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Henry Lindsay, (20th century), four watercolours, still life, initialled, num and dated 1951/2, 56 x 38, framed and glazed, 63 x 46cm, (2), 37 X 46cm, framed and glazed, 43 x 52cm, and 55 x 37cm, framed and glazed, 63 x 44cm, and an oil painting, still life, 49 x 39cm, framed and glazed, 56 x 46cm
Buchwald-Zinnwald, Erich. 1884 Dresden - 1972 KrefeldStillleben mit Fingerhut, Rittersporn und Glockenblume. 1945. Aquarell/ Gouache über Farbstift, sign., dat. am unt. Rand. Gebräunt mit Lichtrand. 49,5 x 39,5 cm, hinter Glas gerahmt. Ra. 54 x 44 cm Erich Buchwald-Zinnwald (1884 Dresden-1972 Krefeld): flower still life, 1945, watercolour/ crayon, signed, dated. Tanned. Framed with glass. 54 x 44 cm
Biese, Valeska (geb. Rietschel). 1905 Tübingen-1987Stillleben "Rosa u. Grün", 1974, Aquarell, sign., dat., betitelt, 43,5 x 36 cm, im Pp. hinter Glas gerahmt. Ra. 61 x 51,5 cm Valeska Biese (Rietschel): still life, 1974, watercolour, signed, dated and entitled, framed with passepartout and glass, frame. 61 x 51,5 cm
Müller-Erbach, Heinz-Otto. 1921 Bremen-1984 ErbachStillleben. 1977. Algraphie, sign., dat., als Künstlerexemplar bez. "E.A.", Blattrand leicht wellig und Stauchfalten, re. unt. Ecke Eselsohr. 50 x 64,5 cm (Bl) Heinz-Otto Müller-Erbach (1921-1984): still life, algraphy, 1977, signed, dated, artist's proof. 50 x 64,5 cm
DANN, JOHANNA (1878-?), "Stillleben mit Margeriten in blauer Vase", u.li. signiert, Öl/Karton, HxB: ca. 14x12 cm (17x15 cm mit Rahmen). Mit Rahmen. Alters- und Beriebspuren an Bild und Rahmen. VERSO Etikett Kunsthaus Schaller, Stuttgart u.a.| DANN, JOHANNA (1878-?), "Still life with daisies in a blue vase", signed, oil/cardboard, HxW: approx. 14x12 cm (17x15 cm with frame). With frame. Signs of age and abrassion on picture and frame. VERSO label Kunsthaus Schaller, Stuttgart a.o.
A group of three still life paintings, comprising K. M. Clasessen (1856-1928): a still life of fruit, oil on board, dated 1925, signed lower left corner, 41 by 53cm, framed, 53 by 65cm, Louise Kuypers (20th century) oil on canvas, still life of fruit and a copper kettle, signed lower right corner, 50 by 40cm, together with a 20th century still life of fruit with a glass and napkin, oil on board, signed GMT, dated 1971, 39.5 by 49.5cm, framed, 42.5 by 52.5cm. (3)
C. L. Mayne (British School, 19th century): A pair of still life paintings, comprising a study of a birds nest containing three small eggs, five cut roses, in bud and in bloom, on a mossy bank, oil on canvas, sign lower right corner, together with a still life painting of fruit, including grapes and pears, oil on canvas, signed lower left corner, both paintings 24.2 by 29.2cm, framed, 34 by 39cm. (2)
Artist: Benjamin Greenstein Benno (English/Russian/American, 1901-1980). Title: "Complex Enzyme". Medium: Oil on canvas. Date: Composed c1937. Dimensions: Frame size: 28 x 22 in. (711 x 559 mm). Overall size: 24 x 18 in. (610 x 457 mm).Lot Note(s): Signed lower right. Overall very good to fine condition with no major issues noted (no holes, tears, repairs, flaking, stains, etc.); as found, unconserved, not relined; strong colors. Comment(s): Benno was considered a child prodigy and as a youth was enrolled at the Ferrer Center in NYC, a radical school started by Emma Goldman for gifted students. He was taught by Robert Henri and George Bellows, with classmates including Edward Hopper and Man Ray. Pablo Picasso sponsored an exhibition for him during Benno’s stay in Paris in the 1930s. Benno’s styles included realism, Cubism, still life biomorphic abstraction, abstract art and, eventually, Abstract Expressionism. A significant collection of his works is in the Brooklyn Museum. Image copyright © The Estate of Benjamin Greenstein Benno. [30072-10-2400]
Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Stilleben am Schalttag ["Still Life on February 29"]". Medium: Original color lithograph. Date: Composed 1940. Printed later. Dimensions: Overall size: 8 x 11 3/4 in. (203 x 298 mm).Lot Note(s): Signed in the image, upper right. Felix Paul Klee handstamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29289-2-300]
Kurt Bunge (1911 - 1998)o.T. (Stilleben mit Orangen und Zitronen). 1954. Öl auf Platte. 30 x 42 cm. Signiert und datiert. Gerahmt. - Obere rechte Ecke angeplatzt. Entlang der Kanten teils minimal berieben. Insgesamt farbfrisch. Untitled (still life with oranges and lemons). Oil on wood. Signed and dated. Framed. - Upper right corner bumped. Minimally rubbed along the edges. Overall colour fresh.
Curt A. Landwehr, 1920 - 1988, Ausbildung am Dörner Institut und Akademie München, hier: großes Stillleben, Öl/Lwd, li. u. signiert, ca. 60 x 80 cm, Prunkrahmen ca. 80 x 100 cmCurt A. Landwehr, 1920 - 1988, trained at the Dörner Institute and academy Munich, here: large still life, oil/canvas, signed lower left, approx. 60 x 80 cm, pomp frame approx. 80x100cm
Will Sohl, 1906 Ludwigshafen-1969 Heidelberg, Blumenstillleben, Öl/Lwd, links unten signiert und datiert 46, ca. 77x48cm, R. ca. 96x67cmWill Sohl, 1906 Ludwigshafen-1969 Heidelberg, Still life with flowers, oil/canvas, signed lower left and dated 46, approx. 77x48cm, frame approx. 96x67cm
Anna Peters, 1843 Mannheim - 1926 Stuttgart, frühe Unterrichtung in Landschaftsmalerei durch den Vater Pieter Francis Peters, Studienreisen nach Südtirol, ab 1880 Mitglied im Verein der Berliner Künstlerinnen, reüssierte vorwiegend in der Blumenmalerei, hier: Blumenstillleben mit pinkfarbenen Astern, rechts unten signiert, Öl/Karton, R. ca. 14,5x31,5 /26x43 cm, Abb. AK Gustav Schönleber/Anna Peter u. ihre Familie 2021, S. 31Anna Peters, 1843 Mannheim - 1926 Stuttgart, early instruction in landscape painting from father Pieter Francis Peters, study trips to South Triol, from 1880 member of the Berlin women artist association, was successful mainly in flower painting, here: Still life with flowers with pink asters, signed lower right, oil/cardboard, frame approx. 14.5x31.5 /26x43 cm, ill. AK Gustav Schönleber/Anna Peter and her family 2021, p. 31
Maler der neuen Sachlichkeit, in der Art des Alexander Kanoldt (1881-1939), Stillleben mit Topfpflanze, Stuhl und Krug, wohl im Atelier, im Hintergrund die Rückseiten einiger Ölgemälde, Öl/Lwd, links unten unleserliche Reste einer Signatur, rückseitig auf dem Keilrahmen bezeichnet Kanoldt in Druckbuchstaben, ca. 80x56cm, R. ca. 99x85cmpainter the new objectivity, in the style of Alexander Kanoldt (1881-1939), still life withpotted plant, chair and jug, probably in studio, in the background the backs of some oil paintings, oil/canvas, lower left illegible remains of a signature, on the back on the stretcher inscribed Kanoldt in block letters, approx. 80x56cm, frame approx. 99x85cm
