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NO RESERVE Munnings (Sir Alfred) [The Autobiography:] An Artist's Life; The Second Burst; The Finish, 3 vol., first edition, plates and illustrations, contemporary ink ownership name to endpapers of vol.3, occasional light spot, original cloth, spine ends creased, dust-jackets, extremities creased and rubbed, light fraying to spine ends, light spotting to covers, still a very good set overall, 8vo, 1950-52.
* ETHEL WALKER (SCOTTISH b. 1941), BRIGHT SPRING FLOWERS oil on board, signedframed and under glassimage size 46cm x 50cm, overall size 67cm x 72cm Comment: probably a relatively early work by Ethel Walker and another exceptional example following several outstanding paintings by Walker to feature in our auctions over the last couple of years.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer). In our December 2021 auction "The Lace Cloth" achieved £3000 (hammer) and "Study in Blue" sold for £2400 (hammer) in The Scottish Contemporary Art Auction of 8th December 2022 (lot 16).
* NORMAN EDGAR RGI (SCOTTISH 1948 - 2022), SAILBOATS watercolour on paper, signedmounted, framed and under glassimage size 15cm x 21cm, overall size 36cm x 41cm.Note: Norman Edgar studied at Glasgow School of Art from 1966 to 70 and went on to teach there until 1990, when he left in order to paint full-time. He was a landscape and portrait painter, working in the Colourist tradition. A member of the Glasgow Institute of Fine Arts, he showed work regularly in the annual Royal Scottish Academy exhibitions. He had long been a resident of Gourock on the south bank of the River Clyde and marine activities feature prominently in his work. He is also widely regarded to be one of Scotland's leading still life painters. Known collections include: HRH The Duke of Edinburgh, Heriot Watt University, Greenock Art Gallery, Argyll Education Authority, Renfrew Education Authority, Lord Morton, Guinness Plc, United Distillers, Lord Macfarlane of Bearsden, Glasgow Dental Hospital, Pitlochry Theatre and in numerous corporate and private collections in the USA, Germany and the UK. In The Scottish Contemporary Art Auction of 2nd March 2023 lot 233 "Still Life with Fruit", a large oil by Norman Edgar sold for £2400 (hammer).
* DONALD BAIN (SCOTTISH 1904 - 1979), STILL LIFE WITH APPLE oil on board, signedframed and under glassimage size 50cm x 39cm, overall size 72cm x 61cm Note: Donald Bain was born in Kilmacolm, Inverclyde, in 1904, the son of a textile designer. Later, the family moved to England to live and Bain eventually began studying art under William York MacGregor (1855 – 1923), one of the Glasgow Boys. It was MacGregor who introduced Bain to the work of the Scottish Colourists and Bain was to become particularly associated with J.D. Fergusson (1874 – 1961), becoming involved with the New Scottish Group from its inception in 1942. He worked in France after the Second World War, but settled in Glasgow in 1948. His work remained largely unknown until a major touring exhibition in 1972-73.
* ANNE H MACKINTOSH (SCOTTISH b. 1944), FLOWERS IN A GLASS VASE oil on board, signed, titled label versoframed and under glass image size 55cm x 40cm, overall size 71cm x 55cmLabel verso: The Macaulay Gallery, Stenton.Note: An early and rare still life by Anne Mackintosh one of the UK's most celebrated portraitists whose commissions have included HM King Hussein of Jordan (4 portraits), HM Queen Noor of Jordan, HRH Princess Raiyah of Jordan, Nelson Mandela (for Glasgow Caledonian University), Margaret Thatcher, Prime Minister, John Major, Prime Minister, Sir Malcolm Rifkind, one official, one domestic portrait, Lord Lang of Monkton, one official, one domestic portrait, Lord Forsyth of Drumlean, David Cameron Prime Minister, Donald Dewar (First Minister of Scotland), The Duchess of York, HIRH Archduchess Elyssa of Austria, Yitzhak Rabin Prime Minister of Israel (Posthumous Painting), Seve Ballesteros (3 portraits), Tom Kite, The Hon Lord Cullen, Lord and Lady Hanson, The Hon Robert Hanson, The Hon Brook Hanson, Lord and Lady White, The Hon Lucas White, Lord MacFarlane of Bearsden, Lord and Lady Harris of Peckham, their children and grandchildren, The Hon Lord Johnston, Dean of the Faculty of Advocates, Danielle Steel and 7 of her children, Richard North Patterson, Author, Andrew Neil, Robert Carlyle, Actor, Countess de Pelet, Baronesses Alex, Helen and Julia van Tuyll van Serooskerken, Drs Vera and Gerald Weisfeld and Family, Michael Winner, Film Director, Major General and Mrs. Patrick Cordingley, the Late John Smith MP and numerous others.
