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Lot 343
William Francis Vere Kebbell (1888-1963), Still life of flowers, signed top right, oil on canvas, 77 x 63cm William Kebbell was born in Queensland, Australia in 1888 and forged a successful carrer as a portrait painter in London. He was a member of the Ipswich Art club from 1922 - 1926 and also exhibited regularly at the Royal Academy. He specialised in pastels and was a member of the Pastel society, Royal Institute of oil painters; he also found a commercial outlet for his work through the Walker Gallery.
Lot 344
William Francis Vere Kebbell (1888-1963), Still life of flowers in a glass vase, signed bottom right, pastel, 54 x 45cm, together with a further pastel still life by the same hand (2) William Kebbell was born in Queensland, Australia in 1888 and forged a successful carrer as a portrait painter in London. He was a member of the Ipswich Art club from 1922 - 1926 and also exhibited regularly at the Royal Academy. He specialised in pastels and was a member of the Pastel society, Royal Institute of oil painters; he also found a commercial outlet for his work through the Walker Gallery.
Lot 345
William Frederick Vere Kebbell (1888-1963), Still life with Jade Necklace, signed top left, Mall Galleries label verso, pastel, 52 x 45cm together with a further pastel still life by the same hand (2) William Kebbell was born in Queensland, Australia in 1888 and forged a successful carrer as a portrait painter in London. He was a member of the Ipswich Art club from 1922 - 1926 and also exhibited regularly at the Royal Academy. He specialised in pastels and was a member of the Pastel society, Royal Institute of oil painters; he also found a commercial outlet for his work through the Walker Gallery.
Lot 760
H NICHOLL "Hilly Landscape", watercolour, signed bottom right, approx 20.5 cm x 33 cm, including frame 43 cm x 57 cm, together with T W B "Seascape with Boat in Foreground and Rocky Outcrop in Background", watercolour , initialled and dated 1844 to the boat, approx 22.5 cm x 31.5 cm, including frame approx 34 cm x 42.5 cm and JEAN FAULKNER "Still Life Study" and five various other pictures
Lot 778
DOROTHY PULLEN "Still Life Study of Tulips in a Vase", mid 20th Century oil on canvas, initialled "DP" to base, approx 45 cm x 29.5 cm, including frame approx 52.5 cm x 37.5 cm, together with a further eight by the same hand and EARLY 20TH CENTURY ENGLISH SCHOOL "Thrupp Stroud", watercolour study, approx 11 cm x 16.5 cm, including frame approx 32.5 cm x 36.5 cm
Lot 782
ANNIE WILLIAMS "Still Life Study of Chinese Lanterns and Pottery on Shelf", watercolour, initialled lower left, approx 23 cm x 35 cm, including frame approx 44 cm x 53 cm, together with two others by the same hand, three further floral studies and SUSAN KEEBLE "S Maria della Salute", watercolour, signed lower right, bears label verso, approx 23 cm x 17 cm, including frame approx 41.5 cm x 36 cm
Lot 7
A COALPORT DESSERT SERVICE, EARLY 20TH CENTURY painted by Fred Howard each with a still life of different fruits and their foliage, each signed ~F. HOWARD~, reserved against a mazarine blue ground enriched with gilt scroll foliage between gilt borders with raised detailing, comprising: twelve plates, a pair of shaped oval dishes, a pair of shaped square dishes and a pair of comports, impressed numbers, gilt painted ~5351/R~, green printed marks and retailer~s marks for H.G Stephenson plates 23cm diameter (18) Fred Howard worked at Coalport circa 1900 - circa 1920; together with his colleague, Frederick Chivers, he specialised in painting fruit. H.G. Stephenson were established in the Barton Arcade off Manchester~s Deansgate in 1868, continuing to retail ~China & Glass~ from these premises for a hundred years. The family company is still going, but now specialises in supplying the catering trade. ++Generally very good condition except for one plate cracked through and finely glued, one comport with repair to top of stem and one plate with chip to underside rim foot.
Lot 579
19th century English School, oil on canvas, Still life of flowers in a vase on a ledge, woodland beyond, 74 x 61cmCONDITION: Canvas has been relined many years ago and is now undulating, paint / varnish very dirty and would benefit from a clean, a fine craquelure running throughout most of the paint, signs of retouching particularly around the margins but also thought to be some embellishment of the flowers and other details.
Lot 1010
Two (2) American paintings of white magnolia flowers by Jeanne Crain Leemon and Anthony Soskich. 1st item: Jeanne Crain Leemon (American, b. 1957) oil on board floral still life painting depicting magnolias in a silver bowl, on a table partially obscured by red drapery. Signed "J. Crain Leemon" lower right. Housed in a gilt wood frame. Sight - 15 1/4" H x 19 1/2" W. Framed - 23 1/4" H x 27 3/8" W. Late 20th/early 21st century. 2nd item: Anthony Soskich (United States/Austria, 20th Century) oil on canvas painting titled "Dazzling Whites" depicting a close up view of two white magnolia blossoms against green foliage. Signed and dated "Soskich 2000" lower left. Titled, signed, and dated with dimensions and medium en verso of canvas. Housed in a gilt wood frame. Sight - 23 3/8" H x 29 1/2" W. Framed - 30" H x 36" W. Early 21st century. CONDITION: Both items overall very good condition.
