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J Parke, Still Life of Fruit, a pair of oils on panel, signed and dated '27 lower left and right 19.5 x 34.5cm; together with a watercolour of leaves and berries, initialled RW. (3)

A Minton Porcelain Tazza, circa 1870, painted with a still life of fruit on a marble shelf within a blue border highlighted in gilt, impressed mark, 23cm diameter; and A Similar Plate, 22cm diameter (2). Very minor surface wear.

A mixed lot to include glassware, metalware, pictures including an oil on canvas still life, limited edition print and similar.

Helium Roman, Oil painting on canvas depicting still life with flower vase. Signed Elio Romano at the bottom left. Elio Romano (Trapani, 21 March 1909 - Catania, 12 July 1996). Workforce work. Cm 80x50

Oil painting canvas depicting still life of fruit with landscape, signed Uvackan. 90x130 cm, in Frame 110 x 154 cm. 90x130 cm, in Frame 110 x 154 cm.

CARPEAUX JEAN-BAPTISTE: (1827-1875) French Sculptor and Painter. A very interesting and lengthy A.L.S., `J. Carpeaux´, eight pages, 8vo, London, 7th August 1871, in French. Carpeaux refers to an extremely painful personal situation he is living, stating in part `The sad event I foresaw about the painful illness, once more did accomplish yesterday, this poor small human being did suffer his rapid and painful days immersed in acute crises. The doctor….remains dumb today. This sad time of my life makes me very discouraged.  If after all the miseries that this family has brought to my life I could feel released from their embrace, I would promptly find again the strength and the hope, but I am still tied to this heavy chain until I´ll be able to break it. When! That is the question.´ Carpeaux further refers to the debts he has with his correspondent, and explains the reasons of his very difficult financial situation, saying `If my home at Auteuil wouldn´t have needed an immediate payment of 1000, and same with my father 500, we wouldn´t be so embarrassed to attend the payments due. But my house requested a roof to be able to find a tenant…my father´s house also needed to be completed and I couldn´t ignore his call..´ He then explains the impossibility of selling his works in London now `London is desert, the aristocracy is gone, and there are no possible sales… I will get my works returned from the exhibitions..´ Further again Carpeaux lists the recent works he has still to be paid for, and the ones he is working on now, explaining the kind of work, the client, the amount agreed, and granting that all these amounts would be given to his correspondent, stating in part `1) A pair of busts, in terracotta, to be paid by Mr. Giroux, 200 fr - 2) There are also two more busts, in terracotta. To be paid at Deniere, 300fr - 3) One more bust valued at 150fr….´ A letter of interesting content. G to VG 

TOULOUSE-LAUTREC HENRI DE: (1864-1901) French Painter, Printmaker and Illustrator. Best remembered for his immersion in the colourful and theatrical life of Paris in the late 19th century, producing elegant and provocative images of the decadent affairs of those times. Rare A.L.S., `H´, three pages, 8vo, n.p., n.d., to his mother `My dear mum´, in French. Toulouse-Lautrec states in part `I have just spent two days at Grenier´s home, splashing.., under the mill´s tower, which does not lack charm. Add to this.. lunches followed by naps and boating and you will have a faint idea of the stupidity to which one arrives, of which Grenier is a perfect example ´. Toulouse-Lautrec further refers to pox and a portrait painting, saying `What you tell me about pox annoys me because I intended and still intend to travel and make the portrait of my cousin Juliette who I dare hoping that this year will accept to pose. I will still go and get the vaccine…I have no intention to go myself, unless I first come to look for you to go via Malromé. I would like to plan a stay of eight days..´ Paper with a Monksburn watermark. G to VG Toulouse-Lautrec and Grenier were fellow students in the Paris atelier of academic history painter Fernand Cormon during the 1880s and became friends. Lautrec lived briefly with Grenier and his mistress, Lili, an actress and model, and made several portrayals of the couple. Toulouse-Lautrec most probably refers in the present letter to Juliette Pascal, who was the wife of Joseph Pascal, a maternal cousin of the French painter. Toulouse-Lautrec painted Madame Juliette Pascal (1871), also At the Piano Madame Juliette Pascal in the Salon at the Chateau Malromé, post-impressionism oil works. The Chateau Malromé is located in the French department of Gironde. It became the home of Toulouse-Lautrec´s mother. 

