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Lot 205

A Flemish style still life of fruits on table top, oil on canvas. Picture size 40.5 x 48cm

Lot 310

A Modern School oil painting, still life study of red poppies, signed.

Lot 383

Victorian School, a watercolour Still Life fruit and flowers, unsigned, framed.

Lot 516

Style of the Scottish Colourists, Still life of flowers in a vase, signed lower left E.M. PATERSON, watercolour, framed. 38cm by 27.5cm

Lot 518

Manner of Joseph Israels (1824-1911), Shepherd, unsigned, watercolour and pencil, bears inscription JOSEPH ISRAELS verso, framed, 14cm by 14cm; together with Thora Clyne, Still life of two apples, signed and dated '77, bears inscription to label verso with title, date, artist's name and address, pen, framed, 10.5cm by 16cm. (2)

Lot 595

Robert Caspers (20th century), Still life of fruit and vine in, and around, a basket, signed lower right (obscured by the frame), oil on panel, in a gilt composition frame with oval aperture. Panel 41cm by 31cm

Lot 9

Daniel O’Neill (1920-1974) STILL LIFE WITH BUTTERFLY oil on canvas signed lower right 14 by 18in., 35 by 45cm. L Acquired from Theo Waddington [Waddington Gallery] c.1968;Thence by descent to the present owner

Lot 10

Kenneth Webb RWA FRSA RUA (b.1927) STILL LIFE WITH CRUCIFIX oil on canvas signed lower right; titled on reverse 14 by 36in., 35 by 90cm. L

Lot 23

Leo Whelan RHA (1892-1956) A COLLECTION OF 22 PAINTINGS AND DRAWINGS pastel on card; (1); oil on unstretched canvas; (21) pastel, signed lower right; canvases variously signed and inscribed 18.5 by 14.5in., 46.25 by 36.25cm. P Family of the Artist Unstretched canvases include: Woman in a Shawl, (23.5 by 19.5in.); Portrait of a Lady in Red, (29.5 by 26in.), signed lower left; Portrait of Mr R.R. Adamson, 1935, (29.5 by 25in.), signed inscribed and dated lower left; Portrait of a Lady in Black with Crimson Lips, faintly signed upper right, (29 by 25in.); Portrait of Aida MacGonigal née Kelly (14.5 by 16.25in.) [Aida Kelly, a part-time model at the college of art in Dublin where she met and later married artist Maurice MacGonigal in 1941.]; Nude Aida, (27 by 23ins.), inscribed with title on reverse; Portrait of a Lady in Black with Pearl Earrings, (40.5 by 32in.); Portrait of a Lady in White, (34.5 by 37in.). Two Still Life Studies, (14 by 10in.) (each). Also includes an unstretched canvas, Coastal Scene with Boat, which may only be attributed to the artist as an early work, (25.25 by 32in.)

Lot 121

Markey Robinson (1918-1999) STILL LIFE oil over gouache on board signed lower left 15 by 23in., 37.5 by 57.5cm. L

Lot 131

Alexey Krasnovsky (b.1945) STILL LIFE WITH PEARS AND PLUMS, 1996 oil on canvas signed and dated lower left 11.75 by 13.75in., 29.375 by 34.375cm. L Acquired directly from the artist by the present owner Born in St. Petersburg, Krasnovsky studied for five years at the Tavrichesky College of Art under the Constructivist painter Alexander Pavlovitch Zaitsev. In the late 1970s he travelled to North America and from there to Mexico, Austria, France, Portugal and Ireland. Locally, he has had several exhibitions with Jorgensen Fine Art, whilst in London he has shown with the Albemarle Gallery. His work is in numerous collections including the Museum of Russian Art in New Jersey.

Lot 149

John Skelton (1923-2009) SPRING SUNLIGHT, PHOENIX PARK, DUBLIN, AUTUMNAL SCENE WITH UMBRELLAS and FLORAL STILL LIFE (SET OF 3) watercolour; (3) signed lower right (2) and lower left (1); the first titled on reverse 7.5 by 10in., 18.75 by 25cm. L Dimensions of second and third works: 7.5 by 9.5in and 10.25 by 14.25in, respectively.

