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Lot 338

Wessel Marais. STILL LIFE WITH WHITE MAGNOLIAS. signed. oil on canvas laid down on board. 75 by 100cm. Comments/Condition:. good

Lot 354

Robert Broadley. STILL LIFE WITH PROTEAS. signed and dated 42. watercolour over pencil on paper. 36,5 by 49cm. Comments/Condition:. paper oxidised, minor cockling, otherwise good, not viewed out of the frame

Lot 372

George Boys. FLORAL STILL LIFE WITH A BLUE BACKGROUND. signed. oil on board. 118 by 97cm. Comments/Condition:. white paint specks to bottom left corner, surface dirt, otherwise good

Lot 497

Conrad Nagel Doman Theys. STILL LIFE OF FLOWERS. signed and dated 1969. oil on card. 23 by 30cm. Comments/Condition:. concentrated surface dirt to top area, frame marks to left margin, otherwise good

Lot 498

Gregoire Johannes Boonzaier. STILL LIFE WITH FLOWERS. signed and dated 1934. oil on canvas. 39,5 by 29,5cm. Comments/Condition:. age cracks, surface dirt, otherwise good

Lot 499

Gregoire Johannes Boonzaier. STILL LIFE OF ASSORTED FLOWERS ARRANGED IN A CLAY JUG. signed and dated 1951. oil on canvas. 50 by 40cm. Comments/Condition:. surface dirt, otherwise good

Lot 555

Maggie (Maria Magdalena) Laubser. STILL LIFE WITH FLOWERS (SWART LELIE EN AMARYLLIS) cat nr. 1251). signed. canvas laid down board. Literature: . D. Marais, Maggie Laubser: Her paintings, drawings and graphics, Perskor: Johannesburg and Cape Town, 1994. 58 by 34cm. Comments/Condition:. minor frame mark to the top margin, minor abrsaion to the bottom left corner, otherwise good

Lot 76

Continental School, 20th Century STILL LIFE WITH ONIONS Oil on canvas, 15 3/4" x 19 3/4" (40 X 50cm).

Lot 78

English School, 20th Century STILL LIFE Oil on board, 14 1/2" x 18" (37 x 46cm), indistinctly signed ..Rundell

Lot 194

Remy Hetreau (1913-2007), French School. "Still Life-Fruit and Pipes" Oil on canvas, 20 x 24" ( 51 x 61 cm), signed and dated `66.

Lot 239

John Dinan MATISSE- STILL LIFE Oil on canvas board, 20" x 16" (51 x 40.5cm), signed.

Lot 271

Phyllis Hayward, 1903-1985 TABLE TOP- STILL LIFE Watercolour, 20" x 15 3/4"(51 x 40cm), signed. A member of the White Stag Group

Lot 435

A modern still life on board

Lot 1910

Two prints, one of Still Life, the other Humorous print

Lot 2011

An Oil painting of still life with blue vase & thistles, label verso `French Thistles` by Peta Smith

Lot 2012

An old unframed oil painting of a still life with pink roses

Lot 2016

Two framed C18th engravings of floral still life subjects with later colouring

Lot 2039

A pair of Still life oils on canvas depicting fruit signed Cecil Bosley

Lot 2049

A large still life depicting Vase and floral display signed `Jan` lower right in highly decorated gilt frame 29 1/2`` x 23 1/2`` approx

Lot 177

Document GroupsDocument group of the Motor-HJ Kameradschaftsführer and tank gunner Fritz Roth of the 3./Pz.A. 160.1.) 3 photos in tank uniform; 2.) Motor-HJ exam badge, booklet with HJ-uniform photo; 3.) 3 documents for the Wehrmachts-training of the HJ; 4.) performance card for getting the K.-Schein of the HJ; 5.) promotion document to Kameradschaftsführer; 6.) drivers license (with tank uniform photo, only for fully-tracked vehicles up to 15to.); 7.) wounded badge, 1939, in black (document, folded, issued Schieratz, the 12. März 1943 for his wound recieved on 10.1.1943, sealed, OU Oberstabsarzt u. Chefarzt); 8.) license of heavy war invalids.Interesting estade which clearly shows how the youth was trained to become soldiers. Rare Motor-HJ documents and also the drivers license of some curiosity, as Roth was allowed to drive fully tracked vehicles, though no regular car. After he entered the army he came to the newly set up Panzer-Abteilung 160 and was present with it at the battles around Charkow. After that the unit was transfered to Stalingrad, where Roth got wounded on 10.1.1943 and because of that got flown out of the besieged city. This most likly saved his life, as the unit was totally wiped out still in January. After he left the hospital he most likly left the army, as he held a license for heavy war invalids.Condition: II

Lot 485

ENGLISH SCHOOL 19TH C, STILL LIFE WITH A LOBSTER, ARCHED TOP, WATERCOLOUR

Lot 342

Irene Klestova (1908-1989), Still life study of white roses in a vase, signed, with gallery label - `Unicorn Gallery, Wilmslow` on verso, oil on board, 23.5 x 18.5cm.; 9.25 x 7.25in.

