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Michael Crawley, Still Life of Flower, signed, watercolour, 9cm x 9cm; others similar; W. Smedley, a pair, Street Scenes, signed, watercolours, 14cm x 9cm; other watercolours, oils, etc, 19th century and later, qty

A fine Great War ‘Battle of Jutland’ D.S.M. group of eight awarded to Chief Yeoman of Signals W. W. Day, Royal Navy, who was decorated for gallantry aboard the destroyer H.M.S. Nestor as she attempted to lead a near-suicidal torpedo attack against the German High Seas Fleet Distinguished Service Medal, G.V.R. (216047. W. W. Day, Yeo. Sigs. “Nestor” 31st. May-1st. June. 1916.); Africa General Service 1902-56, 1 clasp, Somaliland 1908-10 (216047 W. W. Day, Lg. Sig, H.M.S. Proserpine:); 1914-15 Star (216047, W. W. Day, Y.S., R.N.); British War and Victory Medals (216047 W. W. Day. Y.S. R.N.); Defence and War Medals 1939-45; Royal Navy L.S. & G.C., G.V.R., 1st type (216047. W. W. Day, Yeo. Sig. H.M.S. Victory) light contact marks throughout, otherwise nearly very fine (8) £1,400-£1,800 --- D.S.M. London Gazette 5 October 1918: ‘Additional Awards for Services in the Battle of Jutland on the 31st May, 1916.’ The official recommendation states: ‘H.M.S. Nestor, Battle of Jutland, 31 May-1 June, 1916. Whilst under heavy shell fire did carry out his duties with the greatest efficiency and coolness, although one of his staff was killed alongside him and he was handicapped by his halliards, semaphore and searchlight being shot away. Always a most zealous and capable Yeoman.’ William Walter Day was born in Bromley, Kent, on 25 October 1884. He joined the Royal Navy as a schoolboy on 25 July 1901, and witnessed rapid promotion in a little over a year from Boy 2nd Class to Signalman aboard H.M.S. Lion. Advanced Yeoman of Signals aboard the cruiser H.M.S. Venus on 1 February 1913, Day served at various shore establishments and depot ships from 1914 to 1916, before being posted to the destroyer H.M.S. Nestor on 25 May 1916, with less than a week to go before the largest fleet engagement of the Great War, the Battle of Jutland. To gain a real insight of the little destroyer’s part in the Battle, the following extract from Deeds that Thrill the Empire brings the story to life: ‘Some of our destroyers, too, had a busy and fruitful time during the run south. Nominally, they accompanied the battle-cruisers in order to protect them against submarine attack (in which they succeeded to perfection), but opportunity came to them for still more effective work. At 4.15 a division of these vessels, under the command of Commander The Hon. E. B. S. Bingham, in the Nestor, moved out towards the enemy with the object of delivering a torpedo attack. On the way they met a flotilla of hostile destroyers setting out towards our own battle line with a similar object, and a fierce fight ensued between the opposing craft, in which two of the enemy’s vessels were sunk without loss to us. The hostile attempt to attack our battle-cruisers was thus frustrated, and our boats pressed on with their original plan. The Nestor, Nomad and Nicator rushed in at the enemy under a terrific fire and discharged torpedoes at them. By all the rules of the game, they should have been sunk with every man on board, and, as it was, the only one of the three to escape was the Nicator, whose commanding officer, Lieutenant Jack Mocatta, was rewarded with the D.S.O. ‘The Nestor and Nomad were both disabled within easy reach of the enemy’s guns, and neither of them survived the experience, although, happily, many of those on board were saved by the enemy. These included Lieutenant-Commander Paul Whitfield, in command of the Nomad, who was specially promoted to the rank of commander, and Commander Bingham, of the Nestor, who was awarded the Victoria Cross for “the extremely gallant way in which he led his division in their attack, first on the enemy destroyers, and then on the battle-cruisers. He finally sighted the enemy battle fleet, and, followed by the one remaining destroyer of his division (Nicator), with dauntless courage he closed to within 3,000 yards of the enemy in order to attain a favourable position for firing the torpedoes. While making this attack, Nestor and Nicator were under concentrated fire of the secondary batteries of the High Seas Fleet. Nestor was subsequently sunk.”’ Plucked from the choppy North Sea by the Germans, Day was landed at Wilhelmshaven on 3 May 1916. Transferred from a German P.O.W. camp to Holland on 30 April 1918, it was only then that official reports of his brave actions aboard Nestor reached the Admiralty in London; recommended for the D.S.M. and accelerated promotion, he was raised Chief Yeoman of Signals on 18 January 1921, before being shore pensioned in the summer of 1922. Day returned to service during the Second World War, but his time was cut short in June 1941 in consequence of mental health problems, most likely associated with the horrors witnessed at Jutland and the deprivations associated with two years as a prisoner of war. Sold with an original small Battle of Jutland 1916 Commemorative Medal, base metal with ring suspension, in Spink & Son Ltd. card box; a set of period silk ribands; and copied research.

