We found 77111 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 77111 item(s)
    /page

Lot 146

• BERNARD MYERS (BRITISH 1925-2007) STILL LIFE OF POPPIES IN A BLUE AND WHITE VASEoil on board41 x 51cm; 16 x 20in(unframed)With the studio inventory number 0317 on the reverse

Lot 440

Léon DE SMET (1881-1966) 'Still life' oil on canvas. Signed and dated lower left, 1930. Dimensions: (W:92 x H:81 cm)

Lot 642

Ephemera, Entertainment, first Royal Command Film Performance Gala Souvenir Programme 1946 for 'A Matter Of Life And Death' starring David Niven, Roger Livesey, Raymond Massey, Kim Hunter and Marius Goring (age toning, edges nibbled, slight damage to top and bottom of spine, still tight)

Lot 237

A FANCY LINK LONG CHAIN The polished and foliate oval links with reeded belcher link spacers, to an associated lobster claw clasp, unmarked Size/dimensions: 140cm long Gross weight: 46.5 grams Condition Report: The chain is testing as gold, around 14 carat. there is wear between the links from use, some display more thinning than others, but there is still life left. Some reeded links may have been subtly repaired. The lobster claw attachment is not original, it is stamped 9ct Condition Report Disclaimer

Lot 403

Mixed pictures to include Paul Kimatho oil on canvas depicting a continental landscape and others, Wilde oil on board entitled Nigerian still life and others Location:

Lot 351

Pictures to include Edith A Anderson, three watercolours still life of flowers, Victorian school, two oil on canvas portraits and printsLocation:

Lot 156

Oil on board, still life and a part wash set

Lot 601

Philip McLeod Coupe (1944-2013), a still life oil on board depicting mug, bottles and apple. 19 x 24 cm (see illustration).

Lot 773

Ian Parker (born 1955), still life oil on canvas board, "Two Pears", signed to the bottom right. 14 x 24.5 cm in a gilt frame.

Lot 587

Nicola Sarossa, an oil on canvas, still life with vase of flowers. 60 x 49.5 cm in a gilt frame (see illustration). CONDITION REPORT: The still life is in extremely good order with no damage, no repairs, and no restoration. The frame is in generally good condition also with only minor shrinkage around the corner mouldings.

Lot 696

Percy Kelly (1918-1993), mixed media still life flowers. 32 cm x 23 cm, framed, signed and dated (19)68. ARR.

Lot 730

Percy Kelly (1918-1993), a watercolour still life of flowers 21 cm x 16.5 cm, signed with initials and in full on mount. ARR.

Lot 688

Sammlung Porsche-MedaillenFeinsilber, 22-tlg., 60 years of Porsche, 2008; Porsche 2000+2x 2001+2002+ 2x 2003+ 2x 2004+2007; welcome to the world 2006; Die Sonntage des Jahres 2002; 2x 2005 powered by Porsche; Answers The Engineers of ecciciency; Driver's Perspective 2010; 1994 Spaß an Leistung; (19)95 Begegnungen, (19)96 Emotions; (19)97 Boxster. Porsche pur.; (19)98 Evolution 911; (19)99 Still & Life, je punziert. Sehr guter Erhaltungszustand. In Etuis. Dazu Medaille: Dr. Ferry Porsche zum 70. Geburtstag 19. Sept. 1979.

Lot 682

Charles Thomas Bale(fl.1866-1892)Still Life pair with fruit,signed,oil on board,19.5 x 29.5cms, in matching frames. (a pair)

Lot 681

19th Century Flemish SchoolStill Life with Peaches,oil on canvas,33.5 x 29cms, in a gilt frame.