SEKULA SONJA: (1918-1963) Swiss-born Artist linked with the abstract expressionist movement. An extremely rare A.L.S., Sonja, one page, 4to, Mexico, 16th October 1944, to Gigi [Richter] ('Gigi dearest'), on the printed stationery of the Hotel Maria Cristina. Sekula announces that she has just returned from a bull fight ('am very drunk on it'), commenting 'the cruelty is obsessed by color and courage and the heatwave goes through the 10000 people' and also remarking about life in general in Mexico, 'in the beginning I felt quite depressed in this strange country..now I begin to awaken to it - the indian (sic) people are beautiful and serious..with pride & poverty & so much creation in their hands', mentioning that she has seen the pyramids in Teotihuacan and is slowly starting to paint again, observing that 'it is hard to live as a stranger in a hotel room' and that 'I saw Jacqueline [Lamba, who had been divorced from Andre Breton the previous year] & her friends - but still one is somehow so godam (sic) lonesome in the world no matter where you run to'. Sekula enquires if Richter is happy and in love ('I wonder sometimes what you fall in love with..but you don't know yet') and invites her to join her in Taos, but warns 'Don't tell [the Swiss art dealer, Heidi] Vollmoller or others I wrote you - I don't feel like writing to anyone' before returning to her surroundings and writing 'Am so absorbed in this incredible land - the archeology (sic) is always beyond death & the sacrifice of life is large enough to be small - In the markets you get hungry for more markets….I take long walks in the country..and always the mountains beyond, always a great silence'. Sekula concludes in an intriguing manner, 'I am afraid that I begin to like somebody here - so I shall escape soon to another planet'. A letter of wonderful content written at a significant time in the artist's career. VGIrmingard Emma Antonia Richter (1922-2020) German-born art restorer, better known as Gigi Richter. Described as 'the doyenne of picture restorers throughout the 1940s and 1950s' Richter attended art school in New York after leaving Europe at the outbreak of World War II. She then pursued art conservation studies at the Brooklyn Museum of Art and the Fogg Art Museum at Harvard University. During this time she met Sonja Sekula, as well as the surrealist Wolfgang Paalen and his wife Alice Rahon, before moving back to England at the end of 1945. Richter was to pursue art restoration in London until changing career paths to become a botanist in 1960.Autograph letters by Sekula, who committed suicide at the age of 45, are extremely rare and American Book Prices Current record no other example as having previously appeared at auction. A noted 'out' lesbian in the New York art world of the 1940s, Sekula sadly led a troubled life of mental health issues, at times evident in the present letter.  

DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, two pages, 8vo, Menabilly, Par, Cornwall, 14th June 1963, to Meaburn [Staniland]. Du Maurier thanks her correspondent for his 'Be Kind to Authors memo' and continues 'I feel its awfully cheating to go on with that Compton Collier photograph. I've been reckoning up, and I believe it was taken 18 years ago! I remember her coming her[e] about 1945, and taking me and the children when they were still quite small, and we had only been here a year or so - I think I was writing The King's General at the time. Readers will have me up for fraud unless its changed'. Du Maurier also states that she is feeling better since she last wrote 'with something called pharyngal laryngitis, which turns out to be a sort of virus', further remarking 'I have nothing of any interest to tell you, as life is somehow static (not estatic [sic]) but pleasant, as long as the sun shines'. The author also enquires if Penguin ever published War in Val D'Orcia by Iris Origo, explaining 'Just read her Life of San Bernadino (sic) and it has made me want to read the book about the war years on her husband's estate near Siena, where I was in April' and in concluding comments 'My old Glass-Blowers has been doing amazingly well in America, I don't quite know why. Not much notice taken of it here'. VG Meaburn Staniland (1914-1992) English Editor, Author and Antiquarian Bookseller who worked at Penguin books in the 1960s and 1970s. 

