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East Anglian Landscape with Lady Farm Worker before a Mill signed (lower left), oil on canvas 113 x 151cm (44.5in x 59.5in) Footnote: Peter Henry Emerson trained in medicine, qualifying at Cambridge in 1885, but turned to writing and photography after election to the Council of the Photographic Society. Life and Landscape on the Norfolk Broads, a collaboration with the painter Thomas Frederick Goodall, launched a series of photographically-illustrated books about the East Anglian landscape and its peoples that he published over the next decade. Goodall was a member of the New English Art Club, a break-away from the Royal Academy of Arts, and his dedication to modern French-style open-air painting led him to convert a traditional East Anglian houseboat into a floating studio. The photographs in Life and Landscape were correspondingly taken directly from nature', and printed on platinum-containing paper that allowed a wide tonal range. By the late nineteenth century the railway had opened the Broads to visitors, like Emerson and Goodall themselves; Goodall married an East Anglian. However, the Broads' popularity as a'boating playground was still in its infancy. Wherries 'tall-sailed boats introduced in the early seventeenth-century ' were still key forms of transport, and Emerson and Goodall document the work of the area with close attention to its traditional nomenclature and practices.
BALVENIE 10 YEAR OLD FOUNDER'S RESERVE AND 12 YEAR OLD DOUBLEWOOD SPEYSIDE SINGLE MALT Each 40% ABV / 70cl Qty: 2 Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.
BALVENIE 1993 PORTWOOD SPEYSIDE SINGLE MALT 40% ABV / 70cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.
BALVENIE FOUNDER'S RESERVE COGNAC BOTTLE 75CL SPEYSIDE SINGLE MALT 40% ABV / 75cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.
A SMALL QUANTITY OF 29TH CENTURY PAINTINGS ETC, to include a Parisian night scene in the style of Edouard Cortes, signed M Black bottom left, approximate size 49cm x 66cm, a still life scene depicting fruit indistinctly signed Roy??? 1988, a basket of flowers signed L Copson 1926, a small unsigned river landscape possibly depicting a Canadian scene, Signed David Shepherd print Tiger Cubs and a Robert Morden map of Staffordshire, two silk needlework pictures etc
A SMALL QUANTITY OF 29TH CENTURY PAINTINGS ETC, to include a Parisian night scene in the style of Edouard Cortes, signed M Black bottom left, approximate size 49cm x 66cm, a still life scene depicting fruit indistinctly signed Roy??? 1988, a basket of flowers signed L Copson 1926, a small unsigned river landscape possibly depicting a Canadian scene, Signed David Shepherd print Tiger Cubs and a Robert Morden map of Staffordshire, two silk needlework pictures, etc.
20th century British, Still life of potted white crocus, oil on board, unsigned, 49.5cm x 39cm, housed in gilt frame CONDITION REPORTS & PAYMENT DETAILS IMPORTANT* Descriptions do not include condition reports. Please contact us to if you require further information or images.* Please consider shipping costs before bidding as this may affect your decision to bid* Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
A botanical study of rosehips, watercolour, and another of a pomegranate fruit, unsigned, 13cm x 22cm and 13cm x 23cm, housed in matching gilt frames, and a still life of pink roses in a basket, watercolour, 15cm x 20cm (3 items) CONDITION REPORTS & PAYMENT DETAILS IMPORTANT* Descriptions do not include condition reports. Please contact us to if you require further information or images.* Please consider shipping costs before bidding as this may affect your decision to bid* Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
20th Cent. oil on panel, most likely depicting 'Raymond Lefebvre' (on a very fine support marouflaged on cardboard or fine panel) attributed to Mela Muter on the back there is a "Still Life", probably painted by another hand || MELA MUTER (1876 - 1967) (Polen) olieverfschilderij op paneel (zeer fijne drager gemaroufleerd op karton of fijn paneel) met een onafgewerkt portret, hoogstwaarschijnlijk van Raymond Lefebvre - 75,8 x 61 op verso is er een "Stilleven", waarschijnlijk van een andere hand - toegeschreven aan
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77168 item(s)/page