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A pair of Royal Worcester cabinet plates by William Hawkins, dated 1909Finely painted with circular still life panels of fruit, one with an upturned crab, glass decanter and tazza, the other with a jug and a dish on a shelf covered in lace, both signed 'W.A. HAWKINS', within tooled gilt borders reserved on apple-green grounds, the white scroll moulded rims with floral detailing highlighted in gilding, 20cm diam, puce marks, shape number 2367 (2)Footnotes:Worcester's foreman painter, William Hawkins excelled at painting still lives and always created his own compositions. It is interesting to note that for this pair of plates he has placed a Royal Worcester 'Sabrina Ware' jug in one of his groupings.For further information on this lot please visit Bonhams.com
A pair of Royal Worcester plates by Richard Sebright and a dish by Harry Martin, dated 1912 and 1914The centres with still life compositions of fruit and blossom, the deep blue borders reserving pale pink panels edged with scrollwork in raised gold, the dish of lobed oval form, signed 'H. Martin', the plates of lobed form, both signed 'R. SEBRIGHT', dish 27.7cm wide, puce marks (3)For further information on this lot please visit Bonhams.com
A fine Royal Worcester vase by William Hawkins, dated 1917Of baluster form, the scrolled handles hung with laurel swags, the moulded borders left in the white and highlighted in gold against the pink ground, finely painted with a gilt-edged oval still life panel of fruit, flowers and a Kraak porcelain dish arranged on a stone shelf, signed 'W A HAWKINS', the reverse with a stylised gilt wreath, the pedestal base with unusual textured gilding, 29.5cm high, puce mark, shape number 2485For further information on this lot please visit Bonhams.com
The Indian Mutiny Medal for the Defence of Lucknow awarded to John Phillips, an Uncovenanted original defender who fought bravely at Germon's Post and was considered one of the bravest men in the defence, accompanying sallying parties on no fewer than 3 occasions and being described by Captain R. P. Anderson, 25th N.I. as a ‘brave old volunteer’ Indian Mutiny 1857-59, 1 clasp, Defence of Lucknow (John Phillips) one very minor edge bruise, otherwise dark toned, nearly extremely fine £2,000-£2,600 --- John Phillips was born in Calcutta around 1807, of British descent. Little is known of his life until 1 March 1834, when he married Sarah Christiana Joyce at Cawnpore, stating he was an Uncovenanted Clerk in the Jubbulpore Agency, Saugor. In 1840 he is shown as a clerk at the Delhi Magazine and later clerk in the Revenue department at Agra in 1843. These appointments indicate that he worked in the Non-Regulated States or Political Agencies under the control of a Resident, as against working in the direct Company governed provinces. On 9 November 1849, Phillips was appointed to the important position of Head Clerk of the Lucknow Residency, on a salary of 190 Rupees per month. The Head Clerk managed all the various agency departments, replacing the previous incumbent, Mr Hare, who had been terminated by Sleeman for embezzlement. Phillips worked directly under the orders of Captain Fletcher Hayes, head of the Military Secretary's Office. The demise of Mr Hare, who had been in the King's pay, gave Captain Hayes the opportunity to infiltrate the King's Palace via the newly arrived Head Clerk. Successive British Residents at Lucknow had become increasingly alarmed at the King of Oudh's profligate expenditure, chaotic administration and hedonistic lifestyle of the court, so Phillips was instructed by Captain Hayes to set about organising a loose network of informers who could pass back information and gossip from the various departments as to what was happening in the palace. He was assisted in this endeavour by having several relatives and in-laws within the various Residency departments. Phillips was assigned a most prestigious house set in a large compound to the South West of the Residency which became known during the siege as “Phillips’ House and Garden Battery”. It gave full view to the Judicial garrison (Germon’s Post) and was only silenced in early October after the arrival of the first relief force. After several warnings, Lord Dalhousie annexed the province on 7 February 1856, using an egregious political device called the Doctrine of Lapse which was instrumental in sowing the seeds for the disasters that would follow in 1857. On annexation Phillips became Head Clerk to the Military Secretary’s office in the Chief Commissioner's office. He continued working in the Chief Commission's Office until 1861, when he retired and returned to Calcutta. He died at Calcutta of ‘decline due to old age’ and was buried at the General Episcopal Cemetery, Lower Circular Road, Park Street, on 30 June 1888, aged 81 and 11 months. The grave is still extant and was erected by his daughter, Ellen, wife of Christopher Best who also served throughout the siege. John Phillips was aged 50 when the siege commenced and served throughout at Germon's Post, named after Captain R. C. German, 13th Bengal Native Infantry, the