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Lot 396
Report of Dr. Fred Meijer is attached. Nicola Casisa (active at the beginning of the 18th century, and died in 1731) was one of the Neapolitan painters who most stood out in the cultivation of still life, active in Campania and Naples as a painter of still lifes of fruits, flowers and birds. He was a student of Andrea Belvedere. Several of these paintings were in the 1714 inventory of Duke Nicola Coppola of Canzano. Among his students are Leonardo Coccorante and Giorgio Garri. Measurements: 181 x 128, framed measurements: 198 x 147. Origin: Property of an important Spanish collector.
Lot 1120
§ Raymond Campbell (British, b. 1956), still life with grapes and a peeled orange, oil on panel, signed lower right, 25 x 20cm, in a graduated part-gilt frame. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org for more information
Lot 1124
§ Raymond Campbell (British, b. 1956), still life with lighter and matches, oil on panel, signed lower left, 35 x 30cm, framed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org for more information
Lot 199
Nissan Engel (Israeli, bn. 1931), by and after, ‘Adagio’, signed and titled in pencil to margin, limited edition number 4/150, aquatint engraving, 56cm x 40cm; Leon Gischia, by and after, abstract in red and yellow, signed, silkscreen print, limited edition number 131/200; Lansery??, still life study, number 126/220, etc, (4).
Lot 193
Neill LOWDON Still life Oil on canvas, signed, 39x39cmI was born in Edinburgh and went to Art College in Orléans and Falmouth. On graduating, I won the David Murray Prize for Landscape Painting at the Royal Academy of Arts, enabling me to go on a painting trip to Spain and in particular Santiago de Compostella.Because of my health and taking Artistic life very seriously, I have kept a low profile. I have worked solidly for over forty years and never compromise.I have taught in many situations, P&O Cruise Ships being an example. I was able to paint in watercolors in numerous countries.My Exhibitions have spanned Germany twice, France and here in the West Country.My biggest Commission to date was a posthumous, large oil of Prime Minister Sir Stanley Baldwin. My painting now hangs in a significant building in the City of Worcester
Lot 218
Neill LOWDON Still Life with Perfume Bottles Oil on canvas, signed, 70x100cmI was born in Edinburgh and went to Art College in Orle'ans and Falmouth. On graduating, I won the David Murray Prize for Landscape Painting at the Royal Academy of Arts, enabling me to go on a painting trip to Spain and in particular Santiago de Compostella.Because of health and taking Artistic life very seriously, I have kept a low profile. I have worked solidly for over forty years and never compromise.I have taught in many situations, P&O Cruise Ships being an example. I was able to paint in Water colours in numerous countries.My Exhibitions have spanned Germany twice, France and here in the West Country.My biggest Commission to date was a posthumous, large oil of the Prime Minister Sir Stanley Baldwin. My painting now hangs in a significant building in the City of Worcester.
Lot 239
Agnes E DREY (1890-1957) Still life with bowl, book and flowers Watercolour and graphite on paper, signed, 34cm x 51cm.Drey was a founder member of the Penwith Society and her artwork was widely collected including by other artists such as Wilhelmina Barns-Graham.This has not been examined out of the frame, but I imagine it was once a bright, spirited work that has now faded somewhat.
Lot 335
Emile Barthelemy FABRY (1865-1966) Portrait of Frances Weir Cuthbert Pastel on paper, signed and inscribed, 44 x 36.5cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a vast number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism. Frances Weir Cuthbert was the daughter of American artist, Nina Weir Lewis and sister of the still life painter, Helen Stuart Wier. Frances would often visit her mother and sister in St Ives, where they had settled in 1913 and at the same time would sit for many of Fabry's drawings and Herbert Lanyon's photographs.This St Ives era portrait was acquired by the vendor through the artist's biographer.
Lot 664
Patricia Preece (1894–1966) and Dorothy Hepworth (1894–1978) Still Life Oil on panel, Labels to verso, 40x34cmThis work is generally in very good overall condition with the exception of a couple of minor surface abrasions, please see images.It comes from the estate of a private Cornish collector
Lot 477
Le Pho (Vietnamese, 1907-2001). Color lithograph on paper titled "The Bouquet," depicting a still life with a bouquet of flowers. Pencil signed along the lower right; numbered 66/120 along the lower left. A label from Wally Findlay Galleries is affixed to the verso.Sight; height: 25 1/2 in x width: 16 in. Framed; height: 34 in x width: 26 in.
Lot 481
David Miller (American, 20th/21st c). Cibrachrome photograph depicting a still life of bushels of peppers and garlic, 1989. This work is an enlargement of a manipulated polaroid.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 47 3/4 in x width: 47 1/2 in. Framed; height: 50 in x width: 49 1/2 in.
