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Lot 1

HELEN STUART WEIR (DIED 1969) BRITISH. Still Life. Signed. 15 x 18 1/2ins.

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18TH CENTURY CONTINENTAL SCHOOL. Still Life, dead game on a ledge. 20 x 30ins.

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Jacob Kramer, 1892-1962. still life with flowers, signed, oil on canvas, 40.5x30.5cm.; 16x12in.

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Dorothea Sharp, 1874-1955. Still Life with Flowers, signed, oil on board, 28x36.5cm.; 11x14.5in.

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Cecil Kennedy, b. 1905. still life with fruit and wine, signed, oil on canvas, 46x38cm.; 18x15in.

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Cecil Kennedy, b. 1905. still life with camelia, fresia and cherry blossom in a venetian seahorse vase, signed, oil on canvas, unframed, 50x40cm.; 19.75x15.75in.

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Evan Charlton, 1904-1984. view over a seaside town, oil on board, 71x91.5cm.; 28x36in. There is a still life on the verso..

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Ruskin Spear, R.A., 1911-1990. still life with flowers, signed, oil on board, unframed, 53.5x63.5cm.; 21x25in.

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Clifford Harrison, 20th century. shelf still life with le duo, signed with initials and dated 1969, oil on board, 81.5x106.5cm.; 32x42in.

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Mary Fedden, b.1915. still life on marble table, signed and dated 02, oil on canvas, 50x40cm.; 19.75x15.75in.

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Mary Fedden, b.1915. still life with three paint brushes, signed and dated 03, oil on canvas, 30x40cm.; 11.75x15.75in.

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Roy Turner Durrant, 1925-1998. still life with flowers, signed with initial, dated 59 and numbered 7CR 17, black crayon, watercolour and gouache, 45.5x33cm.; 18x13in. (2), To be sold together with Head, pencil, watercolour and gouache by the same hand..

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Follower of Jean-Baptiste Monnoyer (1663-1699) Still Life of a Basket of Flowers and Fruit on a Stone Ledge] Inscribed on a plaque attached to the frame, oil on canvas, 60cm by 103cm (23 1/2in by 40 1/2in) *Exhibited at Cannon Hall, Cawthorne, Barnsley, loan no. 1/62, by the Earl of Rosse

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Follower of Margherita Caffi (17th/18th century) A Still Life of Assorted Flowers in an Urn] Oil on canvas, 76.5cm by 58.5cm (30 1/4in by 22 3/4in)

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A. Roland Knight (19th century) Still Life of Fish on a Riverbank, with an Anglers Float and Other Equipment Nearby] Signed with the artist's initials, oil on board, 18cm by 23cm (7in by 9in)

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Attributed to Adrien Joseph Verhoeven-Ball (1824-1882) Still Life of a Pink Rose, Marigold, Convolvulus and Other Flowers, with a Butterfly on Some Leaves Nearby] Signed with the artist's monogram, oil on canvas, 35.5cm by 27.5cm (14in by 10 3/4in)

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Edwin Steele (19th century) Still Life of Summer Flowers Including Roses, Irises and Hollyhocks] Signed, oil on canvas, 63.5cm by 76.5cm (25in by 30in)

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Leon Martin (19th century) Still Life of Flowers in a Glass Vase] Signed, oil on canvas, 35cm by 27cm (14in by 10 3/4in) *Possibly the work of Leon. F. Martin (ex.1882)

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Emily Beatrice Bland (1864-1951) Still Life of Spring Flowers Contained within a Blue and Green Pottery Tankard] Signed, oil on canvas, 51cm by 41cm (20in by 16in)

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Attributed to Vincent Clare (1855-1930) Still Life of Blossom and Other Flowers Against a Mossy Bank] Bears a signature, oil on board, 18.5cm by 14cm (7 1/4in by 5 1/2in)

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Oliver Clare (1853-1927) Still Life of Apples, Plums, a Peach and a Strawberry on a Mossy Bank] Signed, oil on canvas laid down on board, 23cm by 31cm (9in by 12in)

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English School (20th century) Still Life of a Potted Lily] Oil on canvas, 76cm by 68cm (30in by 26 3/4in)

