tiger, Joseph Pickett print 'Manchester Valley', African batik picture attributed to Mutyaba verso, modern maps etc

PAINTINGS AND PRINTS ETC, to include Nick Grant watercolour of a man and his dog with a boat at a lake, approximate size 26cm x 47cm, G.M Lawson colourful watercolour landscape, Keith Andrews limited edition print of a welsh cottage, Monica Piggot watercolour of a flowering iris, photographic prints of abandoned vehicles, indistintly signed, floral still life prints etc

In the style of The Omega Workshop, a painted fire screen inset with a floral still life on board,49.5 cms wide x 57 cms high.

Bryan Pearce (1929-2006), etching, Still life with jug, signed and dated 2001, 9/75, sheet 28 x 28cm

After Jean Baptiste Greuze (1725-1805), oil on canvas, Portrait of a young woman, 43 x 33cm and an oil still life of fruit, 40 x 55cm

Redmayne, watercolour, Still life of a Begonia in a pot, signed and dated '91, 39 x 29cm

Christopher Cawthorne (20th C.), oil on canvas, Still life of apples and a mug upon a table top, signed, 40 x 50cm

Christopher Cawthorne (20th C.), oil on canvas, Still life of fruit and pots on a table top, signed, 40 x 50cm

19th/20th C. Still Life Watercolor. Appears to be unsigned. Sight Size: 8 x 6 in. Overall Framed Size: 14 x 12 in.

Chris Calle (American, B. 1961) "Astronauts Planting U.N. Flag on Planet" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This artwork was originally published on the Fleetwood Eyewitness to History U.S./Russia Joint Space Triptych issued May 29, 1992. Once they were rivals in the conquest of space. But one day the U.S. and Russia together plan a mission to a planet named for the Roman god of war. Mars has long beckoned to the men of Earth. Recently, tales of canals have given way to data from unmanned probes. Drier than any Earthly desert, Mars is still the most likely of the planets to harbor life. Its atmosphere contains oxygen, nitrogen, carbon dioxide and even water vapor. And evidence suggests that at one time water flowed there. In fact, scientists theorize Mars once had enough water to cover the entire planet 33 feet deep! The puzzling question remains: Where did it all go? Image Size: 23.5 x 19.25 in. Overall Size: 29 x 21.75 in. Unframed. (B13851)

Laura Darling Stroud Ladd (Pennsylvania, 1863 - 1943) Still Life. Signed lower left. Oil on Canvas. Inscribed verso on canvas. Was obtained by current owner from Wilbur Wright High School in Dayton, OH. Possibly Newcomb-Macklin Gilt Frame. Craquelure and paint loss to lower right corner. Sight Size: 34 x 36 in. Overall Framed Size: 38.5 x 40.5 in.

L Garcia Muro Bodegon, (contemporary), a mixed media painting, still life, signed and dated (19)96, and attibuted verso, 33 x 48cm, framed and glazed

D Brownsworth, (19th century), an oil painting on board, oval, still life grapes, signed and dated 1886, 30 x 24cm, framed and glazed, and a pastel sketch, coastal landscape, 17 x 24cm, framed and glazed

ARTIST: Frederick Spang (Pennsylvania, California, 1834 - 1891)NAME: Portrait of Mary Brooke Grubb-LancasterMEDIUM: oil on canvasCONDITION: One hole. Some flaking (see pictures carefully). No visible inpaint under UV light. Damages to frame.SIGHT SIZE: 18 x 15 inches / 45 x 37 cmFRAME SIZE: 23 x 20 inches / 57 x 50 cmSIGNATURE: Middle leftCATEGORY: antique vintage paintingSKU#: 116120US Shipping $60 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USFrederick Spang (Pennsylvania, California, 1834 - 1891)Frederick Spang, an artist of great talent, a cultured gentleman at Reading from 1870 to 1891, was a lineal descendant of Frederick Spang-a prominent iron master of Berks county. Mr. Spang was born Jan. 31, 1834, in Oley township, and was educated at Norristown, to which place his parents had removed when he was but a boy. Spang was educated in his native city and studied art in Philadelphia under J. R. Lambdin. While prosecuting his studies in painting at Philadelphia he enlisted in Company C, of the 15th Pennsylvania Volunteer Cavalry, and served a term of three years. Upon his discharge he resumed his art studies in Philadelphia and afterward spent several years on California. In 1870, he located in Reading, Pa., where he continued his art work in a successful manner until his decease, Nov. 21, 1891. He painted many portraits and landscape views of great merit and his pictures of still life displayed talent of superior order.

ARTIST: Frederick Spang (Pennsylvania, California, 1834 - 1891)NAME: Portrait of Clement Grubb-LancasterMEDIUM: oil on canvasCONDITION: L-shaped tear. One paint loss 2x1cm and few other very small paint losses. No visible inpaint under UV light. Damages to frame.SIGHT SIZE: 18 x 15 inches / 45 x 37 cmFRAME SIZE: 23 x 20 inches / 57 x 50 cmSIGNATURE: Mid lower rightCATEGORY: antique vintage paintingSKU#: 116024US Shipping $60 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USFrederick Spang (Pennsylvania, California, 1834 - 1891)Frederick Spang, an artist of great talent, a cultured gentleman at Reading from 1870 to 1891, was a lineal descendant of Frederick Spang-a prominent iron master of Berks county. Mr. Spang was born Jan. 31, 1834, in Oley township, and was educated at Norristown, to which place his parents had removed when he was but a boy. Spang was educated in his native city and studied art in Philadelphia under J. R. Lambdin. While prosecuting his studies in painting at Philadelphia he enlisted in Company C, of the 15th Pennsylvania Volunteer Cavalry, and served a term of three years. Upon his discharge he resumed his art studies in Philadelphia and afterward spent several years on California. In 1870, he located in Reading, Pa., where he continued his art work in a successful manner until his decease, Nov. 21, 1891. He painted many portraits and landscape views of great merit and his pictures of still life displayed talent of superior order.

