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Lot 268

Modern British school - Merganser, etching and aquatint, indistinctly signed and titled in pencil to the lower margin, artists proof, visible sheet dimensions 24.5 x 31cm; one other by the artist of Newhaven Harbour, etching and aquatint, signed, titled, numbered 8/25, and dated '93 to the lower margin, visible sheet dimensions 20 x 19.5cm; Frans Wesselman - Still life with radish, etching, signed, titled and numbered 31/100 in pencil to the lower margin, 16 x 20.5cm; and Maggie Wiglas - A Puffin, colour print, signed and dated ' 95 in pencil lower right, 18 x 16cm (4)

Lot 269

Winifred McKenzie (1905-2001) - Still life roses in a vase, oil on canvas, signed lower right, 51 x 41cm. Paint good, stable and complete throughout.Colours bold.Canvas good and taut.Overall in very good and original condition.

Lot 270

Helmuth Andreas Volkwein (1920-2004) - Still life peonies in a vase, oil on canvas, signed lower right, 61 x 51cm

Lot 273

Contemporary European School - Still life, oil on canvas, indistinctly signed upper right, 86 x 71cm

Lot 351

Charles Debenham (b.1933) - No.1 George, still life interior with ginger cat, oil on canvas, signed lower left, 71.5 x 91.5cm

Lot 1900

9 assorted painting from the first half of the 20th century. All signed C M K Pearson including still life studies, Riseholme Park, Interior of Boston Stump (St. Botolph's Church), Falkland House, Fife etc.,

Lot 1916

A Marin Lewin (1922-1979 oil on board still life featuring top hat, a still life by Alison Mitchell 1962 and a Dutch school painting of ships moored in harbour by C Dehaen.

Lot 1098

•WILLIAM CROSBIE RSA, RGI (SCOTTISH 1915-1999) STILL LIFE OF FRUIT Oil on board, signed and dated LXXXIII, 31 x 41cm (12 1/4 x 16") Portrait study of a woman signed and dated LXXXII verso Condition Report: On inspection both the pigment and the board appear to be in good condition with no significant issues to report.

Lot 1132

•JOHN BULLOCH SOUTER (SCOTTISH 1890-1972) STILL LIFE OF FRUIT Oil on board, signed and dated (19)68, 29 x 39cm (11 1/2 x 15 1/4") Condition Report: The pigment and board are found to be in good condition with no apparent issues.

Lot 1134

•MARY GALLAGHER (SCOTTISH B. 1953) TABLE TOP STILL LIFE Pastel, signed, 82.5 x 58cm (32 1/2 x 22 3/4") Condition Report: On inspection the paper is moderately wavy in appearance but otherwise the work is in good condition. .

Lot 1146

•GILLIAN GOODHEIR (SCOTTISH B. 1949) STILL LIFE WITH WHITE LILLIES Gouache, signed and dated (20)03, 44.5 x 51cm (17 1/2 x 20") Condition Report: On inspection the gouache is in good condition with no significant issues to report. .

Lot 785

A BROOCH BY ROBERT KOCH to celebrate Queen Victoria's life, a stylised '80' interlinked with a diamond shape, set with a lilac chalcedony. The reverse stamped R. Koch and engraved with VR1 and the date of the Queens death January 1901. Weight approx 14.4gms. Robert and Louis Koch were celebrated Royal court jewellers based in Frankfurt 1879 - until their deaths in 1902 and 1930. European Royals still wear tiaras made by the brothers to this day Condition Report: According to wikipedia and other sources Victoria was born 24th May 1819 and died 22nd January 1901, which would make her 81 when she died, the designer obviously thought that 80 was a better fit with his design, more balanced, or maybe it was made in advance due to the Queen poor health at the end. In lovely condition throughout, gold has a subtle bloomed texture, chalcedony has an almost pearly appearance. Clasp is an enclosed hook and pin, works fine, the clasp also stamped Koch. .

