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Lot 1316

GIOVANNI BATTISTA RUOPPOLO (ATTR.) 1629 Neapel - 1693 Ebenda STILLLEBEN MIT WEINTRAUBEN Öl auf Leinwand (altdoubl.). 65,5 x 50 cm (R. 84 x 68,5 cm). Verso: Auf dem Keilrahmen div. alte Sammlungs- bzw. Auktionsnummern: 'F 3699 und 230/17'. Part. min. altrest. Rahmen. Provenienz: Süddeutsche Privatsammlung. GIOVANNI BATTISTA RUOPPOLO (ATTR.) 1629 Naples - 1693 Ibid STILL LIFE WITH A BUNCH OF GRAPES Oil on canvas (old relined). 65,5 x 50 cm (F. 84 x 68,5 cm). Verso: On the stretcher various old collection and auction numbers: 'F 3699 und 230/17'. Part. min. old restored. Frame. Provenance: South German Private Collection.

Lot 1317

ITALIENISCHER MEISTER Tätig, 2. Hälfte 17. Jh. OPULENTES BLUMENSTILLLEBEN MIT GLASVASE UND BASTKORB Öl auf Leinwand (doubl.). 54 x 76 cm (R. 74 x 91 cm). Part. leicht altrest., Altretuschen. Handgeschnitzter Rahmen des (wohl) 18. Jahrhunderts. Provenienz: Rheinische Privatsammlung. ITALIAN MASTER Active, 2nd half 17th century. OPULENT FLORAL STILL LIFE WITH GLASS VASE AND BAST BASKET Oil on ncanvas (relined). 54 x 76 cm (F. 74 x 91 cm). Part. slightly old restored, old retouchings. Hand-carved frame of the (probably) 18th century. Provenance: Rhenish Private Collection.

Lot 1320

CORNELIS DE HEEM (ATTR.) 1631 Leiden - 1695 Antwerpen STILLLEBEN MIT MASKARON, BLAUER SCHLEIFE UND TRAUBEN Öl auf Leinwand (altdoubl.). 63 x 50 cm (R. 74,5 x 62 cm). Verso: Reste eines alten Wachssiegels (ungedeutet). Part. leicht altrest. Rahmen. Provenienz: Hessische Privatsammlung. Zuvor: Dr. Eberhardt Schenk zu Schweinsberg. CORNELIS DE HEEM (ATTR.) 1631 Leiden - 1695 Antwerp STILL LIFE WITH MASCARON, BLUE BOW AND GRAPES Oil on canvas (old relined). 63 x 50 cm (F. 74,5 x 62 cm). Verso: Remains of an old wax seal (unidentified). Part. slightly old restored. Frame. Provenance: Hessian Private Collection. Before: Dr. Eberhard Schenk zu Schweinsberg.

Lot 1321

JACOB BOGDÀNY (SCHULE) 6. Mai 1658 Eperjes (Presov, Slowakei) - 11. November 1724 London FRÜCHTESTILLLEBEN MIT TRAUBEN, BIRNEN, FEIGEN, KASTANIEN, PFIRSICHEN UND SCHMETTERLING IN EINER NISCHE Öl auf Leinwand (altdoubl.). 77 x 62,5 cm (R. 90 x 75 cm). Verso: Leinwand mit altem Zollstempel, Keilrahmen mit alter Londoner Auktionsnummer: '611 DJ'. Weiterhin altes Papierlabel mit Inschrift (ungedeutet). Part. leicht altrest., min. besch. Rahmen. Expertise: Zu einem vergleichbaren Werk von Jacob Bogdàny vgl.: Datenbank des RKD: https://rkd.nl/explore/images/121112. Provenienz: Süddeutsche Privatsammlung. JACOB BOGDÀNY (SCHOOL) 6th May 1658 Eperjes (Presov, Slowakai - 11th November 1724 London STILL LIFE WITH GRAPES, PEARS, FIGS, CHESTNUTS, AND A BUTTERFLY IN A NICHE Oil on canvas (old relined). 77 x 62,5 cm (F. 90 x 75 cm). Verso: Old customs stamp, stretcher with old London aucion number: '611 DJ'. Furthermore old paper label with inscription (unidentified). Part. slightly old retored, min. damaged. Frame. Expertise: For a comparable work by Jacob Bogdàny see: RKD database: https://rkd.nl/explore/images/121112. Provenienz: South German Private Collection.

