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Lot 597
PAINTINGS AND PRINTS etc, to include a Sunset View across Water, indistinctly signed, oil on canvas, still life study of flowers, signed striker?, oil on canvas, still life study of flowers, indistinctly signed, oil on canvas, Continental river landscape, signed I. Cafieri and modern decorative print reproductions etc, largest size approximately 97cm x 77cm including frame
Lot 729
PAINTINGS AND PRINTS ETC, to include a watercolour of a man and dog walking across a misty field, indistinctly signed, oval mount, maximum size approximate 28cm x 23.5cm, two indistinctly signed oils on canvas of nostalgic townscapes, limited edition print of a snow leopard by John Wilkinson, framed prints of flower still life studies, animals and bath tubs, Albert Chevallier Taylor 'Elegant Soiree' print, etc (box and loose)
Lot 752
ASSORTED PAINTINGS AND ABRAHAM HULK PRINT, comprising a Russell Grant? coastal oil on canvas, two late 19th/early 20th century landscapes oil on canvas, some losses and holes, size 30cm x 61cm, four wooden panels decorated with Disney characters, small still life of fruits - oil on canvas and Abraham Hulk Dutch maritime print
Lot 444
Don Balke (North Carolina, B. 1933) "Deer in Forest" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. A picture of grace and speed, the White-tailed Deer merits its reputation as a survivor against the encroachments of man and nature. Long ago, the frontier nation looked to this splendid creature for venison and buckskin. Yet, the White-tails still range most of America, seemingly undaunted by their human predators. One reason the animals have such an amazing survival rate is that they are extremely well adapted for life in the wilderness. Their coats are so well insulated, the Deer can lie on snow without melting it. This coat's tubular hairs also give the Deer buoyance in swimming. Most important of all, the White-tailed Deer is adept at protecting himself from danger. Although the forest hums with activity, the White-tail immediately recognizes the snap of a twig which signals a predator's presence. As if fitted with springs, the Deer takes to flight, effortlessly escaping the clutches of her foe. Her fawn, less nimble than his mother, is no less capable of protecting himself. Since his body does not emit the mother's telltale musk odor, the fawn can lie motionless and escape the detection of his enemies. His white spots perfectly camouflage him against the dapple forest background. Equipped by nature to escape danger, the White-tail remains a populous American animal. In fact, wildlife experts estimate that more than eight million of the White-tailed Deer roam America today. Image Size: 13.5 x 14.5 in. Overall Size: 14 x 17 in. Unframed. (B11417)
Lot 460
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Redaction" Dated: '94 Oil on Paper. Signed lower right. Image Size: 10.25 x 13.25 in. Overall Size: 15.25 x 18.25 in. Unframed. (257 - 4684)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Lot 461
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Study for Red Progression" Dated: '95 Oil on Paper. Signed lower right. Image Size: 11.75 x 8.75 in. Overall Size: 16.75 x 13.75 in. Unframed. (258 - 4685) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Lot 512
Dean Ellis (New York, 1920 - 2009) "Marine Life of Palau" Signed lower left. Original Tempera Painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Fleetwood Mint Stamps of the World Collectors Panel for the Marine Life of Palau stamps issued in 1985. The magnificent waters of Palau are home to numerous species of mollusks with shells of striking beauty and color. Formed from mineral salts absorbed by the animal, each shell is a unique specimen that can never be duplicated. Size, color, texture and shape are determined by the mollusk species itself, what it feeds on, and its particular marine habitat. Seashells are still used in time-honored ways as jewelry, decorative ornaments and tools, and are often prized by collectors all over the world for their diversity and elegant beauty. Image Size: 21.5 x 17 in. Overall Size: 24 x 19.5 in. Unframed. (B09943)
Lot 91
Signed, 19th C. Flemish Still Life Painting. Indistinctly signed lower left. Depicting a lobster on an elegant table setting with fruit and a bouquet of roses in the background. Painting has been re-lined and re-stretched. Provenance: Important central Florida private collection. Sight Size: 28.5 x 42.5 in. Overall Framed Size: 35 x 44 in.
Lot 14
Follower of Adriaen Van Utrecht (1599 - 1652) Large still life painting of game. 17/18th century oil on canvas painting. Appears to be unsigned, has not been examined out of frame. Paintings has been re-lined and re-stretched. Provenance: Important central Florida private collection. Sight Size: 37 x 48 in. Overall Framed Size: 44 x 55 in.
Lot 153
ENJAR HANSEN (DANISH, 1884-1965) - SELF PORTRAIT Oil on board Signed with initials EH lower right 39cm high x 30cm wide Condition: General signs of wear to the edges commensurate with age and use Additional Information: Born into poverty in Copenhagen, Denmark, Ejnar Hansen (1884-1965) was raised on a dairy farm. At age 14, he apprenticed to an interior decoration firm. He studied at the Royal Academy of Art and an admirer of Edvard Munch, became a part of a group called “The 13,” modernist painters who rebelled against academic painting and expressed great interest in Expressionism and Cubism. In 1914, he arrived in Chicago and lived in Wisconsin and Minnesota, and then settled in 1925 in Pasadena, California, where he was promoted by the Stone Gallery in Monrovia. He was successful with portraiture, which he taught at numerous schools, and with figure, landscape, and occasional still life painting. “Plein air” painting trips, many with Maynard Dixon, included Taos, New Mexico, Utah, and Denmark.
Lot 188
This is a genuine Ferrari 'Club Fiorano' leather organiser as issued to members of Peter Gethin's rather exclusive track-day club. This is a genuine Ferrari Club Fiorano organiser which I believe to be made by Schedoni, the official Ferrari leather supplier in Italy. There is no Schedoni logo however. Having been kept in its box all its life, it still smells of very expensive leather, like a Ferrari interior. The pages measure around 21cm x 15cm. They were issued only to members of Club Fiorano which was an exclusive group even within Ferrari circles. Only members received this item, and there were not many members. It has the Club Fiorano logo embossed on the front. Club Fiorano was a track-day club run by the legendary Peter Gethin and Ferrari North Europe. The club had its own fleet of Ferrari 360s, an F355 Challenge car, a 550 Maranello and later a 360 Challenge car. This organiser is in extremely good condition and appears entirely unused. In a black 'Club Fiorano branded box.Specification
Lot 288
1971 Rolls-Royce Corniche 6.7. Registration number: 2809 VR. Date of first registration: 24 08 1971. VIN number: GRH11205. Engine number: 11205. MOT exempt . V5C present listing 7 former keepers (last change 2009). Current mileage shown: 52793. 67500cc. Silver. Full maintenance history for the past 12 years, carried out by RR specialist and independent RR mechanic. Previous MOTs until 2018. HPI checked Condition Report:Exterior very well presented in light metallic blue.Repainted at some stage in its life but still in good order, some slight rust starting on near side rear arch but very minimal, small area of micro blistering in localised area on near side door top. Interior very original and nicely patinated, woodwork lacquer with no significant wear and still maintains a deep shine. Leather has some discolouration to the front seat bases consummate with natural ware. Excellent headlining and carpets, door trim and console trim. All chrome work still in wonderful condition and starts and drives extremely well.
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