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CHARLES THOMAS BALE (ENGLISH 1845/49-1925)STILL LIFE WITH GRAPES AND POMEGRANATEOil on canvasSigned with monogram and dated '1879' (lower left)41 x 51cm (16 x 20 in.)Please note measurements do not include the frame unless otherwise stated.Condition Report: The canvas has not been lined. Rubbing and abrasions to the framing edges. Craquelure, surface dirt and scuffing throughout. The work has been re-varnished. Inspection under UV reveals light scattered retouching throughout, some of this can also be seen in a natural light (particularly lower right), together with a green cloudy varnish. Overall the work is ready to hang, and in good condition commensurate with age.Please note Dreweatts is not liable for damage to frames. Condition Report Disclaimer
λ GABRIEL DAUCHOT (FRENCH 1927-2005) STILL LIFE WITH IRISES IN A WHITE VASE Oil on canvas Signed (lower left) 79 x 52.5cm (31 x 20½ in.) Please note measurements do not include frame unless otherwise stated. Condition Report: Paint loss and flaking to the centre of the left edge and further loss and cupping to the left of the upper section of the vase. Surface dirt throughout. Condition Report Disclaimer
Philip Connard, 1875-1958, still life of flowers and fruit on a table, signed, oil on canvas, 60 x 49cm, bearing a label for Chapman Bros., 241 King's Road, ChelseaHas some fine crazing within the paint in small areas. Mounted behind glass. Frame looks old and to have been with the picture for a long time, when viewed from the back. It has been painted gold more recently. Clearly signed.
* HELEN M TURNER PAI (SCOTTISH 1937 - 2023), CARRICK HARVEST oil on canvas, signedframedimage size 50cm x 101cm, overall size 52cm x 103cm Note: Helen Turner was born in Glasgow. When she left school she joined the design studios of James Templeton and attended Glasgow School of Art in the evenings from 1952 to 1960. There she studied drawing, still life and portraiture under Trevor Makinson and William Gallagher. Continuing her career with James Templeton and other companies, she became a documented designer in Aubusson and Beauvais, travelling extensively throughout the world. Helen's designs can be seen in the Waldorf Astoria, Turnberry Hotel, San Francisco Opera House, The New York Plaza, P & O Cruise Liners and many Casinos throughout the world. Eventually, she gave up her design work to become a full-time artist. Helen was elected President of the Paisley Art Institute from 2001 to 2004. She is also a member of the Glasgow Society of Women Artists and exhibits regularly in galleries throughout the UK. Helen won the East Linton Award in 1972 and 2004 and was commended in the Soroptomists' International Fine Art Award in 1992. In 2000 she became a Diplomat of the Paisley Art Institute [PAI]. Helen has work in the corporate collections of Robert Fleming Holdings (The Fleming Collection), Dunedin Fund Managers, Aberdeen Asset Management, the TSB, South Ayrshire Council, Paisley Museum and Art Galleries, Ramco Oil and Baillie & Gifford. Known private collectors include Lord Morton and Lord McLean.
* EWAN MCCLURE (SCOTTISH b. 1975), LILIES oil on board, signedframedimage size 39cm x 29cm, overall size 50cm x 40cm Note: Ewan McClure is a freelance painter and is currently Artist in Residence at Broughton House, Kirkcudbright. Following his appearances as finalist on Sky Arts Portrait Artist of the Year, 2013, where he painted Michael Kerr, Sophie Dahl and AP McCoy, his rapidly executed, realist portraiture has been in steady demand both in the UK and abroad. He was selected as a finalist in the BP Portrait award 2013, and in 2015 was shortlisted for the prestigious Conversations Prize for his multi-figure painting, Interlude, at the Royal Society of Portrait Painters. Practicing observational still-life and landscape painting as well as portraiture, his work hangs in private and public collections including The Robert Fleming collection, Princeton Theological Seminary and The Royal Scottish Academy.
