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OLIVIA PILLING (born 1985); acrylic on canvas, still life fruit in a bowl, signed, 35 x 45cm, framed. (D)Additional InformationThe image is in good condition. Light wear to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

OLIVIA PILLING (born 1985); acrylic on canvas, still life fruit in a bowl with vases, signed, 35 x 45cm, framed. (D)Additional InformationGood condition with light wear to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

E. BENTON; watercolour, figures in cathedral, signed and dated 1930, 51 x 33cm, together with a watercolour by Catherine Warburton, still life, signed, 56 x 62cm, a mixed media by P. Pollit, a landscape and two prints (5).

19TH CENTURY BRITISH SCHOOL; watercolour, figures in boats in harbour scene, 13 x 18cm, a watercolour by Eileen M Wood, lady or maiden playing the violin and two further watercolours of still life interior scenes (4).

AFTER SIMON VERELST; oil on panel, still life study of flowers in a vase, 39 x 29cm, framed.Additional InformationImage with a couple of small areas to the bottom which may have been touched up. Frame with minor wear. 

HAROLD CLAYTON (1896-1979); oil on canvas, still life study of floral sprays in a jardinière upon a marble ledge, signed, 55 x 65cm, framed. (D) Provenance: The contents of a Cheshire Country House.Additional InformationPresented in very good condition. The picture has clearly been cleaned. Under UV light, there are small areas of re-paint - noticeably around the ledge. Please refer to additional photographs. This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

N ZIEGLER (born 1939); pair of oils on panels, still life, fruit, signed, 23 x 29cm, bears Unicorn Gallery label verso (2) (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

A Georgian style walnut framed wall mirror with carved inset panel, oil, still life, length 110cm.

A.S. WATSON & CO, HONG KONG AND CHINA; an early 20th century advertising poster for Ideal Face Powder, painted with figures in landscape and still life with fruit, 76 x 51cm.

A 19th century needlework panel, still life flowers in a vase, diameter 38cm, in maple veneered frame, together with a similar smaller example (2).

Mark Gertler (1891-1939)/Still Life/with earthenware vessel and blue ewer/signed and dated July 1922/oil on board, 31.75cm x 40cm/Note:This still life was painted during the artist's stay with Bonamy and Valentine Dobrée in Larrau in the Pyrenees in the summer of 1922. The still life objects, an earthenware pitcher, a blue enamel jug and a stark white tablecloth, though atypical in Gertler's work, which generally re-uses favourite props that can be traced from one painting to the next, are characteristic of rustic French interiors of the period. Another still life with similar earthenware can be dated to this visit. However, the landscape glimpsed through and framed by the window, painted in soft, diagonal strokes is typical of Gertler's landscapes between 1919 and 1920, and the framing device can be found in other contemporaneous still lifes. This work will be included in Sarah MacDougall's catalogue raisonée of Mark Gertler's work and we thank her for her assistance with this catalogue note CONDITION REPORT: The painting has had an amateur varnish, this has gone over onto the inner slip of the frame as well. There is a repair to the frame slip and a few knocks and dents. The overall appearance is good but I think removal of the old varnish might be advisable.

Doris Brabham Hatt (1890-1969)/Still Life with Guitar/initialled and dated '61/oil on board, 19.5cm x 24cm CONDITION REPORT: The paint surface appears in good condition, there is some slight shrinkage to the black painted areas like the jug and the neck of the guitar. The frame has been repainted at some point. Some spots of water staining to reverse of board. Overall condition good.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

ANDREW CLEMENT VERSTER - STILL LIFE WITH FRUIT & JAPANESE FISH PEN & INK 

SARAH ARMSTRONG-JONES (b.1964) SOUTH INDIA STILL LIFE 1996OIL AND GOUACHE ON PAPER SIGNED ON REVERSE 26 x 17 cm

J Pollock, oil on board still life study in pine frame and another of a garden scene

A gilt framed needlework still life study of flowers

A gilt framed still life study of flowers, study of shore line, two gilt cherubs, cherub decorated table lamp and a pottery vase

A pair of gilt framed still life prints depicting vases of flowers

A signed print 'Spring, Snow, Skye', still life print of flowers and three photographic prints in common frame

BERTRAM LEIGH (BRITISH 19TH / 20TH CENTURY) A STILL LIFE STUDY OF MIXED FLOWERS IN A BOWL, signed bottom right, Hormer Galleries label verso, oil on board, approximate size 29cm x 39cm, framed and glazed

A COLLECTION OF DECORATIVE PICTURES AND PRINTS ETC, to include a large unsigned landscape oil on canvas, approximate size 60cm x 90cm, an indistinctly signed Italian scene watercolour, two K. Marsden 1970's portraits of a female and a male figure, four unsigned modern oil on board still life flower studies, M.G. Noakes watercolour / gouache study of a yacht in rough seas,

