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Lot 5
Token ID 371I fell in love with the wild, beautiful, uncanny and profound results that came with the first round of Eponym. With Stories, I began to explore what result would come telling Ai that this was ""for a museum"". One of the first results was 'for the museum of modern art' which looked like an abstract landscape hanging on a white wall but it also had a 3d element that was breaking the fourth wall of perspective. It felt like the perfect piece to represent modern Ai driven art with the intent of being FOR a museum. It even came with what looks like an information placard about the art hanging on the wall in lower right corner of the frame.For subsequent stories, I picked museums I've been to that inspire me and tried many permutations for the art. The ones that stood out were ones that looked like they might belong in the museum referenced but also said something to the museum about its history, its present and its future. To me, each piece honors the museum's style but also says something about the art within its walls that can be interpreted in myriad ways. 'for the louvre' has a similar feeling of breaking the fourth wall. The frame and walls evoke an Egyptian artifact that was taken by Napoleon himself and brought to Paris. It was too rich in artificial mystique to pass up.'for the guggenheim' looks like a pen and ink masterpiece Peggy herself would hang on the walls of her spiral halls. The touches of blue in the black and white figures is striking.In 'for the smithsonian' I was looking for something American that also evoked the 'shining city on the hill'. The result that came looks like a sketch that George Washington or one of his officers may have sketched in their journal during the American Revolution.With 'for the van gogh museum' I had originally set out to show how the Ai could recreate or construct a new Van Gogh painting. There were many impressive options but then the result you see here popped up. While not in the style of Van Gogh, it seems to reference the artist himself, it looks like a portion of one of his self-portraits but it also seems to be saying something. Perhaps that Van Gogh is still with us, his haunting blue eye, watching the progress of art and humanity and culture. The cryptic signature on the bottom right. The DaVinci like canvas it's painted on. I don't know. I just couldn't pass up minting it.I mean, come on, 'for the picasso museum in barcelona' looks like late-era Picasso painting, celebrating the spirit of Spanish life as well as the freedom of how children are free with their art. To me, what's minted looks like what Picasso might have painted today and perhaps minted to the chain. 'for the dali museum in paris' to me, looks like two elongated figures embracing, intertwined; surreal and Jungian, the integration of the psyche, of the self, the id and ego, the light and shadow, together as one.'for the national gallery' made me laugh. I kept trying to create a new JMW Turner painting, something quintessentially British, and there were some good options, but then this popped up and it just looked like someone hung the painting up backwards and we were looking at the back of the frame. It also had great shading for the back of the painting. As for the title, this belongs in a museum, it's a reference to Indiana Jones and the Last Crusade, when he rescues the Cross of Coronado...Enjoy.For more information about the artist and their story please visit:https://epostories.auction/epostory/371/this-belongs-in-a-museum
Lot 103
A Collection of Books of Interest, to include This Man's Farther Victorian Days By Noel Carrington & Jocelyn Rae Oxford 1935. Reasonable condition some Discolouration. Two Tales By Charlotte Bronte Edited Holtz. London 1978. Good Condition Tea Stain To Cover. William Morris A Life for Our Times By Fiona McCarthy. Still Rapped EXCELLENT Condition. W. Somerset Maugham A Writers Notebook London 1949. R. L. Stevenson: A Critical Study By Frank Swinnerton London MCMXlV. Reasonable Condition. Saunterings In Bookland by Edited by Joseph Shaylor London 1899. Good Condition.
Lot 120
Annals Of The Persecuted in Scotland, l & ll, By James Aikman Esq 1844 Philadelphia.Cover, Worn.Binder : Gold Lettering, Worn.Pages: Large Amount of Damp Spots.An Edinburgh Eleven X 2, By J. M. Barrie 1886 Cover Shelf Worn.Binders: Good.Pages: PP 115. Good Condition.Der Tag Or The Tragic Man J. M. Barrie 1915 London.Cover: Paper Sleeve worn. Boards Good.Binder: GoodPages: PP 39, Some Damp Spots.First American Edition: Auld Light Idylls, By J. M. Barrie, New York 1892.Cover: Shelf Worn, Rounded Corners.Binder: Gold Lettering, Damage to Edges. Pages: PP 249 Some age Related Marks, small tear to one page. Lines Of Battle By Henry Howard Brownell, New York 1812.Cover: Shelf Worn, Rounded Corners.Binder: Shelf Worn Gold Lettering.Pages: PP 165, Still Joined Together. (Never Been Read)Rabbie Saunderson By Ian Maclaren, London 1898.Cover: Slight Shelf Ware, Gold Lettering.Binder: Ware to top and bottom ages. Pages: PP 215 Gold Edges, In Good Condition.The Life Of Sir Walter Scott, International Exhibition Edinburgh 1886. (Scares) Cove: Paper Sleeve, Tarnished, Shelf Worn, Boards Not been Examined.Binder: Slight Tear To Paper Sleeve.Pages: Some Damp Spots, Pages still Joined, Never Been Read.