ARTIST: Don Balke (North Carolina, born 1933)NAME: Snow GooseYEAR: 1983MEDIUM: gouache on boardCONDITION: Excellent.SIGHT SIZE: 9 x 11 inches / 22 x 27 cmBOARD SIZE: 18 x 20 inches / 45 x 50 cmSIGNATURE: lower rightNOTE: This painting is the original painting which appeared on the Fleetwood Commemorative Cover for the Waterbirds of the 50 States South Dakota/Snow Goose. Sitting on the water with its wing tips hidden, a Snow Goose may be confused with a swan. But the Snow Goose's neck is distinctly shorter. Both males and females of the Snow Goose are very handsome birds with glistening white plumage. These beautiful waterbirds wear a black "grinning patch," a broad band along the mandibles that seems to give the birds a leering expression. In Spring, these elegant birds fly north in V's and ragged, sweeping curves from the main wintering grounds in California. They are indeed a beautiful spectacle of gleaming white bodies and black-tipped wings as they fly. On their way to their breeding grounds -- the arctic shores of Alaska and Canada -- they will make a stopover in South Dakota. They announce their coming with a resonant, melodious honking. Since the Snow Geese are very pretty, they are welcome visitors to South Dakota. On their summer grounds, they nest in colonies in a depression filled with mosses and lined with grasses. The nesting season of Snow Geese takes about twenty-five days. As the female patiently incubates her eggs, the male will stand guard close by. By the time the young are capable of flying a long distance, the Snow Geese will form migratory flocks and head south to their winter home. When they migrate, they fly very high. Sometimes they utter shrill falsetto notes and occasional softened honks as they make their journey. PROVENANCE: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120053US Shipping $60 + insurance.BIOGRAPHY:Balke, the youngest of ten children, grew up on a farm in northern backcountry of Wisconsin. His family was completely dependent on the land; they tapped trees to make maple syrup; used crosscut saws for logging and horses for their farmwork; they raised crops for themselves and as income. His upbringing instilled in him a love of nature and wildlife. He received his first art award in a Wisconsin state-sponsored art contest while at elementary school for a painting of a black bear roaming in the woods. After serving in the US Army, he married Barbara Schernick[citation needed] and they moved to Chicago where he enrolled in the Academy of Fine Arts, now known as the School of the Art Institute of Chicago. During his time at the Academy, he specialized in still-life paintings. After graduating, he was hired by a Chicago illustrating studio and eventually moved back to Wisconsin where he worked as a commercial art director. He won many awards for his work as an art director and illustrator. On his own time, late in the night, he painted and developed his skills as a wildlife artist. After 17 years, he left his work as an art director to devote himself completely to watercolors and wildlife art. By 1979, they had six children and a home in the village of Thiensville, Wisconsin. Balke's love of nature took him to the NC mountains where he bought 200 acres in McDowell County and built a home. In 1985, a gallery was added and the Don Balke Wildlife Gallery was opened. In 1987, his work was chosen as the illustration for the official NC Zoo poster. In 1992, the United States Post Office issued a series of first-class postage stamps portraying five different species of hummingbirds designed by Balke. Balke travels to Africa, Australia, Ireland, the Caribbean, and across the 50 United States for inspiration and research. His wife, Barbara Schernick Balke, does extensive research on the animals and their habitats in preparation for the paintings and does much of the photography on research trips. He is best known for his detailed and realistic watercolor paintings portraying wildlife in their natural environment. In 2000, he transitioned to a more impressionistic style with oils portraying scenes from Yosemite National Park in California, Ocracoke Island on the Outer Banks, and Grandfather Mountain in North Carolina.

ARTIST: Christine Macarthur (Scotland, British, born 1953)NAME: Cockerel and ParrotYEAR: 1991MEDIUM: oil and pastel on paperCONDITION: Very good. Framed under glass.SIGHT SIZE: 36 x 29 inches / 91 x 73 cmFRAME SIZE: 43 x 36 inches / 109 x 91 cmSIGNATURE: lower rightPROVENANCE: Sue Rankin Gallery, London UK (has gallery label on verso)CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120795US Shipping $149 + insurance.BIOGRAPHY:Christine McArthur was born in Kirkintilloch, near Glasgow in 1953 and studied at The Glasgow School of Art between 1971 and 1976, which included a post-diploma year. After graduating she taught and produced book illustrations until the demand for her work enabled her to paint full time. Her early work was primarily in oil and she became well known for her large scale still life paintings on canvas. In the late 1980s she began to work in oil pastel and watercolour but more recently she has reverted to oil, as well as acrylic and collage.Christine McArthur was awarded Scottish Education Department travelling scholarships in 1975 and 1976 and was elected a member of the Royal Glasgow Institute of the Fine Arts in 1990. In 1995 she was elected a member of the Royal Scottish Society of Painters in Watercolour. In 1997 John Lewis commissioned four large murals each 6ft x 15ft - for the Glasgow store in 1999. In 2002 she received a commission from John Lewis for murals for the extension to their Peter Jones store, Sloane Square, London. In 2009 she resigned from the RGI and the RSW.Christine last exhibition at The Scottish Gallery took place in April 2021 called Notes to Self.