EINSTEIN ALBERT: (1879-1955) German-born Theoretical Physicist, Nobel Prize winner for Physics, 1921. An excellent and lengthy A.L.S., `Papa´, two pages, 4to, 10th April 1936, to his son, in German. Einstein refers to Professor Pauli and to Sigmund Freud, and states `Once again, a long time has passed since I had last time written to you…I am sitting here in my study, wrapped in a blanket and still freezing cold, just because they are thinking it is Spring and therefore the furnace must be turned off…´, further referring to his day by day work and to Princeton `I keep on working with the same young man on problems which are so difficult that they keep on amazing me over my own courage. When I am losing steam, I just need to look, from my giant window, to the meadows with flowers and trees, and in the distance I can see the top of the tall tower of the University buildings, in the style of University buildings seen in England..´ further adding an amusing comment `It seems to me that only English things are held in high esteem here. If you say that you are coming from Switzerland, they consider that as being comical, because they think there is only chocolate and cheese there..´ Einstein further refers again to his work `I hardly get around reading books. Scientific work is practically eating you up, especially once the elasticity of your youth is gone.. From Germany, I am hardly hearing anything directly any longer, because anything and everybody there that I had trusted in, is either dead or scattered all over the world. Prof. Pauli from Zurich is here with me, he is a very young and clever physicist who probably sees me as some sort of fossil.´ Before concluding Einstein makes very interesting comments referring to Freud, stating ´Freud will be turning 80 soon. I finally have come to the conclusion that he actually has been correct in his main theses. From a very reliable source, I have heard accounts about ordinary case studies of his that defy any other explanation. I must admit, that in this regard, you certainly saw the light a lot sooner than I did. The reason probably was…´ A letter of excellent content and of good association. About VG    Eduard Einstein (1910-1965) Second son of Albert Einstein from his first wife Mileva. Nicknamed by his father "Tetel". Edward was diagnosed with schizophrenia at the age of twenty. It has been often reported that the drugs and "cures" of the time damaged rather than aided the young Einstein, his memory and cognitive abilities were deeply affected by electroconvulsive therapy treatments. Albert Einstein emigrated to the United States from Germany in 1933 after the rise of the Nazi German government and never saw his son again, although they corresponded regularly. Eduard lived most of the time at the psychiatric clinic in Zurich, where he died in 1965 of a stroke at age 55.  Wolfgang Pauli (1900-1958) Austrian-born Swiss & American Physicist. A pioneer of quantum physics. Nobel Prize in Physics in 1945 for his "decisive contribution through his discovery of a new law of nature, the exclusion principle of Pauli principle", the basis of a theory of the structure of matter. Widely recognized as one of the most brilliant Physicians of the XXth century.Sigmund Freud (1856-1939) Austrian Neurologist & Founder of Psychoanalysis. Freud formulated the Oedipus complex and developed his theory on the Analysis of Dreams. He lived and worked in Vienna until 1938 when he escaped the Nazis and went to the United Kingdom where he lived in exile the last year of his life.