Lot 1539

SPANISCH (?) 2. H. 19. Jh. Stillleben mit Papagei Öl auf Leinwand (doubl.). 52 x 71 cm (R. 63 x 82 cm). Rest. Rahmen. SPANISH (?) 2nd h. 19th C. Still life with parrot Oil on canvas (relined). 52 x 71 cm (F. 63 x 82 cm). Rest. Frame.

Lot 1540

EUGÈNE CLAUDE 1841 Toulouse - 1922 Paris Stillleben mit Johannisbeeren Öl auf Leinwand. 22 x 32,5 cm (R. 37 x 47 cm). Signiert 'Eug. Claude' unten links. Verso: Leinwand mit Herstellerstempel. Rest. Rahmen. Provenienz: Privatsammlung Bayern. EUGÈNE CLAUDE 1841 Toulouse - 1922 Paris Still life with currants Oil on canvas. 22 x 32.5 cm (F. 37 x 47 cm). Signed 'Eug. Claude' lower left. Verso: canvas with manufacturer-stamp. Rest. Frame. Provenance: private collection Bavaria.

Lot 1541

OSKAR ROBERT DOGARTH 1898 Wien - 1961 ebenda Blumenstillleben Öl auf Holz. 51,5 x 40,5 cm (R. 63 x 53 cm). Signiert unten rechts 'O. R. Dogarth'. Min. rest. Rahmen. Provenienz: Privatsammlung Ruhrgebiet. OSKAR ROBERT DOGARTH 1898 Vienna - 1961 Ibid. Flower still life Oil on wooden panel. 51.5 x 40.5 cm (F. 63 x 53 cm). Signed lower right 'O. R. Dogarth'. Min. rest. Frame. Provenance: private collection Ruhr region.

Lot 1542

ADRIANUS SERNÉ 1773 Haarlem - c.1853 Zwolle Blumenstillleben Öl auf Leinwand (doubl.). 48 x 38,5 cm (R. 75 x 65 cm). Signiert und datiert unten rechts 'A. Serné fec. 1849'. Rest. Rahmen. ADRIANUS SERNÉ 1773 Haarlem - c.1853 Zwolle Flower still life Oil on canvas (relined). 48 x 38.5 cm (F. 75 x 65 cm). Signed and dated lower right 'A. Serné fec. 1849'. Rest. Frame.

Lot 1543

JAKOB RITZMANN 1894 Zürich - 1990 Neunkirch Stillleben mit Rosen Öl auf Leinwand. 32 x 24 cm (R. 45 x 38 cm). Signiert oben rechts 'Ritzmann'. Besch., rest. Rahmen. JAKOB RITZMANN 1894 Zurich - 1990 Neunkirch Still life with roses Oil on canvas. 32 x 24 cm (F. 45 x 38 cm). Signed upper right 'Ritzmann'. Damaged, rest. Frame.

Lot 1544

THEODOOR AELS um 1928 Stillleben mit Krug, Vase und Äpfeln Öl auf Leinwand. 51 x 64 cm. Signiert und datiert unten links 'Theodoor Aels (19)28'. Min. ber., rest. THEODOOR AELS about 1928 Still life with jug, vase and apples Oil on canvas. 51 x 64 cm. Signed and dated lower left 'Theodoor Aels (19)28'. Min. abraded, rest.

Lot 1720

DEUTSCH um 1900 Stillleben mit Äpfeln und Birnen Öl auf Karton. 29 x 37 cm (R. 37 x 45 cm). Schwer leserlich signiert unten rechts 'G. ...'. Sehr min. ber. Rahmen. GERMAN about 1900 Still life with apples and pears Oil on cardboard. 29 x 37 cm (F. 37 x 45 cm). Indistinctly signed lower right 'G. ...'. Very min. abraded. Frame.

Lot 1726

WILLY NUS 1893 - 1942 Stilleben mit Chinoiserien Öl auf Leinwand. 41,5 x 35,5 cm (R. 45 x 39 cm). Signiert oben links 'W. Nus'. Min. besch., rest. Rahmen. Provenienz: Privatsammlung Niederrhein. WILLY NUS 1893 - 1942 Still life with chinoiseries Oil on canvas. 41.5 x 35.5 cm (F. 45 x 39 cm). Signed upper left 'W. Nus'. Min. damaged, rest. Frame. Provenance: private collection lower Rhine.