ARTIST: Ada France (European, 19/20 century)NAME: Still Life with Game BirdsYEAR: 1900MEDIUM: oil on canvasCONDITION: Some damages to edges of canvas. No visible inpaint under UV light.SIGHT SIZE: 20 x 27 inches / 50 x 68 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120787US Shipping $75 + insurance.

ARTIST: Clarence La Verne Butler (New York, Massachusetts, 1850 - 1924)NAME: Still Life with RosesMEDIUM: oil on canvas. Canvas applied to board.CONDITION: Some paint losses mostly along left edge. Some craquelure. No visible inpaint under UV light. AS IS (see pictures carefully).SIGHT SIZE: 18 x 21 inches / 45 x 53 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower right illegible - probably C L V BolletCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 121511US Shipping $60 + insurance.BIOGRAPHY:Clarence La Verne Butler was born in 1850 to Oscar and Hannah Butler of Harmony, New York. As a young man, Butler enrolled in the Academy of Design in New York City, studying under Samuel Frost Johnson. Upon graduation from the academy, Butler taught at the Ladies' Seminary in Hamilton, New York for several years (approx. 1875 to1885). During this period, he also attended "special courses" at Colgate University. The artist left Hamilton to teach at the Osgood Art School in New York City. He subsequently established his own upstate studio in Utica, New York. However, after two years as a studio painter, Butler returned to his teaching post at Osgood. In 1892, the artist emigrated to Paris to study at the renowned Academie Julian. Among his instructors were the French masters, Bougereau, Ferrier, Bramtot and Doucet. Once he completed his studies, Butler opened a Paris studio at the Ville Du Pont which he later relocated to the Rue Chateau Brient. Butler was best known for his bucolic landscapes which were often executed in soft pastel colors. The artist's work in this time period was widely exhibited and well-received by the critics. Below are selected references to his paintings found in historical archives:Per a New York Times article dated April 8, 1895: The Academy of Design, Second Notice: "…and well-painted, if conventional, is The Shepherdess by La Verne Butler…."Per a New York Times article dated December 24, 1898: Art Topics of the Week: "The American Art Association of Paris has recently held an extremely interesting little exhibition of works in the gallery No. 2, Impasse de Conti. There were eighty-one pictures hung, and among the artists represented were F. A. Bicknell, C. L. V. Butler, F. A. Bridgman, Dagnan-Bouveret, L. R. Garrido, Albert Humphreys, George Inness, A. B. Koopman, A. A. Lewis, F. D. Marsh, L. S. Parker, Louis Potter, W. W. Stewart, E. L. Weeks, an A. C. Whiting.""In 1904, while in Holland, Mr. Butler made many very interesting studies of Dutch interiors and landscapes. His work has been exhibited at the Paris Salon for a number of years, an honor that will be better appreciated when it is understood that of about eight thousand subjects offered, only three hundred are selected for the exhibition. Landscape painting is his specialty." Source: Historic Homes and Places and Genealogical and Personal Memoirs (1908), Volume 1 edited by William Richard CutterButler painted in France and other parts of Europe for several years before permanently relocating to the United States. He initially set up a studio in Boston when he returned to America. In 1905, Butler and his wife moved to nearby Framingham, Massachusetts where they purchased an old Colonial homestead. Their historical home was remodeled by the prominent architect, Frank Chouteau Brown. Federal census records report the Butlers as residing in Framingham through 1910 & 1920. Not much is known about the artist's life and work during and after this time period.The artist typically signed his work as "C. L. V. Butler." As a result, his paintings are sometimes confused with those of the contemporaneous artist, Courtland L. Butler (1871-1952).Referenced exhibitions of the artists work include the Academy of Design (1895), the Paris Salon (1897, 1898), and the Art Institute of Chicago (1898). In 1895, Butler married Hattie E. Wells of Madison County, New York. The couple did not have any children. Butler was a member of the Free Masons in Hamilton, New York; of the D. K. E. fraternity of Colgate University; and of the New York State National Guard.