A Second War 1940 ‘Southampton Blitz’ B.E.M. awarded to Crane Driver F. C. Clouder, who was employed by Southern Railway at the Southampton Docks, and was originally recommended for the George Medal for his gallantry in saving the life of a Anti-Aircraft gun crew member during a luftwaffe raid on the docks, 14 August 1940 British Empire Medal, (Civil) G.VI.R., 1st issue (Frederick Charles Clouder) very fine £400-£500 --- B.E.M. London Gazette 24 January 1941, Frederick Charles Clouder, Crane Driver, Southern Railway, Southampton Docks: ‘Just after bombs had been dropped in Southampton, Clouder volunteered to assist in removing a wounded soldier from the roof of the Cold Store. This was burning fiercely and A.A. shells standing there were exploding from the heat on the roof. He ran to a crane and guided a rope sling looped on to the crane hood which was placed on the Cold Store roof. The solider was placed in the sling and Clouder lowered him to the ground. As the raid was still in progress Clouder showed great presence of mind and courage in carrying out this operation in spite of flames and smoke as well as exploding A.A. shells.’ The original recommendation, for a George Medal, states: ‘At about 4.30pm on 15th August, 1940, just after bombs had been dropped in Southampton Docks, Clouder volunteered to assist in removing a wounded soldier (member of an A.A. Gun Crew) from the roof of the Cold Store, which was burning fiercely and A.A. shells were exploding from the heat on the roof. He ran to a crane on No. 40 Berth and an employee of Messrs. Joe Rose and Company, Stevedores, - W. W. Fisher - sat in a rope sling, looped on to the crane hook and was placed on the Cold Store roof. The soldier was apparently unconscious so Fisher placed the sling under the man’s arms and Clouder lowered him to the ground. The fire, by this time, was rapidly spreading towards Fisher [who was awarded the G.M. for his actions that day] - who was standing on the roof edge - and Clouder did not wait for the sling to be released from the wounded soldier, but raised the crane jib to enable Fisher to grasp the crane hook and he was lowered to the ground in this manner. The Docks and Marine Manager stated in his report, that in view of the fact that the raid was still in operation and flames and smoke as well as exploding A.A. shells had to be contended with, both these men showed great presence of mind and courage. In a letter received subsequently by Clouder, from Lt. Col. Commanding 24th Light A.A. Regiment, that gentleman states “I express sincere thanks for your courageous action in assisting in the rescue of an injured member of a gun’s crew at the “Cold Storage” building on August 15th, 1940. By voluntarily driving the crane, while the situation remained distinctly dangerous, you made possible the rescue of the injured man from probable death by gas or burning.” Frederick Charles Clouder was born in Lymington, Hampshire. He resided on Aldermoor Road, Southampton and was employed as a Crane Driver Southern Railways at Southampton Docks in the 1940s. In later life he resided at Foundry Lane, Millbrook and died in December 1968. Sold with copied research, including a photographic image of recipient.