* HELEN M TURNER PAI (SCOTTISH 1937 - 2023), INDIANA CORN oil on canvas, signedframedimage size 50cm x 61cm, overall size 61cm x 71cm Note: Helen Turner was born in Glasgow. When she left school she joined the design studios of James Templeton and attended Glasgow School of Art in the evenings from 1952 to 1960. There she studied drawing, still life and portraiture under Trevor Makinson and William Gallagher. Continuing her career with James Templeton and other companies, she became a documented designer in Aubusson and Beauvais, travelling extensively throughout the world. Helen's designs can be seen in the Waldorf Astoria, Turnberry Hotel, San Francisco Opera House, The New York Plaza, P & O Cruise Liners and many Casinos throughout the world. Eventually, she gave up her design work to become a full-time artist. Helen was elected President of the Paisley Art Institute from 2001 to 2004. She is also a member of the Glasgow Society of Women Artists and exhibits regularly in galleries throughout the UK. Helen won the East Linton Award in 1972 and 2004 and was commended in the Soroptomists' International Fine Art Award in 1992. In 2000 she became a Diplomat of the Paisley Art Institute [PAI]. Helen has work in the corporate collections of Robert Fleming Holdings (The Fleming Collection), Dunedin Fund Managers, Aberdeen Asset Management, the TSB, South Ayrshire Council, Paisley Museum and Art Galleries, Ramco Oil and Baillie & Gifford. Known private collectors include Lord Morton and Lord McLean.
* ALMA WOLFSON DA (SCOTTISH b 1942), MULL SOUND AND EASDALE oil on canvas, signed, titled label versoframed and under glassimage size 60cm x 60cm, overall size 81cm x 81cmArtist's label verso.Note: Alma Wolfson was born in 1942. Between 1960 and 1964 Alma studied under Robert Stewart at Glasgow School of Art. Alma has exhibited at many solo and mixed British and Scottish art exhibitions. In the process Alma's paintings have won many art awards including: Barclay Lennie Award Glasgow Society of Women Artists 1995; Millers Art Prize Paisley Art Institute 1995; Southern Art Club Trophy 1995 &1998; Alva Purchase Prize SAAC 1998; Save the Children Award 2000. Alma loves painting 'en plein air' in the Scottish country and seaside. She produces compelling paintings in both oil and watercolours. Wolfson's painterly approach is suited and used to great effect when painting Landscape or Seascapes. But she is equally at home producing beautiful Still Life paintings. For the last 30 years she spent time on the tiny island of Easdale on Scotland's west coast. Much of her landscape work has been inspired by this remote part of Argyll where Alma is a familiar sight on the island often seen as a tiny figure sitting wrapped up against the elements in front of a large canvas.Condition is good overall.
* SHONA BARR (SCOTTISH b. 1965), PINK FLOWERS watercolour on paper, signedmounted, framed and under glassimage size 56cm x 75cm, overall size 80cm x 98cmNote: Shona Barr was born in 1965 in Glasgow. After graduating from the Glasgow School of Art in 1988, where she won the Landscape Prize and the Armour Prize for Still Life, she continued her training at the Kunstakedimi in Oslo, Winchester School of Art, in Barcelona and at the University of Southampton. Drawing her inspiration from nature, Barr's paintings reflect her continued interest in capturing the vitality of the British landscape. Shona Barr has been successfully exhibiting widely since 1989. Her work has been critically acclaimed over the years and can be found in many public, corporate and private collections in Hong Kong, Australia, South Africa, Canada, the USA and throughout the UK.
* PAUL LUCIEN MAZE (ANGLO-FRENCH 1887 - 1979), THE FRENCH GARDEN pastel on paper, singedmounted, framed and under glass image size 26cm x 35cm, overall size 50cm x 60cm Note: Paul Lucien Maze was an Anglo-French painter. He is often known as “The last of the Post Impressionists" and was one of the great artists of his generation. His mediums included oil and watercolour although he was especially acclaimed for his pastels. Maze’s paintings include French maritime scenes, busy New York City scenes and the English countryside as well as Still Life. During the First World War, Maze met Winston Churchill in the trenches and their shared love of painting led to a lifelong friendship. Maze became Churchill's artistic mentor, encouraging him to develop his drawing and painting techniques.