ARTIST: Don Balke (North Carolina, born 1933)NAME: Mountain GoatYEAR: 1987MEDIUM: gouache on boardCONDITION: Excellent.SIGHT SIZE: 10 x 11 inches / 25 x 27 cmBOARD SIZE: 19 x 20 inches / 48 x 50 cmSIGNATURE: lower leftNOTE: This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. Wildlife of the 50 States 22c Mountain Goat/Washington stamp issued June 13, 1987. A breathtaking sight as they stand precariously at the edge of a precipice, Mountain Goats have a certain grace about them as they play king-of-the-hill among America's most remote peaks. Here, in the most remote retreats of the mountains, they scale incredible heights, jumping from precipice to precipice with sure-footed grace. Their rough-padded hooves, split into two spreadable toes, are perfectly suited to the rugged, precipitous mountain environment. Both nannies and billies sport beards and fleecy long shaggy outer coats that protect them from the wind. They are easily distinguished from their close relatives, the Big Horn Sheep, by long, thick, black horns which grow straight up, then curve back. Billies, who generally travel alone or in groups of two or three, become rivals at mating time, occasionally butting each other, but behaving gently, almost reverently, toward the female. By late spring the kids are born. The young Goats usually weigh about seven pounds at birth and within a half an hour can jump from rock to rock. During that time, they must learn about finding shelter and food in the hostile alpine environment. PROVENANCE: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120054US Shipping $60 + insurance.BIOGRAPHY:Balke, the youngest of ten children, grew up on a farm in northern backcountry of Wisconsin. His family was completely dependent on the land; they tapped trees to make maple syrup; used crosscut saws for logging and horses for their farmwork; they raised crops for themselves and as income. His upbringing instilled in him a love of nature and wildlife. He received his first art award in a Wisconsin state-sponsored art contest while at elementary school for a painting of a black bear roaming in the woods. After serving in the US Army, he married Barbara Schernick[citation needed] and they moved to Chicago where he enrolled in the Academy of Fine Arts, now known as the School of the Art Institute of Chicago. During his time at the Academy, he specialized in still-life paintings. After graduating, he was hired by a Chicago illustrating studio and eventually moved back to Wisconsin where he worked as a commercial art director. He won many awards for his work as an art director and illustrator. On his own time, late in the night, he painted and developed his skills as a wildlife artist. After 17 years, he left his work as an art director to devote himself completely to watercolors and wildlife art. By 1979, they had six children and a home in the village of Thiensville, Wisconsin. Balke's love of nature took him to the NC mountains where he bought 200 acres in McDowell County and built a home. In 1985, a gallery was added and the Don Balke Wildlife Gallery was opened. In 1987, his work was chosen as the illustration for the official NC Zoo poster. In 1992, the United States Post Office issued a series of first-class postage stamps portraying five different species of hummingbirds designed by Balke. Balke travels to Africa, Australia, Ireland, the Caribbean, and across the 50 United States for inspiration and research. His wife, Barbara Schernick Balke, does extensive research on the animals and their habitats in preparation for the paintings and does much of the photography on research trips. He is best known for his detailed and realistic watercolor paintings portraying wildlife in their natural environment. In 2000, he transitioned to a more impressionistic style with oils portraying scenes from Yosemite National Park in California, Ocracoke Island on the Outer Banks, and Grandfather Mountain in North Carolina.

ARTIST: Franz Albert Wicky (France, Germany, 1874 - 1916)NAME: Still Life with Flowers and VegetablesYEAR: 1910MEDIUM: oil on canvasCONDITION: Missing few flakes of paint. Minor craquelure. No visible inpaint under UV light. Wear to frame.SIGHT SIZE: 13 x 20 inches / 33 x 50 cmFRAME SIZE: 18 x 26 inches / 45 x 66 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119993US Shipping $75 + insurance.

ARTIST: A Untermann (European, 19 century)NAME: Still Life with FruitsMEDIUM: oil on boardCONDITION: Minor craquelure. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 9 x 16 1/2 inches / 22 x 43 cmFRAME SIZE: 13 x 20 inches / 33 x 50 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 118460US Shipping $60 + insurance.

ARTIST: Don Balke (North Carolina, born 1933)NAME: Bird - Blue JayYEAR: 1986MEDIUM: gouache on boardCONDITION: ExcellentSIGHT SIZE: 11 x 11 inches / 27 x 27 cmBOARD SIZE: 19 x 20 inches / 48 x 50 cmSIGNATURE: lower rightNOTE: This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. Wildlife of the 50 States 22c Blue Jay/North Carolina stamp issued June 13, 1987. One of the most commonly found birds of the eastern United States, the Blue Jay is distinguished from other woodland birds by its piercing jay-jay-jay. Known for mimicking the harsh cries of hawks, the Blue Jay nevertheless occasionally sings its own soft, low song and imitates the musical sounds of other songbirds. An inhabitant of forests, suburban gardens and parks, this friendly bird is often found in close proximity to humans. The Blue Jay's curious nature excites birdwatchers who enjoy observing its theatrical antics. A blue-winged bird with white on its wings and tail, the Blue Jay displays a prominent blue crest and black necklace. Black barrings appear on its wings and tail, while its breast and face are white. Though the Blue Jay is easily spotted by its vivid coloring, it is a master of camouflage, able to hide among tree branches even during winter months. An active, noisy bird, the Blue Jay often travels in small parties and enjoys eating nuts, seeds, fruits and insects. During migration, this boisterous bird travels in loose flocks of five to 50 and is a fall and winter visitor to Oregon and California. The Blue Jay's nest is usually located in the fork of a tree or on a branch, and is made of moss, twigs and leaves, which both the male and female gather as a team. The female lays three to six eggs which hatch within 16 to 18 days. Young birds leave the nest in about three weeks. PROVENANCE: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120440US Shipping $60 + insurance.BIOGRAPHY:Balke, the youngest of ten children, grew up on a farm in northern backcountry of Wisconsin. His family was completely dependent on the land; they tapped trees to make maple syrup; used crosscut saws for logging and horses for their farmwork; they raised crops for themselves and as income. His upbringing instilled in him a love of nature and wildlife. He received his first art award in a Wisconsin state-sponsored art contest while at elementary school for a painting of a black bear roaming in the woods. After serving in the US Army, he married Barbara Schernick[citation needed] and they moved to Chicago where he enrolled in the Academy of Fine Arts, now known as the School of the Art Institute of Chicago. During his time at the Academy, he specialized in still-life paintings. After graduating, he was hired by a Chicago illustrating studio and eventually moved back to Wisconsin where he worked as a commercial art director. He won many awards for his work as an art director and illustrator. On his own time, late in the night, he painted and developed his skills as a wildlife artist. After 17 years, he left his work as an art director to devote himself completely to watercolors and wildlife art. By 1979, they had six children and a home in the village of Thiensville, Wisconsin. Balke's love of nature took him to the NC mountains where he bought 200 acres in McDowell County and built a home. In 1985, a gallery was added and the Don Balke Wildlife Gallery was opened. In 1987, his work was chosen as the illustration for the official NC Zoo poster. In 1992, the United States Post Office issued a series of first-class postage stamps portraying five different species of hummingbirds designed by Balke. Balke travels to Africa, Australia, Ireland, the Caribbean, and across the 50 United States for inspiration and research. His wife, Barbara Schernick Balke, does extensive research on the animals and their habitats in preparation for the paintings and does much of the photography on research trips. He is best known for his detailed and realistic watercolor paintings portraying wildlife in their natural environment. In 2000, he transitioned to a more impressionistic style with oils portraying scenes from Yosemite National Park in California, Ocracoke Island on the Outer Banks, and Grandfather Mountain in North Carolina.

