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Lot 399
Elizabeth Barlas Ure (née Walker)Still life - a glass jug of flowers with jar of paintbrushes upon a window lit table, signed, oil on canvas, 61 x 51cm; and two further works by the same hand to include: Winter view from a window, 70 x 60cm; and still life - a glass jug with tumblers, 50 x 65cm (3)
Lot 13
Six mid 19thC Sevres Etruscan red ground hard paste porcelain dessert plates, each decorated with a variety of classical still life and figural subjects, within stylised gilt anthemion leaf and scroll borders, Napoleon crowned 'N' mark in iron red, 24cm diameter.Auctioneers Note: Prince Napoleon's mistress was the tragic actress Mademoiselle Rachel (Rachel Félix, 1828-58), and it is thought that a service was commissioned and used in her salle à manger pompéienne in the 'Pompeian' house that the Prince had built on the east side of the Avenue Montaigne in Paris. Six painters are recorded as working on the service and some of the subjects depicted were adapted from engravings in Antichità d'Ercolano. The dessert-service is described in the factory archives as 'fd. rouge décor étrusque' and was delivered on 18th October 1856. It included 72 assiettes priced at 76 francs.
Lot 267
Bagster (Samuel, 1772-1851). Publisher and author. A pair of half-plate daguerreotypes of Samuel Bagster and his wife Eunice (1777-1877), c. 1845-1850, the first showing Samuel and Eunice seated at a small table with some needlework in front of Eunice, the second similarly set with some blue tinting showing Samuel and Eunice full length and seated with their eldest daughter Eunice (1804-1878) standing next to her mother, Samuel reading a book, Eunice junior using knitting needles while her mother looks on, the first image with a little marginal solarisation, visible image area of each 132 x 94 mm, matching elliptical brass mats, glazed, original leather-covered hinged boards with bevelled edges and clasps, both somewhat scuffed, velvet pad to first daguerreotype missing from inside lid, together with a pair of one-sixth plate near-identical daguerreotypes of Mary Ellen & Cornelia Susannah Bagster (1844-1921 & 1846-1913), 1851, both portraits showing the two girls and a doll, both with some speckling and spider mould on plate and glass, bevelled wall frames with eye hooks [?Richard Beard studio], one with contemporary identification inscription to label at rear, 'Mary and Cornelia, taken 1851' and later inscription noting that the photograph of 'Mother and Aunt Cornie' was taken in Regent Street, London, 1851, plus 4 one-ninth plate daguerreotypes of Bagster family members, mid-1840s to early 1850s, including one in a wall frame with hook (with 'Beard Patentee' stamp) and pencil identification of subject as Aunt Emma Bagster [Emma Maria Dyson, 1814-1888; married Benjamin Bagster, 1812-1891], one of an unidentified Bagster woman and one of a younger girl, both with lids detached, the one of the girl with gilt stamp of 'Mayall, Argyll Place, 224 Regent Street' to base, the last ninth-plate daguerreotype of a young man, [1843?], possibly John Bagster (1802-1843, second son of Samuel the Elder and Eunice), his personal business card for S. Bagster & Sons (partly folded and split) with a lock of hair attached found loosely inserted in the caseQty: (8)Footnote:These are possibly the only two extant photographs of Samuel Bagster the Elder. The National Portrait Gallery owns a portrait of Bagster by John Linnell, drawn from life at Windsor, c. 1852, itself an 'improved' version of a sepia ink sketch still in the Bagster family collection. Another drawing with watercolour acquired by the NPG in the same lot at the Linnell Sale (Christie's, 15 March 1918, lot 82) was sold by the NPG Trustees to Sir John Lane. The family photographs in the following two lots all date from after Samuel's death in 1851 and therefore include no more images of him.
Lot 1164
TOM NEALE; oil on board, five fisherman in a river, with woodland to the side and hills to the distance, 29 x 39cm, in an ornate gold painted wood frame, frame size 39 x 49cm, also Mollie Fletcher of Devon; oil, 'Late Summer', still life of garden flowers, signed lower right, 39 x 29cm, in an ornate gilt wood frame, frame size 53 x 43cm (2).
Lot 338
BRIAN NOLAN (Stockport artist, born 1931); two still life watercolours, 'The End of Another Summer', depicting a solitary rose in vase, on table, the other 'In the Garden of 89', depicting a bunch of violet flowers, with mottled green ground, both signed to bottom corners, each 57 x 40cm, both framed and glazed, frame sizes 78 x 60cm (2). †CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
Lot 350
SCHENKEL-TECK (Continental, 20th century); oil on canvas, still life of apples on a copper plate with wine bottle and glass of water on draped sheet, with green wall and portrait in the background, signed bottom left, 55 x 59cm, framed, together with, Stanley Smithson (British 20th century); oil on board, study of Italianate style buildings on dark ground, signed SD, 49.5 x 59.5cm, and Gareth Morse, 20th century acrylic on canvas, abstract in red and orange with a burgundy line through the centre and turquoise detail, signed and dated 2004 bottom right, signed verso, 33 x 25cm, framed (3).
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