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Lot 42

Giovanni Stanchi (1608 – 1672) – Attributed. Flower still life in vase. Oil on canvas. Damages. 71 x 56 cm.

Lot 105

Nichollas Hamper (b.1956) Farm Still Life, 1991 signed with initials and dated (lower left) oil on canvas 40 x 47cm.

Lot 127

Derrick Latimer Sayer (1917-1991) Still life - a vase of flowers and fruit, signed gouache 56 x 80cm

Lot 160

Harry Barr (1896-1987) Still life – a Chinese vase with roses and red asters, oil on canvas, 76 x 56cm

Lot 24

Alan Chisholm (20th Century) Still life with knife and book oil on board 50 x 61cm; and another oil by the same artist, figures at a table, 89 x 60cm (2).

Lot 38

Helen Napper (b.1958) Still Life with Toast, 1996 signed, titled, and dated (to reverse) oil on board 33 x 76cm. Provenance: The Thackeray Gallery, London.The artwork is in good condition. The frame is painted black and has some marks and scuffs.

Lot 47

George Weissbort (1928-2013) Still Life - Bread and Wine, 1967 signed and dated (lower right) oil on board 45 x 61cm.

Lot 75

Modern School Cubist style still life signed 'RS' oil on canvas 75 x 61cm.

Lot 822

A framed and glazed mid 20th century still life study, 50.5 x 40.5 cm. COLLECT ONLY.Oil on board, signed but indistinctImage 24 x 34cm

Lot 806

A gilt framed still life painting on board, 81 x 61 cm, COLLECT ONLY.

Lot 825

A mid 20th century oil on board still life study, 46 x 63 cm, COLLECT ONLY.

Lot 814

A good framed and glazed still life watercolour, 61 x 49 cm, COLLECT ONLY.

Lot 951

A framed and glazed still life watercolour, COLLECT ONLY.

Lot 285

Machese A floral still life  Dimensions: (Canvas) 20.75 in. (H) x 16.5 in. (W) (Frame) 29.5 in. (H) x 25 in. (W)

Lot 287

Lucien Pissarro (1863 - 1944) Still life with ceramics Oil on canvas Signed and dated monogrammed lower left  His use of strokes and dashes of pure colour, seen in the present work, particularly on the table cloth, build up the image and place Pissarro far ahead of any contemporary British artists in his appreciation of the central tenets of Impressionism.  Dimensions: (Frame) 26 in. (H) x 31 in. (W) (Canvas) 20 in. (H) x 24.5 in. (W)

Lot 286

Circle of Cadell Still life with flowers, figure and a dog Oil on panel  Dimensions: (Panel) 9.75 in. (H) x 13.75 in. (W) (Frame) 13.75 in. (H) x 17.5 in. (W)

Lot 298A

Circle of Jan Fyt (1611 - 1661) A still life with dead game, fruit, and a spaniel in an interior Oil on canvas  Dimensions: (Canvas) 31.5 in. (H) x 45 in. (W) (Frame) 39.25 in. (H) x 53 in. (W)

Lot 383

John Lancaster (20th Century) A still life with flowers, 1964 Oil on canvas  In a carved giltwood frame Signed and dated lower right  Dimensions: (Canvas) 20 in. (H) x 24 in. (W) (Frame) 26 in. (H) x 29.5 in. (W)

Lot 384

Oliver Clare (1852 - 1927) A still life with fruit Oil on artist's board Signed bottom right  Dimensions: (Board) 6 in. (H) x 8.25 in. (W) (Frame) 14 in. (H) x 16.5 in. (W)

Lot 152

Two 20th century still life studies, oil on canvasLocation:

Lot 119

A Silfveberg (Finnish) still life lilac and roses in a vase, oil on canvas, signed lower left, 40.5x50cm, mounted in a gilt frame, c 1960sLocation:

Lot 485

Three still life paintings to include an oil on canvas signed Rossi, and two signed Gasperi Location:

Lot 83

Marion Broom - Wallflowers Still life, watercolour of a jug of red white and yellow flowers, signed lower right 41.5 x 61.5cms, mounted in a glazed gilt frameLocation:

Lot 465

Alfred F Keen: two early 20th century watercolours, still life studies, 12" x 9 12" and 14" x 9 1/4", in gilt faux bamboo frames

Lot 391

After Van Gough: a pair of prints, studies of harvesters and gleaners, a colour print, still life, and three other prints, in strip frames

Lot 491

Andrey: an oil on linen, spray of carnations, 19 1/2" x 29" , unframed, a still life of glasses and a print of a clown, in gilt frame

Lot 463

Jenny Wheatley RWS NEAC, '87: watercolours, "Blue Still Life", 6 1/4" x 4 3/4", in gilt frame

Lot 403

A colour print, still life on canvas, in pierced gilt frame, and three other colour prints, "A hunting we will go", "Charming Kate" and "A Thaw", in strip frames

Lot 485

CONTINENTAL SCHOOL (EARLY 20TH CENTURY) STILL LIFE OF FLOWERS Oil on canvas Indistinctly signed with initial D (lower left) 86 x 64.5cm (33¾ x 25¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt throughout. Rubbing to the framing edges, otherwise no obvious significant condition issues. Please note Dreweatts are not liable for damage to frames or mounts.Condition Report Disclaimer

Lot 642

A 1914-15 Star awarded to Lieutenant-Colonel R. Locke, Inland Water Transport, Royal Engineers, late Army Service Corps, who was admitted in July 1917 to the ex-Officer’s Hospital at St Omer, suffering from an ulcer of an amputation stump, and was Mentioned in Despatches The War having significantly changed his outlook on life, Locke was caught ‘in flagrante’ with his French maid, but was - somewhat remarkably - forgiven by his wife, and ordered to resume his ‘conjugal rights’ by the Divorce Court 1914-15 Star (Lieut. R. Locke. A.S.C.) good very fine £60-£80 --- M.I.D. London Gazette 17 December 1918: ‘For distinguished and gallant services and devotion to duty.’ Roderick Luck Locke was born at Hartlip, Kent, on 12 September 1875. Educated locally at Borden School, Locke travelled to South Africa where he married Eleonore Meyer Polson at Bloemfontein on 15 February 1906. Appointed to a commission with the Army Service Corps, he served as a Lieutenant in the Balkans from May 1915. According to The Globe Newspaper on 31 January 1921, Locke’s marriage began to crumble following cessation of the Great War: ‘The “Wanderlust”… Husband who preferred to remain in Cologne. Roderick Locke, said to have been a Captain in the Royal Army Service Corps and now living in Cologne, was respondent in the Divorce Court this afternoon, when Mrs. Eleanor Myer [sic] Locke of St. Charles’ Square, Notting Hill, secured a decree for restitution of conjugal rights. Petitioner said she married respondent at Bloemfontein in February, 1906, and lived with him afterwards in South Kensington, and later in Africa and Canada. On return from Canada her husband joined the Army Service Corps. In August, 1919, she joined him at Cologne, and there saw him familiar with his French maid. She forgave him, however, and lived with him, but afterwards returned to London. She wrote asking him to give up the idea of living as a civilian in Germany. He replied that he could not leave his business in Cologne, and that if she did not like living there they must live apart. “In any case,” the letter continued, “I prefer to be free, as my affairs tend to hold me as a man without a home. The war has increased in me the wanderlust, which has held me for the last 30 years, and I see no chance in it abating as I grow older.” “Choose your own life.” “The idea of a settled humdrum existence is still abhorrent to me. Choose your own life now, and my efforts will be directed towards helping you in every way, bar sharing it with you. I am very, very sorry, and I have suffered accordingly, but I cannot help it. Best of luck and happiness that you can screw out of this rotten old world – Yours, Rod.” Having listened to the full particulars of the case, His Lordship Sir Henry Duke granted a decree, to be complied with within 14 days. This was clarified in the Daily Mail: ‘A decree for the restitution of conjugal rights to be obeyed by her husband, Roderick Locke, within 14 days.’ Locke died at his home, 154 Woodlands Road, Hillary, Durban, on 26 August 1946. Remaining married to Eleonore, she later made a claim for a widow’s pension.