A.E. SANSOM "Still life study of jug, mushrooms, pineapple etc" oil on board, signed lower right 53 cm x 38.5 cm together with another by the same hand of peaches, grapes and a plate, oil on board, signed lower left 28.5 cm x 53.5 cm, 20TH CENTURY ENGLISH SCHOOL "Princess Elizabeth" a study of the young Princess with cup on her lap, smiling, oil on board, unsigned 45 cm x 33 cm

Patience E Bishop -(1891-1927) An early 20th century still life watercolour painting in gilt frame with notation verso and date. To depict a table setting featuring 18th century Chinese porcelain bowl to centre with fuchsia's within and carnations atop a book with volumes of leather bound books behind. Signed to the corner by the artist. Measures 39cm x 84cm.

A vintage 20th century still life oil on board painting to depict a bouquet of flowers within a vase against a blue wall. Signed for an M. Seward. Framed. Measures 61cm x 51cm.

Jack Hartert - A mid 20th century circa 1970 oil on board still life painting picture. The painting depicts a still life scene with a selection of apples accompanied by a glass of water. Signed to bottom left corner. Dated June 1970 to back. Framed. Measures approx. 49cm x 59cm.

Rex Hope (1890-1982 Bristol Savages) two watercolours, one near Devizes Wiltshire, 31 x 42cm, the other still life vase of flowers, 32 x 39.5cm, both signed and framed, together with a book by the artist The Flower of Bethlehem

Audrey Johnson (1919-2005) oil on board still life study of fruit in a bowl with foliage on the table beside it, signed and dated 1980 lower right, 18.5 x 23.5cm, in silvered frame

TWO FRAMED OILS ON CANVAS PAINTINGS, ONE A STILL LIFE OF FLOWERS, THE OTHER A WINDMILL, BOTH SIGNED

A Continental gilt gesso overmantel mirror, the frieze painted with a Dutch style still life, above a rectangular bevelled plate, 162cm high, 90cm wide.

A late 19thC Derby porcelain plaque, painted with still life of fruit and a blue tit, etc., inscribed to reverse 'painted on china by George Complin, Derby, before 1794', the plaque approx 6cm x 8.5cm.

Derek English, batik print, 'Still life', (framed), 50 x 66cm

A signed Still Life watercolour. 25x36cm. Frame 39.5x50cm

STARUKH, PETRO (Ukrainian, b. 1961), still life of blue and yellow flowers in vase, green leaves and blue vase, watercolour on paper, signed lower right, framed and glazed, Image size 41 x 59 cms, framed 56 x 75 cms Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.

STARUKH, PETRO (Ukrainian, b. 1961),  still life of flowers, black stems with flash of red, yellow central background, watercolour on paper, signed lower right, Image 40 x 49, Framed 56 x 74.5 Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.

STOGNUT, VICTOR (Ukrainian b. 1958), 'Rose Bush' expressionistic exterior still life of a rose bush, from The Colours of Autumn series, Oil on Canvas, 45 x 60 cms (1) Further information: Victor Stognut, was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment". Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions. His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine. Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine. Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art. CONDITION: Stognut was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment".Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions.His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine.Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine.Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art.

STOGNUT, VICTOR (Ukrainian, b. 1958), "Chamomile" from the Colours of Autumn Series, still life of Chamomile flowers in. a vase, Oil on canvas, 50 x 60cms. Further information: Victor Stognut, was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment". Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions. His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine. Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine. Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art. CONDITION: Stognut was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment".Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions.His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine.Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine.Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art.

STOGNUT, VICTOR (Ukrainian b.1958) "Dahlias' from the Colours of Autumn Series, a still life painting, oil on canvas, 60 x 80 cms (1) Further information: Victor Stognut, was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment". Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions. His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine. Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine. Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art. CONDITION: Stognut was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment".Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions.His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine.Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine.Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art.

STOGNUT, VICTOR (Ukrainian b.1958), "Irises" from The Colours of Autumn Series, a still life of Irises, Oil on Canvas 50 x 60 cms (1) Further information: Victor Stognut, was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment". Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions. His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine. Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine. Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art. CONDITION: Stognut was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment".Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions.His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine.Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine.Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art.