Lot 159

Stuart Morle (b.1960) STILL LIFE WITH LIZARD, APPLE AND PORTUGUESE TILE oil on copper signed on ledge lower right 8 by 10in., 20 by 25cm. L The two still lifes [lots 159 & 160] in this auction are painted on copper sheet. Copper has been used for several centuries as a support for oil paintings, and artists often used the reverse side of old etching plates for their works. Though limited in dimensions, this material provides a smooth and stable surface which is unaffected by humidity and does not deteriorate with time.Stuart Morle often employs a small format to experiment with intimate arrangements of simple objects. These studies then enable him to approach larger and more complex compositions with greater confidence. An example of the combination of still life into a painting with a figure may be seen in his Pictura which was exhibited and sold last year at the Royal Academy Summer Exhibition, London.

Lot 160

Stuart Morle (b.1960) FIVE APPLES IN A DRAWER oil on copper signed lower right 6 by 10in., 15 by 25cm. L The two still lifes [lots 159 & 160] in this auction are painted on copper sheet. Copper has been used for several centuries as a support for oil paintings, and artists often used the reverse side of old etching plates for their works. Though limited in dimensions, this material provides a smooth and stable surface which is unaffected by humidity and does not deteriorate with time.Stuart Morle often employs a small format to experiment with intimate arrangements of simple objects. These studies then enable him to approach larger and more complex compositions with greater confidence. An example of the combination of still life into a painting with a figure may be seen in his Pictura which was exhibited last year at the Royal Academy Summer Exhibition, London.

Lot 161

Stuart Morle (b.1960) STILL LIFE WITH COFFEE AND EGGS oil on canvas laid on board signed lower right; with artist`s label on reverse 7 by 8.5in., 17.5 by 21.25cm. L

Lot 201

Jean Dufy (French, 1888-1964)Untitled "Still Life with Fruit". Signed Jean Dufy and dated 1930 l/r._Watercolor on paper. Measuring 16.5 by 21 inches.

Lot 228

PAIR CHINESE CINNABAR BOXES AND COVERSFan-shaped, the cover centered by a still life scene, encompassed by rectangular reserves centered by birds and foliage. Length 14 3/4, Width 10 1/2 inches.

Lot 540

After Cezanne. A still life. Oil on board.

Lot 195

Early C19th Oil on Canvas, still life flowers in decorative vase, signed Frederich Munster, 19 3/4` x 23 3/4`, gilt framed, back of frame marked Dusseldorf 1939, marked in pencil Frederich Muster

Lot 647

Four still life miniature oil paintings in oval gilt metal frames

Lot 10

Two still life oils on canvas

Lot 12

A still life print and a portrait print

Lot 54

A still life print and a mirror

Lot 278

Hubert, still life study of flowers in a blue vase with an apple on a highly polished surface, oil on canvas, signed, 60 x 50cm in gilt moulded frame, together with two framed and glazed prints, an Edwardian seaside view and a dinner party.

Lot 427

A framed and glazed watercolour depicting a Mediterranean coastal scene and a framed and glazed still life print.

Lot 775

A decorative fire screen in the form of a still life, flowers in a vase.

Lot 31

P. Gardiner, oil on canvas of still life flowers (unframed) 20" x 24"

Lot 87

Three watercolours, "All Saints Marqaveb Street", signed monogram, a still life of flowers in a glass vase signed C. Roche, Cheetham 1930 and a Venetian watercolour, signed S. Trevisan

Lot 200

Attributed to Benjamin Blake (British, 1757-1830) A pair of still life showing dead game, pheasants, fish, and birds, oils on canvas, each 19cm x 24cm

Lot 237

20th Century School A pair of still life of pink and red flowers and fruit, each signed, oils on board, each 22cm x 19cm

Lot 355

Sir Matthew Smith [ARR]/Still Life with Oranges/watercolour, 46cm x 30cm (18" x 11.75")/Exhibition: David Messum Autumn Exhibition 1989 /ARR Artist's Resale Right may apply

Lot 411

June Miles/Still Life of Cyclamen/signed on reverse/oil on canvas, 29.25cm x 34.25cm (11.5" x 13.5") Condition Report: The painting is in very good condition and ready to hang

Lot 388

Jane Miles, 20th century, Still life, signed and dated `88 on verso, oil on canvas, 44.5 x 34.5cm.; 17.5 x 13.75in, together with another English School, 20th century, Rural view, indistinctly signed, watercolour, 22.5 x 29cm.; 9 x 11.5in (2). Condition report: see terms and conditions.

