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Lot 132
Two Rockingham circular plaques in gesso frames, a Rockingham cylindrical spill vase with seaweed gilding and a Staffordshire porcelain swan. One plaque painted with still life study of grapes and signed J. Ross, 1829, the other, a factory waster, painted with an urn of flowers on a marble slab. The floral plaque is painted on the underside of a dish, the printed griffin mark shows through the enamelling of the urn. Frames 20.75cm diameter. Grapes plaque is actually a plaque or a box lid rather than a waster but is broken into three pieces. Floral plaque a waster showing flower decorating to the underside. Both frames damaged. Vase cracked and with gilt wear. Swan with loss to its wings.
Lot 48
William Kentridge (South African, born 1955)A still life of vegetables signed 'To Pippa with love/ from William/ 29/7/90' (lower right)watercolour41 x 51cm (16 1/8 x 20 1/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 458
SANDY LOCKWOOD (born 1953); a porcelain pourer and set of three porcelain cups on a stoneware stand, impressed marks, tallest 11.5cm (5).Originally from London, Lockwood started her life as a potter at Derek Smith's Blackfriars Pottery in 1977-78, then studied for a Ceramics Certificate at East Sydney Technical College in 1979-80. In 1981, she established her own pottery at Balmoral Village, near Mittagong, NSW, Australia where she still lives and works.Provenance: Purchased from Schaller Gallery, St Joseph, Michigan, 2018.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
Lot 92
BANKSY (born 1975)Gold Flag, 2007 signed in black felt-tip pen, numbered 29/112 on the reversescreenprint on gold Chromalux paper50 x 70cm (19 11/16 x 27 9/16in).with the publisher's blindstamp, Pictures on Walls, LondonFootnotes:This work is accompanied by a certificate of authenticity issued by Pest Control Office.Banksy, known for engaging with the political and social issues of the day, regularly uses his art to critique modern ideas inherent in our society. His satirical and often dark humour touches on key themes including; war, class, consumerism, capitalism and imperialism. In Gold Flag, Banksy directly references Joe Rosenthal's renowned photograph of U.S Soldiers raising the American Flag after seizing the island of Iwo Jima on Mount Suribachi on 9th February, 1945. The photograph, captured during world war II, won the Pulitzer Prize for Photography and was later used by sculptor, Felix de Wildon, to create the life-sized War Memorial in Virginia dedicated to all US marines who lost their lives serving their country. In Gold Flag, however, Banksy replaces the patriotic soldiers with a group of urban kids who clamber up and stand victoriously over a dilapidated car. The seizure of the prized hillside in Japan is replaced with the reclamation of a burned-out vehicle. The two girls, who proudly brandish the American flag over the car, are highlighted against a golden orb in what seems to be a world without adults. Banksy released Flags in two colours; editions of both gold and silver. The source of colour, often referred to as the sun or the moon, frames the children in an otherwise black deserted landscape. By using one singular colour, in this case gold on smooth wove metallic paper, the stark contrast creates a haunting and melancholy scene around the rebel children. Children are often a central motif in Banksy's work, used to symbolise the future as well as the severity of the issues being addressed. In Gold Flag, like in much of Banksy's art, its context is open to interpretation with some speculating that the children represent America's youth, still ambitious to achieve the 'American Dream'. Others suggest it might be a comment on the amount of money spent on war, leaving millions of men, women and children unsupported in ghettos or even a nod to the moon landing. Banksy, who once described his art as a form of underclass 'revenge' that allows power to be taken from the elite and given to the individual, once again leaves it up to the viewer to decide its meaning.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 3027
A collection of twelve lithographic prints from The Curwen Studio, comprising Albany Wiseman (British, b.1930), 'Meard Street W1', titled, numbered 69/100, blindstamped and signed, sheet size 51 x 63cm; Andrew Holmes (British, b.1959), 'Silkworm Tray', titled, numbered 104/110, signed and dated '83, sheet size 55.5 x 43cm; Alistair Crawford (British, b.1945), Hacienda, numbered 161/200, signed and dated 84, sheet size 57 x 74cm; Chris Corr (British, b.1955), Griffith Park Observatory, signed and numbered 128/2000, sheet size 57 x 74cm; Gerald Mynott (British, b.1957), Central Park New York, signed, numbered 64/250, 55.5 x 76cm; Derek Mynott (British,1925-94), Seine, signed and numbered 234/250, sheet size 54 x 66cm; Helen Keats (British, 1947-2007), 'That’s Massada', signed and numbered 70/169, sheet size 54 x 75cm; Deirdre Morgan (British, b.1933), Tropical Gardens Monserrat, signed and numbered 14/195, sheet size 52 x 36cm; Peter Gauld (British, 1925-1989), Union Mill Cranbrook, signed, blindstamped and numbered 92/125, sheet size 61 x 57cm; Evelyn Gibbs (British, 1905-1991), Low Tide, Hammersmith, signed and numbered 49/80, sheet size, 57 x 74cm; Oliver Raab (British, b.1955), Blue Dress, inscribed 'Curwen Archive' and signed in pencil, sheet size 74.5 x 54cm; and Charlotte Ardizzone (British, 1943-2012), Still life in front of open window, signed and numbered 22/195, sheet size 47 x 38cm (12)
Lot 3034
A quantity of framed prints to include Bernard Myers (1925-2007), Bohun Gallery, pencil signed poster, framed, size of frame 67.5 x 82.5cm. Gilbert Browne (Scottish, b.1954). 'Mooring - Little Venice', etching, signed, marked H de C (hors de commerce - not for sale) and titled in pencil, 31 x 24cm, framed and glazed. Dieja Vatarun, Bangkok, limited edition etching, 1996, signed and numbered 77/300 in pencil, 20 x 27cm, framed and glazed. Carl March, two limited edition etchings of park scenes in Milan, each signed, titled and numbered 104/150 and 148/150, each 8.5 x 15.5cm. Framed and glazed. A reproduction still life print of flowers in a vase (unsigned), framed and glazed, size of frame 53.5 x 42cm. A watercolour depicting a Christmas scene, signed Paul B Davies, dated '99, framed and glazed, size of frame 48 x 38cm. A framed offset lithograph after Antoine Calbet of a reclining nude, 27 x 34cm, and a colour print of a house, signed lower right, 34 x 44cm, framed (9)
Lot 3164
Thomas Stuart Milner (1909–1969) Dover Castle, oil on canvas, 41cm x 49cm, still life, Sunflowers on a windowsill, oi on canvas, 66cm x 53cm, both unsigned, Provenance: gifted by the artist to the vendor's family Dover castle - Scratches to canvas, especially above the white house to top centre of image. Sunflower - Canvas folded over top of back of frame. Undulations to canvas on right side. Numerous cracks to paint. Few areas of scratching and minor loss of paint. See photos for closer details.
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