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Lot 177
λ Hamish Mackie (British b. 1973)Leopard Turning in Tree Bronze Signed, dated 2012 and numbered 5/12 to trunk Height 44cm (17 1/4in.) Inc. base 50.5cm (19 7/8in.)Provenance:Collier & Dobson, Fordingbridge, HampshireAcquired from the above by the present owner 'You should be able to look wildlife sculpture in the eye and see life' (Hamish Mackie)Hamish Mackie (b.1973) is a considered one of the world's foremost wildlife sculptors. Largely self-taught, Mackie's subjects range from livestock to birds to wild animals, all observed in their natural environment. From the first impressionistic sketches and quick models in plasticine, Mackie works to build up a detailed and atomically accurate core covered with a vibrant skin which serves to capture each individual animal's personality. As with lots 174, 175 and 177 offered here, Mackie often works in bronze. Caracal Head, Leopard Turning in Tree and Sitting Leopard Head all demonstrate Mackie's ability to covey a spontaneous and instinctive moment of an animal's behaviour, from a leopard stretching out and relaxing in a tree to the caracal with his ears pricked up and eyes alert as though he may have just spotted potential prey. It is these intimate moments which Mackie so skilfully depicts which help to bring the sculptures to life. Mackie's love for animals developed at an early age when in 1978, aged five, he moved with his family to a farm in Lostwithiel, Cornwall and was often tasked with looking after the livestock. It was here that he made his first bronze sculpture - a calf's head, given to his father as a Christmas present and which still hangs in the kitchen today.After completing a course in design at Kingston University, Mackie travelled to Africa and in 1995, took a job on a hunting camp in Zimbabwe. It was here that he was able to observe the distinction between an animal in the wild and one in captivity. This interest led him to the conservationist organisation TUSK whom he still supports today. It was during his time in Africa that Mackie fell in love with African wildlife and produced his fist wax sculpture of a cheetah.On his return to the UK, Mackie worked with the sculptor Mark Coreth and began to cast his models in bronze for commercial sale. In 1997, Mackie was accepted into the Royal Academy's Summer Exhibition following on from his first solo show with Fanshawe Somerset, London. Several successful solo shows followed and in 2013 Mackie was commissioned to produce six horses galloping through Berkeley Group Holdings in Spitalfields, London.In 2016, Mackie was awarded the Public Monuments and Sculpture Association's (PMSA) annual Marsh Award for Excellence in Public Sculpture and Public Fountains.
Lot 62
λ Eliot Hodgkin (British 1905-1987)Mixed spring flowersTempera on board Signed and dated 11.IV.62 (upper left)11 x 11cm (4¼ x 4¼ in.)Exhibited:London, The Reid Gallery, Fifty Still Life Paintings by Eliot Hodgkin, December1963, ex. catLiterature:Eliot Hodgkin online catalogue raisonné [https://www.eliothodgkin.com/work/mixed-spring-flowers/]Condition Report: A number of small blemishes and white spotting to the green background. Otherwise, the work appears to be in good original condition. Under glass and unexamined out of frame.Condition Report Disclaimer
Lot 139
Jacqueline Marval (French 1866-1932)Still life with roses in a vase, coffee cup and wine glass on a tableOil on canvasSigned (centre right)69 x 49cm (27 x 19¼ in.)Provenance:Galerie Druet, ParisProperty sold to benefit a charitable trust created by the late William de GelseyThe authenticity of this work has been confirmed by the Comité Jacqueline Marval.
Lot 129
Jacqueline Marval (French 1866-1932)Still life with carnations in a glass vaseOil on canvasSigned (lower right)54 x 75cm (21¼ x 29½ in.)Provenance:Property sold to benefit a charitable trust created by the late William de GelseyThe authenticity of this work has been confirmed by the Comité Jacqueline Marval.
Lot 269
François Charette-Duval (1807-1895)A still life of flowers in a blue and white vase on a stone ledgesigned and dated 'F Charette 1840' l.r., oil on panel48.5 x 39.5cmCondition report: Oil on a wooden panel formed from a single board with a vertical woodgrain. The support and paint layers are in a very good condition overall. There are a few touches of overpaint covering small cracks. The varnish is even, semi-matte and slightly yellowed. There is a layer of surface dirt present on the varnish.
Lot 268A
After Roy Lichtenstein'Shipboard Girl';'Forget it! Forget me!';'Cubist Still life with Playing Cards';'Torpedo...LOS'four reproduction prints58 x 48cm, unframed;Together with After Keith Haring'Pop Shop Quad I'reproduction printsheet 58 x 48cm, unframed,and three further prints after Keith Haring all untitled (8)Condition report: Have been rolled up. Shipboard Girl has a very small dage to top of sheet.Otherwise in good condition.
