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Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 9.74 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Wayne Thiebaud (born November 15, 1920) is an American painter known for his vibrant and distinctive depictions of everyday objects and landscapes. He is associated with the pop art movement and is particularly recognized for his paintings of desserts, such as cakes, pies, and ice cream cones. Thiebaud was born in Mesa, Arizona, and grew up in Long Beach, California. He studied art at various institutions, including the Frank Wiggins Trade School, the California State University, Sacramento, and the San Jose State University. Thiebaud also served as an artist in the U.S. Army during World War II. His unique style combines elements of realism and abstraction. Thiebaud often applies thick layers of paint to create a sense of texture and depth in his works. He uses bold colors and strong shadows to enhance the three-dimensional quality of the objects he paints.In addition to his dessert-themed paintings, Thiebaud has also created numerous landscapes, portraits, and still-life compositions. His subjects range from cityscapes and rural scenes to everyday objects like lipstick tubes, shoes, and gumball machines. Thiebaud's work is characterized by its playful and whimsical nature, evoking a sense of nostalgia and Americana. Wayne Thiebaud's art has received widespread acclaim, and he has been the subject of numerous exhibitions and retrospectives. His work is featured in major museums and collections around the world. Thiebaud continues to be an influential figure in the contemporary art scene, and his paintings are celebrated for their distinctive style and celebration of ordinary, everyday objects. Measures 7.25 x 8.24 Printed circa 1950sVerso is blank.Mounted to archival quality paper."""

Wayne Thiebaud (born November 15, 1920) is an American painter known for his vibrant and distinctive depictions of everyday objects and landscapes. He is associated with the pop art movement and is particularly recognized for his paintings of desserts, such as cakes, pies, and ice cream cones. Thiebaud was born in Mesa, Arizona, and grew up in Long Beach, California. He studied art at various institutions, including the Frank Wiggins Trade School, the California State University, Sacramento, and the San Jose State University. Thiebaud also served as an artist in the U.S. Army during World War II. His unique style combines elements of realism and abstraction. Thiebaud often applies thick layers of paint to create a sense of texture and depth in his works. He uses bold colors and strong shadows to enhance the three-dimensional quality of the objects he paints.In addition to his dessert-themed paintings, Thiebaud has also created numerous landscapes, portraits, and still-life compositions. His subjects range from cityscapes and rural scenes to everyday objects like lipstick tubes, shoes, and gumball machines. Thiebaud's work is characterized by its playful and whimsical nature, evoking a sense of nostalgia and Americana. Wayne Thiebaud's art has received widespread acclaim, and he has been the subject of numerous exhibitions and retrospectives. His work is featured in major museums and collections around the world. Thiebaud continues to be an influential figure in the contemporary art scene, and his paintings are celebrated for their distinctive style and celebration of ordinary, everyday objects. Measures 7.25 x 8.5 Printed circa 1950sVerso is blank.Mounted to archival quality paper."""""""""""""""

"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.74 x 7.75 Verso is blank.Mounted to archival quality paper."""

"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.52 x 7.74 Verso is blank.Mounted to archival quality paper.

Suzanne Valadon (1865-1938) was a notable French painter and artist who played a significant role in the Parisian art scene during the late 19th and early 20th centuries. Here are some key points about Suzanne Valadon:1. **Early Life**: Suzanne Valadon was born as Marie-Clémentine Valadon on September 23, 1865, in Bessines-sur-Gartempe, France. She grew up in a working-class family and had a modest upbringing.2. **Ballet Dancer to Artist**: Valadon initially pursued a career as a circus performer and later as a trapeze artist. However, due to an injury, she had to abandon her career in the circus. She then turned to modeling for artists, including Pierre-Auguste Renoir and Henri de Toulouse-Lautrec.3. **Transition to Painting**: While modeling for renowned artists, Valadon developed an interest in art herself. She began to paint and draw, initially creating self-portraits and scenes from her everyday life. Her natural talent and unique perspective quickly garnered attention.4. **The Bohemian Montmartre Scene**: Valadon became associated with the bohemian artistic community in Montmartre, Paris, during the late 19th century. She was friends with many famous artists of the time, including Edgar Degas, Henri de Toulouse-Lautrec, and Pierre-Auguste Renoir. Her close relationship with these artists influenced her work and provided her with valuable artistic insights.5. **Artistic Style**: Valadon's art was known for its bold and expressive style. She painted a wide range of subjects, including portraits, nudes, and still life. Her work often featured strong, confident women, and her own experiences as a woman in the arts played a role in shaping her artistic voice.6. **Achievements**: In 1894, Valadon became the first woman to exhibit in the Société Nationale des Beaux-Arts. Her career continued to flourish, and she gained recognition as an accomplished artist.7. **Maternity**: Valadon's paintings often depicted motherhood and the female form. One of her most famous works is "The Joy of Life," which portrays a mother and child in a warm, intimate moment.8. **Legacy**: Suzanne Valadon made a significant contribution to the art world, breaking gender barriers in a male-dominated field. Her work continues to be celebrated for its unique perspective, boldness, and its role in challenging traditional notions of female representation in art.Suzanne Valadon's journey from a circus performer and model to a respected artist is a testament to her talent, determination, and the transformative power of art in her life. Her work remains an important part of the legacy of women artists in the history of art.Measures 56.5 x 38.

Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.75 x 7.75 Verso is blank.Mounted to archival quality paper."

Framed Oil on Canvas of a floral still life signed M Turner to bottom right

Early oil on canvas still life - Approx image size: 49cm x 39cm

Oil on board still life in ornate gilt frame - Approx image size: 16cm x 11cm

Oil on canvas still life signed - Approx image size: 60cm x 50cm

After Rachel Ruysch, still life vase of flowers, Oiliograph, in a moulded gilt frame, 56 x 70cm

Emilio Greco, still life urn of summer flowers, oil on panel, unframed, 51 x 41cm

Sven Berlin (1911 - 1999), still life of fruit in a bowl, oil on board, signed lower right and dated '67, 49.5 x 59.5cm, signed, framed

Cindy, still life basket of flowers, oil, 16.5 x 22.5cm, a card game, colour print, 7.5 x 12cm, Pre-Raphaelite lady, colour print, 8 x 6.5cm, all gilt framed

19th century Gilt Framed Oil on Board Still Life of Fruit and Fauna, signed, 24cm x 19cm

MARY RICE, A Still Life of Flowers, oil on canvas, signed, framed. 49.5 x 39.5 cm.

Continental School (20th century) Still life of a vase of flowers, a basket of fruit, a lobster and a cravat of wine Oil on canvas board, together with a further modern oil on board depicting a still life of flowers in a terracotta vase, flowers and a lobster, 49.5cm by 65.5cm and 11.5cm by 16.5cm respectively (2)This lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.

Manner of Verelst (20th century) Still life of assorted flowers in a decorated urn, on a stone ledge Oil on panel, 88cm by 57.5cm (oval) This lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.

A Gilt Framed Mirror, modern, the upper section inset with an oil on canvas still life with bevelled plate below, the frame decorated with ribbons and scrolls 132cm by 72cm This lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 20% on the hammer price and 20% on the buyer's premium. Good condition throughout.

Attributed to Yugene Henri Cauchois (1850-1911) French A still life of red Roses in a brown glazed vase with pink Roses and books arranged on a table Signed, oil on canvas, 54cm by 65cmThis lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.

John Wainwright (fl.1845-1873) A still life of various fruit on a silver platter on a stone ledge, draped with a turquoise and gold embellished fabric, with a bowl of goldfish and a Classical urn to the distance Signed and indistictly dated, oil on canvas, 66cm by 62cmThis lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium. In fully restored condition. Stiffly re-lined, cleaned and re-varnished. The surface has been somewhat flattened and abraded by the restoration process. Several areas of thin paint, likely owing to the restoration. Areas where the weave and creases of the relined canvas are visible. Slight frame rubbing to edges. There are several patches of medium sized stable craquelure. Two small circular losses of paint to middle of right hand edge (see image), each no more than 0.5cm across. Under UV the work is covered in a thick varnish which rather occludes evidence of restoration. That said, there are several patches of infilling to old craquelure throughout the surface. There are some notable patches of retouching along the lower edge and sporadically elsewhere including a patch of the pineapple. a patch to the left of the goldfish bowl and the odd more subtle patch in the sky.

Follower of Jan Van Os (1744-1808) Dutch A still life of assorted flowers and fruit arranged in a vase on a stone ledge within a garden setting Oil on canvas, together with a companion, 101.5cm by 65cm (2)This lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.2 IMAGES

Continental School ( Later 19th century) An abundant still life with black grapes, peaches, Roses and a squash arranged at a doorway Indistinctly signed, watercolour, 49cm by 69.5cm (oval) Contained in a highly decorative gilt frame with floral Art Nouveau decorationThis lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.

*Holmes (20th/21st century) An exuberant still life of assorted flowers arranged in a blue glazed vase and fruit on a stone ledge A still life of assorted flowers arranged in a vase on a stone ledge One signed, oil on canvas, 120.5cm by 90cm (2)This lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.

