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Lot 52

Unsigned oil on canvas, 19th/20th Century Continental School, still life study of a vase of flowers on a table. 29.1/2" x 24.1/4"

Lot 141

KATE NICOLL. Signed and dated 1954 oil on board, impressionist still life study of fruit on a table, see Dumfries & Galloway Fine Arts Society label verso, (with some damage). 12.1/2" x 14.3/4"

Lot 169

Unsigned oil on metal, 19th Century Dutch School, oval still life study of flowers in a vase. 10.1/4" x 8.1/4"

Lot 195

W.T.WOOD. Signed and indistinctly dated oil on canvas, 19th Century British School still life study of flowers in a basket. 16" x 18.3/4", together with five prints on paper, various artists and subjects. (6) Smallest: 8.1/4" x 13.1/4" - Largest: 16.1/4" x 19"

Lot 283

OLIVER CLARE. Signed oil painting on board, still life study of fruit on a ledge. 10 1/2" x 8 3/4".

Lot 296

OLIVER CLARE. Signed oil painting on board still life study of fruit on a ledge. 7" x 5 3/4" .

Lot 2735

"Vivienne Dover, Still life - Red roses, signed, watercolour, 49x 37cm, two similar watercolours by the same hand and two similar pictures"

Lot 2741

"W Stone, Loch with figure, building and trees, boats beyond, signed, oil on canvas, 29.5x 40cm, and another oil, still life, flowers"

Lot 87

A Royal Worcester porcelain vase decorated with a circular still life panel of fruit, indistinctly signed and reserved on a cobalt and gilt decorated ground (date mark for 1931)

Lot 513

OLIVER PETTIFER "Still life studies", charcoal and pencil, signed (3), plus various other assorted modern prints

Lot 538

G. BARBARO "Still life of melon, grapes, peeled oranges, cherries and a stoneware flagon", watercolour, signed lower right, in elaborate scrolling frame

Lot 539

JEAN KENT (20TH CENTURY) "Still life study of floral sprays in a porcelain pot", pastel, signed lower right, JEANNE MINTERN "Still life study of flowers in a glass vase", pastel, signed lower left, four further watercolour floral studies, and R.J. BAKER "River landscape", watercolour, signed lower right (7)

Lot 313

20th century school, still life of chrysanthemums

Lot 318

Continental school, still life, oil on canvas framed

Lot 359

W Knox. Still life study of pinks in a glass vase, oil on canvas, signed, 60cm x 50cm.

Lot 215

Ester Burough Johnson, "The Technique of Flower Painting 1947", lace doilies, still life watercolours.

Lot 445

Continental School, still life and another painting, (2).

Lot 451

Original Watercolour - still life" Teapot of Anemonies" by a bamboo screen

Lot 620

Charles McCarthy - Still Life Study of a Jug and Pot, oil on board, signed with initials and dated `09 recto, label verso.

Lot 650

Pierre Sorel - Still Life Study of Summer Flowers in a Pottery Vase, 20th Century oil on canvas, signed recto, Frost and Reed label verso, approx 64cm x 53cm, within a gilt frame, together with a watercolour by another hand.

Lot 653

Vincent Clare - Still Life Study of Fruit in a Naturalistic Setting, watercolour, signed, approx 21cm x 29cm, within a gilt frame.

Lot 744

Bailey - Still Life Study of a Stein beside a Sugar Bowl and Lemon, 20th Century oil on board, signed, approx 20cm x 18.5cm, within a gilt frame.

Lot 747

Edith Isabel Barrow - Still Life Study with Daisies in a Bucket, watercolour, signed and dated 1890, approx 42cm x 68cm, within a gilt frame.