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R...Caspers (20th century contemporary) Still Life of Fruit, Consisting of Grapes, Plums, a Peach and Nuts; Still Life of Fruit and Flowers Consisting of Peaches, Grapes, Blackberries and a Rose] Both signed, oil on panel, each 20cm by 25.5cm (8in by 10in) (a pair)

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Thomas Webster (20th century contemporary) Still Life of Flowers and Fruit; Still Life of Flowers in a Blue and Gilded Urn with an Antique Timepiece Nearby] Both signed, oil on panel, each 41cm by 31cm (16in by 12 1/4in) (a pair)

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Thomas Webster (20th century contemporary) A Still Life of Flowers and Fruit with a Bird's Nest and Eggs in the Foreground and a Butterfly Nearby] Signed, oil on panel, 50cm by 60cm (19 3/4in by 23 3/4in)

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Cecil Kennedy (1905-1997) "Magnolia", a Still Life of Magnolias and Camellias in a Venetian Glass] Signed, also inscribed with the title of the work together with the artist's name on a plaque attached to the frame, oil on canvas, 61cm by 51cm (24in by 20in) *The vendor of this picture and the next lot were friends of the artist and they often went on holiday together, where Kennedy would often sit and paint, if he so desired. He chose the moulding's for the frame's which cost up to £150 each in the 1950's.

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Cecil Kennedy (1905-1997) "Autumn", a Still Life of Flowers in a Glass Vase, a Bee in Flight in the Foreground] Signed, also inscribed with the title and the artist's name on a plaque attached to the frame together with a further inscription on the reverse of the frame, oil on canvas, 61cm by 51cm (24in by 20in)

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Bernard Dunstan R.A. (b.1920) "Still Life with Prawns"] Signed with the artist's initials, also extensively inscribed on a later label verso with the title of the work and the artist's name, together with some biographical details, oil on board, 17cm by 31.5cm (6 3/4in by 12 1/4in)

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William Cruickshank (1848-1922) Still Life of Blossom with a Bird's Nest and Blue Eggs on a Mossy Bank; Still Life of a Bird's Nest with Eggs, Flowers and Rocks Nearby] Inscribed with the artist's name on the mount, watercolour and gouache heightened with white, oval, each 22.5cm by 28.5cm (9in by 11 1/4in) (a pair)

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Rosa Wallis (b.1857 fl.1878-1934) Still Life of Flowers in a Glass Bowl] Signed, pencil and watercolour heightened with white, 27.5cm by 26cm (10 3/4in by 10 1/4in)

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Edouard Aniereders A STILL LIFE OF BOOKS, A GLOBE, A CHALICE AND A VASE OF FLOWERS BY A WINDOW Signed, oil on panel, 49 x 61cm

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Circle of Joseph Teal Cooper A STILL LIFE OF POMEGRANATES, GRAPES AND ROSES Oil on canvas, laid onto canvas, 52 x 94cm

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Dorothy Savage (British School 20th century) Floral still life Pastel Signed bottom right 56cm x 40cm

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Oliver Clare (1853-1927) Still life of fruit in foliage Oil on board Signed bottom right 26cm x 22cm

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20th century British School, Floral still life Pen and ink, Watercolour Inscribed Hermione and clen 7th August 1988 cetra 1988. 22cm x 16cm together with a floral watercolour by Rene Woodburn (2)

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Oil on board, still-life flowers, signed with monogram and dated 1896, enclosed in foliate moulded gilt frame. (10.25in x 22in).

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Alice Bastow, oil on canvas, blue and gold still-life study of flowers on tray, signed and dated 1944, enclosed in gilt frame, with artists gallery labels to verso. (17.25in x 23.5in)

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J B Dickie, still-life study of a harvest lily in flowerpot on grey ground, signed and dated, enclosed in foliate moulded gilt frame. (14.25in x 19.5in).

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School of J E Blanche. Still life study of flowers. Oil on canvas. Signed 68 cms x 48 cms.

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Dutch School (19th Century) Still Life of Fruit and Roses on a Ledge oil on canvas 39 x 54cm

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Attributed to Charles Thomas Bale (1868 - 1875), Still life studies of various fruits including peaches, grapes and apples, one monogrammed C.T.B., a pair, oil on board, 24 x 24cm.; 9.5 x 9.5in (2).