KONDRATIUK, OLENA (Ukrainian b.1958), 'Model girl ', female nude with still life of skull and jug on table, oil on canvas, 60 x 70 cms (1)Further information:Olena Kondratiuk, She was born on March 27, 1958 in Zaporizhzhia, Ukraine 1981 - graduated from the Lviv State Institute of Applied and Decorative Arts, Department of Fashion Modeling. SInce 1982 - lives In the city of Uzhgorod, Transcarpathian region. Member of the Transcarpathian organization of the National Union of Artists of Ukraine, Honored Artist of Ukraine, Member of the Association of Creative Women of Transcarpathia, NGO "Nova Forma" She worked at the Transcarpathian Regional Drama Theater as a costume designer, and at the Transcarpathian R Personal exhibitions: 1994, 2003, 2008, 2013, 2018 - personal exhibitions, art gallery, Uzhhorod, UkraineMuseum of Local History, Mykhalivtsi, Slo 2000 - Museum of Modern Art named after Andy Vargola, Medjilabyrci, Slovakia2004, 2009, 2010 - personal exhibitions in art galleries of Kyiv, Ukraine2009 - Carpathian Art Museum, Ivano-Frankivsk, "Etiquette" gallery, Lviv, Ukraine The paintings are in the collections:Museum of Modern Art named after Andy Vargola, Medjilabyrci, Slovakia Zemplin Museum, Trebishov, Slovakia Museum of Local History, Mykhalovtsi, SlovakiaTranscarpathian Art Museum named after Y. Bokshay, Uhhorod, UkraineCarpathian Art Museum, Ivano-Fran

STARUKH, PETRO (Ukrainian, b. 1961),Highly stylised still life of flowers in vase, red, yellow and green, watercolour on paper, signed lower right, Image size 33 x 49 cms, Framed 48 x 65 cms Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.

USYK, TARAS (Ukrainian b. 1958), an abstract still life of flowers, yellow and lilac, oil on paper. Further Information:  Taras Usyk, is an architect, a well-known Ukrainian painter, Honoured Artist of Ukraine was born in Ukraine, in the city of Uzhgorod at 1958. Graduated from architecture faculty of Kiev ingeneering University. He successfully combines the work of architect and a painter. In Ukraine hebis well-known for his abstract artworks. Devoted the whole life to this style he used to call his style "ordered abstraction". In this style he helps the viewer to find his path to the usual real world. Taras Usyk constantly participating in International exhibitions and plein air exhibitions All Ukrain and abroad. CONDITION: Further Information: USYK is an architect, a well-known Ukrainian painter, Honoured Artist of Ukraine was born in Ukraine, in the city of Uzhgorod at 1958.Graduated from architecture faculty of Kiev ingeneering University.He successfully combines the work of architect and a painter.In Ukraine hebis well-known for his abstract artworks.Devoted the whole life to this style he used to call his style "ordered abstraction".In this style he helps the viewer to find his path to the usual real world.Taras Usyk constantly participating in International exhibitions and plein air exhibitions All Ukrain and abroad.

USYK, TARAS (Ukrainian b. 1958), abstract still life of red, purple and pink flowers in vase with apple resting to one side, oil on paper, signed bottom right. framed and glazed Further Information:  Taras Usyk, is an architect, a well-known Ukrainian painter, Honoured Artist of Ukraine was born in Ukraine, in the city of Uzhgorod at 1958. Graduated from architecture faculty of Kiev ingeneering University. He successfully combines the work of architect and a painter. In Ukraine hebis well-known for his abstract artworks. Devoted the whole life to this style he used to call his style "ordered abstraction". In this style he helps the viewer to find his path to the usual real world. Taras Usyk constantly participating in International exhibitions and plein air exhibitions All Ukrain and abroad. CONDITION: Further Information: USYK is an architect, a well-known Ukrainian painter, Honoured Artist of Ukraine was born in Ukraine, in the city of Uzhgorod at 1958.Graduated from architecture faculty of Kiev ingeneering University.He successfully combines the work of architect and a painter.In Ukraine hebis well-known for his abstract artworks.Devoted the whole life to this style he used to call his style "ordered abstraction".In this style he helps the viewer to find his path to the usual real world.Taras Usyk constantly participating in International exhibitions and plein air exhibitions All Ukrain and abroad.

