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Lot 898

Early twentieth century Continental School gouache on panel in gilt frame - still life study of dead birds, 26cm x 20cm CONDITION REPORT An old nail hole in the top part of the panel and a natural split towards the lower left hand side. Otherwise good overall condition

Lot 197

PRINTS, a set of eight, 'Still Life of Studies of Flowers', after Redoute, in silver frames, 48cm x 39cm. (8)

Lot 312

DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, four pages, 8vo, Menabilly, Par, Cornwall, 13th August 1958, to 'My dear' (Foy Quiller-Couch). Du Maurier writes a social letter to her friend, commenting on the death of a mutual acquaintance, as well as the health of her husband, Lieutenant-General Frederick Browning, 'The Guradsman, as no doubt you will have heard, had three weeks in hospital soon after we last saw you. Whether it was just boiling up and the dry rot in Yggy touched off the steam, I don't know, but he felt so ill when he got up to London that he went at once to see Lord Evans, the Queen's doctor. The result was hospital for three weeks with what they called “nervous exhaustion” and every test was made. The sum total is that his blood was tending to clot, and so, I surmise, pass too slowly through his system including his brain, hence the general fatigue and depression. He has been given pills to thin the blood, and seems better and less depressed, but is still very thin and not the Guardsman of old, and I am afraid that it will all take time. Lord E said privately to me that he did not think he should continue his job - he has two months clear here anyway with the royals in Scotland - but it leaves rather a vacuom (sic) and I feel the subject is better left for the time being.' Du Maurier also refers to her son ('Kits has a sports car, and dashed around in it all day and is quite happy') and her own work ('I am writing short stories, and sneak out to the hut feeling rather guilty as though going to some assignation') and concludes by commenting on the weather, 'Tod keeps talking of the weather as if it had been sent by the Almighty in deliberate spite upon Cornwall and nowhere else. I believe it to be Europe-wide'. VG Foy Quiller-Couch - daughter of British writer Arthur Quiller-Couch (1863-1944), and a life-long friend of Du Maurier. Indeed, Du Maurier was accompanied by Foy Quiller-Couch when she became inspired with the storyline for her novel Jamaica Inn. Some years previously the two ladies were staying at Jamaica Inn and went riding on Bodmin Moor. They became lost in bad weather conditions and apparently sheltered for some time in a derelict cottage on the moor but were eventually led back to Jamaica Inn by their horses. Lieutenant-General Sir Frederick Browning (1896-1965) British Army officer of World War II who later served, in 1948, as Comptroller and Treasurer to Princess Elizabeth and, following her ascension to the throne in 1952, became Treasurer in the office of Prince Philip, Duke of Edinburgh. Browning had suffered a nervous breakdown, as a result of heavy drinking, in July 1957, and resigned from his position at Buckingham Palace in 1959.

Lot 509

MACROBERTSON AIR RACE: Individual clipped signed pieces by Tom Campbell Black (1899-1936) English Pioneer Aviator and Charles W. A. Scott (1903-1946) English Pioneer Aviator who, together, won the London to Melbourne Centenary Air Race in 1934. Both signatures are in bold, dark fountain pen ink. Autographs of Campbell Black are rare following his tragically early death in an aviation accident. Scott's piece is slightly irregularly clipped, very close to the signature. Neatly laid down alongside each other to a 4to sheet bearing a printed biography of Campbell Black. Together with an A.L.S., Charles W. A. Scott, one page, oblong 8vo, n.p., March 1937, to Marjorie Scott. The aviator writes, in full, 'We used to think of yours as being the weaker sex Marjorie. But now with Amelia Earhart, & Jean Batten & Amy (Johnson) this seems hardly to be the case'. An interesting statement for its references to various aviatrix. Also including book signed, a hardback edition of Scott's Book - The Life and Mildenhall-Melbourne Flight of C.W.A. Scott, published by Hodder & Stoughton Ltd., London, December 1934 (reprinted). Signed by Scott with his name alone in bold fountain pen ink to the front free endpaper. Cloth boards and no dust jacket. Frontispiece illustration detached. Some light age wear and minor staining and discoloration to cloth. Further including a bold, dark fountain pen ink signature ('Charles W. A. Scott') on a piece. The lot also features [Bert Hinkler] (1892-1933) Australian Pioneer Aviator, the first pilot to fly solo from England to Australia (1928) and the first to fly solo across the Southern Atlantic Ocean (1931). An original small 4to printed menu for a dinner in honour of Hinkler, given by Sir Charles Wakefield at the Savoy Hotel, 28th November 1928. The attractive printed menu features an illustration of Hinkler by artist Fred Roe to the cover, a printed narrative of Hinkler's record flight from London to Australia and three photographs, as well as map of the route, to the inside. Cover detached, although with the scarlet ribbon still present that originally tied it to the contents. Generally G to VG, 5

Lot 411

A 20th century oil on canvas, still life with fruits, signed indistinctly lower left in red, 22 by 32cm.