Lot 368

John Hale, 20th century, Floral still life, signed, oil on canvas, 40.5 x 48cm.; 16 x 19in.

Lot 408

Attributed to Duncan Grant (1885-1978), Still life with flowers and fruit, oil on canvas laid on board, oval, 37 x 44.5cm.; 14.5 x 17.5in.

Lot 489

Lillie Winder (exh.1905), Female figure, signed, watercolour, 39 x 29cm.; 15.5 x 11.5in. * Painter in watercolour of flowers and still life who exhibited three works at the Local Artists Exhibition in Bolton in 1905.

Lot 1877

HENRY GEORGE TODD (1846-1898) STILL LIFE OF FRUITS, A BIRD`S NEST AND A GOBLET UPON A DRAPED TABLE Signed, oil on canvas 44.5 x 36.5cm. ++ Lined; associated retouching over old tear, skilfully restored

Lot 1909

ERIC WARD (b.1945) STILL LIFE IN THE PORTSCATHO STUDIO Signed, inscribed with title on label on reverse of the frame, oil on board 24 x 29cm. ++ Very good condition

Lot 1677

A COLLECTION OF ASSORTED SKETCHES. comprising animal subjects, architecture, cartoons, copies after Old Masters, history, landscape, marine, portraits, still life etc; watercolour, ink and pencil, principally mid-late Victorian, all unframed ++ Generally good to fair condition

Lot 1678

A COLLECTION OF ASSORTED SKETCHES comprising animal subjects, architecture, cartoons, copies after Old Masters, history, landscape, marine, portraits, still life etc; watercolour, ink and pencil, principally mid-late Victorian, all unframed ++ Generally good to fair condition

Lot 16

1971 BSA B50SS Bike Year: 1971 Bike Make: BSA Bike Model: B50SS Bike Reg No.: BPB 62K Bike Frame No.: B50SS/KG01073 Bike Engine No.: B50SS/KG01073 Bike Colour: Purple / Black Born at the end of the `Great British Motorcycle Industry` era, and maybe a bit before it`s time, the B50SS Gold Star was perhaps a precursor of a different era, yet to get into it`s stride. The B50 Street Scrambler was little different to it`s cousin the B50 T Victor, (a daylight off roader, more field than street) but both maybe gave the Japanese a few pointers where big macho knobbly bikes were concerned and set a style still popular today. Bearing the revered Goldie title a little heavily, very much to the chagrin and alienation of many BSA aficionados, BSA was clutching at any straw to make the products attractive, the B50 came with many of the usual shortcomings of a stretched and underdeveloped engine. Like most of it`s forebears this engine could trace ancestry right back to the Triumph Terrier via Cub, C15, B15, B40 etcetera, and multitudinous problems could await the proud owner, particularly if said proud owner was a bit of a novice or at best an unsympathetic rider. Unsympathetic that is to a machine subject to oil leaks, short big end life and a tendency to destroy itself, if you could stand the escalating vibration long enough and still be in the saddle when it did. But we still love these old things anyway, and today all of the above can be considered sorted if modern materials and modifications, developed by a number of specialists from 40 odd years of experience and hindsight, are utilised. This 1971 B50SS from the first year of manufacture looks to be an original and genuine example having all the right bits, not mint but in very usable order. In the doldrums for a long period this model is now becoming increasingly sought after and should provide the adventurous rider with endless entertainment for a relatively modest outlay. Click Here to view this item on www.i-bidder.com