LARREY DOMINIQUE JEAN: (1766-1842) French Surgeon of Napoleon´s Grande Armée. Larrey was the Emperor´s favourite surgeon, an innovator in the battlefield medicine and widely considered one of the first modern military surgeons. Rare and extremely interesting lengthy A.L.S., `D.J. Larrey´, four pages, 8vo, Dresden, 7th July 1813, to his wife, in French. Larrey first reports on his recent conversation with the Emperor stating in part `I was waiting for the right moment to talk to H[is] M[ajesty] about this friend and for this reason I was keeping all the time the paper in my pocket. That morning at dawn…the Emperor asked me few graceful questions regarding my wounded soldiers with mutilated fingers, and I responded to all of them. Then he told me "Seems like you have had a great success as I have been told that they were all recovering", Yes Sir, we have only lost a very small number. "That is good, I am satisfied". Because Your Majesty is satisfied with my behaviour, would you allow me to ask for a favour? "Yes, What do you want?"..´ Larrey reports the full sentences exchanged with the Emperor, who finally had to refuse to Larrey´s request, further saying `..everybody was astonished, and were commenting the great influence I was having on the Emperor, because he gave to me many details and explanations regarding my request and the reasons for denying it..´ Larrey refers to the difficulty in finding the right moment and having the opportunity to talk to the Emperor, also saying `..in case the Emperor doesn´t change his mind, your sister and family should be happy as they have fortune, while we do not have a sol. I will not complain. I will have so many good souvenirs of my medical career, that as long as you have enough to live when I will die, that my soul will leave satisfied.´ Further on Larrey says `..Everything makes me fear a new war… I hope I will be able to see you before the 19th of November, because if I had to do another winter campaign I would for sure die. I hardly can warm up now.´ Before concluding Larrey refers to the news received from his friend Pelletan who is still at Wilna. A letter of very interesting content. Provenance, Crawford collection. Very small overall, minor age wear. VG   Marie Elisabeth Laville-Leroux (1770-1842) French Painter and wife of Larrey. She was pupil of David, and used to sign her paintings "Larrey" when accompanying her husband during Napoleon´s campaigns.         Larrey was right when he writes "Everything makes me fear a new war". Only a month later, 11th August, Austria would put an end to the armistice, and few weeks later took place the last major victory of Napoleon at the battle of Dresden. Philippe Jean Pelletan (1747-1829) French Surgeon. One of Napoleon´s consultant-surgeon from 1804. Pelletan was present at the crime scene of Marat and signed the minutes on the death certificate and was also responsible of the controversial autopsy of the 10 years older Louis XVII, younger son of King Louis XVI and Marie Antoinette, both executed. It has been reported that during the autopsy, Pelletan was shocked to see the countless scars which covered the body of Louis XVII as a result of the physical abuse the child suffered while imprisoned in the Temple.   Napoleon would say about Larrey `If the army ever erects a monument to express its gratitude, it should do so in honour of Larrey.´At Waterloo in 1815 his bravery under fire was noticed by the Duke of Wellington who saluted his courage and ordered not to fire in his direction so as to "give the brave man time to gather up the wounded". When the battle was lost, Larrey was taken prisoner by the Prussians when he was trying to escape. They were about to execute him on the spot but was recognized by one of the German surgeons because he had saved the life of Blucher´s son when he was wounded and taken prisoner by the French. He was pardoned, invited as a guest to Blucher's dinner table and authorized to go back to France with money and proper clothes.

[EMMA OF HAWAII]: (1836-1885) Queen of Hawaii 1856-63, consort of King Kamehameha IV. A quill pen (7.5” in length and with the remnants of a few white feathers still present) apparently used by Queen Emma on 21st and 22nd August 1865 during a stay with John Keble at Hursley Vicarage. Neatly tied to a black mount and with a lightly affixed 12mo note of provenance beneath, written in an unidentified hand and stating 'Pen used by Emma, Queen of Hawaii, 21 & 22 August 1865 at Hursley Vicarage'. Also included within the montage is a brief A.L.S. J Keble, by John Keble (1792-1866, English Churchman and Poet, one of the leaders of the Oxford Movement), one page, small 12mo, n.p., n.d., to Rev. W. B. Wither, stating that he shall be happy to come on Monday; and an unsigned carte-de-visite photograph by Robert H. P. Preston of Penzance, the sepia albumen print depicting Keble standing in a full-length pose with his wife seated alongside, reading from a book. Framed and glazed in the original antique wooden frame to an overall size of 13 x 11. G to VG From 1865-66 Queen Emma travelled to England and the United States of America for both health reasons and to assist the burgeoning Anglican mission in Hawaii. During her time in England she met Queen Victoria, Emperor Napoleon III and Empress Eugenie.  A letter (perhaps written with the present quill) from Queen Emma and dated at Hursley, 21st August 1865, to the bishop Charles Sumner, brother of the Archbishop of Canterbury, is recorded in The Life of Charles Richard Sumner by George Henry Sumner (published by John Murray, London, 1876).

