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Lot 585
A QUANTITY OF PAINTINGS AND PRINTS, ETC, to include two Jane Ray limited edition lithographs - Harlequin and Columbine, Henry Rimmer watercolour 'The Church - Dunster', M Spooner coastal watercolour, Terry McKinagan limited edition golfing print, prints by Thomas Kinkade and Noel Gregory, topographical prints, amateur paintings, unsigned still life of flowers, oil on board, assorted 20th Century prints, etc (3 boxes and loose)
Lot 233
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Blue Passage - Improvisation" Dated: '92 Oil on Canvas. Signed lower right / signed and dated verso. Overall Size: 46 x 56 in. (130 - 4269)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Lot 236
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Blue Watcher" Dated: '04 Oil on Canvas. Signed verso. Overall Size: 20 x 17.25 in. (381 - 4304)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Lot 322
Chris Calle (American, B. 1961) "Native American Culture" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover of the U.S. 29c Native American Culture stamp issued October 18, 1994. In 1840, there were probably around 300,000 Indians and 30 distinct tribes in what is now the Western United States. Some Indians were nomadic hunters who followed the buffalo, while others were primarily farmers. The Pueblo Indians lived in sprawling apartment complexes constructed of adobe, while the nomadic tribes usually lived in tipis made of buffalo hides. The Cheyenne enjoyed a meal of dog meat, but the Comanches felt eating dog was as bad as eating one's own grandmother. For the Kiowa, dining on bear was taboo. The men of most plains Indians tribes were trained from birth to fight, and manhood was measured by their boldness in battle. The scalps the braves took from their enemies were symbols of pride and worn or displayed as trophies. It was also honorable to steal another tribe's horses. But the bravest act of all was the scoring of coups -- touching or striking an enemy by hand or weapon. The women were taught to sustain the warriors, sharing in victory celebrations and slashing their bodies as an expression of grief for those who died in battle. Perhaps the Cherokees, who considered all men as brothers, were the most adaptable of the Indian tribes. They set up their own school system and published Oklahoma's first newspaper, learning early to integrate themselves into the white man's way of life, while their neighbors on the Great Plains were still fighting and dying to preserve their heritage. The Indians were too few and too poorly armed to fend off the massive waves of intruders. Image Size: 19 x 16.75 in. Overall Size: 23.25 x 20.25 in. Unframed. (B14838)
Lot 358
Paul Calle (American, 1928 - 2010) and Chris Calle (American, B. 1961) "1990s - Recovering Species" Original Mixed Media painting on Illustration Board. Signed lower right. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 33c Recovering Species stamp issued May 2, 2000. When the Endangered Species Act was passed by Congress in 1973, it obligated government to protect all animal and plant life in danger of extinction. This included any species categorized as "threatened," meaning "likely to become endangered in the foreseeable future throughout all or a significant portion of its range." The decade of the 1990S saw clear evidence that the Endangered Species Act was a success. The Interior Department announced several species of animals, fish, reptiles, birds and plants that had experienced enough significant recovery to be seriously considered for removal from the endangered list. Some of the species were downgraded from "endangered" to "threatened," and others removed from the law's protection altogether -- although individual states could still regulate them. Some species were to be removed from the list in certain parts of the country, but kept on elsewhere. The recovering species included plants like truckee barberry, Loch Lomond coyote-thistle, Lloyd's hedgehog cactus and running buffalo clover. Animals and birds removed from the list or downgraded included the peregrine falcon, bald eagle, brown pelican, gray wolf, Aleutian Canada goose and Columbia white-tailed deer. Image Size: 14.25 x 10.25 in. Overall Size: 20 x 14.5 in. Unframed. (B16831 / B16832)
Lot 33
Mixed media on paper depicting still life of fruit and bottles. Cm 50x70. In frame 73x93 cm. Signed on the lower right Santacroce.Antonio Santacroce (Rosolini 1945) is a painter, sculptor, engraver and designer originally from Sicily. Also, it is the first one in eastern Sicily engages nell'acquetinte on a Brisse press. It travels a lot, particularly in Switzerland, where in 1989 he has taught at the Zurich Art School. His career is marked by numerous awards and various exhibitions.The work of Santacroce moves between two poles, one of the classical and the more experimental painters known in Switzerland, such as Klee and Kandinsky and is characterized by a continuous tension between dream and reality due to the alternating of figures drawn from myths and legends Mediterranean personally interpreted by means of an elegant sign that leads to a continuous figuration allusive. In the work in question, signed and dated on the 2006, it contains the characteristic evolution of his technique. What it may be recognizable as a still life is transformed through the use of unreal colors and the use of a scratchy painting. But the talent that made him famous Santacroce, and here is obvious, is its constant drive towards experimentation but does not indulge never totally the loss of the object, but remains faithful to an initial intention to clear figuration. The defined contours are destroyed in favor of a representation that is "formless and formlessness form that form" as it is said by Vincenzo Consolo in its volume dedicated to the work of Santacroce.ASORstudio
Lot 36
Oil painting on canvas depicting still life of fish and shells, C. Molino (Catania 1908-1984) .Cm 50x60 framed 72x83 cm. Signed on the bottom centerC. 52. Carmelo Molino Molino, born in Catania in 1908, is a complete artist in the art scene of the twentieth century Sicily. Not just a painter and art lover, but also a poet of his country and its traditions. Pier Paolo Pasolini for his book "Poetry Dialect of the twentieth century", defines an artist with a moderate modernity within the panorama of Italian literature. His poetic production crosses and influences the painting characterized by a drive towards surrealism and symbolism expressed by means of a painting material and the fast sign. The abandonment of the subject is, however, never allowing Total to recognize in his works often the themes of nature, the sea and the countryside, symbols of a strong link with the Mediterranean culture. The pictorial sign is not defined, the boundaries are abandoned in favor of bright colors and painting almost comes to life through the accentuated brightness. He exhibited at the "Gallery of Rome" in Catania, get an entire room dedicated to his works during the nineteenth Promoter of 1948 and also takes part in several exhibitions around Italy, including the Quadrennial in Rome from 1951 to 1952 where will present the work Marina di Trezza.
Lot 549
JOSE ESCOFET (SPANISH, BORN 1930), STILL LIFE WITH BASKET AND POMEGRANATES, signed and dated 1994 lower right, oil on panel, Hollis Taggart Galleries label verso, framed. 65cm by 90.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition, light wear and some minor surface scratching, light craquelure.
Lot 359
A Selection of various art and design books which includes Charles Rennie Mackintosh and the modern movement by Thomas Howarth, Man Photographs of the male Nude, Lionel Wendt's Ceylon, Tea and taste The Glasgow tea rooms 1875-1975, Looking at paintings by Michael Rothenstein, The Forties by Alan Ross, W.G. Gillies A Very Still Life, William Gillies Watercolours of Scotland and John Piper The Tate Gallery.
Lot 675
Artur Erdle (1889, Köln-1961, Düsseldorf), "Stillleben mit Sommerblumen", Öl/Leinwand/Platte, unten rechts signiert, H*B ca. 46*34cm, Rahmen in Altsilber mit grün abgesetzter Hohlkehle, Gesamt-H*B 56*45cmArtur Erdle (1889, Cologne-1961, Düsseldorf), "Still Life with Summer Flowers", oil/canvas/plate, signed lower right, h*w approx. 46*34cm, framed, total h*w 56*45cm
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77168 item(s)/page