Lot 4074

1984 Peugeot 205 T16 Car Year: 1984 Car Manufacturer: Peugeot Car Model: 205 T16 Car Reg No.: C308CYX Car Chassis No.: VF3741R76E5 Car Colour: Black Peugeot Talbot Sport`s uber dramatic-looking 205 T16s were by far the most successful of the Group B rally cars, fighting off strong competition from Audi, Lancia and Ford to win the World Rally Championship in 1985 and 1986. To gain the appropriate homologation the company had first to build 200 road-going versions - a job that was entrusted to Heuliez. The overall shape of the T16 (turbocharged, 16 valve) was similar to that of a normal 205, but there the resemblance ended! The monocoque construction was abandoned in favour of lightweight tubing and the engine was moved amidships. In rally spec. the turbocharged 1.8-litre unit pumped out a scary 450bhp, so was sensibly tamed down to 200bhp for the road versions. However, when combined with an all up weight of just 1,145 kilos, this was still sufficient to achieve a supercar-humbling 0-60mph time of 6 seconds and a terminal speed of 130mph. The pocket rocket sported far wider wheel arches than a standard 205 and the whole rear of the car raised in one section for engine access. This was one mean machine! The T16 offered is one of those 200 homologation specials. Finished in Black complemented by a Grey cloth / leather interior and tinted windows it certainly looks the part. The records show it has probably lived something of a charmed life too - having been first registered in the UK during January 1986 to a Sheik who would later become a prominent member of the Qatar government. He apparently retained the Peugeot until July 2007 when it was acquired by the vendor. `C308 CYX` comes with full service history and appears to have covered just 8,045 kilometres from new (circa 5,019 miles). Professionally stored, this rare and exciting reminder of rallying`s golden era is accompanied by the aforementioned service history and an MOT into March 2013. Click Here to view this item on www.i-bidder.com

Lot 306

An English porcelain three vase garniture, second quarter of the 19th century, each piece of urn form on a square pedestal and with leaf and swan moulded handles, painted with a floral still life within a cartouche against a puce ground and highlighted with gilding, each piece with painted pattern number 974. Tallest 19cm

Lot 1753

A set of four flower prints, together with a still life oil painting of Fruit by J Hatfield (5)

Lot 1842

Still life, oil on canvas, floral arrangement, unknown artist

Lot 1846

Small still life oil painting of grapes in bowl by Skinner

Lot 1866

C. Manuing, still life of flowers, oil on canvas

Lot 574

W. Baringdon (19th century), Still life of fruit, oil on canvas, arched top, signed and dated 1876-7 on reverse, 33cm x 37cm.

Lot 576

Jaap de Weyand (20th century), Still life of daisies in a vase; Tabletop still life, two, oil on canvas, both signed, one 70cm x 60cm.; the other 60cm x 70cm.

Lot 58

A Victorian porcelain dessert service decorated with still life flowers within a burgundy border, (17).

Lot 484

Charles Henry Slater (c.1820-1890), Still life of Rhododendron blooms, gouache, signed, 17cm x 26cm.

Lot 496

E** Agafonoff (20th century), Study of an Arab man, watercolour, signed, 55.5cm x 44.5cm.; together with a still life of blue flowers signed Olivia Phillips.(2)

Lot 562

•Lindy Guiness (contemporary), Still life, Anemones I, oil on board, signed, 24.5cm x 29.5cm.

Lot 45

Bidloo (Govard). Anatomia humani corporis, centum & quinque tabulis... , 1st edition, Amsterdam; Widow of Joannes van Someren, Heirs of Joannes van Dyk, Henry and Widow of Theodore Boon, 1685, additional engraved title (somewhat soiled with marginal splits and losses to outer corners not affecting plate impression), relaid, engraved printer`s device to title, old ownership names of John Corrie(?), Geor. Bell (both struck through) and Jno. Carter to upper right corner, outer and lower margins partly strengthened to verso, following leaf (dedication) a little chipped along foremargin, engraved portrait of Bidloo by Abraham Bloteling after Gerarde de Lairesse, 105 numbered engraved plates (numbers 1-3 bound at rear), plate twenty-three partly folding (dust soiled and split at upper margin, small tear with loss and repair to verso of inner margin fold), library stamps to engraved title and all plates, some spotting, dust soiling and marginal browning throughout, occasional marginal splits and repairs not affecting text, contemporary calf, worn, large folio (600 x 355mm) One of the finest anatomical atlases of the Baroque period. The 105 plates were drawn by the painter Gerard de Lairesse, under whose influence the French style of Poussin and Lorraine became dominant in Holland... His illustrations brought the qualities of Dutch still-life painting into anatomical illustration, and gave a new, darker spiritual expression to the significance of the art of dissection` (Norman 231); Ayres 667, Choulant-Frank, pp. 251-252; G-M 385; Trevazzi 1238; Wellcome II, p. 165. (1)