ARTIST: Santillana (European, 20 century)NAME: Still life with Vase of FlowersMEDIUM: oil on canvasCONDITION: Some paint losses. Some craquelure. No visible inpaint under UV light.SIGHT SIZE: 30 x 24 inches / 76 x 60 cmFRAME SIZE: 38 x 32 inches / 96 x 81 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120631US Shipping $120 + insurance.

ARTIST: Juan Ignacio Sardi (Spanish, born 1940)NAME: Still Life with Vase of FlowersMEDIUM: oil on canvasCONDITION: Few scratches. No visible inpaint under UV light.SIGHT SIZE: 19 x 12 inches / 48 x 30 cmFRAME SIZE: 21 x 15 inches / 53 x 38 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119304US Shipping $60 + insurance.BIOGRAPHY:Juan Ignacio Sardi, self-taught painter, music lover and enthusiastic reader of poems. Born in Chipiona on April 29, 1940 in a humble family who lived then in Isaac Peral Street. Married to Regla Montalban Montalban, with a daughter named Marian who is also a painter.He started working at a young age, after trying first as a mason's pawn, at age 13 he does so in the American Base of Rota as "Pinche", where he traveled by bicycle. It is here that he alternates his work with his pictorial career. The Americans, eager to know our culture and customs, absorb through the painting of Juan Ignacio those shortages acquiring his paintings of flamenco, bullfighters, flowers, pitchers, etc.His life as a painter with unique dedication began at 24 or 25 years. At first he did it on bucaros, landscapes and things from Chipiona, such as the Sanctuary of Regla, the Lighthouse, views of the beach, because the sea was the permanent reason for his inspiration becoming, like the landscapes and monuments of Chipiona, the reasons for his pictorial creation.He has exhibited in addition to Chipiona, in almost all of Spain, Madrid, Barcelona, Valencia, Seville, Malaga, Cadiz etc.; in the United States, Holland, Austria, Belgium and Mexico.Net collaborator of all the cultural facets of Chipiona, he collaborated actively and free of charge with the Brotherhood of the Virgin of Regla del Pinar, in the realization of the posters in honor of the Virgin of Regla del Pinar, in addition to mounting the Bethlehem in its facilities Pinewood. Collaborating in the celebration of the Night of San Juan, with the burning of the "Juanillo" that he personally prepared.In the same way as with those of the Carnival of Chipiona, to which he was so linked, being one of the architects of the recovery of our Carnival in 1984.

ARTIST: Mary Bertha Purdum (California, Ohio, 1873 - 1955)NAME: Still Life with Vase of FlowersMEDIUM: oil on boardCONDITION: Scratch 1" long. Normal wear along edges. No visible inpaint under UV light.SIGHT SIZE: 18 x 14 inches / 45 x 35 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower right and on versoCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119987US Shipping $49 + insurance.BIOGRAPHY:Mary Bertha Purdum was active/lived in California, Ohio and known for Painting.Born in Ohio on June 17, 1873. Purdum settled in Los Angeles in 1919 and soon became active in the local art scene. A spinster, she died there on June 14, 1955. Exhebited at Painters & Sculptors of LA, 1935; Friday Morning Club (LA), 1938; Colonial Inn (LA), 1939; Women Painters of the West (LA), 1941.