Lot 21
Brian Davies (1942 - 2014), oil painting on canvas. A still life with glass and fruit. Signed in the bottom right corner. In a moulded gilt frame. Framed by the Unicorn Gallery, Wilmslow, Cheshire. Approx dimensions in frame 550mm x 440mm. GC-VGC, slight chipping to corner of frame, and pressure mark to canvas, etc. £200-300
Lot 417
The Hans Schifferle Collection 1995 Ducati 916 Monoposto 'Carbon Special'Registration no. not registeredFrame no. ZDM916S 004446Engine no. ZDM916W4 004893•Believed purchased new by Hans•MS Productions carbon fuel tank and body panels•Öhlins front and rear suspension•4,872 kilometres recordedAlthough Ducati's water-cooled 8-valve v-twin had been around in its original 851 and 888 incarnations for seven years, and indeed, had already won three World Superbike Championships, it was the arrival of the iconic 916 in 1994 that really captured the public's imagination. Styled by Massimo Tamburini, the 916 and its subsequent evolutions established Ducati as one of the world's foremost brand names. Universally recognised as icons of automotive art, Ducati motorcycles have been exhibited in some of the world's foremost museums, including the Guggenheim in New York and the Museum of Modern Art in San Francisco. In developing the original 851, engineer Massimo Bordi created one of the finest motorcycle power plants ever. By the mid-1980s, Ducati's existing air-cooled 4-valve twins were approaching the end of the development, so Bordi started with a clean sheet in creating their water-cooled, 8-valve, fuel-injected successor. Ducati's trademark desmodromic valve actuation system, which closes the valves mechanically rather than relying on springs, was retained, as was the 90-degree angle between the cylinders. Wrapped around this outstanding engine was a frame, consisting of an intricate trellis of straight tubes, whose design has since become standardised throughout the Ducati range. The integration of all these elements was the key to the 916's success; that and a brilliant on-road performance that eclipsed just about everything else around at the time. The Ducati 916 won the World Superbike Championship in its 1994 debut season and its evolutions three times after that. Enough said. This example started life as a 916 Monoposto before Hans set about modifying the machine to 'carbon' specification, upgrading it with an MS Productions carbon fuel tank and body panels almost entirely throughout. He also fitted Öhlins front forks (believed to cost circa €10,000); Spiegler brakes; Marvic magnesium wheels; and an Öhlins rear shock. The guarantee booklet on file suggests Hans purchased the machine new (in July 1995) from KawaMotor (Kawasaki and Ducati dealer) in Munich. Hemut Lichtenberg advises that the cam belts have been changed every two years, the last occasion in 2019. It is recommended that the purchaser immediately change the belts again. Currently displaying a total of 4,872 kilometres on the odometer, the machine is offered with a German Fahrzeugschein; an expired TüV (MoT) certificate and correspondence; Guarantee and Warranty booklet; and an owner's manual. Footnotes:Ω Import VAT High RateImport tax at the higher rate of 20% of the Hammer Price and Buyers Premium will apply should the lot remain in the UK. NMTNew Means of Transport (HMRC) Tax at the rate of 20% of the Hammer Price will apply should the lot remain in the UK. This applies to imported vehicles displaying less than 6,000km from new.N (NOVA): This lot is subject to a fee of £125 + VAT payable by the Buyer, to undertake the relevant NOVA and C88 (Customs) clearance applications. Please see the Conditions of Sale for further information.As with all Lots in the Sale, this Lot is sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness, and originality prior to bidding.This lot is subject to the following lot symbols: Ω NMT NΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.NMT Motor vehicle lot originates from or is registered in another EU member state and has travelled less than 6,000km from new. Accordingly HMRC and the DVLA classify such machines as 'New Means of Transport' under the Nova Scheme and are subject to VAT at 20% on the hammer price.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com Please note we are advised by the HMRC the 20% New Means of Transport VAT is no longer payable by buyers from Great Britain following the update to the Northern Ireland protocol. However, please note the HMRC advise that the 20% New Means of Transport VAT is still applicable to buyers from Norther Ireland.