Lot 94

Cowper (William). The Anatomy of Humane Bodies, with Figures Drawn After the Life by some of the Best Masters in Europe... Illustrated with Large Explications, Containing Many New Anatomical Discoveries, and Chirurgical Observations: To which is Added an Introduction Explaining the Animal Oeconomy, with a Copious Index, Revised and Pulish`d by C. B. Albinus, Professor of Medicine, Anatomy, Surgery and Practice, in the University of Utrecht, 2nd edition, Leiden, 1737, engraved additional title, 114 engraved plates, most after Gerard de Lairesse, woodcut initials and tail pieces, plate 10 with repaired tear, scattered light spotting, hinges reinforced, contemporary panelled calf, joints cracking, rubbed, folio. Lairesse originally drew illustrations for 105 of the plates used in Govard Bidloo`s Anatomia Humani Corporis (1685 - see lot 45) and represent a complete departure from Vesalius`s idealistic style. English surgeon William Cowper (c. 1666-1709) acquired three hundred of the unused plates (Bidloo`s edition sold poorly) and issued them with his superior new English text plus nine extra plates by Michael van der Gucht in his Anatomy of the Humane Bodies in 1698, with no mention of Bidloo or Lairesse. This led to claims of plagiarism from Bidloo and a series of pamphlets published in each anatomist`s defence. Lairesse displayed his figures in an emotional, almost tender manner, contrasting the raw dissected parts with the full, soft surfaces of uncut flesh, placing flayed, bound figures in ordinary nightclothes or bedding, setting ordinary household objects such as books, jars or cabinets in the same scene as cut-up torsos or limbs, and in one plate showing a fly crawling on an opened abdomen. His illustrations brought the qualities of Dutch still-life painting into anatomical illustration, and gave a new darker spiritual expression to the act of dissection.` (Norman 231). Waller 2192. (1)

Lot 443

Follower of Van Huysum (19/20th Century) Still life of flowers in a vase on a marble ledge oil on canvas 50 x 39.5cm, within a carved and gilded wood frame.

Lot 444

Horace Mann Livens (1862-1936) Still life of summer flowers signed and indistinctly dated top right oil on canvas 51.5 x 34cm.

Lot 446

Circle of Gerard Rysbrack (1696-c.1773) Still life of dead game at the edge of a wood oil on canvas 79 x 65.5cm

Lot 901

A painted wood four fold screen, the rectangular panels decorated with a continuous still life of grapes and other fruit in a basket, on a ledge, each panel 40cm (1ft 3 3/4in) x 180cm (5ft 11in).

Lot 1399

An oak framed watercolour, fruit still life, signed Mitchell, dated 1906, another framed watercolour, woodland landscape and two framed prints.(4)

Lot 1593

An oak framed oil on canvas, floral still life, signed J Holdich, dated 1923.

Lot 38

H.F. Borton - Still Life Study of Spring Flowers, 20th Century oil on canvas, signed, approx 44cm x 54cm, within a painted composition frame.

Lot 64

Gordon - Still Life Study of an Artist`s Table, gouache, signed, approx 46cm x 36cm, within a gilt frame.

Lot 68

A. Mullett - Still Life Study of Fruit, oil on panel, signed, together with a similar oil on panel.

Lot 98

Marion Broom - Still Life Study of Convolvulus, 20th Century watercolour over pencil traces, signed, approx 26cm x 32cm, within a gilt frame.

Lot 102

Rodney Joseph Burn - Still Life Study of a Classical Bust and an Open Book on a Table, and Still Life Study of Fruit in a Bowl, a pair of coloured inks over pencil traces, one signed and dated 1940, each approx 35cm x 25cm, both within ebonized frames.

Lot 103

K. Putteren - Abstract Still Life Study of a Jug and Vase, oil on board, indistinctly signed and dated `49, approx 52cm x 60cm, within an oak frame.

Lot 106

Follower of Anthony Devas - Still Life Study with Mackerel and a Bottle, early 20th Century oil on canvas, approx 25cm x 36cm, within a gilt composition frame.

Lot 120

V. Stotch - Still Life Study with Pears and a Pewter jug, oil on canvas, together with a watercolour.

Lot 150

Continental School - Still-Life Study of Summer Flowers in a Blue Vase, late 20th Century oil on canvas, approx 78cm x 63cm, within a gilt composition frame.

Lot 211

Jeanne Barnard - Still Life Study of Poppies in a Blue Jar, 20th Century watercolour, signed, approx 55cm x 35cm, together with two further watercolours, Still Life Studies.

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