Lot 653

An interesting Victory Medal awarded to Sapper D. H. Gibson, Royal Engineers, who served as a Tunneller with No. 176 Company and was likely involved in the construction of the extensive gallery network at Vimy Ridge Gibson returned home to Nottinghamshire only to have a ‘marvellous escape’ when caught by a violent thunderstorm one evening as he walked back from the local mine – his accompanying friend died on the spot after been burned from ‘the chin to the sole of his foot’ by a lightning bolt Victory Medal 1914-19 (158361 Spr. D. H. Gibson. R.E.) nearly extremely fine £40-£50 --- David Henry Gibson was born at Newthorpe Common, Nottinghamshire, around 1887, and worked as a coal miner in the local pits. He attested for the Royal Engineers at Hucknall on 2 February 1916, his service papers stating him taking lodgings around that time at Hampden Street, Giltbrook, Nottinghamshire. Posted to France, Gibson joined No. 176 Company on 1 July 1916 and appears to have spent approximately two years as a tunneller. Conditions became so bad underground and in the trenches on the Western Front that he reported to the 59th Field Ambulance in July 1918 suffering from mosquito bites; transferred to No. 4 General Hospital at Camiers, the state of his thighs was such as to necessitate evacuation home to Chester War Hospital to recover for 17 days. As the War neared its weary end, Gibson was posted to a Tunnelling Depot Company at Crowborough before being finally demobilised. He then returned home to Nottinghamshire and his former life as a collier. An article which was published on page 7 of the South Notts Echo on 19 June 1920 notes the following episode: ‘Killed in a Field Newthorpe Common Miner’s Tragic End A violent thunderstorm broke over Eastwood and district between 10.30 and 11 o’clock on Saturday night, causing the death of a Newthorpe Common miner named Thomas Bates, aged 39, who leaves a widow and six children. The deceased’s companion, a miner named David Henry Gibson of Hempden Street, Newthorpe Common, had a marvellous escape, being stunned by the lightning and rendered prostrate. Gibson states that he was in company with Bates from 7.45 p.m., and they were returning home from Newthorpe about 10.30 across the fields. He had just got over a stile and his companion was following when there was a vivid flash of lightning and he remembered no more. It afterwards transpired that Gibson, lying in an unconscious state for half-an-hour, had sufficiently recovered to call for help, and a man named Harry Goodin, a miner, of New Eastwood, who was passing on the main road, heard the shout and went to their assistance, finding Gibson still in a dazed condition and his companion dead. P.C. Hindley, who received information and went to the scene of midnight, states that the deceased, who burned from the chin to the sole of his foot, the fluid passing from the chest down the left side, where it burned a hole in the outer-case of his silver watch, also breaking and charring the watch chain. The watch had stopped at four minutes to 11. The lightning also dislocated one of the overhead wires on the Notts. and Derbyshire tramways at Giltbrook, and the late cars returning from Nottingham were held up until the early hours of Sunday morning, many passengers for Eastwood and Heanor having to complete their journey on foot.’

Lot 311

Albert Pollitt (British, 1856-1926),Floral still life with roses and poppies in a terracotta pot,Oil on board,Signed lower left,39.5cm x 29.5cm,Framed (at fault)

Lot 287

English school (20th century),Still life with peonies in a blue glazed vase,Oil on canvas,Indistinctly signed lower left,50cm x 60cm,Framed

Lot 316

Teresa Copnall (British, 1882-1972),Still life with delphiniums and lilies,Oil on canvas,Signed lower right,60cm x 50cm,Framed

Lot 317

Dutch school (19th century),Still life with flowers and foliage in a glass vase,Oil on canvas,Indistinctly signed lower left (possibly H Van Hoogchen),29cm x 24cm,Framed CONDITION REPORT:The paint surface shows areas of craquelure, particularly to the paler colours, and some speckling across the paint surface, again most noticeable to the paler colours.  Examination under UV shows no evidence of overpainting or restoration.  The frame appears to be structurally sound, but shows open joints to the corners, wear to the gilt finish, cracks and small losses to the gesso base, and evidence of later overpainting.