Lot 493
1972 Moto Guzzi V7 SportRegistration no. AWW 366KFrame no. VK12224Engine no. VK31221•Very early V7 Sport•Outstandingly original•Full professional overhaul of engine and transmission in 2012The wonderful machine offered here is a very early Moto Guzzi V7 Sport, probably a handful of numbers away from the so-called 'Red Frame' bikes, and is what is unofficially known as a 'Series 1', so all the timing gears are steel pinions (not chains as later) and all the nuts and bolts of superior quality. The vendor bought this V7 Sport from Yesterdays in the Netherlands in 2010, considering it the perfect bike to own and ride while he was working in Switzerland and Germany. The Guzzi was kept at a friend's place in Germany where the friend had an extensive collection. The Guzzi was used frequently up to 2012, covering some 10,000 kilometres in the preceding two years. It was (and still is) supremely original and well preserved, but the vendor wanted to ensure that the mechanicals were up to the requirements of long-distance touring. His friend suggested the V7 to the renowned German classic MV/Ducati/Guzzi specialist Michael Nitzsche of Dorsten, near Essen: 'They did a fantastic job preserving originality while rebuilding everything mechanical but I didn't get much change out of 20,000 euros.' Life then took a different turns and the vendor has only managed to cover around 400 kilometres since the rebuild. In his own words: 'Engine runs like a Swiss clock, doesn't leak a drop of oil, driveshaft is quiet like a modern BMW, the paint is original, everything is original with exception of decals (which are correct for a very early example), all the bits that early V7 guys are looking for are there: original seat with under-seat light; functioning steering column lock and start; original covers on selected nuts and bolts; unmodified air box; improved gearbox stamped '3'; original Borrani wheel rims, etc.' Bills totalling some £24,000 are on file and the Guzzi also comes with a UK V5C Registration Certificate. Used regularly, right up to the time of sale, this rare and desirable V7 Sport is a proper collectors' quality motorcycle, worthy of the closest inspection.Footnotes:As with all Lots in the Sale, this Lot is sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness, and originality prior to bidding.For further information on this lot please visit Bonhams.com
Lot 184
A Royal Worcester footed dish, by Albert Shuck, 1921, painted with a still life of fruit on a mossy bank with a gilt line border, 21cm diameter (damages) together with a Royal Worcester porcelain bowl by David Lockyer, 1931, painted with a still life of grapes and peaches with a gilt line border, 23cm diameter, both signed and with printed marks in puce
Lot 3184
Mary Fedden OBE, RA, RWA (1915-2012) ''Fruit'', Still Life with Grapes, Pears and Cherries Signed and dated (20)07, oil on canvas, 40cm by 50cm Provenance: Bonham's Knightsbridge, ''Modern British and Irish Art'', 18.9.12, lot 239 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 104
NEW ORDER & JOY DIVISION LP TEST PRESSINGS x 5. To include 2LP test press for 2011 release Total (from Joy Division to New Order), Lost Sirens LP, Low Life LP (FACT100 -0825646253012 - BG20629-01) and Movement LP (FACT50 - 0825646253036) and Power Corruption & Lies (FACT75R - 0825646253043). All in Ex+ condition and includes mailing envelope sent to Hooky by Warners.The mightiest pair known to man. Joy Division and New Order… Still very proud.
Lot 229
PETER SNOW (1927-2008) Still life study of various house plants, The Knoll, Beckenham, Kent the reverse with an untitled composition depicting blue figures on a tropical beach, oil on board, 137cm x 107cm (unframed) Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Art
Lot 246
PETER SNOW (1927-2008) A FOLIO OF DRAWINGS AND PRINTS including botanical, still life, landscape and street scenes, in pen and ink, charcoal, pencil and similar Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 240
PETER SNOW (1927-2008) A FOLIO OF WATERCOLOURS primarily comprising stage designs, but also including still life studies and promotional works The bullfighting works included in this lot were executed whilst in Portugal with Victor Willing, Paula Rego and Michael Andrews. The views of Aldeburgh were painted whilst whilst undergoing designs for Benjamin Britten.Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Art
Lot 282
*AFTER HENRI MATISSE (1869-1954) 'Still Life With Pomegranates' giclee print, 74cm x 55cm; together with another work after Matisse 'Nude Woman Bust, 1948' 49cm x 35.5cmProvenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Fine Art
Lot 248
PETER SNOW (1927-2008) Still life study of flowers and fruit charcoal on paper, 52cm x 41cm Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Art
Lot 230
PETER SNOW (1927-2008) 'Still life study of various house plants, The Knoll, Beckenham, Kent' oil on board, 120cm x 89cm (unframed)Provenance: The Studio of Peter Snow (1927-2008)Peter Frederick Briscoe Snow was an English painter, theatre designer and teacher. From the 1960s to the 1990s he was head of postgraduate theatre design at the Slade School of Art
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