STOGNUT, VICTOR (Ukrainian, b. 1958), 'Sunflowers - Sonyakha', still life of sunflowers, signed bottom right, Oil on canvas 90 x 90cms (1).  * Sunflowers are a well known symbol of Ukraine and sadly these crops have been depleted since the war...yet some grow strong and are resilient to the war. Further information: Victor Stognut, was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment". Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions. His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine. Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine. Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art. CONDITION: Stognut was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment".Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions.His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine.Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine.Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art.

STARUKH, PETRO (Ukrainian b. 1961), Still life, expressionistic explosion of colour emanating from a pot, with fine back stems, red, yellow and green with vivid Ukrainian blue highlights, watercolour on paper, signed lower right, Framed 48 x 65 cms, Image 33 x 49 cms. Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.

STOGNUT, VICTOR (Ukrainian b1958) 'Tulips', a still life of red tulips in full bloom, Oil on Canvas, 50 x 60 cms (1) Further information: Victor Stognut, was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment". Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions. His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine. Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine. Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art. CONDITION: Stognut was born in 1958. In 1982, he graduated from the Lviv State Institute of Applied and Decorative Arts, majoring in "Interior and Equipment".Since 1989 participates in exhibitions. Participant of more than 40 regional, all-Ukrainian and international exhibitions.His works are in private collections in New York, Toronto, Krakow, Augsburg (Germany), Linköping (Sweden), in the permanent exhibition of the museum named after T.G. Shevchenko at the Lviv Palace of Arts, Drohobytsk Art Gallery. Member of the National Union of Artists of Ukraine.Awarded the award "For Achievements in the Development of Culture and Art", honorary certificates of the Ministry of Culture and Tourism of Ukraine.Victor Stognut's works do not leave anyone indifferent, and this is already his contribution to Ukrainian art.

