GIOVANNI BATTISTA RUOPPOLO (ATTR.) 1629 Neapel - 1693 Ebenda STILLLEBEN MIT WEINTRAUBEN Öl auf Leinwand (altdoubl.). 65,5 x 50 cm (R. 84 x 68,5 cm). Verso: Auf dem Keilrahmen div. alte Sammlungs- bzw. Auktionsnummern: 'F 3699 und 230/17'. Part. min. altrest. Rahmen. Provenienz: Süddeutsche Privatsammlung. GIOVANNI BATTISTA RUOPPOLO (ATTR.) 1629 Naples - 1693 Ibid STILL LIFE WITH A BUNCH OF GRAPES Oil on canvas (old relined). 65,5 x 50 cm (F. 84 x 68,5 cm). Verso: On the stretcher various old collection and auction numbers: 'F 3699 und 230/17'. Part. min. old restored. Frame. Provenance: South German Private Collection.
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ITALIENISCHER MEISTER Tätig, 2. Hälfte 17. Jh. OPULENTES BLUMENSTILLLEBEN MIT GLASVASE UND BASTKORB Öl auf Leinwand (doubl.). 54 x 76 cm (R. 74 x 91 cm). Part. leicht altrest., Altretuschen. Handgeschnitzter Rahmen des (wohl) 18. Jahrhunderts. Provenienz: Rheinische Privatsammlung. ITALIAN MASTER Active, 2nd half 17th century. OPULENT FLORAL STILL LIFE WITH GLASS VASE AND BAST BASKET Oil on ncanvas (relined). 54 x 76 cm (F. 74 x 91 cm). Part. slightly old restored, old retouchings. Hand-carved frame of the (probably) 18th century. Provenance: Rhenish Private Collection.
CORNELIS DE HEEM (ATTR.) 1631 Leiden - 1695 Antwerpen STILLLEBEN MIT MASKARON, BLAUER SCHLEIFE UND TRAUBEN Öl auf Leinwand (altdoubl.). 63 x 50 cm (R. 74,5 x 62 cm). Verso: Reste eines alten Wachssiegels (ungedeutet). Part. leicht altrest. Rahmen. Provenienz: Hessische Privatsammlung. Zuvor: Dr. Eberhardt Schenk zu Schweinsberg. CORNELIS DE HEEM (ATTR.) 1631 Leiden - 1695 Antwerp STILL LIFE WITH MASCARON, BLUE BOW AND GRAPES Oil on canvas (old relined). 63 x 50 cm (F. 74,5 x 62 cm). Verso: Remains of an old wax seal (unidentified). Part. slightly old restored. Frame. Provenance: Hessian Private Collection. Before: Dr. Eberhard Schenk zu Schweinsberg.
JACOB BOGDÀNY (SCHULE) 6. Mai 1658 Eperjes (Presov, Slowakei) - 11. November 1724 London FRÜCHTESTILLLEBEN MIT TRAUBEN, BIRNEN, FEIGEN, KASTANIEN, PFIRSICHEN UND SCHMETTERLING IN EINER NISCHE Öl auf Leinwand (altdoubl.). 77 x 62,5 cm (R. 90 x 75 cm). Verso: Leinwand mit altem Zollstempel, Keilrahmen mit alter Londoner Auktionsnummer: '611 DJ'. Weiterhin altes Papierlabel mit Inschrift (ungedeutet). Part. leicht altrest., min. besch. Rahmen. Expertise: Zu einem vergleichbaren Werk von Jacob Bogdàny vgl.: Datenbank des RKD: https://rkd.nl/explore/images/121112. Provenienz: Süddeutsche Privatsammlung. JACOB BOGDÀNY (SCHOOL) 6th May 1658 Eperjes (Presov, Slowakai - 11th November 1724 London STILL LIFE WITH GRAPES, PEARS, FIGS, CHESTNUTS, AND A BUTTERFLY IN A NICHE Oil on canvas (old relined). 77 x 62,5 cm (F. 90 x 75 cm). Verso: Old customs stamp, stretcher with old London aucion number: '611 DJ'. Furthermore old paper label with inscription (unidentified). Part. slightly old retored, min. damaged. Frame. Expertise: For a comparable work by Jacob Bogdàny see: RKD database: https://rkd.nl/explore/images/121112. Provenienz: South German Private Collection.
EUGÈNE CLAUDE 1841 Toulouse - 1922 Paris Stillleben mit Johannisbeeren Öl auf Leinwand. 22 x 32,5 cm (R. 37 x 47 cm). Signiert 'Eug. Claude' unten links. Verso: Leinwand mit Herstellerstempel. Rest. Rahmen. Provenienz: Privatsammlung Bayern. EUGÈNE CLAUDE 1841 Toulouse - 1922 Paris Still life with currants Oil on canvas. 22 x 32.5 cm (F. 37 x 47 cm). Signed 'Eug. Claude' lower left. Verso: canvas with manufacturer-stamp. Rest. Frame. Provenance: private collection Bavaria.
