We found 77168 price guide item(s) matching your search
There are 77168 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
77168 item(s)/page
Lot 271
Theude Grönland (German, 1817-1876) Still life of sweet peas, fruit and two white miceoil on wooden panelsigned and dated 184329 x 39cm***CONDITION REPORT***Oil on original panel in honest untouched condition, would benefit from a light clean but no other faults noted, housed in the original ornate gilt scroll frame with artist title plaque, old hand inscribed label verso giving details of the artist along with a framers label for Clifford & Co of Haymarket.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1817
G.R. (19thC), oil, Still life of fruit, initialled and dated 1884, 18 x 14cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1829
L. Jensen (Contemporary), oil on board, Still life of fruit and flowers, signed, 24 x 19cm, ornate gilt frame***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 569
SIX 20TH CENTURY OIL PAINTINGS, comprising two still life flower studies by John M. Dowler, approximate sizes 50cm x 40cm, an unsigned full length nude female figure study, approximate size 89cm x 32cm, an unsigned half-length portrait of a female figure wearing a sheer dress, approximate size 39cm x 29cm, a landscape with cottage signed and dated Hardy '49 and a view inside a picture gallery, initialled M.H.H.
Lot 590
SIX 20TH CENTURY OILS AND WATERCOLOURS, comprising a Maltese view of Mdina signed Galia 1969, watercolour on paper, approximate size 17cm x 26cm, a landscape with a tribal figure, signed Mohan Sharma, oil on board? approximate size 26cm x 34cm, unsigned still life study of fruit in a bowl, oil on board, a pastel landscape study, possibly in the Lake District signed B. Knight, an unsigned watercolour depicting a village scene, possibly set in North Africa and a pen and watercolour landscape with cottage, signed and titled H.Moore 'Sarthwaite, Sedburgh'
Lot 81
Registration - F112 DGCChassis No - VF7AZKA00KA339264M.O.T. - 02/2024Odometer - 124,000Citroën’s charming 2CV has always possessed that je ne sais quoi quality that makes you want to own one, even if you have absolutely no requirement for such a car. One thing’s for sure, they don’t come much smarter than ‘F112 DGC’, which has been the subject of a body-off restoration within the last 12 months, and so should surely be fit to provide uninterrupted pleasure for many years to come. It’s finished in two-tone grey and trimmed in matching grey fabric, and rides on brand new wheels and tyres. The refurbishment is more than skin deep too, as the twin-cylinder engine has also been overhauled and, in a nod to modern motoring, has been equipped with electronic ignition. Unsurprisingly the vendor considers the 602cc motor, four-speed manual gearbox, bodywork, paintwork and upholstery to all now be in ‘excellent’ order. What’s more, the Charleston comes complete with every MOT from new, plus a current one valid to February 12 next year. What’s not to like?! The creation of Citroën’s incomparable Deux Chevaux (2CV) dates back to 1936 and was intended to motorise the large number of French farmers still relying on the horse and cart. The unique design brief called for: a low-priced, rugged ‘umbrella on four wheels’ that would enable four peasants to drive 110lb of farm goods to market at 31mph in clogs and via muddy, unpaved roads; including transporting eggs across a ploughed field without breaking them. No less than 3.8million examples were ultimately produced via 11 factories across the world (including one in Slough, England) between 1948 and 1990, by when the ageing design had been defeated by contemporary legislation. However, the charm of the model never fades and good ones remain keenly sought by collectors and classic car enthusiasts alike. The Charleston version began life in October 1980 as a one-season-only special edition, but proved sufficiently popular to be incorporated into the main range in July 1981. Related changes to the specification included inboard disc brakes at the front and a mild uplift in power to 29bhp courtesy of a different carburettor – the maximum speed now topped 70mph, just! In summary:An original righthand drive UK specification CharlestonA very well presented eight-keeper, 124,000-mile exampleRecently treated to a body-off restoration and engine rebuild