Lot 1062

SIR GEORGE HAYTER. (1792-1871) ON BOARD A STEAMER, INITIALLED AND DATED 1852, PENCIL DRAWING. 10 x 13cms TOGETHER WITH THE LAKES, CUMBERLAND, ATTRIBUTED TO G.H.DODGSON, WATERCOLOUR AND A WATERCOLOUR FLORAL STILL LIFE BY M.E.DUFFIELD. (3)

Lot 1130

PAULINE BAUMPHREY. 20th.C. ARR. A PORTRAIT OF AN ELEGANT LADY, SIGNED OIL ON CANVAS. 51 x 41cms TOGETHER WITH A FLORAL STILL LIFE BY THE SAME HAND. (2)

Lot 1140

G.COOPER. 19th/20th.C.ENGLISH SCHOOL. A STILL LIFE OF FRUIT, SIGNED OIL ON BOARD. 22 x 29cms TOGETHER WITH A DECORATIVE UNSTRETCHED PAINTING OF CHICKENS AND ANOTHER PAINTNG OF A LADY READING., ALL BY DIFFERENT HANDS. (3)

Lot 1146

SEGUELA. 20th.C.CONTINENTAL SCHOOL. A RURAL FARM, SIGNED OIL ON CANVAS. 47 x 55cms TOGETHER WITH A SMALL STILL LIFE BY THE SAME HAND AND A FURTHER STILL LIFE BY ANOTHER HAND. (3)

Lot 415

A gilt metal cased metal timepiece, with floral embroidered centre, metamec timepiece, oval electroplate tray, oval still life painting of flowers, miniature and other decorative items (qty).

Lot 156

E. VINNEY. BRITISH 20TH CENTURY A still life of apples and bird's nest. Signed. Oil on canvas 14' x 16'

Lot 106

§ Philip Sutton, RA (British, b.1928) Israeli Landscape inscibed to verso with title and dated '1951/2' oil on canvas (unframed) 123 x 91cm (48 x 35in) Other Notes: Born in Poole, Philip Sutton was educated at the Slade School of Fine Art and is best known for his colourful portrayal of landscapes and still life scenes. 'Israeli Landscape' (1951-52), like many of his other earlier works, highlights the influence of Matisse on the artist's bold use of colour. Sutton had his first solo show at Roland, Browse & Delbanco in 1956 and his works were featured in retrospectives at the Leeds City Art Gallery and the Royal Academy. Canvas taught, cleaned, and subsequently varnished. Extensive craquelure evident in places, particularly about 2/3 down the canvas, where pressure seems to have been applied in a manner conducive to concentric craquelure. Canvas unframed, and edges covered with masking take. 

Lot 35

§ George Hooper (British, 1910-1994) Beach in winter with a still life on a ledge signed 'George Hooper' (lower right) watercolour and ink 45 x 61cm (18 x 24in)There is a circular part of the paper which has been torn away at the right hand side and is clear to see in the photograph. This tear continues down the right hand side 

Lot 79

§ Ronald Ossory Dunlop, NEA, ARA, RBA (Irish/British, 1894-1973) Still life with fruit, books and a jug of water signed 'R O Dunlop' (lower right) watercolour 35 x 48cm (14 x 19in) There are some small red marks near the right edge.  

Lot 1

§ Adrian Heath (British, 1920-1992) Still life with a cabbage, a bottle and a knife on a table oil on canvas 35.50 x 40cm (14 x 16in) Oil on a fine weave canvas support which is unlined. The paint layer is in a good condition overall. The work is varnished, the varnish is slightly yellowed but glossy and even. There is a layer of surface dirt and white drips along the lower edge.

Lot 83

§ Nadia Benois (Russian/British, 1896-1975) Still life with flowers in a jug signed and dated 'N Benois 43' (lower right) oil on canvas, 27 x 21 cm  The canvas is dry and tight. There are also minor white paint spatters.

Lot 34

§ Attributed to Edwin Smith (British, 1912-1971) Still life with green peppers oil on canvas 38 x 47cm (15 x 18in) No areas of damage apparent.