commanding officer. The Post was greatly exposed to fire from the tower of Johannes’ House, just outside the Residency perimeter, and from the gun and mortar batteries from Phillips’ House and Garden battery which opened up with such force and accuracy that the position became untenable, with the wives being evacuated to the cellars of the Tykhana where the wives of the officers were sheltering. Repeated attacks were made on Germon’s Post with the one on 20th July being the fiercest. The Uncovenanted distinguished themselves greatly, all being under arms from eight in the morning to eight at night. Copies of the original lists of those who served throughout the siege show that John Phillips, Christopher James Best (son in law) and William Charles Phillips (relative) all accompanied sallying parties out of the Residency on no fewer than 3 occasions. The Colonist newspaper of 6 April 1858, has an interesting article by one of the original defenders, probably the Uncovenanted Mr John Lawrence, whose notes of the siege were given to L. E. Rees and form the basis for his book Siege of Lucknow. Under the title “Siege and Bombardment of Lucknow” it makes for interesting reading revealing a litany of prejudices and some of the less savoury aspects of the siege: ‘They then took possession of all the highest houses adjacent to our garrison and loopholed the walls from whence they used to pick off our men unceasingly. It was scarcely safe to run from one house to another without making a good mark for their riflemen. They were so far safe that our cannon could not play on their buildings, our space being very limited, whilst they had every facility for bringing their guns to bear upon us; their guns and mortars were placed in the compounds of the houses of Messrs Jhn. Phillips and J. Johannes, the former an Uncovenanted servant and the head of the Chief Commissioner's Office and the other a merchant. One day in particular and on the consequent on the annoyances and losses that we had been subjected to, from the unerring shots of both matchlock and riflemen, from the above two houses, a storming party had been ordered to dislodge them from these strongholds, and Mr Phillips had been asked to point the way, through heaps of rubbish, to his residence. This old gentleman most willingly undertook to do, expecting neither reward or thanks for what he had already done, but satisfied he was doing his duty and a public benefit besides. He asked to be accompanied by one of his brother-in law, Mr Richard Joyce (a fine smart young stripling), who was also an Uncovenanted assistant in the Chief Commissioner's Office. They went with the storming party, who had been successful with but small loss and am most happy to add that Messrs P and J return unscathed... the Uncovenanted servants of Government have to express the hope that, should these lines meet the eyes of the Home authorities, that the families of those Uncovenanted servants who have fallen in action, and the widows who had conducted themselves properly, and the residue of the Uncovenanted, will in future be treated with the consideration they are entitled to, and that suitable provisions may be directed to be made and their grievances be redressed, for well may they be dubbed THE HEROES OF LUCKNOW.’ Sold with comprehensive research and maps including Napier's dispatch of the taking of Phillips' Battery.
EARLY 20TH CENTURY ENGLISH SCHOOL "Flowers in terracotta pots", a still life study, oil on board, unsigned, size including frame approx 57 cm x 68 cm, together with AFTER HENRIKUS ELIAS RODDENBURG (1895-1987) "Crematorium Reims", study of church tower with figure in foreground, coloured etching, signed and dated '31 lower right, limited edition No'd. 19/150 and titled lower left, image size approx 51 cm x 37 cm
JULIA ROWNTREE. 'Tomato and Poppy Seeds'. Watercolour still life. Signed & dated (19)85. 20 x 24cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
KATHLEEN GELL (?). Chrysanthemums still life. Oil on board. Indistinctly signed. 60 x 52cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
LEON DAVIES. 'Still Life with Engine Houses'. Oil on board. Initialled. Signed, titled & dated April 2021 to the reverse. 27 x 36cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Reg Miller - 20th centuryMixed media Collage and abstract composition, 24 x 30cm, mounted on original canvas, lined frame and signed verso, andReg Miller - 20th centuryMixed mediaAbstract composition, 89 x 53cm, in glazed frame and Reg Miller - 20th centuryMixed mediaAbstract composition in greys and black, another watercolour of a donkey and another oil on board of a still life with bottles and pears on a table (5)
A Minton green ground dessert service each piece painted with a still life of fruit, signed J. Colclough, comprising two oval dishes, two square dishes and twelve plates, printed marks and year ciphers for 1934-1937, plates 23cm diameter/see illustration CONDITION REPORT: One square dish broken at top left corner, otherwise one or two of the plates have a minor scratch to the green ground, overall in excellent unused condition with good gilding and enamelling.