Lot 327

John Sherrin RI (1819-1896),'The Gardeners Pride', still life with a nest and stoneware vase of roses,Watercolour and gouache on paper,Signed lower right, original paper label verso,34cm x 46.5cm,Framed and glazed

Lot 314

T. G. Hill (British, 20th century),Still life with chrysanthemums and dahlias in an urn,Oil on panel,Signed and dated 1945 lower right,60cm x 46.5cm,Framed

Lot 303

English School (late 19th century or early 20th century),Still life with apples, grapes and walnuts,Oil on canvas,Signed 'W. Hunt', possibly Walter Hunt (British, 1861-1941),19.5cm x 29.5cm,Framed,With a further still life depicting a holly sprig in a landscape, oil on panel, signed 'Harrison', 24.5cm x 34cm, framed (2) (at fault) CONDITION REPORT:Apples, grapes and walnuts shows blotches of off-white residue across the left hand side of the canvas. This residue does not show up under UV light, however there is evidence of possible later varnishing. The frame is structurally sound, but shows open joints to the corners and losses to the moulded details.Holly sprig shows scratching through to the panel on the left hand side. Examination under UV shows no evidence of overpainting or restoration. The frame is structurally sound, but shows open joints to the corners and losses to the moulded details.

Lot 35

Public Image Limited LPs and 12" Singles. Includes: Out Of The Woods (2012 12" single), Bad Life (1984 12" Single embossed sleeve), World Destruction with Afrika Bambaataa (1984 12" Single), Single/Rise (1986 12" Single), This Is Not A Love Song (1983 12" Single Japanese Pressing - no Obi strip), Death Disco (1979 12" Single Ltd Edition VS27412), Home (1986 12" Single), World Destruction - The Complete Celluloid Mixes (RSD 2017 White Vinyl) Happy (1987), Flowers Of Romance (1981), One Drop (2012 with poster), Album (1987), 9 (1989 South African Pressing) This Is What You Want (1984 US Promo Pressing with gold stamp on rear sleave), First Issue (2019 Newbury Comics Ltd Ed of 300 Clear Vinyl - still factory sealed). Over all condition: Very Good to Mint. Some vinyl will have visible but cosmetic marks and sleeves may have light wear. (14)

Lot 5

BALVENIE 1966 SINGLE CASK #4288 SPEYSIDE SINGLE MALT Distilled: 09/04/1966Bottled: 02/06/199844.6% ABV / 70cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.

Lot 141

BALVENIE 10 YEAR OLD FOUNDER'S RESERVE COGNAC BOTTLE SPEYSIDE SINGLE MALT 40% ABV / 70cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt. One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.

Lot 20

BALVENIE 10 YEAR OLD FOUNDER'S RESERVE COGNAC BOTTLE SPEYSIDE SINGLE MALT 40% ABV / 70cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.

Lot 14

BALVENIE 10 YEAR OLD FOUNDER'S RESERVE SPEYSIDE SINGLE MALT 40% ABV / 70cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.

Lot 211

BALVENIE MALT MASTER'S SELECTION 3 X 20CL - INCLUDING 1979 VINTAGE 25 YEAR OLD SPEYSIDE SINGLE MALT Founder's Reserve 10 Year Old - 43% ABV / 20cl12 Year Old DoubleWood - 43% ABV / 20cl25 Year Old Single BarrelDistilled: 11/04/1979Bottled: 15/08/2003Matured in cask #3996Bottle Number: 79846.9% ABV Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt. One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.

Lot 221

BALVENIE FOUNDER'S RESERVE COGNAC BOTTLE 75CL SPEYSIDE SINGLE MALT 40% ABV / 75cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt. One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.