Lot 310

M M "Hellebores and Winter Jasmine", watercolour study, initialled right, 31 cm x 24 cm, JAKE HARRIS "Roses on a shelf", still life study, oil on canvas, signed and dated 1991 lower right, 20.5 cm x 25.5 cm, ENGLISH SCHOOL "Poppy and another", watercolour study, inscribed "Signed "Anne Fane" verso, 20.5 cm x 12 cm and ENGLISH SCHOOL "Hilly landscape", watercolour, unsigned, 17.5 cm x 12.5 cm, together with various other watercolour floral studies and a further landscape (12)

Lot 232

Pictures and Prints - Jan (20th century Continental School), Still Life, Vase of Colourful Flowers, signed, oil on canvas, 74cm x 62cm; another, Study of White Peonies, indistinctly signed, oil on canvas, 56cm x 66cm; Rupert (19th century English School), Waterfall, signed, oil on canvas, 91cm x 71cm (3)

Lot 370

Henriette Turotte (French, 19th century),Still life with flowers, stoneware urn and dove,Oil on canvas,Signed lower right,60cm x 49cm,Framed

Lot 463

Chinese School (19th century), Pair of Gouaches on paper, Two full length portraits of female courtiers, 46cm x 37cm overall, with two black lacquered chinoiserie frames enclosing a leaf painting and a pith paper gouache, 19th century, and a further framed and glazed gouache on pith paper still life (5) CONDITION REPORT:Courtier portraits: Both show some tearing and appear to have been pasted down onto some kind of support. Both show creases, scuffs and distortions throughout.Lacquered chinoiserie frames: Both show surface wear including fine scratches throughout, resulting in some losses to the details. In the larger frame the back glass is secured with sellotape. In both cases the framed images are relatively clean and bright, although the still life sheet shows a tear to the right hand side and the odd small stain.Floral still life: Shows a tear to the top edge and foxing throughout. 

Lot 376

O. W. Lloyd (English school, 20th century),Still life with wild flowers,Oil on board,Signed lower left,33cm x 28cm,Framed and glazed

Lot 372

R. Bielle (French school, 20th century),A floral still life with irises and peonies,Oil on board,Signed lower right,60cm x 48cm,Framed and glazed

Lot 278

Rubin, (20th century), still life study of a jug of flowers and another, country scene with bridge over stream, two, both signed. Oils on board. 61 x 30cm and 76 x 38cm. (2) (B.P. 21% + VAT)good original condition

Lot 116

Follower of Bartolomé Pérez Still life of flowers in a vaseoil on panel22 x 17cmOverall in very good, stable, clean condition with no sigificant signs of damage or restoration. Some tiny losses and abrasion to the paint surface commensurate with age, notably to the stalks of the plants and to the right hand edge. Panel appears to have good age but probably cut down.Framed 32 x 26.5cm

Lot 241

Attributed to Benjamin Blake (c.1790–c.1830) A pair of still life oils depicting gameeach 14 x 11.5cm24 x 21cm framed

Lot 336

Manner of Jan van Os Still life of flowers on a stone ledge oil on canvas 75 x 56cm Provenance: Cheffins, Cambridge, Beyond the Green Baize Door - The Collection of Professor Sir Albert Richardson, 27 November 2013, when acquired by the present owner The painting is executed in oil on a fine weave canvas support which is unlined. The canvas tension is slack. The paint layers show some textural phenomena related to the drying of the paint film including wrinkling and some uneven texture. Drying cracks have also formed revealing the white ground layer below. In some areas the ground layer has also cracked and is lifting away from the canvas support below. There is a thin varnish layer present which has yellowed with age.

Lot 335

§ Maxwell Armfield RWS FIAL (1882-1972) Still life of flowers in a vase including a bergamot 'Cambridge Scarlet', a poppy and a butterfly signed with monogram lower righttempera on panel30 x 24cm

Lot 334

Catherine Mary Wood (1860–1939) Still life of grapes and nutssigned lower leftoil on canvas39.5 x 49.5cm

Lot 650

Y ARTHUR BAGLEE (b.1947) "Still Life with Curtain", signed, inscribed to reverse, watercolour,10" x 13", aluminium frame (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Small scratch centre top, otherwise good.

