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Romey Brough (b.1944)'Untitled still life of flowers' acrylic on paper, signed and dated 1966 lower right, 76cm x 55cmCondition report: Overall seems to be in good condition, with minimal display wear and scuffs to the frame as expected. Please note we have not removed this piece from the frame to examine.
Edward Wolfe (1897-1982)'Untitled still life on a table with floral cloth', oil on canvas, signed lower left, 63cm x 75cmProvenance: Ex Bonhams, 28th March 2017, lot 143Condition report: Very minor marks to the painted surface, the canvas later lined and with some indistinct old labels to the stretcher, in a later green painted and parcel gilt frame with some minor damages and in need of retouching.
DAVID BOWIE - PRIVATE FAN RELEASE LPs. Superb pack of 10 x limited edition private fan release LPs from The Thin White Duke loaded with rarities. Titles are The Wembley Wizard Touches The Dial (Hallowien Jack Records 'THE ACTOR 79' - lovely clean Ex record/Ex fragile original paper picture sleeve still largely with shrink), Serious Moonlight In Gothenburg (DB 73 - VG+/VG+), Immersed In Crowley's Uniform (double LP with red/blue and white labels - VG+/VG some creasing), The Other Bowie (white labels, please note G+ record/VG, Piar Records), Dollars In Drag (1905 - Ex+/Ex+ in shrink), Subway 1974 (FLAT 8211 - Ex/Ex+ in shrink), The Speed Of Life (DB 6142 - Ex/Ex in shrink), Sounds Like Bowie (picture disc - VG+), Lost & Forgotten (VG/VG+) and 'Worlds Records' (note, G+ condition/generic white sleeve).
Charlotte Posner When In Dreamland Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Contemporary British female artist, Charlotte Posner, is a new breed of artistic talent, driven by a passionate need to create a 360 approach to artistic expression. Charlotte's hand painted artworks are translated into products across a range of categories; each item in the collections is a little piece of Posner art. The range include fashion, homeware, candles, stationery, and accessories. Education Charlotte graduated from Chelsea School of Art and Design. Her style and popularity exploded onto the public scene in 2014 when she received her first Royal Academy placement as part of the Royal Academy Summer Exhibition and was profiled on BBC TV Culture Show. A Social media frenzy then erupted when she first introduced her 'Pop Dolls' series to the public in 2015. Coca-Cola, Walls, Kellogg's, Nails INC and Disney all complimented the works and one piece later became the creative for the Magnum UK social media platforms. Select Exhibitions/Awards Charlotte has had the honour of collaborating with some of the world's leading luxury brands and retailers, while developing her own collections of gifts to sit alongside her art. Her work has also exhibited in internationally and been showcased in various important art institutions. She was shortlisted for the Royal Academy of Arts Summer Exhibition in 2021. Statement about AOAP Submitted Artwork My artworks were designed and painted at the same time. The magical midsummer night fairytale scene was inspired by somewhere I'd love to be, warm hot sunny, watching the world drift by, that smell of night hot summer air. The painting 'Be guided by an angel' was inspired by a trip I have just made to the Vatican in Rome. I looked at the backgrounds of the murals in the Sistine Chapel and relayed the same scenic backdrop making my own composition up. This painting is how I believe in when creating, we are all guided by a higher force when in your true flow. For the last one I painted a still life of the tuna tin which I used as the palette whilst painting the other two paintings. I like how the fantasy and reality link and meet using the same colour palette but such different subjects. The two little paintings take me to a different place, but the tuna can brings you back to the fact that they were all painted in my studio.
Charlotte Posner Tuna Can Acrylic on Paper Signed on Verso 11.5 x 17cm (4½ x 6½ in.) About Contemporary British female artist, Charlotte Posner, is a new breed of artistic talent, driven by a passionate need to create a 360 approach to artistic expression. Charlotte's hand painted artworks are translated into products across a range of categories; each item in the collections is a little piece of Posner art. The range include fashion, homeware, candles, stationery, and accessories. Education Charlotte graduated from Chelsea School of Art and Design. Her style and popularity exploded onto the public scene in 2014 when she received her first Royal Academy placement as part of the Royal Academy Summer Exhibition and was profiled on BBC TV Culture Show. A Social media frenzy then erupted when she first introduced her 'Pop Dolls' series to the public in 2015. Coca-Cola, Walls, Kellogg's, Nails INC and Disney all complimented the works and one piece later became the creative for the Magnum UK social media platforms. Select Exhibitions/Awards Charlotte has had the honour of collaborating with some of the world's leading luxury brands and retailers, while developing her own collections of gifts to sit alongside her art. Her work has also exhibited in internationally and been showcased in various important art institutions. She was shortlisted for the Royal Academy of Arts Summer Exhibition in 2021. Statement about AOAP Submitted Artwork My artworks were designed and painted at the same time. The magical midsummer night fairytale scene was inspired by somewhere I'd love to be, warm hot sunny, watching the world drift by, that smell of night hot summer air. The painting 'Be guided by an angel' was inspired by a trip I have just made to the Vatican in Rome. I looked at the backgrounds of the murals in the Sistine Chapel and relayed the same scenic backdrop making my own composition up. This painting is how I believe in when creating, we are all guided by a higher force when in your true flow. For the last one I painted a still life of the tuna tin which I used as the palette whilst painting the other two paintings. I like how the fantasy and reality link and meet using the same colour palette but such different subjects. The two little paintings take me to a different place, but the tuna can brings you back to the fact that they were all painted in my studio.