ROSTROPOVICH MSTISLAV: (1927-2007) Russian Cellist & Conductor. An interesting A.L.S., `Your Slava´, two pages, 4to, Paris, n.d., on the Hotel Edouard VII of Paris printed stationery, to Pierre, in Cyrillic. Rostropovich tries to explain the reasons of his late reply stating in part `Dear Pierre, I have received your letter, and although you write that I do not deserve your pardon, I still have something to say about this. 1)  The letter with the T.V requests was received in Metz on the 14th December and same with the second letter written angry; the first letter was returned to me together with one from Madrid, which I forward to you. 2) I had reasons related to my private life… very important to me. This is my future, my life. Because all of this I could not phone you. I admit it is my fault, but even so I think that I do not deserve such a violent reaction of you…´ further and before concluding saying `I thought that for you, dear Pierre, the great virtuoso… had no importance, but I was wrong..! I love you very much, and not only in presence of others, and you don´t need any additional advertising.. Your Slava.´ One line annotation in another hand to the left border stating in French “Letter of Mr. R furious because of television in Paris and Pierre”. Very light creasing, otherwise G

ADAM POMEROY (Contemporary artist, Norfolk born now residing in Ireland) A framed oil and pencil on board, still life branch. Monogram bottom right. 29.5cm x 29.5cm

ENID MARX RDI (1902-1998) A framed and glazed pastel on paper drawing, still life of a rose in blue bowl. Signed and dated 1977. 30cm x 23cm

P. FABER. GERMAN Bn. 1908 A still life of flowers in a vase. Signed. Oil on canvas 24' x 20'

G. HANDLEY. BRITISH 19TH CENTURY Still life of fruit and bird nest on a mossy bank. Signed. Oil on board 17' x 23'

Timothy Oulton Rectangular Dining Table With Black Metal Base Solid Wood Top Edgy, Stylish And Striking This Collection Will Bring Your Home Up To A New Level Of Contemporary Class Whilst Still Giving You Expertly Constructed Furniture Thats Built To Last You A Life Time 210 x 100 x 76cm

Late 19th century oil on canvas, floral still life Roses and Lilac, approx 64 x 64 cms, indistinct signature lower right.

Albert Williams, 20th century floral still life entitled Winter Gathering, oil on canvas approx 54 w x 65 h cms, framed. This lot comes with the original gallery catalogue with an inscription from the artist pertaining to the painting. 

Two still life paintings, an oil by Irene Korner 44 x 34cm, and a watercolour.

A collection of three still lifes, to include a still life of corn in a vase, signed and dated 'J M Kroon / 1979' (lower right), watercolour, 57 x 37cm, a still life of chamomile flowers in a vase, signed and dated 'A Fume / 1965' (lower left), mixed media, 57 x 37cm, and another unsigned still llife of fruit and sunflowers, oil on board, unframed, 46.5 x 55cm (3)

to include two watercolours by Barbara Booth depicting Roses and Anemone Japonica; A watercolour still life of primula in a pot, monogrammed 'AE'; and an embroidered image of flowers in a field (4)

Still life of flowers signed lower right JEANNE, oil on canvas laid on board, 44.5 X 31cm

A pair of mid 19th century diamond and ruby drop earrings, each earring centred with a cushion-shaped ruby and graduated circular-cut diamonds in scrolling silver and gold mounts and suspending a larger pear-shaped diamond, later peg fittings, pear-shaped diamonds approximately 5.50cts total, smaller diamonds approximately 3.50cts total, 4.5cm high, possible alterations, S.J Phillips case, 139 New Bond Street Accompanied by report number 81307-49 dated 19 May 2021 from GCS stating that the cushion-cut rubies are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar). Provenance: Edith Vane-Tempest-Stewart, Marchioness of Londonderry (1878-1959), thence by direct family descent. Edith Chaplin (1878-1959) was the daughter of the 1st Viscount Chaplin and his wife Lady Florence Leveson-Gower, daughter of the 3rd Duke of Sutherland.  In 1899 she married Charles Vane-Tempest-Stewart, Viscount Castlereagh who became the 7th Marquess of Londonderry on the death of his father in 1915. Among the several important properties that Charles inherited in the British Isles was Mount Stewart, the seat of the Stewart family in County Down, Northern Ireland, where Edith created a legendary garden and where the family still live today.  The micro climate of the Ards Peninsula, that favors exotic and original planting, led to the Mount Stewart garden – now cared for by the National Trust - being voted among the ‘Ten Great Gardens of the World’ and nominated as a UNESCO World Heritage Site. It was from Londonderry House, on London’s Park Lane, that Edith organized the Women’s Legion for work in the First World War and led to her being made the first ever Dame Commander in the Military Division of the Order of the British Empire.  After the war she became London’s most important and influential political hostess whose Eve of Parliament receptions were famous for their lavish hospitality.  Edith’s appearance at the top of the Londonderry House staircase wearing the fabulous Londonderry jewels – a selection of which are on loan to the Jewelry Gallery of the V & A – was an integral part of London social life in the interwar period, ably captured in Anne de Courcy’s full length biography, Society’s Queen: The Life of Edith, Marchioness of Londonderry DBE. Active in the early days of the suffragist movement, Edith was a significant scholar and authoress in her own right and has been called “the greatest lady plantsman of the early twentieth century.”  She was passionate about fine jewelry, researching and documenting the Londonderry jewels from the Down Diamonds, the Golconda Stomacher, the Turquoise parure, the Siberian Emeralds and the Russian Amethysts, the Bonaparte-Murat pearls as well as the Antrim Rubies while patronizing the finest jewelers in London and Paris. For those who remember her reputation as a charming and generous hostess, her love of fine jewelry will always be a part of her image.