Theodor Brün, 1885 Hamm - 1981 Hagen, drei Aquarelle, Blumenstillleben, alle handsigniert, zweimal dat. 54 und 56, PP: ca. 28 x 30 cm/ 32 x 46 cm/ 34 x 41 cm, unter Glas, RahmenTheodor Brün, 1885 Hamm - 1981 Hagen, three watercolors, still life with flowers, all handsigned, twice dated 54 and 56, PP: approx. 28 x 30 cm/ 32 x 46 cm/ 34 x 41 cm, under glass, frame
Mher Chatinyan, geb. 1989, zeitgenössischer armenischer Künstler, Ausbildung an Fakultät für Malerei u. Graphik am pädagogischen Institut Vanadzor, reüssiert v.a. in seinen Blumenstillleben, hier: Blumenstillleben mit Flieder u. Äpfeln, handwerklich sichere Wahl des Bildausschnittes u. der Tonalität, Öl/Lwd,links unten signiert, verso datiert 2021, gerahmt, ca. 84x63 cmMher Chatinyan, born 1989, contemporary Armenian artist, trained at the faculty for painting and graphics at the Vanadzor Pedagogical Institute, is particularly successful in his floral still lifes, here: floral still life with lilac and apples, technically reliable choice of image detail and tonality, oil / Canvas, signed lower left,dated 2021 on the reverse, framed, approx. 84x63 cm
Wolfgang Zelmer, geb. 1948 München, Studium an der Hampstead-School of Arts in London u. an der Academie Julian in Paris, hier: 'Musicatre', Instrumenten-Stillleben aus Klarinette, Trommel und Horn, symbolische Aufladung, subtile Farbigkeit, hintergründige Konstruktionszeichnungen, signiert u. bez., Ed. 41/95, Farbradierung, unter Glas gerahmt, 70x83 cmWolfgang Zelmer, born in Munich in 1948, studied at the Hampstead School of Arts in London and at the Academie Julian in Paris, here: #'Musica tre#', instrument still life ofclarinet, drum and horn, symbolic charge, subtle Colourfulness, background construction drawings, signed and inscribed, Ed . 41/95, color etching, framed under glass, 70x83 cm
Alexander Titorenkov, geb. 1963 Kotel/Bulgarien, Ausbildung an der Nationalen Kunstakademie in Sofia, Weiterbildung an der Glasgow School of Art, hier: 'Gastmahl des Meeres', stilllebenhafte Komposition mit Fisch und Sanddorn, fotorealistisch collagiert in der Tradition illusionistischer Trompe l'oeil, ÖL/Collage auf Holzplatte, signiert, ca. 90x60 cmAlexander Titorenkov, born in Kotel/Bulgaria in 1963, studied at the National Art Academy in Sofia, further education at the Glasgow School of Art, here: #'Feast of the Sea#', still-life composition with fish and sea buckthorn, photo-realistically collaged in thetradition of illusionistic trumpet l#'oeil, oil/collage on wooden panel, signed, approx. 90x60 cm
Zoltan Preiner, 1955 Budapest, Studium an der Kunstakademie in Budapest, zahlreiche internationale Ausstellungen, starke Orientierung am flämischen Barock, hier: Stillleben mit Trauben und Weinflasche, detailtreue Wiedergabe des reduzierten Motivs,links unten signiert, Öl/Lwd, ohne Rahmen, 50x40 cmZoltan Preiner, 1955 Budapest, studied at the Academy of Art in Budapest, numerous international exhibitions, strong orientation to Flemish Baroque, here: still life with grapes and wine bottle, detailed reproduction of the reduced motif, signed lower left, oil/canvas, without frame, 50x40 cm
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77111 item(s)/page