Lot 481

DU MAURIER DAPHNE: (1907-1989) British Author. A delightful and fascinating correspondence collection between Daphne Du Maurier, her husband General Sir Frederick ‘Boy’ Browning (1896-1965) and Reginald and Gwenllyan Davies, comprising six A.Ls.S. and two T.Ls.S. from Du Maurier and two A.Ls.S. from Browning, 48 pages (total), 8vo, various places (Hampshire, Kent and Cornwall), 28th December 1937-25th July 1973. The correspondence commences with a letter from Daphne Du Maurier, stating that a poem arrived on Christmas Eve ‘and was the making of our Yuletide….it was read aloud amid hiccough and laughter. Spurred to make some return, I fell to and send you the enclosed. Boy says it’s the rudest thing he’s ever read, but knowing that satire is the breath of yours (and my) joint nostrils, I offer it to you with no apology!’ and continues with two long letters from Browning, explaining that he is trying to turn ‘civilians in uniforms’ into instructors and further stating ‘Daphne and I are living in a few corners of this house, the rest of our furniture stacked in the drawing room. Any moment I might be shot off to the pre-battle ground the other side so we rather live from day to day. Daphne is working hard looking after a large and scattered party of families of men in the regiment so has no time for writing stories….I expect you hear or read that so and so [Leslie Hore] Belisha’s speeches about the marvellous efficiency and preparedness of the Army. Just to quote one small case out of hundred where the bastard could be caught out and kicked out for greatly misleading everyone. It was hot till two weeks ago-six weeks after the B.E.F. arrived in France that Anti-Tank rifle ammunition was issued to the troops in the line, Battalions still have no mortar ammunition and I know the 2nd Battalion are 300 Bren gun magazines deficient-this in the first contingent who might have had to fight for their lives are now but for the Grace of God and the hesitations of “Old Nasty”, as Syd Walker (B.B.C.) calls him. Keep that to yourself if you can! But if not don’t mention the source of your information. Owing to the continued, systematic and dangerous undermining of discipline which has been going on for the last two years fostered by Belisha, enthusiastically acclaimed and spread by the yellow press and not fought against by the Generals at top, the national Army, including a good percentage of the regulars, are a fundamentally undisciplined lot, unsmart in the extreme, dirty, bad mannered and semi-trained which coupled with the general shortage of weapons etc. and chaos of expansion makes the British Army unfit for war against first class troops like the Germans. Thank God for (a) the French Army (b) the Maginot Line ( c ) the rows going on between Hitler and the generals. I tremble to think what would have happened if the British Army had been faced with a battle of Mons, le Cateau, first Ypres; they would never have survived it. We are a lot of bloody amateurs….but now we are strong in the air and Turkey are alongside, Musso will mind his p’s and q’s a bit….London is a most gloomy place and thank goodness I don’t have to go there very much, England is a very different place compared (to) the haven of rest it was in the last war…’ (27th November 1939) and in the second stating that he agrees with the principle of his correspondent’s pamphlet ‘and I think it would work once the foundations of international Christianity are laid. That…is the great problem which urgently requires as well worked out a scheme as yours to bring about. It’s indeed a big task and is nothing less than the fulfilment of the Prime Minister’s policy of appeasement, which in simpler language means a change of heart among all the peoples of the earth, the most urgent change being necessary among our own race! If you could work out a scheme (I daresay the Prime Minister is urgently employed on a like problem) to bring about this change of heart you would be putting the horse in its correct relation to the cart. This sounds most awfully damping and unappreciative of your excellent scheme but if you think in a detached and analytical manner, really cold bloodedly, of the sequence of essential requirements I’m certain you will agree with me….We like our new job and it will be very interesting and being an establishment and not a fighting unit will give me a mental relaxation and such….efficiency as one possesses can be concentrated on one or more or less direct line and not be pulled in all directions trying to make two or more ends meet!’ (3rd March 1940), the remaining correspondence from Du Maurier, stating, in part, ‘Boy is a Major-General, and commands the Airborne Division. He hobnobs daily with G.O.C.s-C.I.G.s and even Winston himself! He has endless planes at his disposal (he pilots his own!) and a staff car with a loud-speaker through which he commands the populace to remove themselves from his path. Whether he will so condescend to take luncheon with the Finance Officer of the British Council I cannot say, but I rather think he will. He is inclined to favour red revolution at the moment, and a sweeping away of all inhabitants of the War Office, Admiralty, Air Ministry, and other such rusty institutions. Possibly you could act as Financial Adviser to an underground movement. For myself, I am installed with my brood of three (yes, the son was a clever coup) down here in Fowey. We have a humble cottage, but thank God minions enough to save me stirring as much as a finger! Boy tells me I am the only woman in England who does absolutely nix towards the War Effort. I retaliate, rather conceitedly, that I am bringing more dollars into this country than any other member of my low profession! At the moment I am engaged upon a tome that will be almost as long (and far more tedious) as “Gone With The Wind”. I am glad you liked the play of “Rebecca”, but personally I thought Owen Nares over acted, and he gave me embarrassment. I have not seen it since its return to London from a lengthy tour. The last book “Frenchman’s Creek”, is shortly to be filmed in the U.S.A. I forgot to tell you that Boy spent a lightening fortnight in America, where, according to the papers here, he “fished and relaxed”! The reverse was the case, as you can imagine’ (Fowey, Cornwall, 23rd August 1942), ‘I can find nothing in Mr. W. H. Smiths’ shop in Fowey to compare with what the Tate Gallery can produce…..I spent a fortnight with my General on Salisbury Plain, or rather I spent a fortnight under the same roof but scarcely set eyes on him at all. Then I dashed up to London for my law-suit….I had to answer questions before an American Consul, and the answers were sent off to America. What has happened to them I don’t know. One question was “How many novels have I read in my life, and which was the first I ever read”! I replied “Peter Rabbit at the age of three” The whole thing was quite fantastic. Meanwhile, I work like one possessed at my novel of the moment. It is to be called “Hungry Hill”, and is endless.’ (Fowey, Cornwall, 18th October 1942), ‘To add to our labours, and yet in a sense to make them more enjoyable, we have just moved into this lovely derelict mansion, the original more or less of “Manderly” in Rebecca. Its been “let” to me for a song, but I have broken myself by installing electric light and other amenities. However, once we settle down it will be a heavenly lunacy, even if I spent all my time cutting trees for fires….Boy arrived for Christmas and….we managed to have the usual tree, plum puds, turkey for the children. The latter are getting lar