OSKAR ROBERT DOGARTH 1898 Wien - 1961 ebenda Blumenstillleben Öl auf Holz. 51,5 x 40,5 cm (R. 63 x 53 cm). Signiert unten rechts 'O. R. Dogarth'. Min. rest. Rahmen. Provenienz: Privatsammlung Ruhrgebiet. OSKAR ROBERT DOGARTH 1898 Vienna - 1961 Ibid. Flower still life Oil on wooden panel. 51.5 x 40.5 cm (F. 63 x 53 cm). Signed lower right 'O. R. Dogarth'. Min. rest. Frame. Provenance: private collection Ruhr region.
ADRIANUS SERNÉ 1773 Haarlem - c.1853 Zwolle Blumenstillleben Öl auf Leinwand (doubl.). 48 x 38,5 cm (R. 75 x 65 cm). Signiert und datiert unten rechts 'A. Serné fec. 1849'. Rest. Rahmen. ADRIANUS SERNÉ 1773 Haarlem - c.1853 Zwolle Flower still life Oil on canvas (relined). 48 x 38.5 cm (F. 75 x 65 cm). Signed and dated lower right 'A. Serné fec. 1849'. Rest. Frame.
JAKOB RITZMANN 1894 Zürich - 1990 Neunkirch Stillleben mit Rosen Öl auf Leinwand. 32 x 24 cm (R. 45 x 38 cm). Signiert oben rechts 'Ritzmann'. Besch., rest. Rahmen. JAKOB RITZMANN 1894 Zurich - 1990 Neunkirch Still life with roses Oil on canvas. 32 x 24 cm (F. 45 x 38 cm). Signed upper right 'Ritzmann'. Damaged, rest. Frame.
THEODOOR AELS um 1928 Stillleben mit Krug, Vase und Äpfeln Öl auf Leinwand. 51 x 64 cm. Signiert und datiert unten links 'Theodoor Aels (19)28'. Min. ber., rest. THEODOOR AELS about 1928 Still life with jug, vase and apples Oil on canvas. 51 x 64 cm. Signed and dated lower left 'Theodoor Aels (19)28'. Min. abraded, rest.
DEUTSCH um 1900 Stillleben mit Äpfeln und Birnen Öl auf Karton. 29 x 37 cm (R. 37 x 45 cm). Schwer leserlich signiert unten rechts 'G. ...'. Sehr min. ber. Rahmen. GERMAN about 1900 Still life with apples and pears Oil on cardboard. 29 x 37 cm (F. 37 x 45 cm). Indistinctly signed lower right 'G. ...'. Very min. abraded. Frame.
WILLY NUS 1893 - 1942 Stilleben mit Chinoiserien Öl auf Leinwand. 41,5 x 35,5 cm (R. 45 x 39 cm). Signiert oben links 'W. Nus'. Min. besch., rest. Rahmen. Provenienz: Privatsammlung Niederrhein. WILLY NUS 1893 - 1942 Still life with chinoiseries Oil on canvas. 41.5 x 35.5 cm (F. 45 x 39 cm). Signed upper left 'W. Nus'. Min. damaged, rest. Frame. Provenance: private collection lower Rhine.
ERNEST BORDES 1852 Pau - 1914 Paris Feines Blumenstillleben Öl auf Leinwand. 60 x 40 cm (R. 80 x 60 cm). Signiert unten links 'E. Bordes'. Verso: Leinwand mit Herstellerstempel, Paris. Rest. Rahmen. Provenienz: Privatsammlung Ruhrgebiet. ERNEST BORDES 1852 Pau - 1914 Paris Delicate flower still life Oil on canvas. 60 x 40 cm (F. 80 x 60 cm). Signed lower left 'E. Bordes'. Verso: canvas with manufacturer-stamp, Paris. Rest. Frame. Provenance: private collection Ruhr region.
ADOLF DE HAER 1892 Düsseldorf - 1945 Osnabrück Blumenstillleben Öl und Farbkreide auf Leinwand. 80 x 65 cm (R. 97 x 84 cm). Signiert unten links 'A. de Haer'. Verso: Farbskizze - tropische Landschaft. Min. ber. Rahmen. Provenienz: Rheinische Privatsammlung. ADOLF DE HAER 1892 Duesseldorf - 1945 Osnabrück Flower still life Oil and chalk on canvas. 80 x 65 cm (F. 97 x 84 cm). Signed lower left 'A. de Haer'. Verso: Coloured sketch - tropical landscape. Min. abraded. Frame. Provenance: Rhenish private collection.