ARTIST: Anatoly Zinovyevich Itkin (Russia, born 1931)NAME: Still Life with MaskYEAR: 1999MEDIUM: watercolor on paperCONDITION: Excellent.SIGHT SIZE: 12.5 x 19.5 inches / 31 x 49 cmFRAME SIZE: unframed (In-House framing available)SIGNED: Upper rightCATEGORY: antique vintage paintingSKU#: 113434US Shipping $29 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USAnatoly Zinovyevich Itkin (Russia, born 1931)Anatoly Itkin born 28 January 1931 in Moscow. In 1950 he graduated from the Moscow Art School in 1956 - graphic faculty of the Moscow Art Institute. Surikov (portrait studio of Professor BA Dehterova). Taught at the Faculty Eugene E. A. Kibrik , M. S. Rodionov , P. Suvorov, P. Rayner. From 1954 he worked as an illustrator in many Moscow publishing houses, for a total of his creative life master illustrated a number of books - from fairy tales for little children to Russian and foreign classics.Anatoly Z. Itkin - a member of the Union of Artists of the USSR, Honored Artist of Russia, winner of many competitions, and his works are in the State Tretyakov Gallery, the State Pushkin Museum, Central Pushkin Museum in St. Petersburg, the State Museum of Literature, Literary Museum A. Tolstoy in Samara, the Museum-Reserve "Abramtsevo", Tver Regional Museum and in private collections in Russia, Yugoslavia, Israel, the U.S., Germany and South Korea.Years go by, times change, but the artist remains faithful to his creative credo: "My realism is not characteristic of any excessive grotesque or emotional excesses. Virtues to me are honesty and integrity. And if they are present in my picture, but still expressive in addition, I think a good figure. Since my student years, I learned a postulate that we should not engage in self-expression specifically. Better address the needs of the depicted, and the problem of self-expression will be decided in the process itself ».https://fantlab.ru/art186

ARTIST: Don Balke (North Carolina, born 1933)NAME: Birds - Sandhill CraneYEAR: 1985MEDIUM: gouache on paperCONDITION: Very good. Minor damages to corners.SIGHT SIZE: 12 x 12 inches / 30 x 30 cmBOARD SIZE: 19 x 21 inches / 48 x 53 cmSIGNATURE: lower leftNOTE: This painting is the original painting which was published on the Fleetwood commemorative cover for Balke's Shorebirds of the 50 States, cancelled January 26, 1986. Belonging to one of the most ancient families of birds, the magnificent Sandhill Crane is a long-legged, long-necked member of the Crane family. Covered with gray plumage, the Sandhill can be distinguished by its brilliant red bald forehead. Using its six to seven foot wingspan to fly at speeds in excess of thirty miles per hour, the Sandhill elegantly glides through the skies as it migrates, usually in flocks of more than one hundred birds. Upon arriving at the nesting site, the Cranes joyously greet one another, bounding six to eight feet in the air, wings half-spread, stiff-legged and uttering a loud garooo-a-a-a call. After performing the equally intricate mating dance, the male Sandhill builds a four foot nest using marsh plants, weeds, and roots on the shallow waters of ponds or on the ground in large marshes or grasslands. Then, incubation of the two olive, spotted lavender eggs begins. Within a month, the brown-headed young Sandhills hatch, and can swim almost immediately, but are capable of flight only after several months. Later, deliberately separated from their parents, the young Sandhills fly with the flock to the wintering sites. During the winter, the Cranes roost together at night, standing in flocks on low damp land or in shallow water. Then, they fly from their roosting place at dawn to the feeding grounds. Sandhills are also known as garoos, upland cranes, or blue cranes. PROVENANCE: Collection of James A. Helzer (1946-2008), Founder of Unicover CorporationCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 118262US Shipping $60 + insurance.BIOGRAPHY:Balke, the youngest of ten children, grew up on a farm in northern backcountry of Wisconsin. His family was completely dependent on the land; they tapped trees to make maple syrup; used crosscut saws for logging and horses for their farmwork; they raised crops for themselves and as income. His upbringing instilled in him a love of nature and wildlife. He received his first art award in a Wisconsin state-sponsored art contest while at elementary school for a painting of a black bear roaming in the woods. After serving in the US Army, he married Barbara Schernick[citation needed] and they moved to Chicago where he enrolled in the Academy of Fine Arts, now known as the School of the Art Institute of Chicago. During his time at the Academy, he specialized in still-life paintings. After graduating, he was hired by a Chicago illustrating studio and eventually moved back to Wisconsin where he worked as a commercial art director. He won many awards for his work as an art director and illustrator. On his own time, late in the night, he painted and developed his skills as a wildlife artist. After 17 years, he left his work as an art director to devote himself completely to watercolors and wildlife art. By 1979, they had six children and a home in the village of Thiensville, Wisconsin. Balke's love of nature took him to the NC mountains where he bought 200 acres in McDowell County and built a home. In 1985, a gallery was added and the Don Balke Wildlife Gallery was opened. In 1987, his work was chosen as the illustration for the official NC Zoo poster. In 1992, the United States Post Office issued a series of first-class postage stamps portraying five different species of hummingbirds designed by Balke. Balke travels to Africa, Australia, Ireland, the Caribbean, and across the 50 United States for inspiration and research. His wife, Barbara Schernick Balke, does extensive research on the animals and their habitats in preparation for the paintings and does much of the photography on research trips. He is best known for his detailed and realistic watercolor paintings portraying wildlife in their natural environment. In 2000, he transitioned to a more impressionistic style with oils portraying scenes from Yosemite National Park in California, Ocracoke Island on the Outer Banks, and Grandfather Mountain in North Carolina.

ARTIST: Lois McCune (Pennsylvania, 20/21st century)NAME: Two Dogs - YorkeesYEAR: 2005MEDIUM: oil on canvasCONDITION: Very good. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 14 x 18 inches / 35 x 45 cmFRAME SIZE: 16 x 20 inches / 40 x 50 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119726US Shipping $60 + insurance.BIOGRAPHY:Lois McCune is an American artist whose works include portraiture, still life and landscapes. She began her formal training at the Art Institute of Pittsburgh and went on to study at the Art Students League, the National Academy of Design and the institutions. A native Pittsburgher, McCune returned to her hometown in the 1970s and now works from her studio in Aspinwall. Her art is on display at the Benedum Center for the Performing Arts, the Pittsburgh Public Theatre, Shadyside Academy, Fox Chapel Country Day School, Allegheny General Hospital and McGee Women's Hospital.