Lot 7

E. Steele, still life of flowers, oil on board, framed

Lot 12

French School, oval still life of flowers, oil, framed

Lot 41

Three still life watercolours, framed

Lot 49

Tony Brodrick, Sun, Sea and Sand, oil and a still life print

Lot 1914

An oil on milk glass large still life of Chrysanthemums

Lot 479

A gilt framed still life oil on canvas of flowers and a gilt framed oil on canvas of a Paris scene

Lot 656

Still life of flowers Oil on canvas Bears sgnature `Fantin` upper right 49.5cm x 60cm; together with two further floral still life oils (3)

Lot 662

20th century school Still life of flowers Oil on canvas Signed `Guillery`?? lower left 49.5cm x 59.5cm; together with pair of coloured engravings and a Medici print after Sir Joshua Reynolds.

Lot 668

A collection of pictures to include floral still life on board, four William Russel Flint prints, Continental watercolour etc.

Lot 696

19th century school Lake scene with sailing boats Oil on panel Indistinctly signed lower right, dated 1884? lower left 9.5cm x 15.5cm; together with an oil on board still life study (2).

Lot 899

John Bailey, oil on board, still life study, contained in gilt frame, 41.5cm wide x 30.5cm high inc. frame

Lot 913

Mixed pictures, prints and mirrors, to include, Guinness advertising poster, Tetley advertising mirror, gilt framed tapestry, gilt framed oval wall mirror, still life study print, and two Japanese prints, (qty)

Lot 694

Anonymous (20thC School). Still life of flowers, oil on panel, 28cm x 38cm.

Lot 453

LUCETTE DE LA FOUGERE. A Still Life of Flowers, signed, mixed media on paper, 14 x 20 1/2 in

Lot 471

OSKAR R DOLGARTH. A Still Life of mixed Flowers in a glass vase, on a ledge , signed, oil on canvas board, 20 1/2 x 16 in

Lot 478

RAUL. A Still Life of Cherries in a Bowl; and A Still Life of Plums in a Bowl, signed, oil on canvas, 10 1/2 x 13 1/2 in and slightly smaller; two (2)

Lot 481

*CIRCLE OF ALBERT WILLIAMS. A Still Life of Roses in a glass on a Ledge, canvas laid down on board, 12 x 10 in

Lot 192

Late 19th century Italian school, still life of flowers in an urn, oil on canvas, W: 40 cm, H: 51 cm

Lot 284

Ula Paine (British, 1909-2001), 'Still Life with Peppers and Aubergine', 1965, signed lower right, oil on canvas, gallery label to verso, W. 60 cm, H. 50 cm.

Lot 292

Michael Monaghan (Irish, b. 1952), 'The Black Tablecloth', 2003, still life study of yellow and purple flowers in a vase, oil on panel, signed lower right with gallery label to verso, W. 122 cm, H. 90 cm.

Lot 427

After Cecil Hay, `Iceland poppies` and `Ranunculus` floral studies, print in the round Art Deco frames, 37cm and after Hovsep Pushman, `My past dreams`, still life, print. 48.5 x 36cm. (3)

Lot 204

C.T.Bala (1855-1923), still life study of game birds, fruit and flagon, oil, signed lower right. 19.1 x 29.3cm

Lot 248

RUTH R. (20th CENTURY) MIXED MEDIA `The Viaduct` Signed (part hidden by mount), titled to label verso 8" x 11 1/2" (20.3 x 29.2cm) UNATTRIBUTED (20th CENTURY) OIL PAINTING ON BOARD Still life wine bottle, jug and fruit 13" x 17 1/4" (33 x 43.8cm) (2)

Lot 279

H.B ASHWORTH OIL PAINTING ON BOARD Still life of fruit Signed and dated 1935 9 ½" x 13 ½" (22.8cm x 34.2cm) AND A PAIR OF JAPANESE PAINTED OVER PRINTS Lake scenes with Mt. Fuji in the distance 16 ¼" x 6" (41.2cm x 15.3cm) (3)

Lot 283

M.S. (20TH CENTURY) WATERCOLOUR Street Scene, `Grimaud` Inititalled and titled 9" x 11 1/2" (22.9 c 29.2cm) JUNE CARTER WATEROLOUR Still life - Flowers Signed and dated `90 12 1/2 x 8" (31.8 x 20.3cm) (2)

Lot 295

JAY WARD (20TH CENTURY) OIL PAINTING ON CANVAS Still life - vase and flowers `Magnolias` Signed, titled verso 7 1/2" x 9 1/2" (19 x 24.2cm)

Lot 303

G. LEO JEWELL (Twentieth century) OIL PAINTING ON CANVAS Landscape scene Signed 16" x 24" (40.6cm x 60.9cm) AND P. A. STAKEY OIL PAINTING ON CANVAS Still life of a Vase of Flowers Signed 18 ½" x 15" (46.9cm x 38.1cm) RONNIE LESTER (1978) PASTEL DRAWING Portrait of a School Boy Signed and dated 18" x 13 ½" (45.7cm x 34.2cm) AFTER JOHN WESTERN limited edition print from a pencil drawing `Fettes College` (359/850) 12 1/2" x 21" (31.8cm x 53.3cm) (4) (3)

Lot 314

TOM PAIR OF OIL PAINTINGS Still life fruit and flagons Signed 5" x 7"