Lot 636

Y PAUL RICHIE (b.1948) "Still Life I", signed and inscribed in pencil, coloured etching, plate size 9" x 8" framed (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Very good

Lot 551

CARL FABER. OIL PAINTING ON CANVAS. A STILL LIFE OF FLOWERS ENTITLED “SIMPLICITY” TO REVERSE. SIGNED 26” X 21”

Lot 435

3 GILT FRAMED PAINTINGS, 2 OIL PAINTINGS OF STILL LIFE & 1 OF A CHURCH SCENE

Lot 544

OVAL WATERCOLOUR STILL LIFE OF SUMMER BLOSSOMS SIGNED GLORIA RICHARDS, IN DECORATIVE GILT FRAME, 27 X 20”

Lot 533

UNFRAMED WATERCOLOUR. A STILL LIFE OF SUMMER FLOWERS, INITIALLED W.B. 17 X 14"

Lot 566

F/G WATERCOLOUR OF SHEEP WITH SHEPHERD, 2 FRAMED OIL PAINTINGS, 1 OF RIVER SCENE & 1 OF STILL LIFE OF FLOWERS & 1 F/G WATERCOLOUR OF FISHERMAN IN RIVER

Lot 534

A FOLDER OF 19TH CENTURY PENCIL AND WATERCOLOUR DRAWINGS INCL. FIGURES AND STILL LIFE STUDIES ETC. LARGEST 22 X 15” [8]

Lot 741

Five framed prints, comprising After Roger Vander Waden, portrait of a lady, 35cm x 25cm, After Picasso, drawing of man and horse, 50cm x 32cm, After Vincent Van Gogh, Selbstportrat, 60cm x 52cm, After Euan Uglow, Still life with delft cyclinder, 59cm x 54cm, and After Edward Hicks, The Peaceable Kingdom, 44cm x 59cm, in white painted frames. (5)

Lot 115

Two 1970's style still life oil paintings Both appear in reasonable used condition

Lot 151

Vintage still life Oil on Canvas, plus two 20th century Oil on Board paintings All in used condition

Lot 837

M Bower: (British 20th C): water colour still life with flowers in a basket, signed and dated 1902, 42 x 61cm, framed; a modern architectural print etc

Lot 377

M Hay (Scottish, 20th Century) Still life of fruit and flowers Signed, oil on board, 34cm x 44cm.

Lot 329

George Cullen (Contemporary) Still life of flowers and fruit Signed and dated 3-98, acrylic on canvas, 46.5cm x 36.5cm.

Lot 337

Marcel A Rencoul (Scottish) Pewter & Pears (still life) Initialled MAR, oil on board, 34cm x 44.5cm. Inscribed verso with title and the artist's address in Peebles.

Lot 394

RR Gunning (British) Still life of fruit with bottle to the background Signed lower right, oil on canvas, 37cm x 29cm, in gesso frame.

Lot 230

UNATTRIBUTED; early 20th century oil on canvas, still life of flowers, 28 x 23.5cm, gilt framed.Condition Report: Please note, there is one area where the paint has chipped away from the canvas.

Lot 249

UNATTRIBUTED; oil on board, still life of flowers, indistinctly signed lower left, 30 x 38cm, gilt framed.

Lot 284

E H COGAN-HARRIS; watercolour, still life of flowers, signed lower right, 35 x 25cm, framed and glazed.

Lot 241

UNATTRIBUTED; an early 20th century oil on board, still life depicting mantel clock, trophy cup, books and fruit, indistinctly signed lower right, 28.5 x 22.5cm, framed, and another early 20th century oil on board, still life of fruit, indistinctly signed lower left, 28.5 x 22.5cm, framed (2).

Lot 291

UNATTRIBUTED; watercolour, still life of flowers, 29 x 19cm, gilt framed.

