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Lot 732
Louis Thomson (British, 20th Century), Still life of flowers in a vase, signed 'Louis Thomson' (upper right), oil on board, 34 x 27cm, together with three other 20th century oils by various hands, including an orchard in a landscape, a mountainous landscape (possibly South Africa), signed 'R Kraus' (unframed), and a city canal, indistinctly signed (4).
Lot 26
NO RESERVE Manetti Saverio - Vanni Violante - Lorenzi Lorenzo. Gufo di color vario di Virginia - Bubo Virginianus variegatus. [Firenze: nella stamperia Mouckiana, 1767]. Incisione su rame colorata a mano (mm 347x277, impronta della lastra) Non firmata. Dedica al Marchese Gaetano Girolamo Ollandini di Lerici, incisa su rame, sotto la figura. Buone condizione, un piccolo e lieve alone.Tavola numero LXXXIV tratta dalla più influente opera di ornitologia dell'epoca: la Storia naturale degli Uccelli (Firenze, 1767-1776), con testo curato dal medico fiorentino Saverio Manetti, e incisioni acquarellate a mano realizzate da Lorenzo Lorenzi e Violante Vanni. Hand-coloured copper engraving (347x277 mm, platemark). Unsigned. Engraved dedication to Marquis Gaetano Girolamo Ollandini di Lerici. A good copy, a light and small stain.Plate numero LXXXIV from the Storia naturale degli Uccelli (Florence, 1767-1776), 'one of the most remarkable publishing ventures ever undertaken in Florence [...] Strutting, parading, posturing, and occasionally flying [...] are birds whose real-life counterparts would surely disown them, and not without reason, for Manetti seems in these pictures to be depicting the human comedy, the habits and mannerisms of contemporary Italian society. His book may still be rated among the very greatest bird books, if only for its magnificent comicality' (P. Dance. The Art of Natural History: Animal Illustrators and their Work. London 1978).
Lot 377
ROOK, an oil on board still life painting of a sliver goblet and a sprig of greenery, signed lower left, presented in a frame, approximate size 32cm x 20cm, together with a hand tinted map of Leicester and Rutland, approximate size 11.5cm x 22cm and a hand tinted map of Derbyshire, approximate size 26cm x 20cm (3)
Lot 313
A rare and large Chinese archaic bronze ritual drinking vessel, Hu, Warring States period 5th-3rd century B.C., carved in relief with three registers of ancestral figure scenes of sacrifice, worship and hunting, taotie mask ring handles, brown patina with areas of malachite and cuprite encrustation, approx. 50cm high, repairsLiterature:see Jessica Rawson, Chinese Bronzes: Art and Ritual, British Museum Press, 1987, Fig. 28e with an illustration of a smaller bronze Hu vessel in the Palace Museum Beijing decorated with similar figure scenes.A bronze fanghu (square wine vessel) decorated in the same style but with an inlay technique around the decoration is in the Rietberg Museum, accession no. RCH9A and is illustrated in the Museum Rietberg Zurich Museum Guide, Zurich, 2000, p. 75, fig. 59.A fanghu of this type and style with pictorial decoration in flat relief restricted to three horizontal registers, now without any of the background inlay material remaining, in the National Palace Museum, is illustrated in Catalogue of the Special Exhibition of Shang and Chou Dynasty Bronze Wine Vessels, National Palace Museum, Taipei, 1989, p. 217, plate 77. A third, smaller fanghu decorated in the same technique with silhouetted figures and animals in flat relief shown in various hunting scenes, also now lacking the inlay material which filled the background, in the Freer Gallery of Art, is illustrated by Lawton in Chinese Art of the Warring States Period, Change and Continuity 480-222 B.C., Washington D.C., 1982, p. 33, no. 5The decoration is similar to scenes carved on to later Eastern Han dynasty stone tomb reliefs such as The Wu Family Ancestral Shrine found on the north of Wuzhai Mountain in Zhifang Township, Jiaxiang County of Shandong Province, China.Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.
Lot 314
A Chinese archaic bronze tripod water basin, Pan, Warring States period, 4th/2nd century B.C., the interior with copper inlaid roundel, on zoomorphic cabriole feet, lug handles, grey-brown patina extensively covered with malachite encrustation, the interior roundel decoration with cuprite deposits, 15cm high, 39cm diameter, holes beneath rimProvenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.
Lot 315
A Chinese archaic bronze ritual wine vessel and cover, You, early Western Zhou dynasty, 11th-10th century B.C., cast in relief with bands of phoenixes, bovine masks and leiwen, the swing handle with prominent tapir-head terminals, three character pictographic 'elephant' clan mark to underside of cover and interior of vessel, grey and dark brown patina with some areas of verdigris, 22cm high, repairsLiterature: This vessel is similar in form to the Zhao you, attributed to the reign of King Zhao (circa 977/975-957 BC), in the Shanghai Museum, Shanghai, illustrated in Shanghai Bowuguan cang qingtongqi [Ancient bronzes in the Shanghai Museum], Shanghai, 1964, pl. 38.For similar ritual vessels sold at auction see Sotheby's, New York, Important Chinese Art, 13 May 2015, Lot 101, the 'Zuo Ce Huan You' at Sotheby's, New York, 'Magnificent Ritual Bronzes', 17 September 2013, Lot 8 and Christie's, New York, Fine Chinese Ceramics and Works of Art, 21 - 22 March 2013, Lot 1129.Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.
Lot 210
δ Martin Whatson (b.1984)Flowers in a Vase - Still life with mixed flowersOil and spraypaint on reclaimed canvas, 2017, signed in white ink on a label attached verso, canvas 730x 640mm (28 3/4 x 25 1/4in) (framed)This lot is accompanied by a photo-certificate of authenticity signed by the artist.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 3
δ Ben Nicholson O.M. (1894-1982)Still LifeLithograph printed in colours, 1962, signed in ink verso, numbered from the edition of 95 in pencil, on Arches wove paper, printed and published by Mourlot, Paris, with full margins, sheet 470 x 660mm (18 1/2 x 25 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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