Lot 677

W Heath, after W Musill Still Life of an Urn Entwined with a Flowering Vine Signed L, oil on canvas, dated 1907, 55 x 44cm

Lot 787

Alice Dawson Still Life of Roses Oil on canvas, dated 1923, 43 x 59cm

Lot 47

Eva Balogh, Still Life of Flowers and Oranges, oil on board, signed, 24 x 19.5 cm (9 1/2 x 7 3/4 in.)

Lot 48

Elisa Josza, Still Life of Fruit in a Basket, oil on panel, signed, 23.5 x 28.5 cm (9 1/4 x 11 1/4 in.)

Lot 150

A hand painted oval porcelain brooch portrait of a woman, set in a gilt metal frame, together with another example depicting still life.

Lot 119

NORMA STONE Still life study oil on panel, signed 65cm x 51cm

Lot 294

T ALEXANDER Still life of fruit on a shelf oil on canvas, signed 61cm x 51cm

Lot 298

UNKNOWN ARTIST Still life of white flowers in a vase oil on canvas 51cm x 48cm

Lot 304

UNKNOWN ARTIST Still life with red flowers in a vase oil on board 56cm x 60cm

Lot 313

UNKNOWN ARTIST Still life of white flowers in a vase oil on board 52cm x 59cm

Lot 284

Marion Broom, a gilt framed and glazed water colour still life study of white roses in a mauve glass vase.

Lot 318

A gilt framed oiliograph of a Mediterranean chapel, together with a reproduction Doncaster racecourse poster and various other pictures and prints to include still life studies etc.

Lot 325

F O Knapp, still life study of tulips, chrysanthemum, iris and other flowers in a clear glass vase. Signed, oil on copper in ebonised frame.