Radha Binod Sharma, oil on canvas, still life study, signed and dated to the reverse. H.92 W.121cm

Edward Ladell (British, 1821-1886)Still life of fruit and a bird's nest on a window ledge signed with monogram (lower left)oil on canvas43.2 x 35.6cm (17 x 14in).For further information on this lot please visit Bonhams.com

Jankel Adler (Polish, 1895-1949)Still life of flowerssigned 'adler' (lower right) oil on card laid to board 55.9 x 38.1cm (22 x 15in).Footnotes:ProvenanceGifted by the artist to the father of the current owner. Thence by descent.For further information on this lot please visit Bonhams.com

Leopold Stoll (German, died 1869)An abundant still life of fruit and flowerssigned and dated 'L.v.Stoll.1841' (lower right) oil on canvas 79.3 x 63.5cm (31 1/4 x 25in).Footnotes:ProvenanceAnon. sale, Sotheby's, London, 7 May 1986, lot 24.For further information on this lot please visit Bonhams.com

Royal Worcester Ex Artist Brian Cox Signed and Hand Painted Pair of Lidded Fruit Vases ' Fallen Fruits ' Still Life to All round the Vase - Grapes, Peaches, Raspberries and Apples Leaves, Embellished with Gold Borders. Each Vase Stands 9.5 Inches - 23.75 cms Tall. Both 1st Quality and Mint Condition.

Royal Worcester Ex Artist Brian Cox Signed and Hand Painted Fruits Vase ' Fallen Fruits ' Still Life Painted to All Sides of Vase, Apples, Blueberries, Raspberries, Peaches and Cherries, Embellished with Gold Borders. Height 8 inches - 20cms. 1st Quality and Mint Condition

Oil on board, still life of flowers in a jug, 16 3/4" x 14 1/4", in carved giltwood deep frame, three similar studies of flowers and another still life of apples, initialled SR, in gilt strip frame

An oil on canvas still life, table centre with grapes and apples, 13 1/2" x 16 3/4", in carved gilt frame

STILL LIFE OIL PAINTING ON CANVAS OF HOUSE PLANT AND FRUIT ON TABLE, inscribed on reverse Susan English 'still life' 75 cm x 60 cm

CHATEAU SCENE WATER COLOUR, STATELY HOME WATER COLOUR, oil painting of Branscombe, still life lithograph, print of birds, Devon lithograph, stylised print of flamenco dancer, abstract oil on canvas and 6 unframed posters 23cm X 63cm and various sizes

A PAIR OF BOTANICAL PRINTS OF FRUIT, 20TH CENTURY 64 cm x 42 cm (frame) and A EARLY 20TH CENTURY OIL STILL LIFE OF ROSES, and A SMALL WATERCOLOUR OF A MOORLAND SCENE, C1920

A Victorian oil on canvas of a country bridge, together with a still life oil on canvas in an ornate frame and mixed prints to include Lady Hamilton and another of a landowner on horseback on a windy dayLocation: RWM

§ ANN ORAM R.S.W. (BRITISH 1956-) STILL LIFE WITH PINK FLOWERS Signed and dated '85, mixed media on paper(58.75cm x 46cm (23in x 18in))