Lot 1727

ERNEST BORDES 1852 Pau - 1914 Paris Feines Blumenstillleben Öl auf Leinwand. 60 x 40 cm (R. 80 x 60 cm). Signiert unten links 'E. Bordes'. Verso: Leinwand mit Herstellerstempel, Paris. Rest. Rahmen. Provenienz: Privatsammlung Ruhrgebiet. ERNEST BORDES 1852 Pau - 1914 Paris Delicate flower still life Oil on canvas. 60 x 40 cm (F. 80 x 60 cm). Signed lower left 'E. Bordes'. Verso: canvas with manufacturer-stamp, Paris. Rest. Frame. Provenance: private collection Ruhr region.

Lot 1729

ADOLF DE HAER 1892 Düsseldorf - 1945 Osnabrück Blumenstillleben Öl und Farbkreide auf Leinwand. 80 x 65 cm (R. 97 x 84 cm). Signiert unten links 'A. de Haer'. Verso: Farbskizze - tropische Landschaft. Min. ber. Rahmen. Provenienz: Rheinische Privatsammlung. ADOLF DE HAER 1892 Duesseldorf - 1945 Osnabrück Flower still life Oil and chalk on canvas. 80 x 65 cm (F. 97 x 84 cm). Signed lower left 'A. de Haer'. Verso: Coloured sketch - tropical landscape. Min. abraded. Frame. Provenance: Rhenish private collection.

Lot 108

PADDY HIGSON (20TH CENTURY) Still life - an earthenware jug of sunflowers, signed, oil on canvas, 78 x 58cm

Lot 145

SERGEI KOVALENKO (20TH/21ST CENTURY) 'Still life', signed, inscribed and dated 2010 verso, oil on canvas, 59 x 69cm unframed

Lot 174

DON FARRELL (20TH CENTURY) Still life - Buckets & Burlap, signed, watercolour, 44 x 60cm

Lot 259

20TH CENTURY CONTINENTAL SCHOOL Still life - a vase of flowers against a dark background, indistinctly signed, oil on canvas, 58.5 x 79cm

Lot 318

HELEN CORDELIA ANGELL (1847-1884) Still life - a Chinese blue and white vase of flowers, signed, watercolour, 32 x 18.5cm With J & H Vokins, King St, St James', London

Lot 346

ENGLISH SCHOOL (LATE 19TH/EARLY 20TH CENTURY) Still life - a vase of hyacinths, indistinctly signed, oil on canvas, 29.5 x 39.5cm

Lot 360

FOLLOWER OF JEAN BAPTISTE MONNOYER (1636-1699) Still life - a vase of mixed flowers upon a marble ledge, oil on canvas, 45.5 x 32.5cm; and companion, a pair (2)

Lot 71

Pictures and prints - Russel Flint, after, Pont St Esprit limited edition print 212/500; W.A.Tait, Still life Blackberries on the vine, watercolour, signed; E Holbrook, Cottage, signed RM Academy 5th October 1864; another Rider just mounted, charcoal and chalk. (4)

Lot 280

Richard Joicey (20th century) Langstone harbour with The Royal Oak pub and mill, signed and dated '75', watercolour, mounted, glazed and framed, 40 x 63cm, together with a watercolour still life study entitles 'Pink Camelias', by Richenda Warriner, 36 x 26cm

Lot 402

Claud-Gerard Turpin (born 1934) still-life oil on board, with bottles, studio stamped verso, gilt coloured frame,The oil measures 24 x 30 cm

Lot 416

A Roland impressionist oil on board, "Still-life of table top items including a vase of roses", signed, unframed,The oil measures 61 x 51 cm

Lot 543

Unusual still-life circular oil on canvas, signed Lense,The oil measures 33 cm in diameter

Lot 285

Modern gilt framed Still Life, 54cm x 45cm

Lot 108

KATE WYLIE (SCOTTISH 1877-1941) STILL LIFE OF ROSES Signed, oil on canvasboard(32.5cm x 28cm (12.75in x 11in))

Lot 142

EDWARD DRUMMOND YOUNG (SCOTTISH 1877-1946) STILL LIFE Signed, oil on board(29cm x 34cm (11.5in x 13.5in))

Lot 171

TERENCE LOUDON (BRITISH 1900-1949) STILL LIFE WITH WHITE ANEMONES Signed, oil on board(46cm x 35.5cm (18in x 14in), unframed)

Lot 172

§ GEORGE TELFER BEAR (SCOTTISH 1876-1973) STILL LIFE Oil on canvas(47.5cm x 58cm (18.75in x 22.75in))

