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Lot 770
VARIOUS CERAMICS, PICTURES, RECORDS, ETC, to include eleven Wedgwood Calendar plates 1971-1981 with boxes, a plated coffee/tea pot, a Royal Albert 'Cottage Garden' jug height 16cm, a dressing table trinket set (possibly Coalport), a large unsigned gilt framed oil on canvas, river scene, a pair of still life prints, etc
Lot 111
Biedermeiertasse mit goldenem Fond, wobei Unterschale und Wandung der Obertasse ein zart radiertes Ornamentband aufweisen, Obertasse mit exzellent gemaltem Blumenstillleben (Rose, Schneeball, Stiefmütterchen u.a.) Hoch geschwungene Henkelform, neben der Schwertermarke in Unterglasurblau befinden sich verschiedene Zeichen am Boden, Unterschale: I und 18 in Grün, Aufglasur sowie Bindenstempel 13; Obertasse: I und 20 in Grün , Aufglasur, Gebrauchsspuren und Goldabrieb Coffee cup with saucer, Meissen 1817/24, Biedermeier cup with a golden background. The lower cup and the wall of the upper cup have a delicately etched ornamental band. Upper cup with excellently painted floral still life (rose, snowball, pansy, etc.) Highly curved handle shape. The blue underglazed sword mark and the green underglazed saucer mark I and 18, onglaze and bind stamp 13; the green overglazed cup I and 20, onglaze. Traces of use and gold abrasion.
Lot 763
1961 Velocette 499cc VenomRegistration no. WAS 764Frame no. RS16292Engine no. VM 5549To ride a good example of Velocette's 500cc 'Venom' is to experience the essence of British engineering knowledge translated onto two wheels. The strength of the enthusiasm for this iconic single cylinder machine is reflected in the strength of the Owners' Club and the prices good examples can command. This fine specimen was built in the same year that a factory prepared Venom averaged over 100mph for 24 hours at Montlhery, the first 500cc machine to do so and a record that still stands unequalled. It was purchased by the vendor in 2004, a well known member of the Owners Club whose restoration of a 1936 KTS proved to be a prize winner. This particular machine has been given careful attention and maintenance; 'Tidied up a bit' as the man himself very modestly puts it. It comes with the French built Alton electric start, which incorporates an alternator and with it a conversion of the electrical system to 12 volts, with an obvious bonus in terms of lighting. At some time in its life the machine has been fitted with another engine, for reasons not recorded in its history. It has been recently fitted with a new barrel and piston, since when it has covered only an estimated 25 miles. It will therefore require appropriate running-in when it returns to use. The proceeds from the sale of this machine will be donated to motorcycle charities.For further information on this lot please visit Bonhams.com
Lot 3457
ANDY WARHOL(Pittsburgh 1928–1987 New York)Still life flowers. 1952.Tinte auf Papier.Verso mit den Stempeln: Estate of Andy Warhol und Andy Warhol Foundation for the Visual Art, sowie der Nummer: 314.012 und XA-12-34.35,5 × 27,5 cm.Provenienz: Ehemals Susan Sheehan Gallery, New York (verso mit dem Etikett).
Lot 126
An American Art Deco pink sapphire, seed pearl and diamond pendant, 1920s The elongated cushion-shaped pink sapphire, weighing approximately 25.0 carats, within a surround of seed pearls, to a scalloped openwork frame and pendant loop millegrain-set with old single and rose-cut diamonds Accompanied by GCS report no. 81293-24, dated 19th January 2021, stating that the pink sapphire was found to be natural, with no indications of heating. Origin opinion: Sri Lanka.(Length: 4.4cm)Footnote: Formerly the property of Marija Barachutė, who was born in Lithuania in 1911 in a mining community. She moved to Scotland when still a small child. On starting school her name was changed to Mary Barclay. She left Glasgow alone on a liner to America at the age of 16. She settled in Chicago and lived there for about five years before returning to Scotland. During her years in Chicago, she led an interesting life, dressed very fashionably and returned to Scotland unmarried.
Lot 3700
JULIAN OPIE(London 1958–lebt und arbeitet in London)Still life with aubergines and cucumber. 2001.Farbserigrafie auf Papier, auf Leinwand laminiert und versiegelt. 19/40. Auf dem Keilrahmen signiert: Julian Opie. Masse 39 × 64 cm.Aus der 8-teiligen Serie "Still Lifes".Webseite: www.julianopie.com/multiples/2001.
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77111 item(s)/page