Lot 3A
We are auctioning a signed working manuscript of a Kettle of Fish By Nigel Tranter (With Original Thoughts and Ideas from the author) Nigel Tranter was probably the most prolific Scottish author after Sir Walter Scott. Tranter published over 100 historical novels and many non-fiction books such as The Queen’s Scotland series. Born in Glasgow, he spent much of his life in Aberlady, which he loved.A Kettle of Fish is a fictional story based on the 1857, Tweed Fisheries Act that made it illegal to fish for Salmon in 50 square miles of open sea off the mouth of the River Tweed. A local schoolmaster, Adam Horsburgh, believed the Act should be challenged openly and when he proceeds to act, a full-scale fish war breaks out. This book stands the test of time, it is still on sale 50 years after its first publication and its message echoes in today's politics.
![A Large oil painting on canvas depicting still life flowers and vase. [Unsigned] [Frame measures 86x86cm]](https://cdn.globalauctionplatform.com/bcc5307b-049a-4fb4-930f-ae2000aed038/6f8f9fcf-fd8a-4c72-a12d-ae2000f55f2c/468x382.jpg)
![Two oil paintings on canvas of still life, Both fitted within ornate frames, one signed WYG 68'[55x64cm]](https://cdn.globalauctionplatform.com/bcc5307b-049a-4fb4-930f-ae2000aed038/a6a4735a-55ea-492d-9ebb-ae2000f78a3f/468x382.jpg)
Lot 165
1993 Range Rover Classic Vogue 4.0 SE AutoMake: Range Rover Model: Classic Vogue SE AutoYear: 1993Mileage: 186439VIN: SALLHAMM3KA638374Configuration: Right Hand DriveRegistration: L35DNPTransmission: AutomaticThe original Range Rover had a very long production life, lasting from 1969 to 1996. This example is one of the later vehicles, registered in November 1993, and in high-spec Vogue SE spec with the 3947cc variant of Rover's ubiquitous V8 engine. The odometer reading is 186,439, which is warranted for the last 15 years by the online MoT check. This also shows that, since 2005, the Range Rover has only travelled less than 10,000 miles. The total since 2008 is just over 3000 miles. The current MoT expires on September 2022. Five former keepers are recorded. The V5 is present and other paperwork includes the current MoT certificate, plus ones from 2020 and 2019. The selection of invoices date from 2009 to 2019 and includes body work, a reconditioned automatic gearbox in 2012 (£932), a respray in 2014 (£1700), replacement of all shock absorbers in 2017 (£296) and fuel and ignition system work in 2019. This most recent bill, which also included MoT and, electrical work, plus a new battery, came to £6585.10. An LPG conversion is fitted. There are print-outs of further works done from 2019 to 2021. The vendor notes other major work carried out as: automatic gearbox reconditioned, rear exhaust replaced, inner front wing panels replaced, front swivel joints replaced, new driver and passenger side window winder mechanisms fitted, engine stopper valve and inlet and outlet breathing pipes replaced, repairs to the rear inner wheel arches on both sides, new brake pads fitted, rewired front seats with separate switches, new rotor arm and rebuilt distributor. Jobs still needing to be done are the replacement of the alarm control, and the fitment of a new windscreen wiper switch and rear windscreen wiper. The vendor also advises that a full service should be carried out; although the vehicle has only done 500 miles since its last one, it was done some years ago.
Lot 173
2000 Vauxhall Corsa Trip 1.0 12VMake: Vauxhall Model: Corsa TripYear: 2000Mileage: 17510VIN: W0L0SBF08Y4382702Configuration: Right Hand DriveRegistration: X112DDBTransmission: manualThis Vauxhall Corsa has been family-owned since new, passing from a mother to her son. The 973cc car was registered in November 2000 and has covered just 17,510 miles since then. The MoT is valid until May 2022. The Flame Red three-door hatchback has been very well looked during its 22-year life and is in excellent condition, even having its Bristol Street Motors sill stickers still in place in the driver and passenger side door shuts. There is very little wear apparent inside the car. The paperwork file includes the V5C and the original book wallet, containing the owner's handbook, service location guide, audio instructions (including radio code) and tuning guide. There is no service book however. The paperwork folder includes MoT certificates from 2018, 2020 and 2021 plus some invoices including one for a battery fitted in 2018. There's also the original order form and sales invoice, for a total of £4429.56.