Lot 613
Gerald Stinski (American, 1929-2015). Trompe l'oeil oil on board still life painting depicting two strawberries, one within an eggshell. Signed along the lower left. The painting with an artist's easel.(Painting) sight; height: 4 3/4 in x width: 3 1/2 in. Framed; height: 9 in x width: 8 in. (Easel, closed) height: 11 1/2 in x width: 7 1/2 in.
Lot 86
RAMÓN MARTÍ ALSINA (Barcelona, 1826 - 1894)."Landscape.Oil on canvas.Signed in the lower left corner.The canvas has craquelure.Measurements: 37,5 x 25 cm; 55,5 x 42,5 cm (frame).Considered today as the most important figure of Spanish realism, Martí Alsina is part of the European avant-garde of the time. He revolutionised the Spanish artistic panorama of the 19th century, was a pioneer of the study of life and the creator of the modern Catalan school, as well as the master of a whole generation, with disciples of the importance of Vayreda, Urgell and Torrescassana. He began his studies in philosophy and literature, alternating them with evening classes at the Barcelona School of Fine Arts until 1848. After completing this first apprenticeship and deciding to take up painting, he took his first steps in the Maresme region, where he began to earn his living by painting portraits in a naturalistic style and landscapes "à plen air". In 1852 he became a teacher of line drawing at the Escuela de la Lonja in Barcelona, and two years later he began to teach figure drawing, a post he held until the accession of Amadeo of Savoy to the throne. In 1853 he travelled to Paris, where he visited the Louvre and became familiar with the work of Horace Vernet, Eugène Delacroix and French Romanticism. Later he became acquainted with the work of Gustave Courbet, the greatest exponent of realism. In 1859 he was appointed a corresponding member of the Sant Jordi Academy of Fine Arts in Barcelona. His first important exhibition was the General Exhibition of Fine Arts in Barcelona in 1851. From then on he exhibited regularly in Barcelona, Madrid and Paris, and was invited to the Universal Exhibition in the French capital in 1889. His prizes included medals at the National Exhibitions in Madrid, third in 1858 for his work Last Day of Numancia and second in 1860 for his landscape. In his last years he lived in seclusion, focusing his efforts on the search for new forms of expression, with an undone brushstroke close to Impressionism. His themes include numerous landscapes and seascapes, urban views (especially of Barcelona), portraits and human figures, genre scenes, temperamental female nudes, history painting and biblical scenes. He rarely devoted himself to still lifes, although he also painted some still lifes. Works by Martí Alsina are kept in the Prado Museum, the Thyssen-Bornemisza Museum, the National Art Museum of Catalonia, the Barcelona Museum of Contemporary Art, the Museum of the Abbey of Montserrat and the Museum of l'Empordà in Figueras.
Lot 130
KATE HARRIS (BRITISH 1878-1949) FOR WILLIAM HUTTON & SONS LTD. FOOTED BOWL, LONDON 1904 silver, with applied enamel roundels, hallmarked London 1904, inscribed 'Jays 142-144 Oxford St. w'Dimensions:7.5cm (3 1/2in) high, 15cm (5 7/8in) acrossNote: Note: Kate, or Katie, Harris, is broadly considered one of the most important designs for the London-based firm, William Hutton & Sons. From 1899 to around 1905, she produced exquisite designs for artistic silver. Often featured in The Studio magazine, her work received much critical acclaim and is still admired by many collectors today.An advocate of organic forms, executed with the finest material, sinuous botanical motifs dominate her work, serving both a decorative and structural purpose for the piece itself. Perhaps Harris’ best-known designs, however, are those featuring a classically stylised figural form, typically austere in feeling and with fewer erotic overtones than Continental Art Nouveau counterparts. The skilled craftsmanship to bring these designs to life showcase the elegance and simple beauty that is so synonymous with Harris’ work.Included in this sale are a number of pieces by Harris at the peak of her career. One such example is an inkstand which she was commissioned to design in 1902 and adopted as one of the prizes issued by the Art Union of London. The Union’s annual report of that year indicates eighteen examples of the inkstand were allocated as prizes. The report also wrote of her design, ‘The charming and original inkstand, designed for the Society by Miss Katie J Harris will be especially noticed…Miss Harris’ future career will be watched with interest’.The period between 1880 and 1914 offered fresh opportunities to women artists in training and employment, and there was a growing number of women artist-designers' names published in popular art magazines at the time. However, despite her name being a major contributor to the commercial Arts and Crafts style, little is known about the life and career of Katie Harris. While Harris may have been one of Hutton & Sons brightest talents, it was commercial standard practice for designs to be attributed to the firm itself, and not the individual designer. As a consequence, even successful artists would remain largely anonymous and it became challenging, particularly for women, to forge a prosperous artistic career. Though her biography remains vague, her accomplishments in silverware design are recognised and reflected in the high prices her work commands in the art market today.
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