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Lot 61
Rachel Wyndham (b.1955)3 Cyclamen in Studio - 2015Signed (to reverse)Oil on panel40 x 50cm (framed)Horatio's Garden will receive 100% of the hammer price on this lot. Rachel Wyndham has lived in a very small hamlet tucked into a fold of the South Downs in Sussex near the sea, for over 30 years. Her main love being nature, she has painted the landscape and where possible her garden for many years. Her studio, hidden in a corner of her garden is where she paints almost anything that inspires her, from still life to portraits. Wyndham’s main medium is oil paint and she often paints on wood for its natural texture. The Hebrides hold a particular fascination for Wyndham and she visits a small island there as much as possible.
Lot 33
Keith Jansz MFPA (b.1961)Studio Still Life with RosesSigned with initials CKJ (lower left)Oil on canvas47 x 37cm (framed) Horatio's garden will receive 100% of the hammer price on this lot. Two months after running the London Marathon for Barnardo’s in 1995, Keith Jansz broke his neck in a car accident which left him paralysed from the chest down. He spent six months in Stoke Mandeville Hospital, coming home to adjust to a new way of life. The gift of a book about the Mouth and Foot Painting Artists inspired him to start learning to paint by mouth and Keith progressed rapidly, surprising himself, painting in oils and sketching in pastel and charcoal. His style is influenced by his heroes the Impressionists, his work being reproduced around the world, and his paintings have been exhibited from Shanghai to Vienna, Mexico City to Copenhagen.
Lot 23
Tania Schmieder (German b.1982)Jonathan's BowlSigned with initials TS (to right)Oil on cotton40.5 x 60cm Tania Schmieder was born in Kenya, lived her early childhood in Brunei, and arrived in England at nine. Although her formal education was in medicine, she left that field only a year after graduating and began painting after being powerfully inspired by the still life paintings of Tony de Wolf and Helen Simmonds. She says: “They gave me a sense that there might be a place in the world after all for the quiet and sensitive aspects of my nature, and that did me a lot of good!”
Lot 19
Karen Camkin (b.1967) Mrs B's TulipsSigned (lower left)Oil on gesso100 x 100cm Karen Camkin received her MA Fine Art (Distinction) in 2012 from the University of Gloucestershire and her BA in painting from Exeter Art College in 1991. She is currently studying for a MA in Print at the Royal College of Art. She has been selected multiple times for the Lynn Painter Stainers, the Sunday Times Watercolour Competition, The Royal West of England and Discerning Eye. Since 2019 she has regularly shown with Eastwood Fine Art and runs classes and workshops from her studio in Gloucestershire. Her still life paintings are inspired by seasonal flowers and the featured pottery in many paintings is also made by Camkin. The works are full of colour, painted in layers of oil that are sometimes scraped and sanded to reveal previous marks. Her mark making is lively and fresh to capture the movement and fragility within nature.
Lot 1600
PREYER, EMILIE (1849-1930), "Stillleben mit Pfirsich, Trauben und Nüssen", 1893. auf Jacquard-Tischdecke arrangiert, im Vordergrund eine Fliege und zwei Wassertropfen, u.re. signiert und datiert, Öl auf Leinwand, HxB ca. 14x19cm (40x46cm mit Rahmen), Alters- und Beriebspuren. Hinter Glas gerahmt, Rahmen mit Plakette mit Bezeichnung 'E. Preyer' (Rahmen part. beschädigt und überarbeitet). VERSO am Keilrahmen mit blauer Kreide num.: 104.| PREYER, EMILIE (1849-1930) Still life with peach, grapes and nuts 1893, arranged on a jacquard tablecloth, in the foreground a fly and two drops of water, lower right signed and dated, oil on canvas, HxW approx. 14x19cm (40x46cm with frame), signs of age and wear. Framed behind glass, frame with plaque inscribed 'E. Preyer' (frame partially damaged and reworked). VERSO on the stretcher numbered in blue chalk: 104.
Lot 1642
STOIZNER-MILLINGER, JOSEF (1911-1982), "Stillleben", 1942, Früchte, Topfpflanze und Schenkkanne auf Tisch drapiert, u.re. signiert und datiert, Gouache/Papier, HxB: Passepartoutausschnitt ca. 52x67 cm (72x87 cm mit Rahmen). Alters- und Knickspuren, Farbfleck. Im Passepartout hinter Glas gerahmt. | STOIZNER-MILLINGER, JOSEF (1911-1982), "Still life", 1942, fruits, potted plant and serving jug draped on the table, bottom right. signed and dated, gouache/paper, HxW: passepartout cutout approx. 52x67 cm (72x87 cm with frame). Traces of age and creases, paint stains. Framed in a passe-partout behind glass.