* DAVID MCLEOD MARTIN RSW RGI (SCOTTISH 1922 - 2018), RED ROSES mixed media on paper, signedmounted, framed and under glass image size 56cm x 76cm, overall size 78cm x 97cm Note: David sold his paintings through our auctions from time to time and was always kind, courteous and well liked. David McLeod Martin was born in Glasgow in 1922. He studied at Glasgow School of Art from 1940 to 1942 before serving in India with the Royal Air Force between 1942 and 1946. He returned to Glasgow School of Art in 1946 where he studied under David Donaldson and met his future wife, the painter Isobel Smith. After graduating from Glasgow School of Art in 1948 he pursued a career in teaching. He married Isobel in 1949 and moved to Eaglesham where he lived for the rest of his life. He was elected a member of the Royal Glasgow Institute of Fine Arts in 1959 and the Royal Scottish Society of Painters in Watercolour in 1961. Between 1973 and his retirement in 1983, David Martin was Principal Teacher of Art at Hamilton Grammar School. After his retirement from teaching he concentrated full time on his painting. Numerous highly successful solo shows in London were to follow and he continued to enjoy commercial success and critical acclaim both at home and throughout the UK for the rest of his life. David Martin was widely regarded as one of the finest still life and landscape painters of his generation and his work is held in numerous public, corporate and notable private collections including The Arts Council of Scotland, The City of Edinburgh Art Collection, Perth Museum and Art Gallery, The Dick Institute, Kilmarnock, Robert Fleming and Company Ltd, Linklaters and Paine, Lord MacFarlane, The Earl of Moray, Credit Lyonnais Bank, Warburg Asset Management and the Clydesdale Bank. A major retrospective of his work was held at Perth Museum and Art Gallery in 1999.
* HELEN M TURNER PAI (SCOTTISH 1937 - 2023), STILL LIFE IN YELLOW oil on canvas, signed lower leftframedimage size 51cm x 56cm, overall size 75cm x 69cmNote: Helen Turner was born in Glasgow. When she left school she joined the design studios of James Templeton and attended Glasgow School of Art in the evenings from 1952 to 1960. There she studied drawing, still life and portraiture under Trevor Makinson and William Gallagher. Continuing her career with James Templeton and other companies, she became a documented designer in Aubusson and Beauvais, travelling extensively throughout the world. Helen's designs can be seen in the Waldorf Astoria, Turnberry Hotel, San Francisco Opera House, The New York Plaza, P & O Cruise Liners and many Casinos throughout the world. Eventually, she gave up her design work to become a full-time artist. Helen was elected President of the Paisley Art Institute from 2001 to 2004. She is also a member of the Glasgow Society of Women Artists and exhibits regularly in galleries throughout the UK. Helen won the East Linton Award in 1972 and 2004 and was commended in the Soroptomists' International Fine Art Award in 1992. In 2000 she became a Diplomat of the Paisley Art Institute [PAI]. Helen has work in the corporate collections of Robert Fleming Holdings (The Fleming Collection), Dunedin Fund Managers, Aberdeen Asset Management, the TSB, South Ayrshire Council, Paisley Museum and Art Galleries, Ramco Oil and Baillie & Gifford. Known private collectors include Lord Morton and Lord McLean.