Lot 208

BALVENIE 10 YEAR OLD FOUNDER'S RESERVE SPEYSIDE SINGLE MALT 40% ABV / 70cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt. One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.

Lot 217

BALVENIE 12 YEAR OLD SIGNATURE BATCH #4 SPEYSIDE SINGLE MALT 40% ABV / 70cl Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt. One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.

Lot 198

Eloise Harriet Stannard (British, 1829-1915)Still Life of Chrysanthemums in a Silver Bowl with Ewer, Fruit and MistletoeSigned and dated 1887 (lower left), oil on canvas44 x 54cm (17.5in x 21.5in)Provenance: Lyon & Turnbull, Norwich ‘The Mowson Collection’, 09/07/2008 – Lot 117; Mandell's Gallery, Elm Hill, Norwich. CR * Good hangable condition.Relined canvas with some areas of over painting visible under UV inspection.

Lot 171

Albert Williams (British,b.1922)Still Life of Mixed Flowers in a Vasesigned (lower right), oil on board50 x 40cm (20in x 16in). CR * Good condition.

Lot 199

Eloise Harriet Stannard (British,1829-1915)Still Life Study of Yellow Roses, Basket and Doulton stoneware Vases on a Table Ledge.signed (lower left), oil on canvas32 x 40cm (12.5in x 16in). CR * Minor scuff to top centre and some losses to frame, otherwise good.

Lot 184

Maria Margitson (British, 1832-1896)Still Life Study of Mixed Fruit on a TableSigned (lower right), oil on canvas26 x 36cm (10.25in x 14.25in). CR * Good overall condition.

Lot 187

James Sillett (British,1764-1840)Still Life Study of Mixed Fruit on a Wooden LedgeSigned and dated 1816 (lower right), oil on canvas45 x 34cm (18in x 13.5in). CR * General condition is good.Relined canvas with restoration visible under UV inspection. Frame ok.

Lot 451

An early 19thC porcelain painted plaque, possibly Derby in the Dutch style, depicting floral and fruit still life, unsigned, 24cm x 21cm, framed.

Lot 256

A late 19thC wax and material fruit centrepiece, formed as a still life with central nest and flowers and fruit design, on a black ebonised base with glass dome, 43cm high. (AF)

Lot 452

An early 19thC porcelain painted plaque, possibly Derby in the Dutch style, depicting a floral and fruit still life, on a marble topped table, 31cm x 24.5cm, framed.

Lot 3286

Dürer, Albrecht: (1471 Nürnberg 1528). Aufenthalt in Ägypten. (Früher: Ruhe auf der Flucht). Bl. 14 aus der Folge "Marienleben". Holzschnitt auf Bütten mit Wz. Fischblase (Meder WZ 309), um 1502. 29,9 x 21,1 cm. Unter Passep. mont. M. 202 d (von k). BB. 90. SMS 180. Weitere Ausgaben ohne Text d. Sehr guter Abdruck, noch mit allen Vögeln der Frühdrucke. - Oben links etw. knittrig, sonst gut erhalten. In dieser Qualität selten. - The Rest during the Flight to Egypt. Woodcut on laid from the Life of the Virgin. Mounted unter Passep. Other editions without text a still with all birds of the early prints and "fish bladder" watermark. - Rare in this quality. D

Lot 46

A late 19th century Still Life oil painting signed E.H. Dated 1891. In gilt wooden frame. 76x13cm. Frame 79x16cm

Lot 791

A still life oil on canvas of bottles and grapes;  a pair of continental oil paintings on canvas in traditional frames.

Lot 253

Gerald Norden (British,1912-2000)Still life of apples on a tableOil on canvas29.5 x 39.5cmSigned lower rightProvenance; King Street Gallery, London 1979

Lot 233

*Mark Tobey (American, 1890-1976)A table scene, with a still life of fruits and an ewer, a partial figure visible with forearms resting on the tablethe reverse of the frame indistinctly inscribedGouache50 x 72cm

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