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Lot 190
dating: Period (1603-1867) provenance: Japan, In suaka, nade-maru-gata, uchi-gaeshi-mimi. The surface is decorated with a particularly fine, sand-like 'ishime'. With a shakudo anchor in 'iroe zogan' on it, featuring small shells encrusted in gold and silver together with its rope. On the ura, on the ishime backdrop, is a shakudo rudder. The delicacy and the atmosphere of the ensemble are extraordinary. Late Edo period, around 1800. The Nara school, founded in 1600, evolved over the next century with many famous artists: Toshishige, mentioned by the Joly and the Shoshankenshu, follows the canons of Toshinaga, his master, in the early 19th century. The scene depicts the remains of a shipwreck, the concretions on the anchor, the broken and softly stretched rope, the small signs of wear as well as the tear on the rudder confirm it; the meaning is still uncertain. It is either the wish of an old samurai-mariner to remember his vicissitudes, or the theme of the bushi life... the Death.Provenance: W. W. Winkworth Collection. dimensions 6.5 x 7.5 x 0.35 cm.
Lot 82
Rosina ROGERS (1918-2011) Landscape with Gold, circa 1960s Oil on board75 x 36cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Lot 242
Rosina ROGERS (1918-2011) '21' Patterns on White, circa 1960s Oil and found objects on board46 x 61cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Lot 146
Rosina ROGERS (1918-2011) Lady in Blue Dress Oil on board40 x 25cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artists estate
Lot 9
Morwenna THISTLEWAITE (1912-2000) Still Life Oil on canvasMonogrammed50 x 60.5cmThere is some losses of paint in the lower centre of the piece (please see additional images). There is also a very minor amount of paint splatters present (please see additional image). Other than this, the piece is in good condition.
Lot 91
Rosina ROGERS (1918-2011) The Nine Maidens, Cornwall, 1963 Oil on canvasSigned and dated verso31 x 41cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Lot 25
Rosina ROGERS (1918-2011) Hampreston Church, 1952 Oil on canvasSigned and dated35 x 40cmRosina Rogers was born in Christchuch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
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