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Lot 443
Eleanor Winter (early 20th century), watercolour, still life with an oil lamp and sewing box, in oak frame, inscribed 'Mrs Gudgeon, Appleby', verso (the artist's married name), 75cm x 55cmNote: Eleanor Winter was first taught to paint by Edward George Hobley in Penrith and went on to become a pupil of Sir William Orpen and Augustus John at the Chelsea Art School, c. 1906/1907. She exhibited her work at the Royal Institute of Painters in Water Colours, Piccadilly and in other places and eventually married a curate from Penrith. There is no surviving record of her artistic career.
Lot 453
Eleanor Winter (early 20th century), watercolour, still life with fruit and chrysanthemums in a stoneware jug, signed and dated 1904, in gilt frame, 49.5 x 75cmNote: Eleanor Winter was first taught to paint by Edward George Hobley in Penrith and went on to become a pupil of Sir William Orpen and Augustus John at the Chelsea Art School, c. 1906/1907. She exhibited her work at the Royal Institute of Painters in Water Colours, Piccadilly and in other places and eventually married a curate from Penrith. There is no surviving record of her artistic career.
Lot 472
Eleanor Winter (early 20th century), watercolour, 'Wallflowers', still life with a pair of gloves and flowers in a blue and white jug, signed and dated 1904, Royal Institute of Painters in Water Colours label verso, gilt frame, 52cm x 36cmNote: Eleanor Winter was first taught to paint by Edward George Hobley in Penrith and went on to become a pupil of Sir William Orpen and Augustus John at the Chelsea Art School, c. 1906/1907. She exhibited her work at the Royal Institute of Painters in Water Colours, Piccadilly and in other places and eventually married a curate from Penrith. There is no surviving record of her artistic career.
Lot 26
* CLARE HARTIGAN (IRISH),IRISH EYESoil on canvas, signed60cm x 50cmUnframed, as intended.Note: Duke Street Gallery, Dublin label verso.Clare Hartigan is a graduate of Limerick Art College and currently a Gallery Artist for the prestigious and internationally recognised Duke Street Gallery in Dublin. Hartigan is one of the youngest artists ever to be represented by Duke Street Gallery. The seemingly spontaneous application of paint seen in her work reflects the paint-dripping technique associated with the work of Abstract Expressionist, Jackson Pollock. Hartigan takes inspiration from this technique which was utilized exclusively for abstraction, and truly makes it her own by creating semi-representational art; drawing inspiration for her paintings from personal experiences as well as current affairs. Hartigan's paintings are ignited with excited animation and emotional intensity, as delicate bands of color, dance across a white, monochromatic backdrop. She has the ability to introduce a sense of vitality into a traditional 'Still Life' through her use of line. A recurring theme in her work is the image of a young girl. Whether dancing, jumping, or simply standing, the figure is always rendered through energetic lines, mimicking the carefree nature of the subject, and conjuring up a sense of childhood nostalgia. (See also lots 27,28 & 29)
Lot 145
Imported from South Africa this car has benefitted from spending its life in a warmer climate. Around 5 years ago it had 2.0 Pinto engine installed, while the interior was refitted around 2 years ago. The interior still looks in great condition but could use a tidy up on the dash as some of the switches are in the wrong places. Although the body was also worked on, it was completed prior to being imported and is now started to show a couple of defects. It could use a strip and repaint to bring it back up to full beauty! The engine is described as a great runner but can be hesitant with a foot to metal pull away.Please Note: The mileage shown is not warranted. ConditionMileage: 37,000km MOT: February 2019 Transmission: Manual
Lot 2073
A 19th Century Papier-Mâché Hinged Sewing Box, with shaped sides, the exterior is inlaid with mother-of-pearl, with a still life of flowers to the cover, and highlighted with gilt decoration, internally the blue silk lined lift out tray includes mother of pearl sewing accessories, pair of silver handled scissors etc, the bottom of the box is lined in silver paper with a paper label, 'Joseph Rodgers & Sons, Cutlers to her Majesty, Sheffield', 28cm by 15cm by 9cmSome cracks to the painted decoration on the top. Couple of repaired/restored splits to the front, and also to the feet, and where the lid meets the hinges at the back. Overall wear
![[§] BENNETT OATES (BRITISH 1928-2009)STILL LIFE OF LILIES AND OTHER FLOWERS IN A VASE Signed, oil on board61cm x 51cm (24in x](https://cdn.globalauctionplatform.com/48a37310-8731-4f5a-965b-a8d301035ce7/5ebda947-2647-4a68-84b7-62623cbc7d18/468x382.jpg)
![[§] DOROTHEA SHARP (BRITISH 1874-1955)A STILL LIFE OF MIXED FLOWERS Signed, oil on board51cm x 41cm (20in x 16in)](https://cdn.globalauctionplatform.com/48a37310-8731-4f5a-965b-a8d301035ce7/603337e9-01f6-424c-9f00-d93f18bea64a/468x382.jpg)
Lot 399
After David Hockney (Born 1937)"The other side, 1990/93"An 1853 Gallery poster63 x 101cmTogether with two other posters "Hollywood Hills House" for the Metropolitan Museum of Art, 64 x 106.5cm and "Still life with Magenta curtains, 1987" for the Los Angeles County Museum of Art, 97.5 x 52.5cm
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