Lot 118
Set of three (3) George Clare (United Kingdom, 1835-1900) oil on canvas still life paintings, including two (2) depicting bird's nests with eggs and flowers and one (1) depicting raspberries, plums and green foliage. Each signed lower right "George Clare" with fruit still life dated "'79". All housed in contemporary gilt carved wood frames. Sights - 5 1/2" H x 8 1/2" W. Frames range in size from 9 1/2" H x 12 1/2" W to 10" H x 12 1/2" W. 4th quarter 19th century. Biography (Adapted from Invaluable and AskArt): Born in Barnet, Hertfordshire, England in 1835, George Clare painted still lifes of fruits and flowers, using a technique that some have come to associate with that of William Henry Hunt, another 19th century English still life painter. His sons, Oliver and Vincent Clare, became painters of similar subject matter and utilized a similar painting technique. George Clare spent most of his life in Barnet, Hertfordshire, and some amount of time in Birmingham during the 1860s before ultimately returning. Institutions where his work was exhibited include the Royal Academy, the Royal Society of British Artists, and the British Institution. Provenance: Living Estate of Frances Fulton, Knoxville, TN. CONDITION: All paintings overall very good condition.
Lot 119
George Clare (United Kingdom, 1835-1900) oil on canvas still life painting depicting a birds nest with eggs and flowers. Signed lower right. Labels from previous gallery and shipper en verso. Housed in gilt wood frame. Sight - 16 1/2" H x 11 1/2" W. Frame - 16 1/2" H x 21 1/2" W. Mid to late 19th century. Biography (Adapted from Invaluable and AskArt): Born in Barnet, Hertfordshire, England in 1835, George Clare painted still lifes of fruits and flowers, using a technique that some have come to associate with that of William Henry Hunt, another 19th century English still life painter. His sons, Oliver and Vincent Clare, became painters of similar subject matter and utilized a similar painting technique. George Clare spent most of his life in Barnet, Hertfordshire, and some amount of time in Birmingham during the 1860s before ultimately returning. Institutions where his work was exhibited include the Royal Academy, the Royal Society of British Artists, and the British Institution. Provenance: Living Estate of Frances Fulton, Knoxville, TN. CONDITION: Overall good condition. Scattered inpainting, mainly around top margin. Largest area 3" L x 1 1/2" W in upper right quadrant next to white flowers. Stretcher crease to top edge.
Lot 131
George Loftus Noyes (MA/NY, 1864-1954) oil on board impressionist French river scene titled "The Seine near St. Germain." Rendered in broad, impasto strokes, the painting depicts brightly colored fishing boats moored along a tree-lined bank, with a town, including a church with tall spire, and hills in the background. Sun from a partly cloudy sky is reflected in the water below. Signed lower left "G. L. Noyes" and titled in pen en verso. Housed in a gilt and painted wood frame with linen liner. Sight - 13 3/4" H x 15 1/4" W. Framed - 18 1/4" H x 19 3/4" W. Artist's Biography: Noyes was a member of the Boston School of American Impressionism and studied at the Massachusetts Normal School with George Bartlett in the early 1880s and in France at the Academie Colarossi in Paris between 1890-93. He was a highly respected landscape and still life painter in Boston in the early 1900s. Noyes exhibited at the Pennsylvania Academy of Fine Arts, the Art Institute of Chicago and the Corcoran Gallery in Washington, D.C.. He was an early teacher to Newell Convers Wyeth, father of Andrew Wyeth and grandfather to Jamie Wyeth. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Overall good condition. Light overall grime. UV light reveals added paint strokes to sterns of both boats in harbor.
Lot 281
Harold Kraus (American/Tennessee, late 20th c.), "Cherry Par-tay," oil on canvas still life painting depicting a bowl of cherries, against a green striped background. Signed "Kraus" lower right. Additionally signed and titled en verso. Float mounted in a black frame with gilt rabbet edge. Canvas - 30" H x 48" W. Framed - 37" H x 55" W. Provenance: the estate of B. Dale Wiley, Brentwood, Tennessee. CONDITION: 1" x 2" area of tenting to lower left quadrant near center of canvas (next to bowl). A few scattered brush hairs trapped in paint and scratches. A few minor abrasions to frame. Overall very good condition.
Lot 291
Sterling Strauser (Pennsylvania, 1907-1995) oil on board still life painting depicting flowers in a vase, painted with thick impasto technique. Signed and dated Strauser 72 lower left. Housed in a giltwood frame with linen liner and gilt fillet. Sight - 9 1/2" H x 7 1/2" W. Framed - 16 1/2" H x 14 1/2" W. Provenance: the estate of Victor T. Patterson, Franklin, TN. Note: born in Georgia and educated at the Parsons School of Design, Victor Patterson served as a cultural representative to Russia with Dwight D. Eisenhower's "People to People" program (prior to its privatization) before moving to the Nashville, Tennessee area to pursue a career in interior design. He was associated with Bradford's for many years before starting his own business. He decorated the Tennessee Governor's Mansion and the home of several country music stars in the 1970s, and filled his home on Franklin's historic Fourth Avenue with art and antiques from his frequent travels. CONDITION: Painting overall very good condition. Some gilt loss to gilt fillet on frame.
Lot 301
Two (2) Oliver Clare (United Kingdom, 1853-1927) oil on canvas still life paintings with fruit, one of peaches with apples, and the other of raspberries with lemons. Both signed lower right and housed in carved gilt wood frames. Equal sizes. Sight - 8 1/2" H x 6 1/2" W. Frames - 14" H x 12" W. Late 19th to early 20th century. Biography: Oliver Clare was the son of George Clare, whose work greatly influenced his own. Like his father, he painted still lifes of flowers and fruits, and the two shared similar painting techniques. He exhibited at the Royal Academy, Royal Glasgow Institute of Fine Art, the Birmingham Royal Society of Artists, and the Royal College of Art. Provenance: Living Estate of Frances Fulton, Knoxville, TN. CONDITION: Both paintings overall good condition. Minor craquelure to areas of dark brown. Small scratch (1" L) to surface of painting with peaches, in upper half of painting on centermost peach.
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77111 item(s)/page