ARTIST: Theophile Emmanuel Duverger (France, 1821 - 1886)NAME: Classroom AnticsMEDIUM: oil on boardCONDITION: Very good. Minor stable craquelure. No visible inpaint under UV light.SIGHT SIZE: 14 x 10 1/2 inches / 35 x 27 cmFRAME SIZE: 24 x 20 inches / 60 x 50 cmSIGNATURE: lower leftPROVENANCE: Auctioneer James D Julia, Date 2017-02-09, Lot 1248CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120893US Shipping $60 + insurance.BIOGRAPHY:Sympathetic genre scenes, especially those including children, proliferated during the mid-nineteenth century in France, often finding their inspiration in 17th-century Dutch paintings. Artists combined the experience of the Realist painters and their depiction of scenes from everyday life - without the occasional grittiness of their depictions - with the increasing interest in children to generate a series of charming images evoking the pleasant simplicity of rustic life. Theophile-Emmanuel Duverger, like Benjamin Eugene Fichel, contributed to this genre tradition, creating sentimental and nostalgic images that continue to retain their appeal for today's audience.Theophile-Emmanuel Duverger was born in Bordeaux, France, on September 17, 1821. Duverger was an exceptional character since he was an autodidact, skipping the formal training taken by many of his contemporary artists who also found success at the Parisian Salon. Instead, Duverger relied on his artistic inclinations based on his experience with nature, especially during his time at Ecouen, as well as his understanding of other painters whose works he may have seen while visiting museums. This type of personal training had its benefits since one could follow whatever path they desired instead of being brought into the occasionally tumultuous world of the Parisian ateliers, where rivalries often ran rampant and occasionally polarized the art community.While Bordeaux did have its own art scene, Duverger relocated to the art colony of Ecouen, started by Pierre Edouard Frere, in the Seine-et-Oise region near Paris, where Duverger eventually found success at the Salon and later commissions. The Ecouen colony boasted many other artists, including Auguste-Frederic-Albert Schenk, Jules-Jacques Veryrasset, Emile Lambinet, Emile-Louis Vernier, and Andre-Henri Dargelas, among several others. Duverger was Dargelas' father-in-law, and their work shows many similar tendencies. Duverger may have been inspired by Frere's compositions which also focused on depicting the home, family, and especially children. Ecouen, just eight miles outside of Paris, was the perfect location for artists to retreat from the bustling city and maintain close ties with the Salon.Duverger began exhibiting at the Salon at a critical time - 1846, even before the Salon was held in the Louvre and just two years before the 1848 Revolution, when Parisians took to the streets in revolt against the corrupt government of the July Monarchy. Duverger's images were far removed from the grim reality of the social and political scene in Paris at this time and instead focused on the cheerful nature of family life in rural France. But this imagery evolved only over time, and in his early years, he began his public showings with portraiture. His debut painting at the Salon of 1846 was Portrait of Mademoiselle Z...D....After the 1848 Revolution, France ushered in the Second Republic and later the Second Empire. Duverger's charming and unchallenging imagery found a ripe audience during this period of the Second Empire in Paris. A Time when an increasing middle class began to seek out artists and imagery that had removed itself from the heavily academic interests of many of the other Salon artists still practicing historical or mythological painting. It was not until the early 1850s that Duverger moved away from exhibiting portraiture at the Salon to paintings that were more representative of the style now commonly associated with him. In 1861, fifteen years after first exhibiting at the Salon, Duverger earned his first award; a third-class medal for his numerous showings, including La Gamelle du Grand Papa (The Mess Tin of Grandfather), Attente (The Wait), Echard (The Splinter), La Convalescence, (The Convalescence), Les Dames de Charite (Women of Charity). In 1863 he received an honorable mention, and in 1865 he received a second medal for Le Paralytique (The Paralytic) and Le Laboureur et Ses Enfants (The Worker and His Children). The Salon critic, Louis Auvray, was taken with the latter painting and wrote in his Salon review, Exposition des Beaux-Arts: Salon de 1865, that:The painting of the worker and his children, by Mr. Duverger, is a composition that touches you profoundly. The worker, feeling that life is leaving him, brings together his children around his bed, and, holding out his hand to his oldest son, begs him to return to his duty. The child, with his head down, overwhelmed by the reproach, struggles internally against his negative bents, which he tries to dominate to promise a return to the better. But his wife, who is breast-feeding her last child, appears to doubt that there will be any change possible to her husband's bad behavior.Duverger also submitted his work to the 1889 Exposition Universelle in Paris, where he received a bronze medal. In 1893 his painting L'Intemperance (Intemperance) was shown at the 1893 Columbian Exposition in Chicago. Duverger continued submitting his work to the Salon until 1898. Towards the end of his career, he, like many other artists, began exhibiting drawings and paintings, but for his last work, Duverger exhibited the painting Allant aux Champs (Going to the Fields). He died on August 25, 1898.Duverger showed a range of capabilities in his choice of imagery, ranging from the most well-known cheerful scenes of domestic life, but also knew how to speak to a more aristocratic audience with works that concentrated on the luxury of idleness and the splendor of interior settings. Examples of his work can now be found in the Musee des Beaux Arts, Bordeaux; Le Musee Artistique et Archeologique, La Roche-sur-Yon, and the London Guildhall Art Gallery.