Continental School (19th/20th century) Still life of pink Peonies in a glazed vase Indistinctly signed and dated, oil on canvas, 65cm by 53.5cmThis lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.

English School (early 20th Century), still life of Staffordshire figures on a table, watercolour, indistinctly signed, framed, Frost & Reed label verso

Douglas Thomas McElhinney Still Life of Honesty, mixed media on board,signed and dated 7-1-81 bottom right, in unglazed gilt frame. (38cmx28cm)

Christine Doyle, Mirror- Still Life, mixed media, signed and dated 75 bottom right, in a metal glazed frame. (47cmx29cm)

λ&nbspRAYMOND CAMPBELL (BRITISH B. 1956) STILL LIFE OF A BLUE AND WHITE JUG, WITH RASPBERRIES, GRAPES AND A PEACH Oil on board Signed (lower right) 31 x 25.5cm (12 x 10 in.)Painted in 1994. Provenance: Clifton Gallery, Bristol Please note measurements do not include frame unless otherwise stated. Condition Report: Appears to be in good original condition. Please note Dreweatts is not liable for damage to picture frames.Condition Report Disclaimer

λ&nbspALBERT WILLIAMS (BRITISH 1922-2010) STILL LIFE OF FLOWERS IN A GLASS VASE Oil on canvas Signed (lower right) 46 x 28cm (18 x 11 in.)Please note measurements do not include frame unless otherwise stated. Condition Report: Light surface dirt throughout. Otherwise no obvious condition issues. Please note Dreweatts is not liable for damage to picture frames.Condition Report Disclaimer

λ&nbspRAYMOND CAMPBELL (BRITISH B. 1956) STILL LIFE OF JUG AND FRUIT Oil on board Signed (lower left) 41 x 29.5cm (16 x 11½ in.)Painted in 1994. Provenance: Clifton Gallery, BristolPlease note measurements do not include frame unless otherwise stated. Condition Report: In good original condition. Please note Dreweatts is not liable for damage to picture frames.Condition Report Disclaimer

λ&nbspRAYMOND CAMPBELL (BRITISH B. 1956) STILL LIFE WITH FRUIT, TEACUP AND CLOCK Oil on canvas Signed (lower right) 41 x 51cm (16 x 20 in.)Painted in 1994. Provenance: Clifton Gallery, BristolPlease note measurements do not include frame unless otherwise stated. Condition Report: In good original condition. Please note Dreweatts is not liable for damage to picture frames.Condition Report Disclaimer

FOLLOWER OF ANDRÉ ALBERT MARIE DUNOYER DE SEGONZAC (FRENCH 1884-1974) STILL LIFE Watercolour Bears signature (lower right) 20 x 25.5cm (7¾ x 10 in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Unexamined out of glazed frame. Slight undulation to the sheet. Otherwise appears to be in good original condition. Please note Dreweatts is not liable for damage to framesCondition Report Disclaimer

λ&nbspSTANLEY BIRD (20TH/21ST CENTURY) STILL LIFE Oil on panel Signed (lower right) with artist's labels attached (verso) 66 x 51cm (25 x 20 in.)Exhibited: London, Young Contemporaries lease note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt throughout. Some rubbing to the extreme edges. Loss to the lower right corner. Condition Report Disclaimer

λ&nbspCARLOS LAHARRAGUE RODRIQUEZ-BAUZA (SPANISH 1936-2018) STILL LIFE OF YELLOW JUG, VASE AND GRAPES Oil on canvas Signed and dated 99 (lower right) 56.5 x 86cm (22 x 33¾ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: Appears to be in good original condition. Please note Dreweatts is not liable for damage to frames.Condition Report Disclaimer

ENGLISH SCHOOL (20TH CENTURY) STILL LIFE WITH DEAD GAME AND FRUIT Watercolour 20 x 31cm (7¾ x 12 in.)Please note measurements do not include frame unless otherwise stated.

λ&nbspRAYMOND CAMPBELL (BRITISH B. 1956) STILL LIFE WITH A WORCESTER VASE, A PEACH AND RASPBERRIES Oil on board 26 x 20cm (10 x 7¾ in.)Painted in 1994. Provenance: Clifton Gallery, BristolPlease note measurements do not include frame unless otherwise stated. Condition Report: In good original condition. Please note Dreweatts is not liable for damage to picture frames.Condition Report Disclaimer

λ&nbspANDREW HEMINGWAY (BRITISH B. 1955) STILL LIFE WITH COFFEE GRINDER Pastel Signed and dated 'MCMXCI' (lower left) 41 x 47cm (16 x 18½ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: The work appears to be in good original condition. Unexamined out of frame.Condition Report Disclaimer