George Telfer Bear (Scottish 1876-1973)/Still Life of a Vase of Roses and A Fan/signed/oil on canvas, 74cm x 63cm CONDITION REPORT: There is a small scuff mark just above the signature but otherwise the painting and the frame are in good condition ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Attributed to Enid Smiley (1924-2004)/Still Life with Pears, Apples and Pumpkins/oil on canvas, 60cm x 49.5cm and another still life by the same hand CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden) Kirschzweig, 1893 Öl/Leinwand, 44,7 x 32,3 cm am Rahmen signiert Em Pelikan verso beschriftet Stillleben mit Blütenzweig in Glasvase abgebildet im Wkvz. Emilie Mediz-Pelikan, Tromayer 1986, Nr. 228, abgebildet im Kat. Emilie Mediz-Pelikan, Karl Mediz, Hochschule für angewandte Kunst in Wien, 1986, S. 81, Nr. 223, abgebildet im Kat. Karl Mediz, Emilie Mediz-Pelikan, Galerie Biedermann, München 1987, Kat. Nr. 17 SCHÄTZPREIS/ESTIMATE °€ 5.000 - 8.000 EMILIE MEDIZ-PELIKAN (Vöcklabruck 1861 - 1908 Dresden)Flowering Sprig oil/canvas, 44,7 x 32,3 cm signed on the frame Em Pelikan verso inscribed still life with flowering sprig in glass vase depicted in catalogue raisonné Emilie Mediz-Pelikan, Tromayer 1986, no. 228, depicted in cat. Emilie Mediz-Pelikan, Karl Mediz, university of applied arts in Vienna, 1986, p. 81, no. 223, depicted in cat. Karl Mediz, Emilie Mediz-Pelikan, gallery Biedermann, Munich 1987, cat. no. 17. Schlagwörter: Stimmungsimpressionismus, Olga Wiesinger-Florian, Marie Egner, Tina Blau, Symbolismus, Hagenbund, Künstlerinnen,Suppantschitsch, Zetsche, Simony, Stoitzner, Hörmann, Carl Moll, Knokke, Adolf Hölzel, Fritz von Uhde, Albert Zimmermann, Wiener Secession, Sezession, Ludwig Hevesi, Hagenauer, Wiener Werkstätte, Künstlerbund, Künstlergenossenschaft, Kunstgewerbeschule, Frauenkunst, Kinsky, Dorotheum, Widder Auktionen, Griesebach, Lempertz, Van Ham, Bassenge, Ketterer
KARL KORAB* (geboren 1937 in Falkenstein) Stillleben mit Fisch, 1987Mischtechnik/Papier, 30,7 x 34 cmsigniert und datiert Korab 87SCHÄTZPREIS/ESTIMATE °€ 2.000 - 3.000 KARL KORAB* (born 1937 in Falkenstein) still life with fishmixed media/paper, 30,7 x 34 cm signed and dated Korab 87Schlagwörter: Herbert Boeckl, Phantastischer Realismus, Kollage, Kubismus, Akademie der bildenden Künste Wien, Sergius Pauser, Bühnenbildner, Braque, Serient, Hundertwasser, Lehmden, Ernst Fuchs, Abstraktion, Kinsky, Dorotheum, Widder Auktionen, Griesebach, Lempertz, Van Ham, Bassenge, Ketterer
ERNST PAAR* (Graz 1906 - 1986 Wien) Stillleben mit Blumenvasen, 1935 Öl/Leinwand, 64,5 x 81 cmsigniert und datiert Paar 35SCHÄTZPREIS/ESTIMATE °€ 4.000 - 6.000 ERNST PAAR* (Graz 1906 - 1986 Vienna)still life with flower vases, 1935 oil/canvas, 64,5 x 81 cmsigned and dated Paar 35Schlagwörter: Kinsky, Dorotheum, Widder Auktionen, Griesebach, Lempertz, Van Ham, Bassenge, Ketterer
VICTOR TISCHLER* (Wien 1890 - 1951 Beaulieu-sur-Mer) Blumenstillleben, um 1920 Öl/Leinwand, 60,3 x 48,7 cmsigniert TischlerSCHÄTZPREIS/ESTIMATE °€ 7.000 - 14.000 VICTOR TISCHLER* (Vienna 1890 - 1951 Beaulieu-sur-Mer) still life with flowers, around 1920 oil/canvas, 60,3 x 48,7 cmsigned TischlerSchlagwörter: Kinsky, Dorotheum, Widder Auktionen, Griesebach, Lempertz, Van Ham, Bassenge, Ketterer
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77111 item(s)/page