ARTIST: Josephine Vaughn Mahaffey (Texas, 1903 - 1982)NAME: Still Life with FlowersMEDIUM: watercolor on paperCONDITION: Some staining. Some wear. Crumpling. Some damages to edges.SIGHT SIZE: 29 x 20 inches / 73 x 50 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119221US Shipping $75 + insurance.BIOGRAPHY:Mahaffey, Josephine Vaughn (1903–1982). Josephine Vaughn Mahaffey, artist, teacher, and business woman, was born on March 16, 1903, to George I. Vaughn and Kate (Carr) Vaughn in Hopkins County, Texas. She grew up in San Marcos, Texas. Some sources, including the 1930 federal census, have listed her first name as Marjorie (or Marjerie), but most official records simply list her with the first name of Josephine. She studied art at the College of Industrial Arts (now Texas Woman’s University) in Denton, where she won an art contest with a picture painted from different tones of shoe polishes. In 1922 Josephine Vaughn married Mark Mahaffey, who worked for a meat packing plant, and moved to Fort Worth where she continued to study art under the tutelage of Sallie Mummert until Mummert’s death in 1938. From this point Mahaffey studied with such area artists as Clinton Blair King, Octavio Medellin, and Kathleen Lawrence. Mrs. Mahaffey later returned to Texas Woman’s University to earn her B.A.Mahaffey had seven sons and one daughter while she continued her career as an artist and a business woman. She operated a grocery store in Fort Worth for several years and built the enterprise to include three stores before selling it to a larger chain of grocery stores. Following the sale, Josephine Mahaffey bought a ranch north of Fort Worth and opened a private art gallery where she focused on her art and her passion for teaching others the love of painting.Mrs. Mahaffey was known for her quick rapid-fire painting technique which she called, “direct painting.” She was a prolific painter and worked with many different types of surfaces, including a Houston city map, newsprint, and brown paper bags. Her methods often included quickly capturing a first impression in watercolors and later using these initial studies to help her paint the scene using oils.Josephine was a teacher and advocated arts education. She taught at the Woman’s Club of Fort Worth, the Fort Worth Art Center, the Northside Boys Club, and the Arlington YWCA. In addition, she participated in many workshops, attended re-fresher courses, was a charter member of the Fort Worth Art Association, president of the Professional and Amateur Art Association, president of the Composers Authors and Artists–Fort Worth Branch, and a lecturer, judge, and participant in many art shows. She was also a member of the Fort Worth Color Society, Adventures in Art, and the Fort Worth Woman’s Club, which presented Mahaffey with a gold locket for many years of service. In 1957 Coronet magazine referred to her as “Mama Mahaffey, the Texas Dynamo.” She exhibited her work both internationally and locally and was especially known for her shows at the Texas State Fair. In 1968 the State Fair of Texas honored her with a “Josephine Mahaffey Day.”Josephine Vaughn Mahaffey passed away on March 14, 1982, two days before her seventy-ninth birthday in Fort Worth, Texas. She left a legacy of promoting and advancing the visual arts in Texas with her thousands of artworks and her teaching. In 2010 the Fort Worth Community Arts Center hosted a retrospective on her work.

ARTIST: Dorothy Fulton (New Jersey, Kansas, 1896 - 1970)NAME: Autumn Landscape (titled on stretcher)MEDIUM: oil on canvasCONDITION: Very good. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 20 x 24 inches / 50 x 60 cmFRAME SIZE: 26 x 29 inches / 66 x 73 cmSIGNATURE: lower right and on stretcherCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120891US Shipping $75 + insurance.BIOGRAPHY:Born Uniontown, PA, Oct. 23, 1893; died Miami, FL, Jan. 1970. Painter, spec. landscape, still life, and portraits. Sculptor. Teacher. Studied at the Pennsylvania Academy of Fine Arts, Columbia University in New York, Philadelphia Museum School of Industrial Art, University of Southern California, University of Kansas, Lawrence, and University of Pennsylvania. Pupil of Albert Laessle, Henry McCarter, Beckenridge, Daniel Garber, Hale, and George Bridgeman. Lived at 1620 College Avenue, Topeka in 1933. Served as head of the Art Dept. at Linden Hall in Lititz, PA from 1936-52 and as an instructor in the New Jersey Public schools from 1953.

Original vintage advertising poster for Juan Gris artwork exhibition at Wallraf Richartz Museum Koln in Cologne 23 December 1965 to 13 February 1966, featuring a colourful collage looking artwork of still life in green, yellow, purple, red, blue, and white. Good condition, creasing, small tears on edges, staining, pinholes. Country of issue: Germany, designer: Juan Gris, size (cm): 86x61, year of printing: 1965.

20thc School, still life with flowers, oil, signed indistinctly bottom right, measures 50cm x 39cm

MRH, Still Life of Wild Flowers, pencil on paper, initialled bottom right MRH measures 45cm x 30cm

Baillie, still life with flowers, oil, signed and dated 2006 bottom right, measures 27cm x 32cm

A Belle touch style still life depicting food and drink on table, oil, signed bottom right, measures 19.5cm x 24cm