Lot 420

A Gilt Framed Oil on Board Under Glass, Still Life Garland of Flowers, 33 cm x 23 cm

Lot 7

Dutch school - Still life study, oil on canvas, 100 x 74 cm, in giltwood frame Condition Report Good condition, relined, restored

Lot 39

Piet Coldewey (1877-1962) - Still life study of flowers in a yellow vase, oil on canvas, signed lower right and dated '50, 54 x 59 cm, wooden frame Condition Report Good condition

Lot 65

Oskar F. Knapp (1914-87) - Still life study of vessels and fruit, oil on board, signed lower right, 39 x 28.5 cm in giltwood frame Condition Report Scratches/scuffs to surface

Lot 78

Virginia Powell (b.1939) - Still life study of full blown roses in a vase, oil on canvas, signed lower left, 50 x 60 cm, in gilt frame with flower mouldings to corner Condition Report Behind glass, tear to canvas right hand foreground

Lot 457

A Meissen porcelain dish painted to the centre with a still life of fruit, 21.5 cm to/w a Chelsea red anchor plate painted with floral sprigs and a moth, 24 cm (2) Condition Report Chelsea plate chipped. Meissen plate - gilding rubbed

Lot 344

CRAIGIE AITHISON RA (Scottish, 1926-2009), 'Still life on vermilion', 2008 screenprint, 56cm x 46cm, 66/85. (Please note Clause 6 of Buyer's Conditions)

Lot 922

Marguerite Joseph (British, 1856-1905), "Still Life with Roses, Gooseberries, Melons and Peaches", oil on canvas, signed lower left, stenciled "60" en verso, 46 in. x 29 in., period frame.

Lot 1136

American School, late 19th/early 20th c., "Still Life of a Woodcock, Mallard Drake and Fruit", églomisé with abalone shell inlay, 18 in. x 21 1/2 in., oval period gilt frame. Provenance: Private Collection, Baton Rouge, Louisiana.

Lot 11

A 19th Century still life oil, framed

Lot 15

A set of three still life watercolours, initialed R.B., framed

Lot 46

Seven still life and landscape watercolours

Lot 260

Dutch School, 19th century A still life with dead game and a Delftware bowl of fruit, oil on oak board, 22.5 x 34.5 CONDITION REPORT: Extensive cracklelure, paint lifting and missing in places, oak border with fillets top and bottom

Lot 262

Charles Thomas Bale (fl. 1866-1875), A still life with dead game, a crock and fruit on a ledge, oil on canvas, signed, 46 x 36 cm, and another by the same hand, a pair CONDITION REPORT: Cracklelure, paint thin in places

Lot 264

English school, 19th century, A still life with dahlias, oil on canvas, 51 x 66 cm, and another by the same hand, smaller, the latter indistincly signed

Lot 112

HORACE W TUCK, SIGNED, GROUP OF FIVE LANDSCAPE WATERCOLOURS AND A STILL LIFE STUDY OF FLOWERS, some mounted, all unframed (6)

Lot 119

HORACE W TUCK, SIGNED, GROUP OF THREE WATERCOLOURS, Landscape Subjects; together with two Still Life Studies, each approximately 10” x 14”, mounted but unframed (5)

Lot 166

COLLECTION: SEVENTEEN ASSORTED 18TH/19TH CENTURY PENCIL DRAWINGS AND SEPIA WATERCOLOURS; together with a Still Life Study of Fruit on a Mossy Bank, bearing E.S.K Art School Stamp (qty)

Lot 189

19TH CENTURY, ENGLISH SCHOOL, OIL ON BOARD, Still Life Study of Pear, Plums and Hazelnut on Mossy Bank, 8” x 10”, unframed

Lot 200

ENID CLARKE, SM, SIGNED, PAIR OF MINIATURES, Still Life Studies, 3” x 4” (2)

Lot 225

L V S, INITIALLED AND DATED 1920, OIL ON BOARD, Still Life Study of Roses in a Vase, 8 ½” x 6 ½”; together with a Pencil Drawing of a Lady Writing, by a different artist (2)

Lot 310

UNSIGNED, OIL ON CANVAS, Still Life Study of Mixed Flowers in a Vase on Table Ledge, 24” x 18”

Lot 327

UNSIGNED, OIL ON PANEL, Still Life Study of Mixed Fruit and Bird, 10” x 8”

Lot 362

ROY PETLEY, OIL ON BOARD, Still Life Study of Roses in a Jug, 14” x 10”

Lot 399

JAMES SILLETT, INITIALLED LOWER RIGHT, WATERCOLOUR, Still Life Study of Shells and Seaweed, 7 ½” x 10”

Lot 441

JUDY SCOTT, SIGNED, GOUACHE, “Still Life on a Checked Cloth”; MONOGRAMMED, WATERCOLOUR, Inscribed “Seated Nude I” and JOYCE OLIVER, SIGNED, WATERCOLOUR, “Red Glass”, assorted sizes (3)

Lot 463

19TH CENTURY, ENGLISH SCHOOL, WATERCOLOUR, Still Life Study of Pot Plant, 13” x 9”

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