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Lot 249
A group of five pictures comprising two reproduction still life oils on canvas, a pair of Victorian prints in ornate gold painted frames and a Doris Zinkersen print together with a Dulwich jewellery box and others, a Links desk set with integrated clocks and watches to include IngersollLocation:
Lot 193
CARTIER, AN 18 CARAT GOLD BRACELETLONDON 1973 The circular link bracelet to a concealed hook and clip clasp, signed Cartier London with JC mark, numbered P5519, in a Cartier bracelet boxSize/dimensions: 21.5cm longGross weight: 39 gramsCondition Report: The bracelet has wear, there is some visible thinning between the links from use, but the links still have life left, the clasp is in good working order. There is rubbing to the hallmark and inventory number, but the signature on the other side of the link is much clearer.Condition Report Disclaimer
Lot 552
Freda Marston, oil on canvas, still life Marigolds. 38 cm x 48 cm, framed, signed. CONDITION REPORT: The painting has not been relined. There are no holes in the canvas and no evidence of any repairs or restoration. The colours are strong and bright and there are no areas of paint loss. The gilt frame is also in generally very good condition with only very minor blemishes.
Lot 617
Miss Stannard, still life sketch in oils. 26 cm x 33 cm in gilt frame. CONDITION REPORT: This oil sketch has not been examined out of its frame. From the front the paint surface is stable with some areas of craquelure. There are no apparent tears, losses or damage to the paint surface. We have no provenance with this lot.
Lot 621
An oil painting on canvas, nude male resting, 70 cm x 60 cm, together with a still life, two charcoal studies, "One Enigma" by Susan Wiltshire, and two further nudes. CONDITION REPORT: Within this lot there are two photographic prints of male nudes, both in mount, card and wrapped. No visible signs of damage from the outside. The two canvases are both without holes or tears and are on stretchers with stable paint surfaces. The last two figure studies are within mount card and frames. Some creases to those works beneath the glass.
Lot 398
An assorted collection of pictures in maple and other frames, including two Chinese pictures on rice paper - a bird on a branch and a still life of flowers, a watercolour portrait of Mr Brook, and a mixed media watercolour collage of a couple in an interior, the largest 40 x 28cm including frameProvenance:Collection of Mike Handford, 'Hillsleigh', Burford, Oxfordshire
Lot 54
§ Stuart Scott Somerville (1908-1983) aka Richard Hanson (20th century)Still life of flowers on a ledgesigned and dated 'R. Hanson 48.(9?)' (lower right on the ledge)oil on canvas49 x 59cmProvenance:Frost & Reed Ltd, LondonRichard Hanson was in fact a temporary pseudonym used by Stuart Somerville, the distinguished British flower painter, in the late 1940s and early 1950s when painting to ‘order’ for Frost & Reed. CONDITIONUnlined. The paint layer is stable. Canvas tension appears to be slightly slack. There is a small indentation or impact mark near lower centre in the blue flowers with associated paint loss. Localised retouchings under UV, a small retouching near left centre edge opposite the yellow flower has become slightly discoloured and visible.
Lot 53
Edgar Rooke (Naive School, 20th century) Still life of Guinness and oysters; and Still life of a chicken, pheasant and vegetables signed and dated 'Edgar Rooke / 1901' (lower right)oil on canvas, unframed45.5 x 61cm, a pairProvenance:Collection of Mike Handford, 'Hillsleigh', Burford, Oxfordshireboth canvases are unlined, and as can be seen from the photos, both of the paintings show significant signs of surface dirt – both to the front and back. A network of small cracks has formed within the darker passages of paint used to describe the liquid within the Guinness bottle in the first painting, and the head of the pheasant in the second. Additionally, the second painting has a small puncture to the canvas, approximately 1cm, upper Centre above the vegetable basket.
Lot 96
William Geddes (1841-1884) Still life of trout and a glass on a tablesigned 'W Geddes' (lower left)oil on canvas29 x 54.5cmFramed 43 x 68cmThe painting is executed in oil on a canvas support which has been lined. The picture is in plane and the tension is good. The paint layers are in a good, stable condition overall. There are small areas of retouching. The varnish is semi-matte and slightly yellowed but even overall.