Lot 91

*** Smith (British, 20th Century) Still life with a stone flagon and a bowl of fruit indistinctly signed in pencil (lower right) watercolour 32 x 29cm (12 x 11in)

Lot 2

§ Daphne Fedarb (British, 1912-1992) Blue Boats signed 'Daphne Fedarb' (lower left); examination label to verso 'Ministry of Education, 1950' oil on canvas 68.50 x 89cm (27 x 35in) Provenance: Whitechapel Gallery, London, 'Pictures For Schools', 1959 Other Notes: Daphne Fedarb is known primarily as a landscape and still life painter. She began her artistic career at the Slade School of Fine Art in 1931 and then attended Westminster School of Fine Art where she studied with Mark Gertler and Bernard Meninsky. She exhibited at the Fine Arts Society in 1935 and later at the Royal Academy. Fedarb was particularly influenced by Cubism and Matisse, and her resulting separation of colours into geometric planes can be seen in the present work. Canvas has been painted on the reverse, which has kept lining taught. There is evidence of cleaning and varnishing, along with subsequent retouching. There are two punctures to the canvas towards the bottom middle of the picture

Lot 43

Frances Mary Hodgkins (New Zealand/British, 1869-1947) Still life with a vase of flowers and eggs signed 'Frances Hodgkins' (lower right) watercolour 49.50 x 39.50cm (19 x 15in) Other Notes: It has been suggested that this work dates to 1931 when Hodgkins was in St Tropez and painted a large number of very similar still lifes and landscapes. The inclusion of eggs and a cork tree in the background were much favoured motifs by Hodgkins during this period. The present painting will be included in Mary Kisler's forthcoming online catalogue raisonné. We are grateful to Mary Kisler for her kind assistance with this catalogue entry. Discolouration and browning around the edge possibly due to previous framing. Slight discolouration around the left of the material drape. It has been painted on a buff card which may give the impression of yellowing - it possibly has lost some if its colour. There is a faint 3 inch surface crease to the upper part of the picture. Little roughing to the edge towards the top of the picture due to it being taken out the frame at some stage. Some faint scratching to the board, some scoring to the reverse. 

Lot 8

§ Albert Herbert (British, 1925-2008) Children Running; the reverse with a still life sketch oil on canvas 62.50 x 75cm (24 x 29in) Provenance: Whitechapel Gallery, London, 'Pictures For Schools', 1959  Some craquelure evident. The painting shows evident of a light cleaning at some stage.  

Lot 126

D. Mozley (British, 20th Century) Still life with a bowl of fruit, shells, a beer bottle and book on Lautrec oil on canvas 40 x 49.50cm (16 x 19in) There is light craquelure to the painting throughout, as well as evidence of cleaning. 

Lot 129

§ Robert MacBryde (Scottish, 1913-1966) Still life with an oil lamp and a basket of eggs on a table signed 'MacBryde' (lower left) oil on canvas 74.50 x 59cm (29 x 23in) Other Notes: Robert MacBryde was a popular artist with council authorities; both Cambridgeshire and Leicestershire purchased still life paintings for their collections. Unlike these pictures, however - which were both exhibited at the National Gallery of Scotland's exhibition, 'The Two Roberts: Robert Colquhoun & Robert MacBryde' in 2014 - the Hertfordshire MacBryde is a work previously unknown to scholars. Although we do not know when the picture was executed, stylistically, it fits in with several works painted by Macbyde between 1955-60. The similarity of titles and the absence of dimensions in MacBryde's exhibition catalogues around this period makes it difficult to establish the provenance of the present picture. We do know that Cambridgeshire County Council purchased their still life, 'Red and Black Still Life' from the Kaplan Gallery, London 'Recent Paintings by Robert MacBryde', April 1960'. We are grateful to Roger Bristow for his kind assistance with this catalogue entry.Oil on canvas which is unlined. The paint layers have been thickly applied. In many areas the paint passages have been built up in several layers which have a different appearance under ultraviolet light, this appears to be part of the artist's technique rather than a later reworking. There are drying cracks in some areas of the painting which have formed as the paint layer has dried. There are localised areas of cracking in the paint layers, some with slightly raised edges. There are light scuffs and scratches to the surface and layer of dirt and dust.The painting was likely cleaned at some stage, which may have resulted in the fading of the signature.

Lot 21

§ Maureen Black (British, b.1923) Dawn at the Trafalgar; with a still life sketch to the reverse oil on board 49.50 x 74cm (19 x 29in) Possibly had a light clean. There is a significant crack (approx. 3 inches) near the bottom left corner.  