Charlotte Posner She Was Taken By An Angel Acrylic on Paper Signed on Verso 17 x 11.5cm (6½ x 4½ in.) About Contemporary British female artist, Charlotte Posner, is a new breed of artistic talent, driven by a passionate need to create a 360 approach to artistic expression. Charlotte's hand painted artworks are translated into products across a range of categories; each item in the collections is a little piece of Posner art. The range include fashion, homeware, candles, stationery, and accessories. Education Charlotte graduated from Chelsea School of Art and Design. Her style and popularity exploded onto the public scene in 2014 when she received her first Royal Academy placement as part of the Royal Academy Summer Exhibition and was profiled on BBC TV Culture Show. A Social media frenzy then erupted when she first introduced her 'Pop Dolls' series to the public in 2015. Coca-Cola, Walls, Kellogg's, Nails INC and Disney all complimented the works and one piece later became the creative for the Magnum UK social media platforms. Select Exhibitions/Awards Charlotte has had the honour of collaborating with some of the world's leading luxury brands and retailers, while developing her own collections of gifts to sit alongside her art. Her work has also exhibited in internationally and been showcased in various important art institutions. She was shortlisted for the Royal Academy of Arts Summer Exhibition in 2021. Statement about AOAP Submitted Artwork My artworks were designed and painted at the same time. The magical midsummer night fairytale scene was inspired by somewhere I'd love to be, warm hot sunny, watching the world drift by, that smell of night hot summer air. The painting 'Be guided by an angel' was inspired by a trip I have just made to the Vatican in Rome. I looked at the backgrounds of the murals in the Sistine Chapel and relayed the same scenic backdrop making my own composition up. This painting is how I believe in when creating, we are all guided by a higher force when in your true flow. For the last one I painted a still life of the tuna tin which I used as the palette whilst painting the other two paintings. I like how the fantasy and reality link and meet using the same colour palette but such different subjects. The two little paintings take me to a different place, but the tuna can brings you back to the fact that they were all painted in my studio.
Elizabeth Power Blue Still Life Acrylic Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a colour palette rich in coral pinks, forest greens and cool blues. Drawing inspiration from Colourists such as Matisse, Hockney and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Heals, John Lewis, The London Design Festival, Itsu, Artsy, Delphian Gallery, Art For Charity Collective, Print Club London, The Auction Collective and The Old Bank Vault. Education Elizabeth Power graduated from the University of the Arts London in 2010 but has long since explored an expressive use of bold colour to capture the compelling beauty of her landscapes. Select Exhibitions/Awards 2021 Delphian Gallery- Duo exhibition with Cathy Tabbakh 'Fatal Shadow and Narcissus', covent garden, 8th- 16th Sept The Other Art Fair, curated exhibition by Aida Wilde 20/20, October, The Old Truman Brewery The Auction Collective/Soho Revue Gallery- Live Auction entitled '50 x 50′ at The Soho Revue Gallery 17th Nov 21 Art For Charity Collective- Online Live Auction 1st November Janet Rady Fine Art/Artsy- 'Making a Splash' online group exhibition on Artsy, 4th Aug- 1st Sept Well Hung Gallery- Group exhibition 'Small Wonders', 253 Hoxton Street, 01.07.21-04.07.21 Royal Academy of The Arts- Poster on display and available in the RA shop (May 21 re-opening) Art For Charity Collective- Online Live Auction on 24.03.21 2020- Heals in collaboration with The London Design Festival. September 2020 2019- Delphian Gallery open call exhibition, 28th March- 9th April- The Print Space 2018- Royal Academy of Arts Summer Exhibition- Painting also selected for gift cards and posters. Gallery Representation Power has works available via Royal Academy of Arts, Delphian Gallery, Heals, John Lewis, Print Club London, McCully & Crane, The Old Bank Vault, Hancock Gallery and Artsy. Statement about AOAP Submitted Artwork I created two artworks for AOAP. One is a still life painting based on my favourite vessel I own by ceramist Kelly Jessiman. The second is a painting of the view out of my studio window, looking over the skyline of St Leonards on Sea.