Lot 532
COLUM ROBERT GORE-BOOTH (1913-1959) Still Life with Flowers, watercolour and pencil, unsigned, inscribed to reverse "on the reverse of this watercolour is an Irish landscape", 21" x 14", blond wood frame (subject to Artists Resale Right) Provenance: Purchased from the sale of the contents of Sandhall near Goole, the home of the artist's second wife (Est. plus 21% premium inc. VAT)Very good
Lot 377
Frank Waddington (British school, 20th century),Floral still life with basket and green cloth,Oil on canvas,Signed and dated "46" for 1946 lower left,40cm x 50cm,Framed CONDITION REPORT:The paint surface appears to be in good condition, showing damage, however the canvas is not particularly taught in the stretcher. Examination under UV shows no evidence of overpainting or restoration. The frame appears to be structurally sound, showing minor wear to the painted finish.
Lot 102
Dieter Roth (Swiss, 1930-1998). Neo-dada intaglio print on paper titled "Calm Life," depicting a still life of two bouqets of flowers in front of a window, 1970. Faintly pencil signed and dated along the lower right; numbered 18/25 along the lower center.Unframed; height: 30 1/2 in x width: 36 in. Image; height: 19 in x width: 24 3/4 in.Condition: The item is in good condition with no major creases, losses, or tears. No visible sign of restoration under UV light. Light wear along the margins, most likely original to the artistic practice. Along the margins, there are light creases along the margins, which do not affect the center image. Along the upper left quadrant, there is a light blue mark. To the center of the right margin, there is a light grey mark. To the lower left corner, there is a light skimming. Along the verso, there is light soiling and a few light tears to the left margin, which do not affect the overall appearance. Along the upper margin of the verso, there is an old framer's tape.
Lot 202
Currier and Ives, United States. Group of two still lives depicting ornate vases overflowing with blooming flowers including:"The Flower Vase," 1848.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 2236, page 226."Queen of the Garden," 1873.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 5435, page 555.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.(Each) Sight; height: 13 1/2 in x width: 9 1/2 in. Framed; height: 20 1/2 in x width: 16 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 130
Jeanette Pasin Sloan (American, b. 1946). Gouache and watercolor painting titled "Untitled (Optical)" depicting a still life of a silver cup stacked atop a colorful piece of glass, 2002. Pencil signed along the lower right.Height: 20 1/4 in x width: 18 1/2 in.Condition: The item is in good condition with no visible losses or tears, or major creases. No visible sign of restoration under UV light. The color is bold and bright. Along the right and left margins, the paper is painted white; however, it does not appear to be restored. Along the white margins, there are scattered areas with light minute paint accretions, which do not affect the center image. To the lower left quadrant, there is a minute pencil inscription. There is a minor crease to the upper right and corners and to the lower left corner. Along the upper margin, there is a horizontal line mark, possibly original to the paper. Along the verso, there is light soiling and paint accretions throughout, which do not affect the recto.
Lot 97
Ed Baynard (American, 1940-2016). Watercolor on paper titled "12 Calla Lilies" depicting a still life with twelve purple and pink calla lilies in a jar, 2006. Signed and dated along the lower right; signed and dated along the verso; titled along the verso.Height: 41 3/4 in x width: 30 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 98
Ed Baynard (American, 1940-2016). Watercolor on paper titled "Still Life with Pear & Yellow Pepper" depicting a jug with flowers, a glass bottle, and half of a pear on a shelf. A pear and pepper hang from strings suspended just above the shelf. Signed and dated 2002 along the lower right. Titled along the lower center.Height: 29 3/4 in x width: 41 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 158
Rudolf Stoitzner (Austrian, 1873-1933). Oil on canvas painting depicting a still life with flowers and fruits on a table. The flowers on the right beautifully bloom in the vase and the plates on the left are full of ripe fruits. Signed "R. Stoitzner" along the lower left.Sight; height: 23 in x width: 31 in. Framed; height: 28 1/2 in x width: 36 in.Condition: The painting is in good condition in general with no visible losses, tears, or creases. When inspected under UV light, there is no visible sign of restoration. To the upper left quadrant, there is a scratch measuring approximately 1 3/4 in. From the verso, the canvas is toned. Wear to the frame.