Lot 813

Byron (George Gordon, Lord) (1788-1824) unpublished Autograph Letter and the only known letter from Lord Byron to Major John Cartwright (1740-1824) dated June 26th 1813, apologising for not being able to meet him and Sir F. in London "Dear Sir, It is with great regret I find that it will be necessary for me to leave London tomorrow morning - and thus be prevented the pleasure I had promised myself in meeting you & Sir F. tomorrow. I was not aware of this till the post came in this morning, which must be my apology for not acquainting you with the circumstances before. I am truly yrs B". Addressed verso to Major Cartwright, 17 James Street, Westminster; a single folded sheet with three edges gilt, 23cm x 18.6cmFrom a private Gloucestershire estate.Single half-folded sheet with further fold marks. The sheet torn from a larger sheet. Lightly toned with one browned mark below the address and a further small browned mark to one fold. The seal cut out and one corner torn with loss. Otherwise crisp and clean. Later annotated in ink with "Ld. Byron 26 June 1813". Footnote: John Cartwright (1740-1824) was an English politician and political reformer and was posthumously known as the Father of Reform.In his early career, he had served as a Naval Officer and served under Lord Byron's grandfather - Admiral John Byron between 1765 and 1770 on the Newfoundland Station. As a politician, he was a supporter and sought the attainment of Universal male suffrage. One of his supporters and co-radicals was Sir Francis Burdett, 5th Baronet (1770-1844) and it appears likely that the Sir F. referred to in this letter is Burdett. Cartwright also advocated the abolition of slavery and the emancipation of Greece and was the brother of the poet and inventor Edmund Cartwright. Just 25 days prior to the date of the letter, Lord Byron had given his last of only three speeches to the House of Lords in support of Major Cartwright: "My Lords, the Petition which I now hold for the purpose of presenting to the House, is one which I humbly conceive requires the particular attention of your Lordships, inasmuch as, though signed but by a single individual, it contains statements which (if not disproved) demand most serious investigation. The grievance of which the petitioner complains, is neither selfish nor imaginary. It is not his own only, for it has been, and is still felt by numbers. No one without these walls, nor indeed within, but may to-morrow be made liable to the same insult and obstruction, in the discharge of an imperious duty for the restoration of the true constitution of these realms, by petitioning for reform in parliament. The petitioner, my Lords, is a man whose long life has been spent in one unceasing struggle for the liberty of the subject, against that undue influence which has increased, is increasing, and ought to be diminished ; and whatever difference of opinion may exist as to his political tenets, few will be found to question the integrity of his intentions. Even now oppressed with years, and not exempt from the infirmities attendant on his age, but still unimpaired in talent, and unshaken in spirit— ” frangas non flectes”—he has received many a wound in the combat against corruption ; and the new grievance, the fresh insult of which he complains, may inflict another scar, but no dishonour. The Petition is signed by John Cartwright, and it was in behalf of the people and parliament, in the lawful pursuit of that reform in the representation, which is the best service to be rendered both to parliament and people, that he encountered the wanton outrage which forms the subject matter of his Petition to your Lordships. It is couched in firm, yet respectful language—in the language of a man, not regardless of what is due to himself, but at the same time, I trust, equally mindful of the deference to be paid to this House. The petitioner states, amongst other matter of equal, if not greater importance, to all who are British in their feelings, as well as blood and birth, that on the 21st January, 1813, at Huddersfield, himself and six other persons, who, on hearing of his arrival, had waited on him merely as a testimony of respect, were seized by a military and civil force, and kept in close custody for several hours, subjected to gross and abusive insinuation from the commanding officer, relative to the character of the petitioner; that he (the petitioner) was finally carried before a magistrate and not released till an examination of his papers proved that there was not only no just, but not even statutable charge against him; and that, notwithstanding the promise and order from the presiding magistrates of a copy of the warrant against your petitioner, it was afterwards withheld on divers pretexts, and has never until this hour been granted. The names and condition of the parties will be found in the Petition. To the other topics touched upon in the Petition, I shall not now advert, from a wish not to encroach upon the time of the House; but I do most sincerely call the attention of your Lordships to its general contents—... Your Lordships will, I hope, adopt some measure fully to protect and redress him, and not him alone, but the whole body of the people insulted and aggrieved in his person, by the interposition of an abused civil, and unlawful military force between them and their right of petition to their own representatives."According to Byron's journals, returning from the House, he called on Thomas Moore, and, while the latter was dressing for dinner, walked up and down the next room, "spouting in a sort of mock heroic voice, detached sentences of the speech he had just been delivering. 'I told them,' he said, 'that it was a most flagrant violation of the Constitution—that, if such things were permitted, there was an end of English freedom, and that—' 'But what was this dreadful grievance?' asked Moore. 'The grievance?' he repeated, pausing as if to consider, 'oh, that I forget.'" (Project Gutenberg).What took him away from London on the 27th June was a visit by his sister Augusta Leigh. He had invited her to Lady Davy’s to meet Madame de Stael.Byron mentions his speech in parliament in various letters and his journal, e.g. in a letter to John Murray dated June 2, 1813: “Dear Sir, I presented a petition to the house today … favour me for a few minutes with the Times & Herald to look on their hostile report…” and in a journal entry for Dec 1, 1813 “Stanhope and I stood against the whole House and mouthed it valiantly – and had some fun and a little abuse for our opposition”It appears that later Byron and Cartwright fell out in later life as an 1819 letter to Hobhouse states (Letter to John Cam Hobhouse August 20th, 1819) “…The “Venerable Cartwright” too – why did you not shorten that fellow’s longevity? … I have no notion of an old fool like that drivelling defiance and coughing a challenge at his youngers and his betters, …”The petition Cartwright had proposed to the house was to bring into force the right to petition for the ‘reform’ of parliament (meaning the reform of pocket boroughs and the reapportioning of representation more nearly in accord with population. No actual reconstruction of parliament took place until the reform bill of 1832 (Marchand, Leslie, Byron: A Biography, London: John Murray, 1957, p. 390). 