Lot 33

*** Edwards (British, 20th Century) Still life with apples, a glass and a wine bottle oil on canvas 48.50 x 58.50cm (19 x 23in) Small tear (3 sides of a square) in the canvas of the left side apple. Discolouration in places. Extensive cleaning has also led to thinning of the paint and areas where the original primed canvas shows through. A lot of overpainitng and retouching is also evident.

Lot 82

§ Ronald Ossory Dunlop, NEA, ARA, RBA (Irish/British, 1894-1973) Still life of flowers in a jug on a striped table cloth signed 'Dunlop' (lower right) oil on canvas 46 x 38cm (18 x 15in) Two areas of damage to the canvas, which have been repaired on the back. There also numerous areas of retouching and overpainting.  

Lot 138

H.G. Davis - Oil on canvas - Still-life with vase of flowers, signed lower right, 45cm x 34cm, in gilt frame Condition:

Lot 310

•H. DEARDEN (19th/20th Century) A still life study of flowers in a vase, signed lower left, oil on canvas, 45cm x 34.5cm  Condition Report: fair condition, surface is dirty and has a pressure bulge upper left, some scratches and a small amount of paint loss

Lot 322

•MAUD SUMNER (1902-1985) Still life study of fruit and a glass bottle on a cloth, signed lower right, oil on canvas, the reverse with a classical style head, 56cm x 76cm (unframed but on stretcher)  Condition Report: unframed, canvas very rough and not continuously attached to stretcher, no obvious rip, tears or holes, but some areas of paint loss

Lot 355

•CRAIGIE AITCHISON (1926-2009) 'Still Life with Bird Vase', 2004, signed and numbered 58/300 verso, colour silkscreen on Saunders Waterford 356gsm paper, from the edition of 300 plus 50 Artist proofs printed by Advanced Graphics and published by Timothy Taylor Gallery, Waddingtons and Advanced Graphics, 2004,, 28 x 22 cm, loosely contained in dark blue cloth portfolio, with the accompanying printed catalogue 'Craigie Aitchison - Pictures'   Condition Report: Folio marked and rubbed, otherwise in excellent condition

Lot 381

•BRIAN DAVIES (1942-2014) A still life study of grapes, peaches and a harvest mug on a marble table top, signed lower right, oil on canvas, 24cm x 34cm   Condition Report: appears to be in good condition with no obvious signs of damage or restoration 

Lot 385

•CHRISTOPHER AGGS (b. 1952) 'A Glass of Milk' still life study, monogrammed lower left, further signed, titled and dated '91 on a label verso, oil on board, 19cm x 14.5cm  Condition Report: appears to be in good condition with no obvious signs of damage or restoration

Lot 366

Edith Buxton - Watercolour - Still life of roses, framed and glazed, 38cm x 54cm Condition:

Lot 60

20th Century gilt-framed bevelled wall mirror with scroll-pierced frame, together with a print in similar frame and a still-life print in limed oak frame (3) Condition:

Lot 409A

Coalport - Signed and Hand Painted Two Handle Fruits Bowl / Dish. c.1940's. Apples and Berries on Mossy Ground, Still Life. Signed Richard Budd, Gilt Handles. 1st Quality, Please See Photos. 9.75 Inches - 23.75 cm Diameter.

Lot 432

Aynsley Superb Quality and Hand Painted 22ct Gold Baroque Cabinet Plate, Painted with Fruit Still Life To Centre of Plate, Surrounded by 22ct Gold Baroque Border. Aynsley Marks to Underside. 10.5 Inches - 26.5 cm Diameter. 1st Quality and Mint Condition.

Lot 462

Royal Worcester Superb Quality - Hand Painted Oviform Shaped ' Fruits ' Pot Pouri Vase with Cover. Fruits Still Life - Peaches and Berries on A Mossy Ground. Signed Thomas Lockyer. Date 1934 & Shape 1286. Stands 8 Inches - 20 cm High. 1st Quality & Mint Condition - Please See Photos. From a Ladies Private Collection.

Lot 547

Royal Worcester Handpainted Twin Handle Vase 'Roses' Still Life. Date 1907. Signed to underside of vase. Height 6.75'' - 1.7 cm. Excellent condition. Please see photographs.