Lot 46

§ BRENDA LENAGHAN R.S.W. (SCOTTISH 1941-2020) STILL LIFE WITH IRISES Signed, oil on board(59cm x 59cm (23in x 23in))

Lot 79

§ MARY GALLAGHER (SCOTTISH B.1953) STILL LIFE WITH STRIPED VASE Signed, signed verso, oil on canvas(72cm x 59cm (28.25in x 23.25in))

Lot 888

PATRICIA AUSTIN (20TH / 21ST C) - UNTITLED, SIGNED VERSO, OIL ON BOARD, 38 X 49.5CM AND A STILL LIFE BY ANOTHER HAND, OIL ON BOARD (2) Condition reportBoth in good condition

Lot 940

THOMAS WEBSTER, 20TH CENTURY - STILL LIFE, SIGNED, OIL ON CANVAS, 120 X 89CM Condition reportGood condition in Victorian style gilt frame

Lot 309

* Haile Selassie I (1892-1975). Emperor of Ethiopia 1930-1974. An audio interview conducted by a British reporter [David Holden] with Haile Selassie in Addis Ababa on the eve of the 40th anniversary of his Coronation, 1 November, 1970, the interview lasting 33 minutes and 33 seconds and recorded on Scotch Magnetic tape 215 (270m/900ft, 13cm/5in), on clear plastic spool in original printed card box with Haile Selassie name and the date inscribed to upper lid, a little soiled, spool size 13cm, together with a .wav file transfer of the interview on an 8GB memory stickQty: (1)NOTESThe interview was conducted by David Holden while preparing for his documentary 'Lion of Judah', and takes the form of five questions asked in English, followed by Haile Selassie's lengthy answers in Amharic, then followed by equally lengthy English translations by Haile Selassie's translator. There are occasional interjections by Haile Selassie and even a little English is spoken by him on request at the end of the interview. The interview begins with the question about what it was that Haile Selassie wanted to change when as a young man he first came to a position of power in Ethiopia. He answers that he believed in the values of traditional education and the moral values of his country with a modern education and that after his father's death he wanted to give Ethiopia its own constitution to safeguard rights of every citizen and their happiness. He describes how the implementation was not easy and how he fought to abolish slavery, fighting collaborators and officials. He managed to introduce education with great difficulty and for over 10 years he had the portfolio of education himself. He desired to give girls and boys free education to help serve their country the best the positive response he got from the people made him very happy. The other questions concern the period of his life with the invasion by the Italians in the 1930s and the failure of the League of Nations to protect Ethiopia, the interviewer asking him what affect that had had on his thinking about such organisations as the United Nations, etc., the third question to which Haile Selassie answers concerns the period of Italian occupation when he spent most of his time in England, asking him for his chief recollection and what he liked most and disliked most about the English. Haile Selassie speaks fondly of his time in Britain and his friendship with the British people, and describes the true friendship between British and Ethiopian people. The fourth question returns to education and refers to the student troubles in USA, France, Japan and United Kingdom. Haile Selassie describes how there had been a brief misunderstanding between university officials and government officials in Ethiopia, but students quickly realised that they were wrong and came to their senses. The final question is to ask if Haile Selassie would speak a sentence or two in English for the listeners to which Haile Selassie responded: 'You ask me really serious things. I see many changes in the world and hope always for peace'. He concludes that the world has changed many times since its inception and it's still changing and it can be better or for the worse and that one must do one's best to achieve peace, and talking is not enough. The interviewer thanks Haile Selassie and congratulates him on the 40th anniversary of his coronation the following day and hoping to be at the Parliament to see him give his speech. He asks whether it would be possible to take one photograph and gets a positive reply.

Lot 766

Early 20th Century School, basket of flowers still life, watercolour, 36cm x 53cm, unsigned glazed and framed 53cm x 71cm.

Lot 768

Early 20th Century School, still life, oil on canvas, 49cm x 69cm, unsigned, framed 64cm x 75cm.

Lot 56

Early 20th Century School, pair, still life with fruit, oil on canvas, 51cm x 48cm, unsigned.

Lot 1001

Henry Dixon - British School - A 1960s Mid Century still life painting / picture entitled 'Still Life' by British artist, Henry Dixon. Depicted in the scene is a turned away chair with fabric draped over the backrest. Oil on canvas. Framed. Measures, 101 cm H x 69 cm W 

Lot 593

A collection of vintage mid 20th Century jewellery / music boxes to include a black Japanese lacquer jewellery box in the form of a piano with gilt details and abalone shell, an Albuquerque New Mexico souvenir box having a still life to the lid, a brown tooled leather jewellery box, a Spanish souvenir music box and a Christmas music box (af). 

