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Lot 519
RICHARD BEER "Piazza Armorina II", etching and aquatint image of a church, A/P, signed lower right, bears "Abbott & Holder LTD Gallery" label verso, together with RICHARD BEER "West Pier Brighton", lithographic print, signed lower right, together with AFTER BAIREI two Japanese woodblock prints and a still life acrylic on board, indistinctly signed "Kgia?"
Lot 1169
ESTHER EMILIA LÉONTINE KJERNER (Swedish 1873-1952); oil on artist's board, still life with grapes and flagon, signed and dated to lower left, 1935, with traces of stickers verso, 60 x 50cm, in gilt frame.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 203
λWilhelmina Barns-Graham (British 1912-2004) Celebration Collage 130 Acrylic and oil on card laid down to board Signed and dated 1983 lower right, signed, titled, dated August 1983 and variously inscribed to backboard 13 x 19.5cm (5 x 7½ in.) Wilhelmina Barns-Graham (1912-2004) was born in St Andrews, Fife. She attended the Edinburgh College of Art, where she received several scholarships and graduated in 1937 after a period of illness. Through her will, she is still providing bursaries and scholarships to support art and art history students.In 1940, she moved to St Ives and became known as part of the school that developed there during and after the war. She is most known for her geometric and dynamic linear forms, always appearing to be motion. The collage works, of which this lot is a part, were created in the early 1980s during a time of illness in her life, where smaller scale works assuaged her need to create and provided a respite. They were designed using small dots of paper arranged into dynamic and colourful works of art. λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 215
Francis Newton Souza (Indian 1924-2002) Street scene with two houses and a tree# Gouache and graphite on paper Signed and dated 1954 lower centre 56 x 38cm (22 x 14¾ in.) Provenance: Private Collection, UK (acquired circa 1950/60s) Thence by descent to the present owner Souza was a founding member of the Bombay Progressive Artists' Group founded in 1947. Whilst the group lacked a singular style, it advocated the synthesis of traditional Indian artistic traditions into the wider international art scene and, in particular, the western European and American avant-garde. Souza's first exhibition in London was in 1948 at Burlington House. The following year, he moved to London where he initially struggled to make an impact, relying instead on journalism to make ends meet. However, in 1954, the ICA included his work in an exhibition and the following year, as a result of a meeting with Victor Musgrave of Gallery One, a one-man show at the gallery sold out and Souza was on the road to success. The present work is interesting as, dating from 1954, it lies on the cusp of that critical acclaim. A typical spiky tree takes centre stage between the tall buildings. Souza is perhaps best known for his crucifixes and nudes although landscapes and still life painting also remained a constantly recurring theme in his life.
Lot 270
Maurice Asselin (French 1882-1947) Vase de fleurs Oil on canvas Signed upper right 46 x 38cm (18 x 14¾ in.) Together with two further oils by the same hand, one of a vase of flowers and another a still life of fish (this one unframed). (3) Maurice Asselin was known predominately for still life and figurative painting as well as landscapes. Although he spent much of his life based in Paris, and is known as an 'Ecole de Paris' artist, he frequently visited Brittany and Concarneau in particular, where he was inspired by the coastal landscape (see lots 271-274). Whilst there, he executed numerous watercolour sketches, reminiscent of a spontaneity evident in successive generations of 'plein air' painters.
Lot 70
Arthur Dudley (ex 1890-1907) watercolour still life of flowers in a bowl, signed and dated 93 lower right, 37 x 54cm, in ornate gilt frame, oil on board still life of fruit and a jug, also signed A Dudley lower right, 36 x 51cm and one other similar oil featuring a blue tit, each approximately 37 x 24cm
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