* HELEN M TURNER PAI PPAI (SCOTTISH b. 1937), REFLECTIONS oil on canvas, signed, titled label versoframed and under glassimage size 72cm x 76cm, overall size 85cm x 90cmNote: Helen Turner was born in Glasgow. When she left school she joined the design studios of James Templeton and attended Glasgow School of Art in the evenings from 1952 to 1960. There she studied drawing, still life and portraiture under Trevor Makinson and William Gallagher. Continuing her career with James Templeton and other companies, she became a documented designer in Aubusson and Beauvais, travelling extensively throughout the world. Helen's designs can be seen in the Waldorf Astoria, Turnberry Hotel, San Francisco Opera House, The New York Plaza, P & O Cruise Liners and many Casinos throughout the world. Eventually, she gave up her design work to become a full-time artist. Helen was elected President of the Paisley Art Institute from 2001 to 2004. She is also a member of the Glasgow Society of Women Artists and exhibits regularly in galleries throughout the UK. Helen won the East Linton Award in 1972 and 2004 and was commended in the Soroptomists' International Fine Art Award in 1992. In 2000 she became a Diplomat of the Paisley Art Institute [PAI]. Helen has work in the corporate collections of Robert Fleming Holdings (The Fleming Collection), Dunedin Fund Managers, Aberdeen Asset Management, the TSB, South Ayrshire Council, Paisley Museum and Art Galleries, Ramco Oil and Baillie & Gifford. Known private collectors include Lord Morton and Lord McLean.
* GLEN SCOULLER RSW RGI DA (SCOTTISH b. 1950) BLUE STILL LIFE watercolour on paper, signed, titled label versoframed and under glassimage size 16.5cm x 16.5cm, overall size 33cm x 33cmLabel verso: Roger Billcliffe, GlasgowNote: Glen Scouller is a contemporary Scottish artist, known for his vibrant and expressive landscapes and still lifes, which showcase his interest in bold colours and the movement of light. Scouller was born in Glasgow in 1950 and studied at Glasgow School of Art from 1968-73. As a student, he won the Royal Scottish Academy Painting Award and in 1973, was awarded the Post Graduate Study Award, the WO Hutcheson Prize for Drawing and Travelling Scholarship to Greece. In the following years, Scouller won more awards for his work, including the Lauder Award, Glasgow Art Club and Scottish Amicable Award, Royal Glasgow Institute of Fine Arts. He regularly exhibits at the Royal Scottish Academy, The Royal Glasgow Institute of Fine Arts and the Royal Scottish Society of Painters in Watercolour. In 1989, he was elected a member of the Royal Glasgow Institute of the Fine Arts, followed by the Royal Scottish Society of Painters in Watercolour in 1997.Since 1977, Scouller has had over 40 solo exhibitions across Scotland and internationally. His works are held by both public and private collections worldwide, including The Scottish Office in Edinburgh, De Beers and the First National Bank of South Africa.
Ernst Wahliss Turn Vienna Superb Pair of Hand Painted Lidded Twin Handled Reticulated Globular Shaped Vases, c1900, decorated with still life floral images on a blush ivory ground; printed stamp mark to bases, each 12 inches (30cms) high, Condition Report - 1st Vase has hairline crack to top, Light crazing and some scuff Marks, the 2nd Vase Light crazing and a few scuff marks.
Royal Worcester- A Stunning Pair of Large and Impressive Signed and Handpainted Exhibition Vases - Of Superb Proportions, Circa 1916. Fallen Fruits Still Life, Peaches, Grapes, Berries, Pears Signed Roberts. Handpainted Within a Large Gold Banded Panel with Cobalt Blue Ground Surround. The Handles, Base, Borders etc... Embellished in Gold. They Stand 20" (50cm) Tall. Condition Report - One vase is in excellent condition apart from two hairline cracks approx 3" long to the back of the vase. The other vase has extensive cracks and hairlines to the front, extending to the side of the vase. Requires restoration.
Two Continental white metal note memoires, the first of rectangular form relief decorated with a cherub and floral sprays and a bird, engraved with initials 'LBC', indistinctly stamped, possibly 800, the second example with gilt highlights of still life, floral sprays to the front and exotic birds to the reverse, 9 x 6.5cm (2).
JOHN NEUMANN; oil on canvas, still life of a copper kettle, bottle, jar and tea cup and saucer, signed lower right, 21.5 x 29cm, framed, with a still life watercolour of ink bottles by Douglas Coyne (2).Condition Report: Both images generally clean and bright, the oil frame with some scuffs.
SPODE; a 19th century dessert bowl, with moulded handles, decorated in the Imari palette, with exotic birds and still life, pattern number 1495, width 29cm, with a ginger jar and cover in the 'Exotic Bird' pattern, height 14cm (2)Condition Report: Light wear to the gilding on each, light glaze crazing to the ginger jar and cover, fine hairline crack to the rim of ginger jar.
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77111 item(s)/page