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Oliver Clare (1853 - 1927), Still life of peaches and grapes and plums on a mossy bank; and another, still life with grapes, plums and strawberries on a mossy bank, signed, a pair, oil on canvas, 22 x 29.5cm.; 8.75 x 11.75in (2).

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Oliver Clare (1853 - 1927), Still life with grapes and peach on a mossy bank, signed, oil on board, 22 x 17cm.; 8.5 x 6.75in.

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A. D. Bell, 20th century, Still life with roses in a vase, signed, oil on canvas, 40 x 55cm.; 15.75 x 21.5in.

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Frederick Thomas Baynes (1824 - 1874), Still life with gorse bush and eggs in a nest on a mossy bank, signed, label on verso, watercolour heightened with bodycolour, 31.5 x 24cm.; 12.5 x 9.5in. * London still-life painter and watercolourist. Exhibited at the R. A. (1833-1864) and at Royal Society of British Artists - Suffolk Street.

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After Theodore Lane 'The Enthusiast', after Sir Joshua Reynolds 'The Bachante', engraved by J.R. Smith, dated 1784 to/w 'Gypsy' and a still life (4)

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George Clare - oil on canvas, still life of fruit, with apples, grapes, strawberries, plums and greengages, signed, some crazing, 17in x 23in, original glazed gilt gesso frame.

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20th Century English School, Still Life Oil on board Unsigned 19cm x 29cm

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A COALPORT CABINET PLATE, painted with a still life of fruit by F H Chivers, within a peach and gilt border, 10" across (Please see lot 266 for image)

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A DERBY PORCELAIN PLAQUE painted with a still life of tulips, roses and other flowers. 7 1/2 x 6ins.

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Jane Horton, Still life of foxgloves, signed and dated '88, watercolour and gouache, 37x27cm.

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English School, 19th Century, Floral still life, oil on canvas, 85x126cm together with a smaller 20th Century floral still life in a decorative 19th Century gilt plaster frame (2).

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Mary Baldry, Still life of flowers, signed, oil on board and three further pictures including a scene of Burke House, Beaconsfield, watercolour and two colour etchings by Henry G Walker (4).

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Emily Beatrice Bland, Still life of flowers, signed and indistinctly dated, oil on canvas, 60x45cm.

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.... Raymond, Still life of vegetables and earthenware, signed and dated 1898, oil on canvas, 53x64cm.

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English School, 19th Century, Still life of fruit, watercolour, 44x54.5cm.

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Ann Crisp, Floral still life studies, two, both signed, oil on canvas, the larger 30x35cm.

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* Ellis (Ruth, 1926-55). Autograph letter signed, Holloway Prison, 9th May 1955, to Joan [Green] thanking her for the lovely flowers, and asking her to pass on her thanks to Betty, Ronnie, and Lisa, all of whom had visited her in Holloway, 'I must say it was rather a surprise, seeing you all here. I really did think, you all where [sic] simply wonderful', conclduing that she hopes the Club scene is still going strong, 'my best regards to the few I know. Bye for now, Yours, Ruth Ellis', on printed feint-ruled Prison paper with prisoner's name, number, date and a few offical marks in ink at head of paper, split in two along centrefold with old sellotape marks to verso, some creasing and soiling and fraying at margins, 8vo. Ruth Ellis shot her lover David Blakely dead on 10th April 1955, was arrested at the scene of the crime and taken straight to Holloway Prison. Her trial at the Old Bailey began 20th June and a guilty verdict was returned two days later. She was executed on 13th July, famously the last woman to be hanged in England. Provenance: This letter comes from the Green family. Joan, Betty, Ronnie and Lisa were all London drinking club friends of Ellis, and are believed to be the only visitors she had while in prison. The Green family remember Joan saying that when they visited Ruth Ellis at Holloway she had told them, 'I want to die because Blakely was the love of my life'. (1)

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Oliver Clare, (circa 1853-1927), 'A still life of grapes and damsons on a mossy bank', oil on board, signed, 9" x 12.5" and a companion 'Plums, pear and applies', (2)

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Vincent Clare (circa 1855-1930) 'A still life with basket of raspberries, grapes and quinces', oil on canvas, signed, 9" x 12"

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