STARUKH, PETRO (Ukrainian, b. 1961), still life of blue and yellow flowers in vase,, watercolour on paper, signed lower right, framed and glazed, Image size 41 x 59 cms, framed 56 x 75 cms Further Information: Petro Starukh, was born on August 25, 1961 in the village of Shershenivka Borshchiv district, Ternopil region. Graduated from the Lviv Institute of Applied and Decorative Arts in 1989. Postgraduate studies at the Academy of Arts. Since 1989, a member of the Union of Artists of Ukraine. Since 2010, he has been a teacher at the Design Department of LNLU. He is engaged in sculpture, graphics, painting, scenography and performances. Personal exhibitions in Ukraine and abroad. For him, each exhibition project is an important step in his own development, experience and dialogue with society. Personal exhibitions: 1991 – Exhibition of watercolors, exhibition hall of the Union of Artists of Latvia, Jurmala, Latvia; 1992 – Performance "Burning of Fear", Museum of Ukrainian Art, Lviv; 1992 – Exhibition "Exclusive", Museum of Ukrainian Art, Lviv; 1992 – "Exclusive" exhibition, gallery СХ on Volodymyrska Street, Kyiv; 1993 – International action-performance "Der Winter kaput", p. Obroshino, Lviv, Kyiv, Paris, London, New York, Tokyo; 1993 – Action-performance "Manna", Lviv Academic Spiritual Theater "Resurrection", Lviv; 1993 – International exhibition "Impreza Biennale", performance "Present absence of the unread", gallery "S-object", Ivano-Frankivsk; 1994 – Exhibition "Untitled Reaction", Gallery "League Level 14", Odesa; 1995 – Action-performance "Letters to Heaven", p. Irrigation; 1995 – Exhibition "7 x 7", Lviv Art Gallery, Lviv; 1995 - Performance "1" action", "Inko-Art" gallery, Kyiv; / 1997 – "Zinc Chronicle" exhibition, "Dzyga" cultural and art center, Lviv; 1996 – The Quietest Voice project (installation) within the framework of the Traveling Academy of Music festival, Odesa; 1998 – "Terra" exhibition, "Gherdan" gallery, Lviv; 1998 – "Terra" exhibition, exhibition hall of the "Ukrtara" concern, Kyiv; 2001 – Exhibition of painting and graphics "The Creation of Parties", World Bank-Ukraine, Kyiv; 2003 - Photo project "ZFC land of Franz Joseph", gallery "Tryzna", Kyiv; 2004 – Exhibition of sculptures "Mitopljac", "Irena" gallery, Kyiv; 2005 - Exhibition "Photos "There", gallery "DIO", Kyiv; 2009 – Performance "War", Cultural and artistic center "Lviv Palace of Arts", Lviv; /2009 – Exhibition "Love of Emerald Grasshoppers", "Green Sofa" gallery, Lviv; 2010 - Prose novel "Love of emerald grasshoppers", Lviv 2010. 2016 - Exhibition "Toponymy", cultural and artistic center "Dzyga", Lviv. 2016 – Exhibition "Hungarian motifs", cultural and artistic center "Lviv Palace of Arts", Lviv, Mukachevo, Budapest (Hungary); 2016 – Exhibition "Autumn Salon", cultural and artistic center "Lviv Palace of Arts", Lviv. / 2017 – Exhibition "Spring Salon", Lviv, Palace of Arts; 2017 - "Autumn Salon" exhibition, Lviv, Palace of Arts, 2018 - Ukrainian jewelry art exhibition; 2018 – International exhibition "Furniture Design" KYIV. 2018 - Group exhibition "PARADIGMA" PROART gallery; 2018 13 07 - exhibition "Quick Dissolving Time" in the Kyiv Art Arsenal; 2018 ART SALON Lviv ...; 2019 international plein air show in Turkey. University of Northern Cyprus / 2019 National Museum in Lviv. Angel formation.; 2019 PROART gallery Lviv. Shape and Color exhibition P. Starukh and Kolisnyk .../ 2019 Palace of Arts Lviv ..personal exhibition "PERMANENT INSPIRATION" / 2020 Lviv PALACE OF ARTS SPRING SALON; 2021 International exhibition "Our Wonderful World" Lviv; "SPRING SALON 21" Lviv PALACE OF ARTS; international exhibition "AUTUMN SALON" Lviv PALACE OF ARTS; 2022 personal exhibition "BE YOURSELF" sculpture painting.

DUTCH SCHOOL, 18TH CENTURYStill life with flowers oil on canvas 63 x 76cm Provenance Private Collection, UK

ATTRIBUTED TO LOUIS HUBNER (GERMAN, C. 1694-1769)Still life with dead birds signed 'L Hubner Pinxit' (lower right) oil on canvas 71 x 89cm Provenance Private collection, UK

THOMAS WHITTLE (BRITISH, 1803-1887)Still life of flowers signed 'T Whittle' (lower right) oil on board 20.5 x 30cm Provenance Private collection, UKCondition ReportThe board is sound.  The paint surface is in good, clean condition.  Ultraviolet light reveals spots of retouching to a few of the leaves, and to the foreground, lower left.  Held in a plaster gilt frame in fair condition.

CIRCLE OF PIETER FAES FLEMISH (1750 - 1814) Still life of flowers and urn on a table Oil on canvas, 66 x 53cm