Lot 1555
Peter Cushing (1913-1994) - Watercolour - Still life, white roses in a blue bowl, signed, 11ins x 14.75ins, framed and glazed with handwritten note by Peter Cushing to verso "(Note - regarding this sketch of white roses in a blue bowl) I called out to Helen 'How long until lunch, dear?' 'Twenty minutes' she replied. So that became its title 'TWENTY MINUTES' because that's how long it took me to paint the subject (circa '58)" and signed Provenance: Listed in Peter Cushing's 'Here and There' exhibition of 1958 at The Fine Art Society, London as exhibit number 5 'White Roses in a Blue Bowl'
Lot 1658
Peter Cushing (1913-1994) - Watercolour - Still life, fruit in blue and white bowl, unsigned but with dedication to back of frame "An impression in watercolour of an oil painting by Grimal. To dear Joyce and Bernard. A little 'thank you' for taking me to Ireland on your holiday. May God's blessing be with you always. Our love as ever, Helen and Peter xx 21.ix.86", 10.75ins x 8.75ins, in ornate gilt moulded frame and glazed
Lot 134
Deutsches Reich 1933 - 1945 - Kunst : Max Bezner: Porträtbüste Hermann GöringGoldpatinierte Bronze. Am hinteren Halsabschnitt Künstlersignatur: "Max Bezner 1937". Auf der Plinthe bezeichnet: "GUSS G: HEINZE BERLIN". Lebhafte Darstellung Görings in Überlebensgröße in Luftwaffen Generalsuniform mit dem Orden Pour le Mérite. Unterhalb des Kinns Bajonetteinstich. Altersgemäße Beschädigungen und Gebrauchspuren. Höhe: 52 cm. Max Bezner (* 1872 in Stuttgart; ? 1939 in Berlin) war ein deutscher Bildhauer und Landschaftsmaler. Bezner, 1894 noch Zeichenlehrer in Stuttgart, studierte Bildhauerei bei Alfred Boucher in dessen Künstlerkolonie La Ruche in Paris. Er lebte danach in Berlin und war dort als Bildhauer tätig, nebenbei malte er auch Landschaften. Zu Ausführungen in Bronze, Stein, Terrakotta und Porzellan schuf er Statuen, Büsten, Statuetten, Porträtreliefs und Medaillen, insbesondere für den Berliner Hof und den deutschen Hochadel. Porträtiert wurden von ihm unter anderem Kaiser Wilhelm II., Otto von Bismarck, Paul von Hindenburg (aufgestellt unter anderem im Tannenberg-Denkmal), Erich Ludendorff, Karl Helfferich, Ulrich von Wilamowitz-Moellendorff und Gustav Roethe. Außerdem schuf er Entwürfe für die Majolika-Werkstatt in Cadinen. 1928 lieferte er auf Haus Doorn dem exilieriten Kaiser eine Marmorreplik seiner Porträtbüste ab.Im selben Jahr wurde er zum Ritter des Königlichen Hausordens von Hohenzollern ernannt. In der Zeit des Nationalsozialismus fertigte er Porträtköpfe von Adolf Hitler und Hermann Göring. The Third German Reich 1933 - 1945 - Art in The Third Reich 1933 - 1945 : Max Bezner: Portrait Bust of Hermann Göring Gold-patinated bronze. Artist's signature on the back of the neck: "Max Bezner 1937".Inscribed on the plinth: "GUSS G: HEINZE BERLIN".Realistic depiction of Göring (larger than life size) in Luftwaffe general's uniform with the Order Pour le Mérite. Bayonet damage below the chin. Damages and traces of use according to age.Height: 52 cm.Max Bezner (* 1872 in Stuttgart; ? 1939 in Berlin) was a German sculptor and landscape painter.Bezner, in 1894 still a drawing teacher in Stuttgart, studied sculpture with Alfred Boucher in his artists' colony La Ruche in Paris. Afterwards he lived in Berlin where he worked as a sculptor and also painted landscapes. Among others, he portrayed Kaiser Wilhelm II, Otto von Bismarck, Paul von Hindenburg (erected in the Tannenberg Monument, among others), Erich Ludendorff, Karl Helfferich, Ulrich von Wilamowitz-Moellendorff and Gustav Roethe. He also created designs for the majolica workshop in Cadinen. In 1928 he delivered a marble replica of his portrait bust to the exiled emperor at Haus Doorn.In the same year he was made a knight of the Royal House Order of Hohenzollern. During the National Socialist era, he made portrait heads of Adolf Hitler and Hermann Göring.
Loading...-
77168 item(s)/page