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![The Viking Age Buildings of Dublin by Wallace [Michael Herity’s copy]; Dublin Stolen from Time by Liddy; Dublin a Celebration](https://cdn.globalauctionplatform.com/b82f5412-cf73-4206-ba4f-b14600d64442/46fb1ca2-22b2-4be4-975d-b14600f4cb82/468x382.jpg)
Lot 1
The Viking Age Buildings of Dublin by Wallace [Michael Herity’s copy]; Dublin Stolen from Time by Liddy; Dublin a Celebration by Liddy [still sealed]; Encyclopaedia of Dublin by Bennett; Dublin Churches by Costello; Dignity of Everyday Life. Michael Scott’s Busarus; Dublin Be Proud by Liddy [signed copy] and Dublin Today by Liddy. 8 hardbacks all in djs.
Lot 811
Φ WILLIAM 'BILLY' HENDERSON (1903-1993) Still life with fruit in a basket; A pekingese on a cushion Two, the former signed with initials W.H. (lower right) and further signed and inscribed 'William Henderson/82' (to reverse), the latter signed and dated 'William Hardman' (to backing board) Oil on canvasboard; watercolour, bodycolour and black chalk heightened with gum arabic 16.6 x 23.9cm; 20.5 x 24.8cm (2)ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 904
20thC School. A collection of oil on boards, comprising B Stenson, oil on board cottage in floral garden scene, 30cm x 38cm, in gilt frame, man smoking pipe, autumnal trees, unsigned, G Rossi, floral still life abstract, 23cm x 17cm, signed in gilt frames, a 20thC watercolour cottage scene signed Hathway 1915, 20cm x 38cm, and a pencil sketch of Chiswick Thames London, bearing inscription, 29cm x 37cm. (9)
Lot 258
The Wedding Vase form is an ancient vessel still used in traditional Pueblo wedding ceremonies. Each spout of the vessel represents one of those to be wed. The looped handle represents the unity achieved with marriage. The space created within the loop represents the circle of life. In the traditional ceremony, the couple drink nectar (prepared by the medicine man) from the spouts to represent the blending of their lives. Backstamp HJP Acoma in black. Issued: 20th centuryDimensions: 6"L x 5"W x 9.5"HCondition: Age related wear.
Lot 20
MARKEY ROBINSON (1918 - 1999) Figure, Cottages and Trees Gouache on board, 51 x 74cm (20 x 29") Signed Belfast artist Markey Robinson studied briefly at the Belfast School of Art, but mainly learned from his grandfather who was a painter and decorator. He worked in various other professions including as an electrical welder and a lightweight boxer. His paintings returned to the same themes of people in landscapes or still life, painted with flat muted colour and dark outlines in almost abstract compositions. He exhibited widely at venues including the Ulster Academy of Arts, Belfast Museum and A rt Gallery, at The Irish Exhibition of Living Art, Oriel Gallery and Magee Gallery. His paintings can be found in the collection of the Arts Council of Northern Ireland, Ulster Museum, Queens University and the VHI. Markey Robinson’s work featured in ‘Ireland: Her People and Landscape’ exhibition (2012) and ‘Ulster Artists’ exhibition (2010)
Lot 392
Simon Quadrat (British, b. 1946), oil on canvas contemporary still life. Signed lower left. Framed in fitted frame. Foster Frame Stratford-Upon-Avon label to reverse. He has exhibited regularly over 20 years in a number of galleries and his work is in numerous private collections both in the UK and abroad. Simon is an elected member and past President of the Royal West of England Academy and an elected member of the New English Art Club. 51cm x 60cm. Frame measures 85cm x 95cm.
Lot 429
Comprising figure subjects, informal portraits, still lives, landscapes and other themes, one signed and dated 1928, principally pencil, some charcoal, pastel and watercolour, various sizes (approx 50 leaves) Provenance: By descent in the family of the artist. James Wood was born in Southport, Lancashire and read history at Cambridge University. He subsequently studied in Paris and Munich and worked on battleship camouflage in World War I. In the post-War years, Wood focused upon aesthetics. He developed a growing interest in colour theory, which became an enduring fascination for him throughout his life, and he held a firm devotion to Kandinsky's theories. Ever eager to expand his intellectual horizons, Wood learnt Persian, studied the art of Persia and became an adviser to the Persian government. He exhibited his work sporadically, but rarely after the mid 1950s. He moved between the hubbub of Hampstead; the idyllic remoteness of a cottage in Monmouthshire; and the home of his artist wife, Elisabeth Robertson, in Gloucestershire. Wood was friends with Sir Stanley Spencer but Wood's later work evinces an awareness of some Pop Art sensibilities. *CR Fair only; some with wear, foxing, creases, handling marks etc.
Lot 22
T*** E*** W*** (LATE 19TH/EARLY 20TH CENTURY) (2)Still life of flowers in a vase, a pair each signed with monogram 'TEW' (lower right) gouache 45 x 28.5cm (2)Provenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Lot 785
*Albert Williams (British, 1922-2010)Still life with roses in a planter, forest landscape beyondOil on canvas76.5 x 101.5cmSigned lower rightUnframed, in its original shipping caseProvenance: The Royal National Rose Society, commissioned directly from the artist. The painting was reproduced as The Royal National Rose Society's Christmas card in 2001Reference: The Rose vol. 95 (Autumn 2002), p.76 (present in the lot)
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