JOHN FERNELEY SNR. (1782-1860) Lady Nugent's Hunter, with a Pointer and Setter in a Wooded Landscape Oil on canvas, 101.6 x 127 cm Signed and dated lower right: ‘J. Ferneley. / Pinx. 1810' Provenance: Commissioned by Colonel Andrew Nugent (1770-1846), of Portaferry House, County Down by family descent, via Margaret Talbot, née O'Reilly (daughter of Barbara Nugent), wife of Richard Talbot of Malahide; by family descent at Malahide Castle, County Dublin; to the Hon. Rose Talbot (1915-2009); By whom sold, Christie's, London, 26 March 1976, lot 35 Literature: Oliver Millar, The Pictures at Malahide Castle, privately printed 1953, no. 144. The picture is listed in Robert Fountain's catalogue of Ferneley's paintings (British Sporting Art Trust, D.10.000.004: 10.000.006) https://www.bsat.co.uk/sites/114/upload/userfiles/ferneley-catalogue.pdf This highly significant example of Ferneley’s second Irish period was painted on his fruitful visit here in 1810. It was commissioned by Andrew Nugent of (1770-1846), of Portaferry House, County Down. Colonel Nugent had succeeded his father in 1797 and served as Lieutenant-Colonel, of the North Down Militia, and High Sheriff of County Down. In 1800, he married Selina, youngest daughter of Thomas, 1st Viscount de Vesci of Abbey Leix house, County Laois and the famously beautiful Elizabeth-Selina (née Brooke). Here Ferneley was called upon to depict Selina’s favourite hunter, with a pointer and setter, all located in the lush verdure of an Irish landscape. The picture descended through the Nugent family, via the remarkable Margaret Talbot (daughter of Barbara Nugent, who was created baroness Talbot of Malahide in her own right in 1831), until the famous dispersals from the castle in 1976. The absence of a native school of equestrian painting has long surprised art historians, especially given Ireland’s close association with the turf. However, this lacuna is compensated for by the fact that one of the finest of all English sporting painters, John Ferneley, enjoyed close links with Ireland. This was noted by Anne Crookshank and the Knight of Glin: ‘It should be remembered that the great English horse painter John Ferneley of Melton Mobray paid four visits to Ireland, the first in 1808 when he had introductions from the fifth Duke of Rutland, whose father had been Lord Lieutenant. Ferneley returned for long visits in 1810, 1811 and 1812’. John Ferneley was born at Thrussington in Leicestershire, in the midst of the English ‘Hunting Shires’. His precocity attracted the attention of the Duke, who persuaded his wheelwright father to apprentice him to the equestrian painter Ben Marshall. The latter became a life-long friend as well as teacher. Ferneley first arrived in Ireland in late 1808 and stayed about a year, returning to Thrussington in November 1809. He clearly found the country congenial and won significant commissions, painting for such distinguished patrons as the Lords Lismore and Rossmore and the Trenches and O’Callaghans. He contrived to earn and save £180, enough to pay for his marriage to Sally Kettle shortly after his return to England. They stayed in England only a few weeks, returning to Ireland in the spring of 1810, where they were received with generosity and affection by his clients of the previous year. In five months he amassed a small fortune of over £200. Ferneley is without question the finest sporting artist to have worked in Ireland, and yet few indeed of his paintings of this prolific period survive or at least can be identified today. There are still two such in the collection of the Earls of Belmore at Castle Coole, which show ponies (‘Plenipo’ and ‘Buffer’) while this significant example long hung at Malahide Castle. Fereneley’s portrayal of Hugh Dick’s mare and pointer outside his home of Humewood, County Wicklow, was sold in these rooms on 19th October 2021 (€95,000 hammer). On his return to England, Ferneley rapidly established a distinguished clientele, and he and John Herring were the sporting painters par excellence in the period 1810-1850. Ferneley was himself a keen sportsman, and he recounts his exploits in the field in his (eccentrically spelled) letters.

L.A.Shaw (British, 19th Century)Still Life of a vase full of Tulips, Lilies and other flowers on a ledge with fruit, nuts, flowers and a butterflyWatercolour68.5 x 50 cmSigned lower left and dated 1824

Stereoscope Cards and Diapositives, pale burr-maple Brewster-pattern stereoscope, G, some parts missing, repaired or replaced (1), with stereoscopic glass diapositives - European topographical, 1870s (6) and stereoscopic cards - French tissue, mainly genre and exterior portraits (7), topographical - including London, Hawksmoor's St Mary Woolnoth, Lambeth Palace, Brunel's Hungerford Bridge (11), UK including Francis Bedford Clovelly (20), genre (3), still life (6), Europe (9), 1860s, in mahogany box (63)

Stereoscopic Cards, Charles Blondin standing on tightrope in Crystal Palace transept, June 1861 (1), Crystal Palace interiors (2), statuary, still life, genre (6), English and French tissue cards, including views, groups and Diableries (13), with comedy set made up for viewer, mainly 1860s, P-F, some delamination (23)

UNATTRIBUTED; Persian watercolour and gouache still life of daffodils in a heavily cracked Persian blue and white vase, indistinctly signed, 73 x 54cm, framed and glazed.