* SIMON LAURIE RSW RGI (SCOTTISH b. 1964) TWO GONDOLAS acrylic on board, signed, titled verso framed and under glassimage size 80cm x 85cm, overall size 101cm x 106cmNote: Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Laurie was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections including Aberdeen Art Gallery, Contemporary Arts Society, London; Feren Art Gallery, Hull; Freshfields, London; Leicestershire Education Committee; Lillie Art Gallery, Milngavie; Nationwide Building Society, London; Royal Bank of Scotland; TSB Headquarters, London; Unilever PLC; William Teacher and Sons Ltd; Wyse Group; Walter Scott Investments Ltd, Edinburgh; Biggart Baillie; Aberdeen Asset Management; The Whisky Society, Edinburgh; Adam and Co Bank; Provident Financial; The Scottish Arts Club, Edinburgh.
SIMON LAURIE RSW RGI (SCOTTISH b. 1964), STOVE acrylic and mixed media on board, signedframed and under glassimage size 81cm x 85cm, overall size 90cm x 95cm Note: Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Laurie was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections including Aberdeen Art Gallery, Contemporary Arts Society, London; Feren Art Gallery, Hull; Freshfields, London; Leicestershire Education Committee; Lillie Art Gallery, Milngavie; Nationwide Building Society, London; Royal Bank of Scotland; TSB Headquarters, London; Unilever PLC; William Teacher and Sons Ltd; Wyse Group; Walter Scott Investments Ltd, Edinburgh; Biggart Baillie; Aberdeen Asset Management; The Whisky Society, Edinburgh; Adam and Co Bank; Provident Financial; The Scottish Arts Club, Edinburgh.
* LADY LUCINDA L MACKAY (SCOTTISH b. 1941), THE BANK OF SCOTLAND (HQ), FROM PRINCES STREET GARDENS ink and watercolour on paper, signed and dated '98, titled label versomounted, framed and under glassimage size 45cm x 60cm, overall size 64cm x 78cmNote: Born in Berkshire, Mackay was brought up in Scotland and educated in Switzerland. She trained at Edinburgh College of Art under William Gillies, graduating in 1965, and undertook postgraduate studies at the Central School of Art, London in 1973. Alongside her career as a professional artist, painting portraits, landscapes and still-life and exhibiting widely, Mackay has worked as a teacher of art, design and ceramics. Her paintings are characterised by bold brushwork and vibrant colours. Mackay lives in Edinburgh. Nine of Lucinda Mackay's works are held in UK public collections including The National Galleries of Scotland.
* LADY LUCINDA L MACKAY (SCOTTISH b. 1941), FLUTE VASE MEDLEY oil on canvas, signed, titled label versoframedimage size 63cm x 76cm, overall size 74cm x 86cm Note: Born in Berkshire, Mackay was brought up in Scotland and educated in Switzerland. She trained at Edinburgh College of Art under William Gillies, graduating in 1965, and undertook postgraduate studies at the Central School of Art, London in 1973. Alongside her career as a professional artist, painting portraits, landscapes and still-life and exhibiting widely, Mackay has worked as a teacher of art, design and ceramics. Her paintings are characterised by bold brushwork and vibrant colours. Mackay lives in Edinburgh. Nine of Lucinda Mackay's works are held in UK public collections including The National Galleries of Scotland.
* CLAIRE HARKESS RSW (SCOTTISH b. 1970), YELLOW BIRDS watercolour on paper, signed mounted, framed and under glassimage size 68cm x 32cm, overall size 94.5cm x 56cm Note: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in July 2020, and at other prestigious galleries around the UK.
Vinyl - 15 Rolling Stones LPs to include Let It Bleed (stickered sleeve, no poster), Satanic Majesties (lenticular sleeve, red inner, mono), Beggars Banquet (unboxed red Decca label), Big Hits (US press), Solid Rock, Story Of, Rewind, Steel Wheels, Still Life, Self Titled and others. Condition varies.
English School (19th Century) Game still life of hanging pheasants and a woodcock oil on canvas, 85.5cm x 101cm signed lower right with indistinct name, possibly W.A.Huggins?, gilt framed Provenance: Barton Hall, Barton Blount, Derbyshire Further details: generally good, crazing to surface (craquelure), some chips to the moulded frame, including large piece to the bottom right hand corner of the frame.
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77111 item(s)/page