Lot 155
Ernst Czernotzky (Austrian, 1869-1939). Oil on panel still life painting depicting Japanese objects such as an embroidered phoenix textile, a vase, and a porcelain dog. Signed along the upper left. With a label from the C.G. Rein Galleries in Minneapolis, Minnesota affixed to the verso.Sight; height: 10 1/2 in x width: 8 in. Framed; height: 19 1/4 in x width: 16 3/4 in.Condition: The painting is in good condition with no visible creases, tears, or major losses. The surface is stable, and the color is bold and bright. To the upper right margin, there is a minute paint loss. There are vertical marks visible from the panel. No visible sign of restoration. Wear to the frame.
Lot 75
Max Papart (French, 1911-1994). Lithograph titled "The Smile of Gilda," depicting an abstract geometric composition, 1970. Signed along the lower right; numbered 84/120 along the lower left.Max Papart was a French painter and printmaker who is best known for his depictions of circus performers, birds, figures and still lives in a colorful Cubist style. His work captures the joy of life through a sense of movement, cheerful hues, and lighthearted subject matter.Sight; height: 24 in x width: 18 3/4 in. Framed; height: 32 1/2 in x width: 26 in.Condition: The print is in great condition in general with no visible tears, losses, or creases. When inspected under UV light, there is no visible sign of restoration. The paper appears to be slightly toned. The color is bold and bright. Along the margins, there is undulation. Framed under plexiglass. Not inspected out of frame. Very light wear to the frame.
Lot 19
Pseudo-Roestraten, Attrib. (c.1700)Still life with carpet, porcelain, books and "memento more"Oil on canvas192x217 cm Still-live with rug, books and “memento mori”This painting, which we are presenting for sale at auction, features a composition that includes various objects dispersed on a table covered by a rug.In paintings, rugs are depicted to emphasise settings in which a significant episode is taking place. As an example, it is on a rug that Christian Saints are often portrayed and, it is also on rugs that some of the most relevant iconographic scenes, such as the Annunciation, unfold.From the 17th century onwards, rugs do also appear represented in secular contexts, within which they reflect concepts of opulence, exoticism, luxury, wealth, and social status. Although their early enjoyment was solely warranted to society’s most powerful and wealthiest, such as royalty and aristocracy, as the bourgeoisie’s economic power developed, oriental rugs did become conspicuous features in merchants and wealthy bourgeois portraits.In the late 17th and early 18th centuries, the relevance of rugs depictions in paintings diminishes considerably, simultaneously with the decreasing focus on the representation of details.Regarding the lot herein described, we highlight the presence of a rug covered table, over which is arranged a composition with various objects symbolizing a memento mori - Latin expression literally meaning “remember you must die” – that alludes to the levelling effect of death on earthly luxuries.The books, the papers, the writing implements, and the eyeglasses dispersed on the table are, in this context, a reference to studying, knowledge, and business. But they also emerge as an allegory to human effort interrupted by the exhaustion of life’s hourglass. The ceramic vase, in a reference to wine, symbolizes love, passion, seduction, and romantic conquests. Finally, the teapot, and the various Chinese porcelain objects resting on the table, reflect both the relaxing tea drinking activity, as well as the social status that such objects embody.They are all, nonetheless, objects discarded in the implacable passing of time, assuming as such the role of allusions to transience, to the void of riches and possessions, and to the cessation and emptiness of earthly life.Lastly a harp, visible in the background, an angelical instrument that symbolizes harmony and God’s praise, and which can be assumed as a link between heaven and earth, as if its strings become the figurative steps of a staircase that leads to eternal life.The vanitas meaning is equally reinforced by the skull and the hourglass resting over the books in the foreground.Tiago Franco RodriguesLiterature: Willigen, Adriaan van der (1926-2001); Meijer, Fred G.“A dictionary of Dutch and Flemish still-life painters working in oils : 1525-1725”, 2003, p.227.
Lot 680
Oreste Costa (1851 - 1901)A still life with birds and hareOil on canvasSignedNote: Oreste Costa was a 19th century Italian painter, born in Florence in 1851. A disciple of Antonio Ciseri (1821-1891), its work covers genre paintings, landscapes and still-lives. The Hillwood Museum, in Washington D.C., has one of his paintings in its collection.110x80 cm
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77111 item(s)/page