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Fry (Elizabeth, penal reformer and philanthropist, 1780-1845) Autograph Letter signed to "Dear friend", 3½pp., Plashet House [East Ham, London], 1821, sympathising with her on the illness of their son, and her current itinerary, "I still propose being at Brixton House of Correction on 4th day I suppose I may have admission. My brother Moore is likely to accompany me...", folds, browned; loosely inserted in a 2 vol.,Memoir of the Life of Elizabeth Fry, 1847 (3).
Country Life, a complete run, profusely illustrated, the vast majority bound in contemporary or modern green cloth, a few issues in original wrappers, occasional wear or soiling, folio, 1897-2017.⁂ A complete run, almost to date, of one of Britain's most iconic weekly magazines - covering a vast array of subjects relating to rural affairs, architecture, interior design, gardens and garden design, country society and pursuits. From its inception the magazine extensively covered the property market - still today one of its major features, with many of the UK's most expensive and desirable houses and estates featured in the opening pages. Many of the pre-war properties are now no longer in existence or have been altered out of all recognition, making those earlier issues of the magazine a highly important archival record of both the interior and exterior look and feel of some of Britain's country houses. Please note, this lot will be available for viewing at Queenstown Road only, viewing times in the catalogue or by appointment. A selection will be taken to the Westbury Hotel.
1968 Jaguar E-Type 4.2 Series 1.5 Roadster- Imported to the UK in 1987, converted to RHD- Much work carried out in the 1990s, triple SU's, Kenlowe fan- Red with Black interior'OJF 742F' started life as a lefthand drive export model that was repatriated from the US in 1987. It is understood to have been restored in the 1990s, during which the chassis was converted to righthand drive and the engine from Stromberg to SU carburation. It has had four keepers since returning to these shores, the previous one of which acquired the Jaguar in 1991 and retained it before placing it in an Anglia Car Auctions sale in 2016, from which it was purchased by the vendor. Dry stored for most of his tenure, the E-Type still only displays a credible, though unwarranted, total mileage of 69,448 and he presently grades the 4.2-litre engine and manual five-speed gearbox as 'very good', the Roadster bodywork as 'good', and the Black leather trim and Red paintwork as average - the latter does display a degree of micro blistering in places.1968 model year E-Types have been retrospectively dubbed Series 1.5 cars. The changes that distinguish them from the preceding Series 1 models were introduced to satisfy the increasingly safety oriented federal regulations and included: open rather than enclosed headlights; black plastic rocker switches for the dashboard as opposed to the toggle variety, black-painted ribbed cam covers, twin cooling fans, and adjustable seat backs. Just 2,801 Series 1.5 Roadsters were produced, of which the sale car is one, though it these days sports fared-in headlights.The last E-Type rolled off the production line 43 years ago, yet the model still has a unique ability to excite enthusiasts of all generations, its Malcolm Sayer-penned lines thought by many, including none other than Enzo Ferrari, to be among the most striking ever to adorn a motor car. Though hardly rare (over 72,000 were built), they understandably remain the apple of many a collector's eye.
A Victorian spelter figure, male soldier with horn. Height 76 cm. CONDITION REPORT: The horn, although still attached, is broken in two and requires attention. It has been painted at some stage in its life and is not the original patination. There is a split to the sword scabbard approximately 4 cm from the tip. Other than the faults mentioned the remainder appears to be sound and in good decorative order.
Robert Bateman (1842-1922), Still life of centifolia roses in a Staffordshire neo classical jug, signed bottom left and dated 1887, inscribed 'Mrs W Brinckman, Ribbesford House, Bewdley, oil on panel, 38 x 29cmRobert Bateman is often described as the 'Lost Pre-Raphelite'. As a painter he stood alongside artists such as Walter Crane (1845-1915) in profile and critical equivalence but has since been lost to a wider public with only a handful of works in public collections. He was the third son of James Bateman FRS (1811-1897) who built Biddulph Grange and its gardens in Staffordshire.
GRAY (Twentieth Century) HAND COLOURED MONOTYPE ETCHING 'Blessing the Water Claus II' Signed 24" x 15 1/2" (61cm x 39.4cm) GUY PORTELLI PASTEL Female nude 15 1/2" x 6 3/4" (39.4cm x 17.1cm) JOHN SMITH OIL PAINTING ON CANVAS Still life - bowl of Pansies Signed 7 3/4" x 9 3/4" (19.7cm x 24.7cm) PETER BROCK ARTIST SIGNED COLOUR PRINT 'Watching snow drop softly' 2 3/4" x 7" (7cm x 17.8cm) MARGARET CLARKSON ARTIST SIGNED LIMITED EDITION PRINT 'Frying tonight' (360/500) and a FOLIO OF TWELVE COLOUR PRINTS AFTER CARL LARSSON (6)
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