Lot 016013
Willi Holtmann, 1900 Duisburg-1984 Wiesbaden, Stillleben mit Blumen in der Vase, Schale und Gemälde an der Wand, Öl/Lwd, links unten signiert, ca. 60x50cm, R. ca. 72x 61cm1Willi Holtmann, 1900 Duisburg-1984 Wiesbaden, still life with flowers in the Vase, bowl and paintings at the wall, oil / canvas, signed lower left, approx. 60x50cm, frame approx. 72x61cm1
Lot 016041
Eugen Stengel, Maler der 'Oggersheimer Palette', Blumenstillleben, Öl/Lwd, rechts unten und rückseitig signiert, datiert 78, ca. 80x60cm, R. ca. 92x72cmEugen Stengel, painter of the 'Oggersheimer Palette', Still life with flowers, oil / canvas, right below and on the back signed, dated 78, approx. 80x60cm, frame approx. 92x72cm
Lot 016015
Denes Mesterhazy, ungarischer Künstler, frühes20. Jh., Stillleben mit Äpfeln und Korb, Öl/Malkarton, links unten signiert, ca. 20x24 cm, u.Gl., R. ca. 30x36cmDenes Mesterhazy, Hungarian artist, early 20thcentury, still life with apples and basket, oil / painting cardboard, signed lower left, approx. 20x24 cm, under glass, frame approx. 30x36cm
Lot 016027
Paul Morro (eigentlich Ingfried Paul Henze- Morro), 1925 Leipzig-2013 Wiesbaden, Studium an den Akademien Leipzig und München, hier: Blumenstillleben, Öl/Lwd, rechts unten signiert, ca. 70x80cm, R. ca. 82x92cmPaul Morro (actually Ingfried Paul Henze- Morro), 1925 Leipzig-2013 Wiesbaden, Studies at den Academies Leipzig and Munich, here: Still life with flowers, oil / canvas, signed lower right, approx. 70x80cm, frame approx. 82x92cm
Lot 016108
Rudi Müllers, 1895 München - 1972 Heidelberg , Studium an der Akademie der Bildenden Künste München u. an der Kunstakademie Leipzig, hier: großes Blumenstillleben mit Rittersporn und Löwenmaul, cremig pastoser Auftrag v.a. der kräftig blauen Blüten, links oben signiert, Öl/Lwd, rest., R., 134x109 cmRudi Müllers, 1895 Munich - 1972 Heidelberg, Studies at the academies Munich and Leipzig, here: large Still life with flowers, creamy pastose order in the strong blue flowers, upper left signed, oil / canvas, restored, frame, 134x109 cm
Lot 1632
MYRBACH, wohl FELICIAN von Myrbach-Rheinfeld (1853-1940), "Fruchtstück", Stillleben mit Granatäpfeln, Trauben und anderen Früchten, u.li. signiert 'Myrbach', u.re. bezeichnet und datiert 'Spalato Okto..., 1877' (tlw. vom Rahmen verdeckt), Öl/Karton, HxB: ca. 34x43 cm (53x63 cm mit Rahmen). Alters- und Beriebspuren, restauriert. Mit Rahmen (Kanten leicht beschädigt und restauriert). VERSO Etiketten mit handschriftl. Bezeichnung.| MYRBACH, probably FELICIAN von Myrbach-Rheinfeld (1853-1940), "Fruchtstück", still life with pomegranates, grapes and other fruits, below left signed 'Myrbach', lower right inscribed and dated 'Spalato Okto ..., 1877' (partly covered by the frame), oil / cardboard, HxW: approx. 34x43 cm (53x63 cm with frame). Traces of age and usage, restored. With frame (edges slightly damaged and restored). VERSO labels with handwritten. Designation.
Lot 1604
EDENHAFF, K. (Maler/in 20. Jh.), "Stillleben mit Früchten und Wein", u.re. signiert, Öl/Leinwand, HxB: ca. 20x25 cm (27x32 cm mit Rahmen). Mit Rahmen. Leichte Altersspuren.| EDENHAFF, K. (painter / 20th century), "Still life with fruit and wine", signed, oil / canvas, HxW: approx. 20x25 cm (27x32 cm with frame). With frame. Slight signs of age.