§ NORMAN EDGAR R.G.I. (SCOTTISH 1948-) STILL-LIFE: SPRING Signed, artist's label verso, oil on canvas(53.5cm x 43.25cm (21in x 17in))Provenance: Fosse Gallery

§ CARLO ROSSI R.S.W., R.S.I. (SCOTTISH 1921-2010) STILL LIFE WITH AMPHORA Signed and dated '93, oil on paper laid on board(29.5cm x 37.7cm (11.5in x 14.5in))Provenance: The Open Eye Gallery, Edinburgh

§ CARLO ROSSI R.S.W., R.S.I. (SCOTTISH 1921-2010) STILL LIFE WITH GUITAR Signed and dated '85, oil and collage on board(27cm x 73cm (10.5in x 28.75in))Provenance: The Open Eye Gallery, Edinburgh

§ WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) BINARY (YELLOW STILL LIFE) Signed upper right, oil on board(128cm x 122cm (50.5in x 48in))

§ WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) STILL LIFE WITH ROSES IN A GREY VASE ON PURPLE CLOTH, Signed lower left, oil on board(33cm x 29cm (13in x 11.5in))

§ WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) STILL LIFE WITH ROSES Signed lower right, oil on canvas(48cm x 32.5cm (18.75in x 12.5in))

§ WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) STILL LIFE WITH COCKATOO, c.1955 Signed upper left, oil on canvas(59cm x 107cm (23.25in x 42in))

§ JANKEL ADLER (POLISH 1895-1949) STILL LIFE (OPUS 19) Signed, oil wash on paper(27.75cm x 28cm (10.75in x 11in))

LAURA BARBARA SUTHERLAND FIDLER (SCOTTISH 1863-1935) INTERIOR SCENE Signed centre, oil on canvas, and a companion, 'Still Life with Daffodils,' oil on canvas board(68cm x 66cm (26.75in x 26in); 41.5cm x 31.75cm (16in x 12in))

§ MAUREEN BINNIE (SCOTTISH 1958-) STILL LIFE WITH TUSCAN BOWLS Signed and dated, pastel on paper(98cm x 67cm (38in x 26.25in))Provenance: The Scottish Gallery, Edinburgh

A FRAMED OIL ON CANVAS ABSTRACT STILL LIFE STUDY OF FLOWERS SIGNED GOVAN - CANVAS H 61 CM BY 91 CM

(XX). Still life study of an Oriental figure holding a banner, unsigned, mixed media on material, framed and glazed, 67 x 54 cm

ME Ryder (20thC School). Floral still life, In Watering Can, signed and dated 1968, oil on canvas, 34cm x 24cm.

J. Watson (American, 19th cnetury), still life with a glass of flowers and fruit, oil on canvas, 32cm x 42cm, signed and indistinctly dated, gilt swept frame 53cm x 63cm.

OWEN BOWEN (1873-1967); oil on canvas, still life flowers in a bowl, signed, 62 x 74cm. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

W. H. STARKEY, oil on canvas, still life of fruit, signed lower left, 30cm x 45cm approx, in gilt wood and gesso frame.Additional InformationCanvas clean and bright, signature slightly in distinct. frame with general age wear cracks and slight knocks to corners. Generally grubby verso

BILL COSTLEY; a pair of oils on canvas, still life scenes, each signed lower right, 90 x 29cm, each framed and glazed (2). (D)Additional InformationKnocks,scratches and scuffs to the frames. The images are good.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

BILL COSTLEY; oil on canvas, still life, signed lower right, 49 x 19cm, framed and glazed. (D)Additional InformationThe frame is in por condition with large chips and losses, general wear throughout. Image is good.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MAVIS BLACKBURN; oil on panel, still life study of flowers, signed, 43 x 28cm, and an oil on canvas by the same artist, 35 x 29cm, framed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

NORMAN BLACK; acrylic, still life study of pre-decimal banknotes and coins, signed lower right, 14.5 x 17cm, framed and glazed. (D)Additional InformationCondition appears OK.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Gerry Gibbs 1970 oil on canvas, "Still-life with oranges", signed and dated, unframed,45 x 35 cm

Frances A Ball impasto impressionist oil on board, still-life, signed, thin molded frame,The oil measures 39 x 50 cm