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william B. Hough (fl.1857-1894) Still Life of a Bird's Nest with Green Eggs, small wild strawberry in the foreground and against a mossy bank signed, pencil, watercolour and bodycolour heightened with white, 13.5cm by 17cm the artist was an imitator of William Henry Hunt painting very meticulous still life of fruit, flowers and birds. He exhibited at the New Watercolour Society and elsewhere from 1857-1894 and also painted competent and attractive landscapes. He lived in Coventry and London. Examples of his work can be found at the V&A museum, Glasgow Art Gallery and Newport Art Gallery South Wales.
william Jabez Muckley (1837-1905) "Roses", still life of flowers in a blue and white bowl on a marble table signed and dated "1894", also inscribed on the artist's original label verso with his name and his address, pencil, watercolour and gouache heightened with white, 73.5cm by 52.5cm provenance: With Aitken, Dott & Son, 26 South Castle Street, Edinburgh See illustration
alfred George Morgan (ex.1896-1919) Fishing Boats on the Esk, Whitby signed, pencil and watercolour, 27.5cm by 33.5cm the artist lived in Whitby and occasionally painted still life subjects as well as landscapes and coastal scenes in both oils and watercolours. provenance: With E.V. Agar, 8 Haggersgate, Whitby
miss Ada Bell (fl.1878-1903) Still Life of Roses and Other Flowers in a Blue and White painted Container, a kingfisher in the foreground; still Life of Hellebores, Gentians, Honeysuckle and Other Flowers, with a canary in the foreground both signed with the artist's monogram and dated "1874", also inscribed with her name and her exhibition dates on plaques attached to the frames, oil on panel, circular, each 20cm diameter (a pair)
(Rev) Arthur Benjamin Bateman (1883-1970) Still Life of Roses in a Vase signed and dated "87" (1887), oil on canvas, 41cm by 31cm the artist studied at Nottingham School of Art. He specialised in landscapes, portraits, genre as well as still life and was quite a versatile artist who exhibited prolifically in London, Manchester and other provincial art galleries and museums
a Royal Worcester Porcelain Pot Pourri Vase and Cover, Leighton Maybury, 1954, of lobed ovoid form with plain pierced shoulders, painted with a still life of fruit including two rosy apples and black grapes on a mossy bank, the reverse painted with a vignette of three black grapes within gilt borders, signed, printed mark in black, shape number "278" over "H", date cypher, 13.5cm high; and A Similar Cylindrical Spill Vase, circa 1965, on gilt scroll pierced foot, painted with a still life of two rosy apples and cherries on a mossy bank, indistinctly signed, printed mark in black and inscribed "6/161/4" in black, 16cm high (2)
a Royal Worcester Porcelain Cabinet Plate, Harry H Price, 1936, of fluted circular form, painted with a rim-to-rim still life of two yellow plums, blackberries and raspberries on a mossy bank within a gilt dot and line border, signed, printed mark in puce, date cypher, 23.5cm diameter; and A Similar Later Smaller Plate, R Price, painted with a still life of two peaches and blackberries on a mossy bank within a gilt gadroon moulded border, signed, printed mark in black, 20cm diameter (2)
a Royal Worcester Porcelain Small Vase, William Ricketts, 1926, of rounded cylindrical form, painted with a still life of three peaches, black grapes and a plum on a mossy bank with blossom, the reverse painted with a vignette of three cherries below a gilt pierced border and raised upon four knurl feet with acanthus leaf terminals, signed, printed mark in green, shape number "G42", date cypher, incised "W", 15cm high
a Pair of Royal Worcester Porcelain Cabinet Plates, Richard Sebright and George Cole, circa 1912-17, painted with still life vignettes of two yellow plums and other fruits and flowers, and two peaches and blackberries with blossom within a richly gilt decorated cobalt blue and pink scrollwork border, signed, printed marks in puce, 23cm diameter
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77111 item(s)/page