Lot 105

A framed oil on board, still life, signed by Elizabeth Davis. 64x74cm

Lot 372

A framed oil on canvas, still life, by Greet Rossau. 61x78.

Lot 171

NEIL YOUNG - LP COLLECTION. Another no so shakey collection of 15 x LPs from 'Don Grungio'... Titles include Everybody Knows This Is Nowhere (US RS 6349 original orange/tan label - Ex+/Ex), Time Fades Away (US copy, remarkably still Mint and factory sealed!), After The Gold Rush (K 44088 A2/B2, with poster), Trans (US QUIEX II pressing), Hawks & Doves (HS 2297 promo stamped sleeve), Comes A Time (US copy, in shrink), Tonight's The Night (UK K 54040 A2/B2), Zuma (K 54057), Freedom (W1-25899 - archive copy still in shrink), Life, American Stars 'N Bars, This Note's For You and Loose. Condition is typically neat VG+ to Ex+.

Lot 167

Original Artwork, 1930s dated, motor cars, nudes, glamour, still life etc. (gd) (13 pieces and 2 students drawing books)

Lot 377

Large collection of pictures and mirrors including rosewood framed needlework, still life watercolour, Arts & Crafts circular brass mirror, etc. (Circular brass mirror withdrawn).

Lot 617

After Jean-Baptiste Chardin (1697-1779) oil on board - still life of fruit and a mug on a ledge, inscribed verso, in good antique gilt gesso frame, 18.5cm x 22cm

Lot 633

R. Caspers, oil on panel - still life of primroses on a mossy bank, signed, in burrwood veneered frame, 29cm x 38cm

Lot 660

After Jan Van Os, 20th century, pair of oils on canvas - Still Life, in gilt frames, 90cm x 62cmProvenance: Property of a Lady, removed from a Hertfordshire Country Estate

Lot 682

Priscilla Hanbury (1921-2008) oil on board - still life, initialled, framed, 61cm x 45cm

Lot 690

Jean Hippolyte Marchand (1883-1940) oil on canvas - still life of tulips, signed, in gilt frame, 49cm x 60cmCondition report: Would benefit from a clean as it smells heavily of nicotine. There is an indentation around the far right white flower - however not to the detriment of the picture. Some slight paint shrinkage on the green leaves, however the paint surface is stable and not cracking or lifting in any way. From a local private client.

Lot 202

Kenneth Rose (20th century British) - Still life with lilies and delphiniums, oil on canvas, inscribed to stretcher verso, and with paper label for Bewdley address details, x 44cm, in moulded gilt frame, together with a further early 20th century oil on canvas of a floral still life in the 17th century Dutch manner, unsigned, 75 x 62cm in moulded gilt frame (2)

Lot 223

20th century British school - Still life with vase of summer flowers on a windowsill, with distant view beyond, oil on board, signed K McG, 60 x 75cm, in gilt frame

Lot 247

Mid-20th century school - Still life with jug of spring flowers, books, a pipe and an ashtray, oil on canvas board, possibly signed to spine of book? 60 x 50cm in moulded gilt frame

Lot 281

19th century manner - Still life with fruit, oil on board, unsigned, 47.5 x 39cm in moulded gilt frame

Lot 296

Carpreau (20th century) - Interior scene in dining room with chandelier, flowers, etc, oil on canvas board, signed, 55 x 78.9cm approx, together with a coloured print in the mid-20th century manner of a still life with blue vase, 70 x 55cm, and a further signed coloured limited edition print after Llana Richardson - Tropical Doorway, 59 x 75.5cm, all framed (3)

Lot 307

Reine Climiere (20th century French) - Study of trees in blossom, oil on canvas, signed and inscribed verso to stretcher with exhibition date 1977, 54 x 73cm, unframed, four further oil paintings including a study of a lion and lioness signed FM Gorse, dated 28, 50 x 71cm, together with an interior scene with female nude, further female nude in landscape setting, and a still life with bottle and fruit, signed C Willdern, 49 x 39cm (5)

Lot 443

Framed watercolour still life 'Pansies' by Caroline H Norman dated 1891 42 cm x 37 cm (size including frame)

Lot 474

2 framed still life watercolours of flowers signed M Dodd 27 cm x 37.5 cm 

Lot 315

A group of framed pictures and prints, with one being a still life of fruit, most glazed, largest 89cm x 68cm

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