Lot 156

A 9ct gold double graduated curb link Albert chain, with T bar and swivel clasps, hallmarks worn, length 40cm, suspending a 9ct gold Masonic pendant, Chester hallmarks, 1918Condition Report: Gross weight 39.64 grams. Some wear between links, but a lot of life left in the chain. The two end swivel clasps are functional and springs feel firm. Wear to the top of the centre swivel clasp, spring still feels firm but a small gap between the two halves of the clasp. Each link individually hallmarked, marks to the links fairly rubbed. A little dirty between links, would benefit from a clean and polish. Suspension loop of Masonic pendant is worn at the sides.

Lot 359

A Framed Still Life Oil on Board, Roses, Signed J Downes, 25.5x42.5cm

Lot 136

A Late 19th century Gilt Framed Oil, Still Life, 25.5x33cms

Lot 182

A Late 19th Century Oval Plaque, Still Life, Roses, has been Glued, 29x21cms

Lot 119

Richard Robbins (1927-2009) Oil on canvas Still life of flowers in a vase, signed lower left, framed, 61cm x 35.5cm

Lot 134

John Yardley (b.1993) Watercolour drawing Still life with vase of illiums, signed lower right, framed and glazed, 69cm x 52cm 

Lot 375

A painted toleware tray, 19th century, decorated with a tabletop still life,54 x 68cmCondition ReportOverall the tray is in good cosmetic condition and ready for display. There is some light wear to the gilding and a few light dents/marks to the top. The back with a bit more wear and losses to paint. See additional photos.

Lot 954A

A pair of Chinese silk long stitch pictures still life of flowers, 42 x 40cm. (2)

Lot 742

Six various unframed floral still life studies, circa 1930s-1950s, some indistinctly signed, 26 x 38cm; 35.5 x 25 cm; 45.5 x 35.5 cm, 40 x 50 cm, 40 x 35.5 cm and 57 x 43 cm (6)

Lot 739

English school - Still life study with a pile of books and a cylindrical blue and white vase of daffodils, oil on canvas, 45 x 37 cm

Lot 655

Henri Hayden (1883-1970) - Still life, lithograph, numbered 42/75, pencil signed to lower right margin, 38 x 56 cm Good original condition ARR may be applicable

Loading...Loading...
  • 77111 item(s)
    /page

Recently Viewed Lots