DECORATIVE PICTURES AND METALWARES ETC, comprising a river landscape with snow covered mountains to the distance, indistinctly signed oil on canvas, approximate size 40cm x 50cm, landscape with a path leading to distant mountains, signed C. Wells, a landscape at sunset with mountains to the background, indistinctly signed, a pen and watercolour sketch depicting the Bridge of Sighs in Venice, indistinctly signed, Christa Kieffer print, unframed tinted black and white photograph of a small child, small framed print 'Miss Murray', two metal serving trays featuring still life images to the top surfaces, printed to the bases Stephanie Hoppen Picture Archive, and a brass relief wall plaque, approximate diameter 70cm

Jill Squire, The Field Gate, oil on board together with with Jeremy James Stiff, still life study of a vase and fruit, oil on board, both framed

Peter Griffiths, two still life studies of flowers, framed and glazed

Large mixed lot to include various pictures, still life studies, framed print, pencil sketch of a country house etc

Mixed Lot: Study of ducklings, still life study of sunflowers and a further coloured print (3)

William Cruikshank (1849-1922), watercolour and gouache, Still life of blossom, a birds nest and dead goldfinch, signed, oval, 19 x 23cm

A framed oil painting still life on metal panel, signed lower right, approximately 30 cm x 36 cm image size.

19th C. British School, Still Life w/ Dead Game Image depicts dead game of rabbit and fowl Oil on Canvas. Appears to be unsigned. Loss to paint along bottom edge. Sight Size: 30 x 25 in. Overall Framed Size: 35.5 x 30 in.

Large Old Master Still Life Painting. Oil on Canvas laid on Board. Old labels verso. Appears to be unsigned. Overall Framed Size: 54 x 44 in.

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting.Titled: "Yellow Menagerie"Dated: '89 / '96Oil on Canvas. Signed and dated verso, twice. Overall Size: 52 x 42 in. (224 - 4265)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting.Titled: "Wind in the Essence" Dated: '71 Oil on Canvas. Signed and dated verso. This item was restretched in 2018.Overall Size: 32 x 25.75 in. (4320)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Like Dancing" Dated: '87 Oil on Canvas. Signed and dated lower right and verso. Size: 57.5 x 49.5 in. (90 - 4571)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Red Progression 3" Dated: '89 Oil on Paper. Signed lower right. Image Size: 8.75 x 11.75 in. Overall Size: 13.75 x 16.75 in. Unframed. (255 - 4946)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Bobbie Simmons (British late 20th century): Still Life of 'Rosa Nevada' Foxgloves and Fuchsias, four watercolours signed max 32cm x 23cm (4)

Nan C. Livingstone (1876-1952)Original oil on canvas depicting still life, bouquet of flowers. [63x93cm]

MALER DES 19. JAHRHUNDERTS "Stilleben". Öl auf Holz, Verso Reste von Siegellack, HxB: 34/24 cm. Rest. HxB: 48/38 cm. | PAINTER OF THE 19th CENTURY "Still Life".Oil on wood, verso remains of sealing wax, HxW: 34/24 cm. Rest. HxW: 48/38 cm.

MALER DES 19. JAHRHUNDERTS "Stilleben". Öl auf Holz, Verso Reste von Siegellack, HxB: 34/24 cm. Rest. HxB: 48/38 cm. |PAINTER OF THE 19th CENTURY "Still Life".Oil on wood, verso remains of sealing wax, HxW: 34/24 cm. Rest. HxW: 48/38 cm.

Seven assorted pictures including a Still Life of Flowers; View of a Garden Fountain; a country landscape and others (7)

James Stuart Park, Scottish (1862-1933),  Still life of Pink Roses,  oil on canvas, painted in oval, signed: Stuart Park, 49cm x 59cm 

SEVEN CASSETTE BOX SETS: LED ZEPPELIN (4 CASSETTES) YES YEARS (4 CASSETTES, STILL SEALED) CREME AND GODLEY - CONSEQUENCES(3 CASSETTES), BRUCE SPRINGSTEEN LIVE 1975-85 (3 CASSETTES), ISLAND LIFE - 25 YEARS OF ISLAND RECORDS - VARIOUS (4 CASSETTES) BEE GEES - A HISTORY IN SONG 1967-90 (4 CASSETTES) AND ERIC CLAPTON - CROSSROADS (4 CASSETTES)

Mid-20th century school - Still life with apples, oil on mill board, signed with monogram JMK, 41 x 51cm

Late 19th century English school - head and shoulders portrait of young girl, oil on canvas (with losses), signed with monogram upper left CWE and dated 1890, 30 x 25.5cm; together with a still-life study oil on canvas; and a landscape oil on canvas (3)

A Clive Madgwick print, 55 x 76cm, together with H Shaw, still life flowers and a print (3)

Continental school, 19th century, still life flowers, oil on canvas, 53 x 44cm, together with another of fruit, oil on board, 22 x 28cm (2)

JAN RODNEY, Still Life, oil on board, signed and dated 1963, framed. 58.5 x 42.5 cm.

