Oliver Clare (1853-1927)Still life of apples, peaches, red grapes, raspberries and gooseberries on a mossy bankSigned, oil on canvas, 34cm by 28.5cm Glazed. Original canvas. Some general re-touching and strenthening throughout the darkest tones and shadows of the background and vegetation. Some delicate and linear strenthening to veins and outlines of some of the leaves in general. Sporadic and minor strenthening to elements of the raspberries. Further minor retouches to darker areas within parts of the foreground and lower right hand corner. Some relatively light surface dirt and discoloured varnish. Otherwise obstensibly good and stable state of preservation.
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Attributed to Oliver Clare (1853-1927)Still life of plums, grapes, peaches and raspberries on a stone ledgeSigned, mixed media, 21.5cm by 29cmIn an overall good and original state of preservation. Some possible minor and sporadic retouches to the darkest tones of the branch and leaves? Glazed and enclosed to reverse likely some light surface dirt. Not examined out of the frame.
Abel Hold (1815-1896)A still life of a birds nest with green eggsA still life of a birds nest with white speckled eggsEach signed and dated 1890, oil on canvas, 24.5cm by 28.5cm (2)Example with white speckled eggs is glazed and framed although only loosley taped into the framing. Original canvas. Surface dirt and discolured varnish, minor rubbing to edges. Most evident to lower left-hand corner where the canvas is adrift of the gilt slip. Tiny nick to surface just left and centre above the birds nest. Varnish has a chalky quality. Otherwise broadly in a good and stable state of preservation.Example with green eggs. This example is unglazed and retains only the gilt slip and attached beaded second slip (no outer frame or glass). The beaded slip also in a poor state of repair and damage at miter joints etc. Significant dust and dirt to the surface with various white splashes of a chalky nature to surface which would seem to be removable. One or two could be losses. Minor rubbing to edges more notably along the left-hand side with vertical line of paint loss or indentation.
A Royal Worcester Porcelain Pot Pourri Jar and Cover, by Alistair Kendry, 2nd half 20th century, of fluted pear form, painted with a still life of fruit on a mossy bank below and moulded and gilt strapwork border, signed, printed mark in black13.5cm highGood condition. No damage or restoration. Finial assessed under UV light.
20TH CENTURY ENGLISH SCHOOL Floral Still Life with Penguin Paperback Oil on canvas 49.5cm x 60cm Condition Report : good condition, minor losses to frame Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A collection of four watercolours including; Fanny Harris (née Rosenberg) (British 1822-1872)still life of appleswatercolour on paper20 x 30cm (35 x 44cm framed);S.H.Matsumotoa temple with a figure signed and dated 'S.H. Matsumoto/ 1905' (lower right)watercolour on paper32.5 x 22.5cm ( 46 x 36cm framed);and two others (4)
Edward Albert Hickling (1913-1998)Rolls-Royce interest - an archive of works relating to Rolls-Royce, including promotional materials, gouache studies, printed works with hand embellishment; together with a miscellaneous group of works by Hickling to include portrait studies on unstretched canvas, still life studies and caricature designsSome of the areoplane pictures, engines and promotional material, are collaged. none appear painted.
A colletion of 20th Century prints, oil on boards etc to include: after Harold Clayton, Flowerpiece, mounted on board; after Gerald Coulson, Ploughan and the Sea, textured print; after Dipnall - Meadow scene, print together with a box including Alpine Scene, oil on board - unsigned; Cries of London prints; Still life of Flowers, oil and various prints (4 {1 box + 3 print})
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