λ&nbspRAYMOND CAMPBELL (BRITISH B. 1956) STILL LIFE OF VINTAGE PORT, WINE AND CHEESE Oil on canvas Signed (lower right) 41 x 30.5cm (16 x 12 in.)Painted in 1994. Provenance: Clifton Gallery, Bristol Please note measurements do not include frame unless otherwise stated. Condition Report: In good original condition. Please note Dreweatts is not liable for damage to picture frames.Condition Report Disclaimer

Percy Curnock (1873-1956) (with Doultons, Burslem china 1886-1954) A still life of roses on a ledge, watercolour, signed & dated 1902, 17.5cm x 26.5cm and similar, Katherine Scott (ex. 1880-1929) roses in a glass bowl, signed 34cm x 25cm (2)

Jane L. Wells - poppy seed heads and seed heads opening, a pair of watercolours, signed, 17.5cm x 15.5cm, Christine Coleman, - studies of pink and blue vetches, and a study of hairbells and campion, a pair of watercolours, signed & dated 1975, 24cm x 19cm, oval, a still life if summer flowers, oil on board, indistinctly signed, 22.5cm x 16.5cm, oval, and four coloured prints, flower studies, auricula, primula, and lily-of-the-valley (9, boxed)

An Early XX Century Oil on Canvas of Abbey Ruins, indistinctly signed F. W... bottom right; together with a Still Life, a Herbert Truman print and a XIX Century style print of Derbyshire. (4)

Goebel Fish (Impressed No's 3680024) early XX Century Doulton Burslem, Aynsley, gilded plate, with a still life centre of fruit:- One Tray.

ASSORTED PAINTINGS AND A PLAQUE, including pastel of Tenby by P. BURGESS, signed and dated '98, snow scene watercolour by HAWKINS, signed, entitled 'On the Mount Whoops!', watercolour of standing figures, indistinctly signed, still life of figs and walnuts, signed with initial 'M', and two others, the moulded simulated marble classical plaque in giltwood frame (7)Provenance: private collection South WalesComments: pictures all framed, watercolours also glazed

‡ ATTRIBUTED TO DAVID JONES oil on board - still life of apples, oranges and bowl, signed and dated verso 1968, 25 x 30cmsProvenance: private collection Denbighshire, consigned via our Colwyn Bay officeComments: framed

‡ NIGEL CASSELDINE (b. 1947) oil on card - tackle sheds, Southwold, signed and titled on label verso, 20 x 20cms, and another still life of fruit by the same hand (2)Provenance: private collection South Wales

# Adrian RYAN (1920-1998) Game Bird Still Life Oil on canvas Signed lower right and inscribed verso Framed Picture size 30 x 40cm Overall size 47 x 57cm

A. APPLEBY (20th Century) Still Life Trompe L'Oeil Acrylic on canvas Signed lower right and titled verso Picture size 30 x 41cm

Joan M. McALISTER Still Life With Oranges Oil on board Artist's label verso with title Framed Picture size 44 x 34cm Overall size 57 x 47cm

Colin RUFFELL (British b. 1939) Still Life Coffee Grinder, Bottle and Glass Oil on board Signed lower right Framed Picture size 19 x 24cm Overall size 33 x 38cm

# Roy STRINGFELLOW (British 1921-2008) Still Life Dahlias and Teasels Pastel on paper Signed lower left Framed and glazed Picture size 85 x 48cm Overall size 93 x 56cm

# Ted DYER (b. 1940) Still Life With Fruit And Flowers Oil on canvas Signed lower left Framed Picture size 39 x 49cm Overall size 54 x 64cm

Colin RUFFELL (British b. 1939) Still Life with Decanter and Glass Oil on board Signed lower right Framed Picture size 19 x 24cm Overall size 33 x 38cm

E Clarke (modern British) - Still Life of Tea with Lemon - miniature, signed lower right, gouache, framed & glazed, 8.5 by 5.5cms.

Victorian school - Still Life of Grapes on a Vine - oil on canvas, framed, 21 by 31cms.

A Catford (modern British) - Still Life of African Violets in a Pot - signed lower right, framed, 16 by 24cms; together with another similar by the same artist (2).

Anna Redwood ROI (b1967) - Still Life of Flowers in a Jug, signed lower left, oil on board, framed, 21 by 27cms.

* Jan, still life of flowers in an urn, indistinctly signed, oil on board, 67.5 x 56cm.  

F V Bailey, still life of fruit and goblet, signed, oil on canvas laid on board, 40 x 29.5cm.