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Anita de Caro (1909-1998) Lakeside road, with boats in the foreground, and houses and trees beyond Oil on card Indistinctly inscribed and dated '46 lower right, with further inscription verso Unframed 23cm x 40cm; Together with an oil on paper still life with flowers in a vase, by a different hand indistinctly signed lower right, and with a study of a seated lady, by a different artist, gouache over pencil, indistinctly signed and dated '36 lower left, (3).
Titta Fasciotti (South African, 1927-1993) Indigenous Woodland, South Africa. Oil on board, signed and dated '89 lower right. Framed. Provenance: From a private collection, purchased from Taylor Dykman Galleries, Johannesburg, South Africa c1983. Titta Fasciotti was born and studied in Italy before moving to South Africa in 1948. His painting is focused on landscapes, still life, seascapes and figural studies in various mediums. Most scenes were derived from life in the rural Cape, also painting the Karoo and other African tribal scenes. 25 x 18cm
Titta Fasciotti (South African, 1927-1993). 'Moment In The Storm', Natal, South Africa, oil on board, signed and dated 89'. Framed. Provenance: From a private collection, purchased from Taylor Dykman Galleries, Johannesburg, South Africa c1983. Titta Fasciotti was born and studied in Italy before moving to South Africa in 1948. His painting is focused on landscapes, still life, seascapes and figural studies in various mediums. Most scenes were derived from life in the rural Cape, also painting the Karoo and other African tribal scenes. 25 x 18cm
Titta Fasciotti (South African, 1927-1993). 'Autumn in Natal'. Oil on board, signed and dated 89'. Framed. Provenance: From a private collection, purchased from Taylor Dykman Galleries, Johannesburg, South Africa c1983. Titta Fasciotti was born and studied in Italy before moving to South Africa in 1948. His painting is focused on landscapes, still life, seascapes and figural studies in various mediums. Most scenes were derived from life in the rural Cape, also painting the Karoo and other African tribal scenes.17cm x 25cm
Titta Fasciotti (South African, 1927-1993). 'Natal Countryside', oil on board, signed. Framed. Provenance: From a private collection, purchased from Taylor Dykman Galleries, Johannesburg, South Africa c1983. Titta Fasciotti was born and studied in Italy before moving to South Africa in 1948. His painting is focused on landscapes, still life, seascapes and figural studies in various mediums. Most scenes were derived from life in the rural Cape, also painting the Karoo and other African tribal scenes.17cm x 25cm
A French Chinoiserie porcelain ovoid table lamp, painted with a Ho Ho bird, signed, hardwood type base, 41cm high; R. Bolton (20th century) Still life, Mallard, Prawns, Water, Cabbage and Lemons, indistinctly signed, oil on canvas, 33cm x 43cm; Oriental Art - a Japanese Imari fluted charger, 30.5cm diam, Meiji Period; a pair of Chinese models of Dogs of Fo, glazed in tones of turquoise, 16cm high; a Chinese saucer, decorated in underglaze blue with panels of landscapes, character marks, 11.5cm diam; a Chinese jadite carving of a temple lion
Manner of Jan van Os Still life of grapes, a peeled lemon, lilies and a cut melon in a wicker basket with a bird upon a stone ledge surmounted by an urn oil on panel, in a Dutch ripple frame 58 x 44cm (23 x 17in) Provenance: From a Suffolk country house. In good condition - a few small areas of retouching which are well matched to the original. Frame is in good condition, with a few small dents to wood
A miscellaneous collection to include a timber worked model of a three mast galleon complete with painted finish, raised on a rustic rectangular base bearing label Fargata Espanola Ano 1780, 58 cm tall approx, two large silver plated trays of oval form, a large 19th century copper pan with iron handle, an Edwardian drinks tray of oval form with inlay decoration, a lacquered vessel of cylindrical form with hand painted fruit still life decoration, etc
A quantity of various 19th and 20th century oil paintings including an oil on board of a harvesting landscape with corn stooks, oil on canvas of a country lane, indistinctly signed bottom right, an unusual study of a still life with kitchen scales, etc viewed through a convex lens, etc, various sizes 60 x 50 cm approx maximum
A collection of 19th century and other pictures and prints including an oil painting on board of a still life with Christmas Roses, signed bottom right Amy E B Hicks, with address label verso Newquay, Cornwall, 27 x 36 cm, a watercolour study of Oyster Catchers, signed bottom right Kim Atkinson and dated 88, 16 x 25 cm, a pair of Victorian botanical studies of oval form, six 19th century Le Blonde prints of oval form, etc
A collection of watercolours and gouaches, etc, by Belinda Ballantine including a study of a country house in winter with dog to the foreground, signed bottom left and dated 2001, a view of a Cotswold town, probably Malmesbury, various continental and English landscape views, a study of a still life with feather and box, etc, mostly signed, 28 x 46 cm maximum approx, all framed
A late 18th century engraving after Hans Holbein, engraved by Bartolozzi, showing a bust length portrait of an unidentified female character, inscribed In His Majesties Collection and dated 1799 together with a further similar print after Holbein showing Edward Prince of Wales, with printed publication date 1794, both published by I Chamberlaine, maximum size 44 x 28 cm, both framed, one in decorative marbled mount together with a 20th century coloured nursery type print of little girls posting a letter, also together with a circular oil painting on board, still life of roses in oval gilt frame
A pair of tin glazed earthenware tiles with Medieval style painted decoration in blue, yellow and brown showing a travelling maiolica salesman with his load carried by a donkey in panniers and accompanied by a dog, a further equestrian figure, both signed bottom right Boccica (?), with moulded marks to reverse Italy, 32 x 45 cm in wooden and gilt frames together with an oil painting on canvas, still life with apples, a gouache study of Bullfinches at the nest, signed bottom left Rachel MacMillan-Scott and dated 77, a pair of late 19th century coloured prints showing scenes in San Francisco and Bombay with indistinct printed signature E Hadeledm (?), etc
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77111 item(s)/page