Lot 55

20th Century Continental School/Still Life with Vase of Flowers/indistinctly signed Van Hasall/oil on canvas, 75.5cm x 62cm (29.75" x 24.5")

Lot 59

John Bratby, R.A. (1928-1992) Tonked Still Life signed 'BRATBY' (lower left) oil on board 21 x 28 in. (53.5 x 71 cm.) Painted in 1954. View on Christie's.com

Lot 65

Sir Matthew Smith (1879-1959) Still life with apples and pears signed and dedicated 'To R.W./from/MS' (on the reverse) oil on canvas 13 x 16 in. (33 x 40.7 cm.) View on Christie's.com

Lot 77

Dame Elizabeth Violet Blackadder, R.S.A., R.S.W., R.A. (b. 1931) Still Life with a Prayer Rug signed and dated 'E.V. BLACKADDER 1973' (lower right), signed again and inscribed 'ELIZABETH V BLACKADDER STILL LIFE WITH A PRAYER RUG' (on the canvas-overlap) oil on canvas 44 x 44 in. (111.8 x 111.8 cm.) View on Christie's.com

Lot 228

English School, early 20th century, Still Life Study, porcelain figures, bowl and dish, watercolour, 11cm by 15cm

Lot 3

Gilbert Gee Oil on Board, Colourist style still life study, Fruit & Flowers, signed, 18.5"x 18", framed

Lot 4

Polish School Mid 20th century Oil on Canvas, Still life study, Violin & Flowers, indistinctly signed, 35"x 39", framed

Lot 56

Pair of early 19th century Watercolours, still life studies of fruit, unsigned, 6"x 8", maple framed

Lot 61

Attributed to John Bratby (1928-1992) Oil on Canvas, "Liposculpture & Still life", unsigned, 24"x 18", framed

Lot 74

J. Pettitt Pair of Oils on Canvas, Still life flower studies, one signed & dated 1919, 31"x 13.5", & A.B. Evans, Oil on Board, Roses, signed & dated 1910 (3) framed

Lot 83

Oliver Clare (1853-1927) Oil on Board, Still life study, plums & gooseberries on a mossy bank, signed, 10"x 8", framed

Lot 115

Attributed to Paul Maze (1887-1979) Oil on Canvas, Still life study fruit & flowers, signed, 22"x 18", framed

Lot 120

John Yardley (Born 1933) Oil on Board, Impressionist still life, flower study, signed, 12"x 7.5", framed

Lot 131

Louise Hiertz Bier Oil on Canvas, Still life study, Fruit & Champagne, signed, 15"x 20", framed

Lot 142

Attributed to Paul Maze (1887-1979) Watercolour, Stylised still life study, signed with initials & dated `36, 15"x 10.5", framed

Lot 169

Rudy Wallace ROI Oil on Canvas, Still life, Eggs & a copper pan, signed, 18"x 20", framed

Lot 232

Alexander Wilson Oil on Board, Still life study, Roses, signed, 8"x 10", framed

Lot 247

Marcella Smith Watercolour, Still life flower study, signed, 11"x 14.5", framed

Lot 384

19th century Oil on Canvas, Still life study flowers on a table, unsigned, 16"x 22", framed

Lot 353

HENRY HAYDEN (1883-1970) Still life of fruit bowl and jug, 53/75, 1968, signed, numbered and dated in pencil in the margin, coloured lithograph, 15" x 20"

Lot 469

NICHOLAS HELY-HUTCHINSON (b.1955) Still life with tulips on a table, initialled, watercolour, 9 1/4" x 14"

Lot 524

ERIC PEET (1909-1968) Still life, a glass vase of yellow flowers and two glass bottles against a grey/blue background, signed, oils on canvas, 15 1/2" x 19 1/2" (see illustration).

Lot 526

ERIC PEET (1909-1968) Still life, a glass vase of pansies and fruit on a beige background, faintly signed and dated, oils on canvas, 15 1/2" x 19 1/2" (see illustration).

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