Lot 423

Caroline Bailey (1953-), Floral still life, signed, watercolour, 61.5 x 57.5cm.; 24.25 x 22.75in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.

Lot 487

Manner of Jean-Baptiste Bosschaert (1667-1746), Floral still life, oil on canvas, 75 x 62cm.; 29.5 x 24.5in in original elaborate gilt frame. Condition report: see terms and conditions.

Lot 883

A Minton shallow bowl later painted with a still life with two rats, signed Edouard Rischgitz, impressed marks, diameter 23cm.

Lot 178

Crevecoeur, Michel Guillaume De 1787 [Three Volumes] Lettres d`un Cultivateur Americain Addressees a Wm. S... on Esqr. Depuis l`Annee 1770 Jusqu`en 1786... ""This very attractive three-volume set is Crevecoeur`s classic collection of twelve essays that reflected on the nature of American life, particularly its customs and manners. His description of bountiful American lands spurred many French people to immigrate to America. Of special interest, the book contains letters concerning observations of life on the islands of Nantucket and Martha`s Vineyard, which are generally considered to provide the first detailed depictions of these islands. Howes says that Crevecoeur`s work is a: """"Description of American life of great influence in attracting European immigration in the post-revolutionary period. As literature unexcelled by any American work of the eighteenth century."""" The books include the following 5 maps: Carte Generale des Etats de Virginie, Maryland, Delaware, Pensilvanie, Nouveau-Jersey, New-York, Connecticut... (25.5 x 18.8""""). This is an updated edition of Evans` rare and important map of the Middle Colonies that was first published in 1755. Highly detailed, the map covers the frontier, not just the better known populated areas of the states. It extends to include Lakes Ontario and Erie, and the St. Lawrence River to Montreal. The map randomly uses French or English for the scores of place names, while most notations and the legend are in English. A large inset at upper left """"Esquis se duresse de la Riviere de l`Ohio"""" shows the course of the Ohio River to the Mississippi and up to Lakes Michigan and Huron. The French had better knowledge of the Great Lakes area as evidenced by additions on this map not found on the original Evans. For example, the Portage of Chikago, Fort Erie, and St. Louis are shown and the Niagara River valley contains more detail of the watershed in the region. Crevecoeur also included updated information in New England particularly in Vermont, where Dartmouth College, Putney, Bennington & Westminster are located. Kentucky is erroneously named as a state and there are early references to important cities in the region - Louisville, and Leestown, which was the first Anglo-American settlement on the north side of the Kentucky River and is now part of Frankfort. The map names Indian tribes and a legend explains their status: Extinct; Nearly extinct; and those that are Still considerable. Condition: Light offsetting with a binding tear that extends 0.5"""" beyond the neatline. (B+) Carte de l`Ile de Nantucket, pour les Lettres dÂ’un Cultivateur Ameriquain (8.0 x 11.0""""). This early copper engraved map of Nantucket includes a legend identifying thirty-two different sites. In addition to the detail in the legend, the map locates Sherburn, Full Mill and Isle de Tuckanuck. Condition: Faint offsetting. (A) Carte de l`Ile de Martha`s Vineyard avec ses Dependances... (10.3 x 8.3""""). This rare copper engraved map covers MarthaÂ’s Vineyard, the Elizabeth Islands and a portion of Cape Cod. On the Vineyard, details include roads, natural features, towns and villages, and two meeting houses. Also locates Tidsbury Wood Land south of Tidsbury Town, Eel Pond, Peat Swamp, Squidnoket Pastures, and Cape Pog Pond. The legend at upper right identifies ten features on the map with more information. A most desirable and early map of Martha`s Vineyard. Condition: Light offsetting. (A) Esquisse du Muskinghum [on sheet with] Esquisse du Sioto [and] Esquisse de la Riviere du Grand Castor (20.5 x 9.0""""). Interesting sheet that contains three separate maps showing the Indian villages in the region of the Ohio River. At upper left above neatline is """"Tome IIIme. Page 413."""" Condition: Light offsetting. (B+) Carte Generale des Etats-Unis de l`Amerique Septentrionale... (16.7 x 10.1""""). An uncommon map of the early United States and the first printed map to name Frankland. Also known as Franklinia, it is shown here just west of the border of North Carolina, named Pays de Frankland. In 1785 settlers in western North Carolina and what would become eastern Tennessee organized a state government to be named in honor of Benjamin Franklin. Congress turned down their appeal but the state maintained a legislature and governor until 1788. This ephemeral state appears on only a small number of maps. The 14th state of Vermont is named and noted in the key at right, with a notation in French that it was """"not yet accepted in the confederation."""" Virginia is shown in a strange configuration and there is a square-shaped region denoted as Pays de Kentukey. Condition: There is a short binding tear at right with a small area of loss along the right neatline not impacting the map image. Light offsetting and toning along one fold. (B+) All maps are engraved by Pierre Tardieu. Matched set in three volumes - volume 1 (478 pp.), volume 2 (438 pp.), volume 3 (592 pp.). Octavo, hardbound in original full calf with gilt title on red and green labels on the spine, marbled endpapers and marbling on the sheet edges. A very attractive offering."" 5.1"" W x 8.1"" H An overall very nice example. Contents are generally clean and tight and the binding shows only minimal wear. See description above for the condition of the maps.