Elizabeth Power Studio View Acrylic Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a colour palette rich in coral pinks, forest greens and cool blues. Drawing inspiration from Colourists such as Matisse, Hockney and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Heals, John Lewis, The London Design Festival, Itsu, Artsy, Delphian Gallery, Art For Charity Collective, Print Club London, The Auction Collective and The Old Bank Vault. Education Elizabeth Power graduated from the University of the Arts London in 2010 but has long since explored an expressive use of bold colour to capture the compelling beauty of her landscapes. Select Exhibitions/Awards 2021 Delphian Gallery- Duo exhibition with Cathy Tabbakh 'Fatal Shadow and Narcissus', covent garden, 8th- 16th Sept The Other Art Fair, curated exhibition by Aida Wilde 20/20, October, The Old Truman Brewery The Auction Collective/Soho Revue Gallery- Live Auction entitled '50 x 50′ at The Soho Revue Gallery 17th Nov 21 Art For Charity Collective- Online Live Auction 1st November Janet Rady Fine Art/Artsy- 'Making a Splash' online group exhibition on Artsy, 4th Aug- 1st Sept Well Hung Gallery- Group exhibition 'Small Wonders', 253 Hoxton Street, 01.07.21-04.07.21 Royal Academy of The Arts- Poster on display and available in the RA shop (May 21 re-opening) Art For Charity Collective- Online Live Auction on 24.03.21 2020- Heals in collaboration with The London Design Festival. September 2020 2019- Delphian Gallery open call exhibition, 28th March- 9th April- The Print Space 2018- Royal Academy of Arts Summer Exhibition- Painting also selected for gift cards and posters. Gallery Representation Power has works available via Royal Academy of Arts, Delphian Gallery, Heals, John Lewis, Print Club London, McCully & Crane, The Old Bank Vault, Hancock Gallery and Artsy. Statement about AOAP Submitted Artwork I created two artworks for AOAP. One is a still life painting based on my favourite vessel I own by ceramist Kelly Jessiman. The second is a painting of the view out of my studio window, looking over the skyline of St Leonards on Sea.
Sonia Barton Jug and Pomegranate Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Contemporary artist working mainly in the Still Life genre. I have moved many times and these memories constantly resurface through the study of remembered or collected objects. Often explored through a muted or limited palette, with flattened perspective and a naïve distortion of the objects. Many layers of paint are added, areas are scraped back, leaving traces of their previous existence. Education BA(Hons) Fine Art - Staffordshire University Post Graduate Diploma in Fine Art (highest grade of Honours) - Brighton University Select Exhibitions/Awards 2021 Spring, Summer and Christmas Exhibitions - Eastwood Fine Art 'Flowers' Exhibition - Fotheringham Gallery, Scotland AAF Battersea, London (Carina Haslam Gallery) Christmas Exhibition - Carina Haslam Gallery Winter Exhibition - Fotheringham Gallery 2020 'Not the Glasgow Art Fair' - Fotheringham Gallery, Scotland Spring and Summer Shows, Christmas Exhibition - Eastwood Fine Art Winter Show - Padstow Gallery Gallery Representation Carina Haslam Gallery Fotheringham Gallery Eastwood Fine Art Jerram Gallery Padstow Gallery Statement about AOAP Submitted Artwork These paintings reflect the everyday through still life. My thoughts, memories and observations are interwoven through each piece. An interest in aged and worn surfaces, pattern and textures are also evident, with the layering of paint and scratched marks.
Mandy Hudson Daisies Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest. Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.
Mandy Hudson Light Shop Watercolour, Gouache and Coloured Pencil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest. Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.
Mandy Hudson Clothes Rail Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest. Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.
Mandy Hudson Books Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest. Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.
Sonia Barton Flower Jug and Pear Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Contemporary artist working mainly in the Still Life genre. I have moved many times and these memories constantly resurface through the study of remembered or collected objects. Often explored through a muted or limited palette, with flattened perspective and a naïve distortion of the objects. Many layers of paint are added, areas are scraped back, leaving traces of their previous existence. Education BA(Hons) Fine Art - Staffordshire University Post Graduate Diploma in Fine Art (highest grade of Honours) - Brighton University Select Exhibitions/Awards 2021 Spring, Summer and Christmas Exhibitions - Eastwood Fine Art 'Flowers' Exhibition - Fotheringham Gallery, Scotland AAF Battersea, London (Carina Haslam Gallery) Christmas Exhibition - Carina Haslam Gallery Winter Exhibition - Fotheringham Gallery 2020 'Not the Glasgow Art Fair' - Fotheringham Gallery, Scotland Spring and Summer Shows, Christmas Exhibition - Eastwood Fine Art Winter Show - Padstow Gallery Gallery Representation Carina Haslam Gallery Fotheringham Gallery Eastwood Fine Art Jerram Gallery Padstow Gallery Statement about AOAP Submitted Artwork These paintings reflect the everyday through still life. My thoughts, memories and observations are interwoven through each piece. An interest in aged and worn surfaces, pattern and textures are also evident, with the layering of paint and scratched marks.