Lot 357

Set 3 oil still life fruit paintings - D HIll 1921/6 and another (4)

Lot 358

Watercolour riverscape and oil still-life

Lot 1266

Hector Caffieri (British, 1847-1932). Still life with rhododendrons, watercolour, signed and dated 1876, heightened white/paper, 34 x 49 cms. Overall condition good, no major faults found. Some very minor staining/foxing to where the mount meets the picture.

Lot 1276A

Marjorie Best, still life of flowers, signed 34cm x 40cm .

Lot 1284

English school, still life , ivory tankard, watercolour, signed with initials, 38cm x 28cm and a portrait of a man in 18th century dress, watercolour, oval, 27cm x 21cm (2).

Lot 1361

§ Paul Lucien Maze (British / French, 1887-1979). Still life of yellow roses, signed pastel, 23 cm x 18 cm,ARTISTS RESALE RIGHT MAYBE ADDITIONALLY PAYABLE ON THIS LOT UP TO A MAXIMUM OF 4% OF THE HAMMER PRICE. VISIT THE DACS WEBSITE FOR MORE INFORMATION..

Lot 1384

§ Ferdinand Thurnherr (Swiss, 1875-1955) after Herman Van Der Mijn. Still Life of Flowers in the Dutch Style, oil on canvas. Signed and inscribed verso. 75 x 59 cm,ARTISTS RESALE RIGHT MAYBE ADDITIONALLY PAYABLE ON THIS LOT UP TO A MAXIMUM OF 4% OF THE HAMMER PRICE. VISIT THE DACS WEBSITE FOR MORE INFORMATION.. Some cracking of picture surface.Possibly original frame. Frame with losses and re-touching.

Lot 1397

Willem I Hekking (Dutch, 1796-1862), still-life of mixed Spring flowers with a butterfly, signed, oil on panel, 52cm x 42cm,. Small loss of surface decoration towards the base visible on photograph, some light surface wear throughout most noticeable where frame meets the panel, some diagonal surface scratches, no noticeable defects under UV.

Lot 1415

§ John Anthony Park (British, 1880-1962). Still life of chrysanthemums and Oriental ceramics, oil on board, signed, 75cm x 60cm,ARTISTS RESALE RIGHT MAYBE ADDITIONALLY PAYABLE ON THIS LOT UP TO A MAXIMUM OF 4% OF THE HAMMER PRICE. VISIT THE DACS WEBSITE FOR MORE INFORMATION.. § Believed to be early 20th century, appears to be original frame, no major faults found, board is starting to dry and crack which is visible on the picture surface. Consigned through a valuation day.

Lot 1428

Basil Maunder, 20th century, still-life of flowers in a vase, signed, oil on board, 59cm x 58cm,.

Lot 1440

A J Thornton, grapes, plums and birds eggs, still life, oil on canvas, signed to lower right, 25cm x 34cm,.

Lot 1459

Maris, still life of flowers, signed, oil on panel, 43.5cm x 33.5cm, framed. Overall condition good checked under UV light, no visible faults.

Lot 286

Attributed to: Alexander Semeonovitch Liberman, Russian/American (1912 - 1999) Oil on Canvas "Still Life". Signed Liberman '49 lower right, Livingston Galleries tag en verso. Good condition. Measures 24" x 20", frame measures 31-1/2" x 27-1/2". (estimate $150-$250) Shipping: Third party.

Lot 406

J Robert Tuson: oil on board, surreal still life, with dragon flower and porcelain figure, signed Tuson, 9.5" x 12", framed

Lot 147

Richard 'Dick' Young (British, 1921-2003):'Interior with Still Life', oil on board, signed & titled verso on artist's original label with address in Bootle, Liverpool, H 122 x W 91 cm. Note: Born in Walton, Liverpool, Dick Young moved to London & Newcastle before returning to his birthplace to become an established figure on the vibrant Liverpool arts scene. By the late 1950s he was gaining recognition, with his first exhibition at the Liverpool Academy in 1955, followed two years later by having 'Morning Interior', now in the University's Victoria Gallery, selected for the first John Moores exhibition. He also exhibited at the Walker Art Gallery & RA Summer Exhibition.

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