* Haile Selassie I (1892-1975). Emperor of Ethiopia 1930-1974. An audio interview conducted by a British reporter [David Holden] with Haile Selassie in Addis Ababa on the eve of the 40th anniversary of his Coronation, 1 November, 1970, the interview lasting 33 minutes and 33 seconds and recorded on Scotch Magnetic tape 215 (270m/900ft, 13cm/5in), on clear plastic spool in original printed card box with Haile Selassie name and the date inscribed to upper lid, a little soiled, spool size 13cm, together with a .wav file transfer of the interview on an 8GB memory stickQty: (1)NOTESThe interview was conducted by David Holden while preparing for his documentary 'Lion of Judah', and takes the form of five questions asked in English, followed by Haile Selassie's lengthy answers in Amharic, then followed by equally lengthy English translations by Haile Selassie's translator. There are occasional interjections by Haile Selassie and even a little English is spoken by him on request at the end of the interview. The interview begins with the question about what it was that Haile Selassie wanted to change when as a young man he first came to a position of power in Ethiopia. He answers that he believed in the values of traditional education and the moral values of his country with a modern education and that after his father's death he wanted to give Ethiopia its own constitution to safeguard rights of every citizen and their happiness. He describes how the implementation was not easy and how he fought to abolish slavery, fighting collaborators and officials. He managed to introduce education with great difficulty and for over 10 years he had the portfolio of education himself. He desired to give girls and boys free education to help serve their country the best the positive response he got from the people made him very happy. The other questions concern the period of his life with the invasion by the Italians in the 1930s and the failure of the League of Nations to protect Ethiopia, the interviewer asking him what affect that had had on his thinking about such organisations as the United Nations, etc., the third question to which Haile Selassie answers concerns the period of Italian occupation when he spent most of his time in England, asking him for his chief recollection and what he liked most and disliked most about the English. Haile Selassie speaks fondly of his time in Britain and his friendship with the British people, and describes the true friendship between British and Ethiopian people. The fourth question returns to education and refers to the student troubles in USA, France, Japan and United Kingdom. Haile Selassie describes how there had been a brief misunderstanding between university officials and government officials in Ethiopia, but students quickly realised that they were wrong and came to their senses. The final question is to ask if Haile Selassie would speak a sentence or two in English for the listeners to which Haile Selassie responded: 'You ask me really serious things. I see many changes in the world and hope always for peace'. He concludes that the world has changed many times since its inception and it's still changing and it can be better or for the worse and that one must do one's best to achieve peace, and talking is not enough. The interviewer thanks Haile Selassie and congratulates him on the 40th anniversary of his coronation the following day and hoping to be at the Parliament to see him give his speech. He asks whether it would be possible to take one photograph and gets a positive reply.
A collection of vintage mid 20th Century jewellery / music boxes to include a black Japanese lacquer jewellery box in the form of a piano with gilt details and abalone shell, an Albuquerque New Mexico souvenir box having a still life to the lid, a brown tooled leather jewellery box, a Spanish souvenir music box and a Christmas music box (af).
NEIL YOUNG - LP COLLECTION. Another no so shakey collection of 15 x LPs from 'Don Grungio'... Titles include Everybody Knows This Is Nowhere (US RS 6349 original orange/tan label - Ex+/Ex), Time Fades Away (US copy, remarkably still Mint and factory sealed!), After The Gold Rush (K 44088 A2/B2, with poster), Trans (US QUIEX II pressing), Hawks & Doves (HS 2297 promo stamped sleeve), Comes A Time (US copy, in shrink), Tonight's The Night (UK K 54040 A2/B2), Zuma (K 54057), Freedom (W1-25899 - archive copy still in shrink), Life, American Stars 'N Bars, This Note's For You and Loose. Condition is typically neat VG+ to Ex+.
Jean Hippolyte Marchand (1883-1940) oil on canvas - still life of tulips, signed, in gilt frame, 49cm x 60cmCondition report: Would benefit from a clean as it smells heavily of nicotine. There is an indentation around the far right white flower - however not to the detriment of the picture. Some slight paint shrinkage on the green leaves, however the paint surface is stable and not cracking or lifting in any way. From a local private client.
Kenneth Rose (20th century British) - Still life with lilies and delphiniums, oil on canvas, inscribed to stretcher verso, and with paper label for Bewdley address details, x 44cm, in moulded gilt frame, together with a further early 20th century oil on canvas of a floral still life in the 17th century Dutch manner, unsigned, 75 x 62cm in moulded gilt frame (2)
Carpreau (20th century) - Interior scene in dining room with chandelier, flowers, etc, oil on canvas board, signed, 55 x 78.9cm approx, together with a coloured print in the mid-20th century manner of a still life with blue vase, 70 x 55cm, and a further signed coloured limited edition print after Llana Richardson - Tropical Doorway, 59 x 75.5cm, all framed (3)
Reine Climiere (20th century French) - Study of trees in blossom, oil on canvas, signed and inscribed verso to stretcher with exhibition date 1977, 54 x 73cm, unframed, four further oil paintings including a study of a lion and lioness signed FM Gorse, dated 28, 50 x 71cm, together with an interior scene with female nude, further female nude in landscape setting, and a still life with bottle and fruit, signed C Willdern, 49 x 39cm (5)
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