RAMON NADAL HORRACH (Palma de Mallorca, 1913 - 1999)."Landscape", 1945.Oil on canvas.Signed and dated in the lower right-hand corner.Measurements: 65 x 84.5 cm; 82 x 99 cm (frame).Ramon Nadal trained with Llorenç Cerdà and Francesc Rosselló at the School of Arts and Crafts in Palma de Mallorca, and was introduced to the world of art thanks to his father. At the age of just thirteen he held his first exhibition, which was held at the La Veda gallery in Palma. In 1940 he took part in the founding of the Círculo de Bellas Artes in Palma, where he would later exhibit his works on several occasions. He mainly worked in oil painting, and his work encompasses practically all genres (figure, still life, portrait, etc.), although he is especially known for his landscapes. He belongs to the Mallorcan post-impressionist movement, and is noted for the consistency of his drawing. Throughout his career his work was recognised on several occasions, especially the Medal of Honour of the Círculo de Bellas Artes de Palma in 1952 and the City of Palma Prize the following year. Likewise, since 1964 he was a full member of the Royal Academy of Sant Sebastià. Some outstanding young artists were trained in his studio, such as Alicia Alcover, Miguel Llabrés, Antoni Alzamora, Juan Segura, Josep Manresa Clar and his nephew, Francisco Gaita. There is currently a street in Palma de Mallorca that bears his name, and his works form part of several collections, including that of the Can Prunera Museum in Sóller (Mallorca).
ISMAEL DE LA SERNA GONZÁLEZ (Guadix, Granada, 1898 - Paris, 1968)."Still life violin". Watercolour and coloured pencils.Signed in the lower right area.Size: 30 x 41,5 cm; 48 x 54,5 cm (frame).Ismael González de la Serna began his art studies in Granada and concluded them in Madrid, at the San Fernando School of Fine Arts. In his early years he developed an eclectic pictorial style, drawing on impressionist, symbolist and modernist sources. One of the first examples of his youthful language can be found in the illustrations he made for his childhood friend Federico García Lorca, in what was to be his first book, "Impresiones y paisajes" (1918). That same year, Ismael de la Serna held his first exhibition in Granada, and shortly afterwards he presented his works at the Ateneo in Madrid. In 1921 he moved to Paris in order to broaden his artistic horizons, joining the circles of the School of Paris. Among his Parisian friends was Pablo Picasso, who influenced his work but was, above all, the Granada painter's protector. During this period De la Serna's style was permeable to the influences of the avant-garde, particularly Cubism and Expressionism, which he worked in a highly personal manner. Likewise, the initial influence of Impressionism was always evident in his work. The year 1927 marked the beginning of a period of strong influence on his work, which began with the painter's solo exhibition at the influential Paris gallery of Paul Guillaume. This exhibition was followed by many others, both in Paris and in Berlin, Brussels, Copenhagen, Granada and Mexico. In 1928 he was commissioned by the director of "Cahiers d'Art", Christian Zervos, to illustrate a special edition of twenty sonnets by Góngora. The key to his recognition lies in his sensual interpretation of the forms of Cubism, based on the relevance of a drawing with a sinuous and highly decorative line, combined with strong chromatic contrasts. With a marked spatial sense and without ever abandoning figuration, De la Serna mainly depicted still lifes, in which he emphasised the sensory aspect of his painting with metaphorical sensory references such as music, fruit or open windows. He also worked on landscapes and portraits. After inaugurating the activities of the Asociación de Artistas Ibéricos in Madrid with a solo exhibition in 1932, the painter embarked on new avenues of artistic experimentation which, after the Second World War, led to a more schematic and simplified style of painting, close to contemporary abstract solutions. Ismael de la Serna is represented in the Patio Herreriano Museum in Valladolid, the Reina Sofía Museum in Madrid, the Fine Arts Museums of Granada and Seville, the ARTIUM in Vitoria, the Popular Museum of Contemporary Art in Vilafamés and the Museum of Modern Art in Paris, among many others.
Two oil on board paintings, one a scene of three men socialising, 'Ostade' marked to verso, 25.5cm x 20.5cm, the other a still life, indistinct signature, framed, 18cm x 24cm Condition Report: Painting of three men (unframed) 25.5cm x 20cm, still life (framed) 32cm x 37cm, (unframed) 18.5cm x 23.5cm
Oil on canvas, still life of Summer flowers in a pottery vase, signed indistinctly (J. Kalienog?), 28ins x 39.5ins, unframed together with a small oil on board, flower study and an oil on canvas, Paris street scene and two small mid 20th Century French oil paintings on canvas, views of cottages
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77111 item(s)/page