Lot 269

U.S. Government, 1894 [Map with Report] Map Showing the General Location of the Natural Oyster Grounds of MarylandÂ… [in] Bulletin of the United States Fish Commission. Vol. XII, for 1892 ""This colorful chart details oyster fishing beds throughout Chesapeake Bay and part of Chincoteague Bay in remarkably fine detail. The map locates Washington, D.C., Annapolis, Baltimore and Philadelphia in a street grid pattern. It locates areas where oyster gathering is authorized, and by which method, as shown by the color coded key at upper left to include Dredging, Scraping and Tonging. The legend also locates Compact and Scattered Reefs. By the 1870`s, Maryland`s oyster fields were becoming severely depleted, which led to oyster management efforts in the form of laws and regulations. The map is still bound into a bulletin of the U.S. Fish Commission containing 12 reports: 1. Bibliography of the Salmon of Alaska and Adjacent Regions, by Tarleton Bean 2. Life History of the Salmon, by Tarleton Bean 3. On the Viviparous Fishes of the Pacific Coast of North America, by Carl H. Eigenmann 4. Description of a New Sucker (Pantosteus Jordani) from the Upper Missouri Basin, by Barton W. Evermann 5. The Fishes of Texas and the Rio Grande Basin, Considered Chiefly with Reference to Their Geographical Distribution, by Barton W. Evermann and William C. Kendall 6. Report on the Salmon Fisheries of Alaska, by Marshall McDonald 7. List of Fishes Collected at Sea Isle City during the Summer of 1892, by H. P. Moore 8. Summary of Fishery Investigations Conducted in the North Pacific Ocean and Bering Sea from July 1, 1888, to July 1, 1892, by the U. S. Fish Commission Steamer Albatross, by Richard Rathbun 9. The Fyke Nets and Fyke-Net Fisheries of the United States, with Notes on the Fyke Nets of Other Countries, by Hugh M. Smith 10. Economic and Natural-History Notes on Fishes of the Northern Coast of New Jersey, by Hugh M. Smith 11. The Oyster Industry of Maryland, by Charles H. Stevenson 12. A Review of the Embiotocidae, by Albert B. Ulrey and C. H. Eigenmann 489 pp. with 118 plates. Quarto, hardbound in dark brown cloth with gilt title on spine."" 22"" W x 35"" H The map, in vivid color, has light toning along one fold, a small puncture in a blank area of the map image, and a 1.7"" binding tear that has been closed with archival tape. Contents are mostly clean and tight and the covers show minimal wear.

Lot 384

1950 An England Schoolboy cap, awarded to an unknown player, for representing England Schoolboys in 1950. The cap is dark green, velvet, with gold braids and tassle (the tassle loose, but still intact), plus the 3 Lions motif. Over the years England Schoolboy caps have been occasionally issued in dark green. The cap has passed down to the vendor, by descent, and it was acquired by his grandfather who lived in the Chesterfield area all his life, the original owner of the cap is unknown.