Two decorative modern oils on board, both still life studies with violin and books, 39 x 49cm, 49 x 39cm, in gilt frames.

A group of decorative pictures including modern Chinese still life on canvas, 89 x 58cm, an oil on canvas rural scene, an oil on board still life, two pairs of decorative still lifes and a very colourful decorative Indian picture (8).

† JAMES HENRY KIBART (1912-2001); three watercolours, two depicting rural scenes and another of still life flowers, all framed (3).

A CLAUDE STRACHAN; watercolour, rural scene, signed and dated 1892, 26 x 21cm, framed and glazed with Christie's label verso, also a watercolour still life 'Roses and Strawberries' with RI Exhibition and Christie's labels verso, 18 x 30cm, in glazed gilt frame (2).

UNATTRIBUTED; oil on board, still life of flowers in Oriental bowl, unsigned, 34 x 51.5cm, in gilt frame.

† JAMES HENRY KIBART (1912-2001); oil on canvas, still life of flowers, signed lower right, 59.5 x 69.5cm, framed.

A collection of Classic Rock LPs and 12" to include (1) The Rolling Stones - The Rolling Stones (1964 UK Mono B1Y Press, LK 4605); (2) The Rolling Stones - Made In The Sun (1975 UK Press, COC 59104); (3) The Rolling Stones - Tattoo You (1981 UK Press, CUNS 39114); (4) The Rolling Stones - Still Life [American Concert 1981] (1982 UK Press, CUN 39115); (5) Roger Daltrey - One Of The Boys (1977 UK Press, 2442146); (6) Roger Daltrey - Ride A Rock Horse (1975 UK Press, 2442-135); (7) Roger Daltrey - Parting Should Be Painless (German Press, 25-0298-1); (8) Bill Wyman - Bill Wyman (1982 UK Press, AMHL 68540); (9) Mick Jagger - She's The Boss (1985 UK Press, CBS 86310); (10) Roger Daltrey - Hearts Of Fire (1987 UK Press, TENT 147); (11) Mick Jagger - Let's Work (1987 UK 12" Press, 651028 6); All conditions vary from Good to Very Good with generally Good to Very Good sleeves. (11)

19TH CENTURY SCHOOL, A STILL LIFE OF FLOWERS watercolour, gilt frame 50 x 57cm

Framed oil on board depicting still life scene of book, fruit and oil lamp - signed Thompson 1977 - approx. 90cm x 59cm

Small gilt framed oil on canvas depicting still life of fruit, signed in red K Cotton 31cm x 26cm

A contemporary still life print and two table lamps

Danish School : Still life with flowers in a vase, oil on canvas, 60 cm x 51 cm

Danish School : Still life with sunflowers, oil on canvas , 69 cm x 85 cm

Danish School : Still life with pottery, oil on board , 51 cm x 39 cm

Margaret Adamson : Still life of daisies, watercolour, 30 cm x 35 cm

Margaret Adamson : Still life of flowers, watercolour, 35 cm x 28 cm

Margaret Adamson : Still life of flowers, watercolour, 36 cm x 29 cm

Margaret Adamson : Still life of flowers, watercolour, 38 cm x 29 cm

Margaret Adamson : Still life of flowers, watercolour, 39 cm x 29 cm

Danish School : Still life, oil on canvas, 61 cm x 78 cm

Danish School : Still life with roses, oil on canvas, 33 cm x 22 cm together with another similar

John E Nicholls (1885-1955) - Still Life with Tulips, a Hyacinth and other Flowers in a Glass Vase on a Marble Ledge, signed, oil on board, 44.5 x 52cm Good condition, ready to hang in 18th c style gilt frame

John Edwards (c1820-1888) - Wilford Ferry, signed, oil on board, 29 x 59.5cm, two watercolours, one of Newark Castle by William E Swain and Sidney Gardner and a still life of fruit by the latter, signed, oil on canvas (4) Good condition