MARION BROOM, Still Life, oil, framed and another Still Life. The former 50 x 40 cm.

A collection of pictures, to include an abstract still life, 17 x 30cm, and various continental landscapes (6)

Roy Lichtenstein, Still Life with Red JarFarbserigraphie auf Karton 54,3 x 49,2 cm. Unter Glas gerahmt. Signiert und datiert. Exemplar 177/250 (+50 AP, +RTP, +PP I, +PP III, +3 GEL, +30 SP, +C). Edition Gemini G.E.L., Los Angeles (mit Prägestempel, rückseitigem Stempel und Registriernummer).Mary Lee Corlett, The Prints of Roy Lichtenstein, a catalogue raisonée 1948-1997, New York 2002, WVZ-Nr. 291Gemini G.E.L. Online Catalogue Raisonné, WVZ-Nr.1621ProvenienzArt Galerie Richter, Berlin (1997); Privatbesitz, Berlin

Deborah Jones, still life with doll on shelf, oil on canvas, framed

Lilian Stannard (1877-1944)"A Border at Kew Gardens"Signed, watercolour, together with a study of a garden, watercolour by Colonel Harold Esdaile Malet (1841-1918), and a further still life watercolour indistinctly signed, 34cm by 24cm, 12cm by 17cm, and 10.5cm by 14cm respectively (3)Provenance (Stannard): Christopher Wood, London

A box of pictures and prints to include; a still life watercolour of Rose hips in a vase signed 'E. Openman 98', a small unframed watercolour of a Puffin signed 'JAA 84', a print of Primroses signed in pencil by the artist Rob Ritchie, a print titled 'The Buttercross, Ludlow' by Louise Rayner 1829-1924, etc.

A quantity of pictures to include; a Still Life watercolour by Martin Preece, a framed and mounted drawing of a House with Figures, an unframed watercolour of Monmouth Bridge by Martin Preece, a framed watercolour of a Country Landscape by M. Bowron, a watercolour of an old Church signed J. Williams 1893, etc.

Meta Plückebaum (1876-1945) Blumenstillleben mit Kätzchen, floral still life with kitten,Öl/Leinwand, u. links signiert Meta Plückebaum, rückseitig bezeichnet "Stiefmütterchen und die junge Molly", H 60 cm x B 50 cm, Prunkrahmen 80 x 68 cm,

Werner de Caro (*1945) Früchtestillleben mit Zinnkrug, fruit still life with pewter jug,Öl/Leinwand, u. links signiert W. de Caro, H 60 cm x B 70 cm, Prunkrahmen 78 x 88 cm

Altmeister 17./18. Jahrhundert, Blumenstillleben, Old master painting 17./18. Century, floral still lifeÖl/Leinwand, keine erkennbare Signatur, H 68,5 cm x B 55 cm, Rahmen 88 x 74 cm, Fehlstellen, rest.

Lizzie Riches. Three of Hearts. Oil painting on canvas, 24 x 18cm. Signed. Lizzie has been a painter all her life. She joined the Portal Gallery in Londons West End in the early 70s and still exhibits with them. Her paintings are inspired by many things ; Greek mythology , Tudor portraiture and the power of symbolism among them. The pips on the three of hearts reminded her of jewels that a vampish lady might wear. Blood red rubies look a little sinister to me !

λ DAVID DENBY (BRITISH B. 1946) STILL LIFE WITH GLASS AND CRUMPLED LEAVES; CURTAIN AND WASHING MACHINE Oil on board Each signed with initials and dated 01 (lower right), the first further signed, inscribed and dated (verso) 30.5 x 40cm (12 x 15½ in.); 24 x 16.5cm (9 1/2 x 6 1/4in.) (2) Condition Report: Each in good original condition. Condition Report Disclaimer

OLIVER CLARE (BRITISH 1853-1927) STILL LIFE OF FRUIT ON A MOSSY BANK Oil on board Signed (lower right) 17 x 24cm (6½ x 9¼ in.) Condition Report: Light surface dirt. Inspection under UV reveals light retouching throughout in particular to the edges of the upper right hand corner and to the upper left hand quadrant. In overall good condition. Condition Report Disclaimer

OLIVER CLARE (BRITISH 1853-1927) STILL LIFE WITH PLUMS, GRAPES, PEACHES AND GOOSEBERRIES Oil on board Signed (lower right) 24 x 34cm (9¼ x 13¼ in.)