Lot 603
BRETSCHNEIDER, VOLKMAR für MEISSEN Wandbild 'Stillleben mit Früchten und Blüten', 1991, polychrome Malerei von Obst, Blüten und einem Schmetterling, rechts monogrammiert und datiert 'VB91', Schwertermarke links auf der rechteckigen Porzellanplatte mit Passepartout. Montiert auf einer Holztafel mit Öse für die Wandaufhängung und in einen barocken Rahmen gefasst, Plattenmaße 43 x 30 cm, Rahmen Außenmaße 55, 5 x 42, 5 cm, Platte sehr gut erhalten, Vergoldung des Rahmens tlw. berieben und mit Altersspuren. Volkmar Bretschneider ist am 17. März 1930 in Meißen geboren und begann bereits im Alter von 14 Jahren seine Ausbildung als Porzellanmaler in der Manufaktur, die er mit 'sehr gut ' abschloss. Er arbeitete in der Abteilung für Wandtableaus und etablierte sich in der Unikatmalerei. Er entwickelte einen neuen Typus der Blumenmalerei, den es bislang in der Manufaktur nicht gab.| BRETSCHNEIDER, VOLKMAR for MEISSEN mural 'Still Life with Fruit and Blossoms', 1991, Polychrome painting of fruit, blossoms and a butterfly, monogrammed and dated 'VB91' on the right, sword mark on the left of the rectangular porcelain plate with passepartout. Mounted on a wooden panel with an eyelet for wall hanging and set in a baroque frame, panel dimensions WxH: 43 x 30 cm, frame external dimensions WxH: 55.5 x 42.5 cm, panel in very good condition, gilding of the frame partially rubbed and with signs of age. Volkmar Bretschneider was born in Meissen on March 17, 1930 and began his training as a porcelain painter in the manufactory at the age of 14, graduating with 'very good'. He worked in the department for wall panels and established himself in unique painting. He developed a new type of flower painting that had not previously existed in the manufactory.
Lot 208
§ Alberto Morrocco R.S.A., R.S.W., R.P., R.G.I., L.L.D. (British 1917-1998) Still Life with Melon, circa 1968 signed (upper right), titled in pen on label (to reverse), wood relief and gesso paint on board Dimensions:93.5cm x 93.5cm (36 3/4in x 36 3/4in) Provenance:ProvenanceProperty of the Artist's Children, December 1990;Christie's, London, A Celebration: The Studio of Alberto Morrocco & Binrock House, Dundee, 11 July 2012, lot 13.
Lot 31
§ Gluck (Hannah Gluckstein) (British 1895-1978) Five Studies, circa 1968-70 comprising Coastal Landscape; Rosapenna, Donegal; Downings Bay, Donegal; The Raising of Lazarus and Still Life of Flowers, three signed Gluck, two dated 1968 and Oct/69, and three titled, pencil and coloured crayons Dimensions:the largest 23cm x 17cm (9in x 6 3/4in) Provenance:ProvenanceThe Fine Art Society Limited, London;Private Collection, London. ExhibitedThe Fine Art Society Limited, London, Gluck, 6 - 28 February 2017. The studies are in a Gluck Frame, formed of three symmetrically stepped panels, as deisgned by the artist.
Lot 80
Jankel Adler (Polish 1895-1949) Still Life with Candlestick - Preparations for the Sabbath signed (lower right), oil on board Dimensions:51.5cm x 62.5cm (20 1/4in x 24 5/8in) Provenance:ProvenanceRedfern Gallery, London, 1957;Private Collection, UK;Bonhams, London, 23 October 2013, Lot 54, where acquired by the current owner.
Lot 1018
Rosemary Masonpierre (Contemporary), Still life with Strawberries, oil on board, signed lower right, artists label verso. 7.5 x 7.5cm. Together with another two by the same hand, Still Life of Conkers, oil on board, signed lower right, 19 x 14cm; Still life of Watermelon, oil on board, signed lower right. 8 x 8cm. (3).
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77111 item(s)/page