Lot 217

Walter Taylor, Still Life with Flowers, signed, oil on board, three humorous dog prints, signed in pencil, and a coastal watercolour

Lot 220

Tolpekina (Russian), Still Life of Lemons, oil on canvas, and `Taste of Honey`, oil on canvas

Lot 221

English School, 19th century, Still Life of Game Birds, 15 x 20cm, maple frame

Lot 131

Indistinctly signed, oil on canvas, still life of flowers, framed and mounted, 40cm x 45cm

Lot 287

20th century Continental school, a pair of still life studies of daisies in vases on a table, both signed indistinctly, acrylic on board, W. 15 cm, H. 22 cm.

Lot 391

20th century Continental school, still life of pink, purple and white flowers in a vase, signed lower right, oil on board, W. 44 cm, H. 56.5 cm.

Lot 495

Pamela Kay (contemporary British school), a collection of four still life studies to include marigolds in a jar and scattered mushrooms on a table, oil on panel and canvas.

Lot 302

A pair of painted oriental screens, the black ground decorated with floral and Still Life studies and figures in the fields. (2) 110 x 36cm

Lot 303

B. Bross, four original works in oil, to include a large rural landscape, two floral Still Life studies, and a fourth of a riverside dwelling. (4)

Lot 244

Quantity of ephemera to include:- various Weston Super Mare programmes, artists materials and various still-life paintings

Lot 260

Dorian Ker, Still life, "Sunshine and Shadows", gouache, 75 x 56cms.

Lot 726

A collection of temporary pictures and prints including oil painting on canvas of a surrealist style scene with huntsman, castle, glove, etc, 79 x 59 cm, a further painting on canvas of a Cossack style horseman, 50 x 40 cm, a coloured print laid onto canvas of Victorian style equestrian figures, a small oil painting on board of a still life with wine glass, shrimps, lemons, etc, signed bottom right Francia, 24 x 19 cm, a pair of coloured prints of Disney subjects including Cinderella and Mickey`s Steam Roller, etc

Lot 753

A collection of watercolours including a 19th century landscape with river and distant church, a contemporary still life study of an apple basket with label verso Shirley Lawn, a study of a ploughing team, a study of toadstools, signed bottom right Mary Sherman and a still life of a vase of Honesty, signed Patience Thom together with an Egyptian Papyrus painting, various sizes, all framed

Lot 806

An oil painting on board of a floral still life inscribed top left KEW 27 x 18, a study of a beagle in wooden frame with gilt slip, a watercolour of a female nude signed Alan Cownie and dated 1978, a coloured print of a landscape in mahogany and ebony type frame, etc

Lot 382

A printed textile picture in pale hues, three still life vignettes with moths and butterflies, initialled EB lower right, 58cm x 109cm, F&G

Lot 984

Freda Blois (1880 - 1943), oil on canvas in frame - still life of books and a tea cup on a table, signed, inscribed on reverse - Shown R.B.A. exhibition 1947, 51cm x 61cm

Lot 998

Set of four late eighteenth / early nineteenth century Continental School oils on canvas laid onto board in gilt frames - still life of flowers in urns under brick arches, 142cm x 57cm

Lot 804

Benjamin Gibbon (b. 1914), oil on canvas in gilt frame - still life of blossom in a jug, signed and dated 1952, 54.5cm x 64.5cm

Lot 818

W. J. Leggett, nineteenth century oil on canvas in oval gilt frame - still life of flowers and fruit, signed, 37cm x 30cm

Lot 847

H. E. Ward, pair Victorian oils on canvas in gilt frames - still life studies with bird's nest, fruit and flowers, signed, 19cm x 24cm CONDITION REPORT Study with grapes has had some over-painting where paint loss has occurred. The other oil is in good condition. The frames are almost certainly original but difficult to say if the gilding is

Lot 848

James Charles Ward (act. 1830 - 1875), oil on canvas in gilt frame - still life of a peacock feather, bird's nest, fruit and vines upon a ledge, signed and numbered no. 4 and dated 1854, 32cm x 48.5cm

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