Lot 358
Schier, Paul. Geb. 1889 Leipzig, war ansässig in Karsdorf bei DresdenStillleben mit Roten und Gelben Rosen. 1930. Öl auf Leinwand, li. o. sign. und dat., 75,5 x 55,5 cm, gerahmt. Der Maler war Schüler von Robert Sterl an der Kunstakademie Dresden. Paul Schier (born 1889 Leipzig): Still life with roses, 1930, oil/ canvas, signed, dated upper left, framed. 75,5 x 55 cm
Lot 548
Vojrázka, J. (?)Stillleben mit Krug und Pilzen, 1950. Farbkreide. u. re. sign. und dat. "50". 31 x 41,2 cm (PA). Hinter Glas mit Pp. gerahmt. Vojrázka, J. (?) Still life with a jug and mushrooms, 1950. coloured chalk. lower right sign. and dat. "50". 31 x 41,2 cm (PA). Framed behind glass with paper.
Lot 326
Fekete, Esteban. 1924 Cinkota (Budapest)-2009 DieburgLiegende vor Fensterausschnitt. Im Vordergrund Stillleben. 1971. Farbkreidezeichnung, sign., dat., 29,5 x 44,5 cm (PA). Hinter Glas gerahmt. Fekete, Esteban. 1924 Cinkota (Budapest)-2009 Dieburg Reclining figure in front of a window. Still life in the foreground. Colour chalk drawing, signed, dated, 29,5 x 44,5 cm (PA). Framed behind glass.
Lot 482
Adler-Krafft, Maria. 1924 Brasov - 2019 DresdenStillleben mit Korb. 2010. Öl auf Leinwand, re. u. monogr., verso betitelt und dat., 60 x 80 cm, Künstlerrahmen. Prov.: Nachlass der Künstlerin. Werksdokumentation Landesverband Bildende Kunst Sachsen e.V., Nr. 060 (https://private-kuenstlernachlaesse-brandenburg.de/lbk-sachsen/item/4001). Maria Adler-Krafft: still life, 2010, oil/ canvas, monogram, entitled at reverse and dated. 60 x 80 cm. Frame.
Lot 521
Baranow/ Baranov, Andrej Vasilevich (?). Geb. 1948Stillleben mit Gefäßen, Schuhen und Knoblauchzopf. 1974. Öl auf Leinwand, verso sign., dat. und auf Klebeetikett kyrill. bezeichnet. 78,5 x 58 cm. Ohne Rahmen. Baranov/ Baranov, Andrei Vasilevich (?). Born 1948 Still life with vessels, shoes and garlic braid. Oil on canvas, verso signed, dated and inscribed in Cyrillic on an adhesive label. 78,5 x 58 cm. Without frame.
Lot 427
Kricheldorf, Hermann J. Gottlieb1867 Celle - 1949 München Stillleben mit Zigarre und Pfirsichen. Öl auf Holz, 1894. Signiert und datiert unten links, ebenda ortsbezeichnet München. Vanitas-Stillleben in altmeisterlicher Tradition mit Elementen sinnlichen Genusses. 38,5 x 48 cm. Gerahmt. 44 x 53 cm (Ra). Kleinere Retuschen, partiell etwas frühschwundrissig. Holzplatte geplankt. Still life with cigars and peaches. Oil on wood, 1894. Signed and dated bottom left also located Munich. Framed. Smaller retouches, some shrinking cracks.
Lot 370
Svenssen, O. Tätig 1. H. 20. Jh.Stillleben mit Apfelzweigen in Vase. Öl auf Leinwand, re. u. sign., verso wohl v. fremder Hand bezeichnet und betitelt "Apfelblüten". Oberflächlich verschmutzt. 70,5 x 60 cm. Gerahmt, Rahmen: 84 x 74,5 cm O. Svenssen, active 1st half of 20th ct.: still life with apple blossoms, oil/ canvas, signed lower right, enscribed at reverse. 70,5 x 60 cm, frame: 84 x 74,5 cm
Lot 506
Liebe, Erwin (?). Tätig in Dresden Anf. 20. Jh.Stillleben mit Früchten. 1922. Öl auf Pappe, re. o. sign. und dat., verso bezeichnet "Erwin (?) Liebe, Dresden, Stilleben Teller mit Äpfeln", 31,5 x 35,5 cm, gerahmt. Erwin (?) Liebe, active in Dresden ca. 1920: still life with fruits, 1922, oil/ cardboard, signed and dated upper right. 31,5 x 35,5 cm, frame.
Lot 366
Helena Snow (1875-1885) 'Still life with Pears & Lemons', oil painting on canvas, 17.5cm x 30cm, signed top left, gilt framed (See label to reverse - '... She was most probably the daughter of J.W. Snow, the animal painter ' Christopher Wood 'The Dictionary of Victorian Painters')Condition report: Not dated, she flourished 1875-1885, c.1880, looks as if been cleaned and gallery prepared at some time, new frame, the paint cracked and lifting a bit bottom right corner.
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